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Red Sparrow is one of the best by JNH, no kidding nowRed Sparrow is pretty shitty except for two cues (okay, admittedly two very long cues :p )<br><br>Black Panther wasn't shitty though, nor was Cloverfield Paradox!Yeah, everything is shitty like Red Sparrow ;)Still an astonishing albumHaving already bought the blu-ray, I'm hoping to see professional quality footage from later in the tour, when the vuiuals had been upgraded considerably
It's 2018, everything is shittyLOL so they wanted a score with no themes...Just random stuff against action music....Makes sense.I know this is another random question, but does anyone know who composed the music for Pirates Of The Caribbean Online? There's an album cover that says:<br><br>Music by Hans Zimmer<br>Additional Tracks by New Ages and Amir Baghiri<br><br>But on IMDB it says the in-game music was done by a completely different team of composers. Anyone have any sources, or any validation on which is correct?You guys are hilarious.and that means, tom did the perfect job. they wanted a shitty score and tom delivered. i am sure they would have fired desplat, williams or whoever, just because they would have failed. the task was to compose a shitty score and tom did that. their problem, if nobody buys the soundtrack album or avoid to see the film, just because of a bad filmscore. for us it is great, because we save money.
The fact that the directors insisted on a shitty score doesn't absolve the score from being shitty.Go to JXL's Youtube channel and watch his latest video. He talks about the process of scoring the film. If you have a problem with the score, direct your criticism and complains at the director/producers/studio because JXL delivered the score they wanted. They wanted to stay away from themes and wanted an a very alternative score. If Tom didn't deliver that, they would've found someone else who would've done the job and you'll still complain that it doesn't sound how you wanted lol. <br><br>I've heard a couple of tracks which I liked a lot. <br><br>Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lol
Olive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!

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Mark MancinaDon HarperJohn Van TongerenBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Twister (Expanded Archival Collection)
Label: La-La Land Records
Length: 64'07 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2516 votes)


  1. Wheatfield (Film Version)** (1:26)
  2. The Hunt Begins** (3:51)
  3. The Sky** (1:03)
  4. Dorothy IV (Film Version) (1:56)
  5. The First Twister* (0:49)
  6. In The Ditch - Where's My Truck? (2:00)
  7. Waterspouts** (2:49)
  8. Cow (5:42)
  9. Walk In The Woods* (2:05)
  10. Bob's Road (2:13)
  11. Hail No! (2:43)
  12. Futility (Film Version) (2:17)
  13. Drive-In Twister** (2:57)
  14. Wakita (Film Version)** (5:19)
  15. Sculptures (Film Version) (3:06)
  16. House Visit (4:47)
  17. The Big Suck (Film Version)** (1:47)
  18. End Title** (2:20)

  19. Wheatfield (Alternate) (1:33)
  20. Waterspouts (Alternate)** (2:50)
  21. The Big Suck (Alternate) (1:13)
  22. End Title - Respect The Wind§ (9:21)

*Previously Unreleased
**Contains Previously Unreleased Material
§Written & Performed by Edward & Alex Van Halen
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mpolonest123 reply Replies: 3 || 2016-12-30 23:09:59
Yes!!! :D

One of my holy grails, I'm especially looking forward to the orchestral lead-in for Humans Being.

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Angelos2017-01-17 20:22:27
Finally, LaLaLand has done it! Many kudos to them!!!! One my holy grails as well. I've been waiting for this for ages!
Take my money LaLaLand Records! Just take it!

Kusi2017-01-17 21:06:44
There's a sample of this cue on their site :)

mpolonest1232017-01-17 23:54:49
And it sounds great! It also seems like the original end titles are included as well.

One interesting thing, the mix sounds a bit different in the samples. The percussion and brass are both more pronounced I think.© 2001-2017 OST 
Twister (Expanded Archival Collection) soundtrack - Mark Mancina 1996