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Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
Hybrid, yes!wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.I was a bit over the line, I admit. I should have made it clearer that all of that "hottest shit in town" bit was meant purely as a part of my personal opinion regarding his output. I never saw or read any interviews with him. <br><br>I also know about his wife, of course... but I guess I'm just too cynical to accept it as an all-encompasing excuse while seeing such massive fanbase clamoring for his new music. I don't know, I admittedly feel a bit bad about what I'm saying myself. I AM an asshole, sure, but only to an extent. <br><br>I think that saying "he is writing scores that he feels comfortable with" and "living his life however he wants", albeit understandable, is still ignoring the fact that he is an artist with a fanbase. We are living in a time when film composers are slowly getting a mainstream recognition as a type of musicians comparable to bands or singers. And that creates a certain responsibility towards that fanbase. An artist doesn't have to fulfill it, sure, but he should at the very least acknowledge and address it.<br><br>Which brings to mind an image of Hans going on a massive tour whilst giving zero fucks about the CD presentation of his scores, but I digress.<br><br>I wouldn't dare giving Powell advices about how to deal with a pain of the loved one's loss. But on the other hand, I strongly believe in artist's responsibility towards the fans. <br><br>For example, that's why I would kick everybody saying "GRRM is not your bitch" right in the goddamn nuts.Now I have ONE true reason to want this score to win !<br><br>PEACE ! lolI stand corrected. Though it's still possible that the score is a combination of live orchestra and samples, a lot of RCP music does that.
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Lorne BalfeMax ArujThomas FarnonQueenie Li
ComposerScore ProducerScore ProducerMusic Production Coordinator
The Lego Batman Movie
Label: WaterTower Music
Length: 94'18 (Score: 60'08)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4502 votes)
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CD 1 - SONGS
  1. Who's The (Bat)Man - Patrick Stump (3:03)
  2. Forever - DNCE (3:48)
  3. (I Just) Died In Your Arms - Cutting Crew (4:35)
  4. Invincible - Kirsten Arian (2:59)
  5. One - Harry Nilsson (2:22)
  6. Heroes (We Could Be) (Hard Rock Sofa & Skidka Remix) - Alesso Feat. Tove Lo (6:35)
  7. Man In The Mirror - Alex Aiono (2:23)
  8. Friends Are Family - Oh, Hush! Feat. Will Arnett & Jeff Lewis (3:49)
  9. I Found You - Fraser Murray & Lorne Balfe (3:34)
  10. Forever - Justin Tranter (3:49)
  11. Man In The Mirror - Richard Cheese & Lounge Against The Machine (1:49)
  12. Everything Is Awesome - Richard Cheese & Lounge Against The Machine (2:02)
CD 2 - SCORE
  1. Black (7:32)
  2. Your Greatest Enemy (2:42)
  3. The Arrival Of Robin (2:52)
  4. Joker Crashes The Party (1:33)
  5. No Seat Belts Required (2:17)
  6. To Cage The Joker (1:59)
  7. The Phantom Zone (3:37)
  8. Open For Business (1:09)
  9. Chaos In Gotham (3:20)
  10. Lava Attack (7:40)
  11. For Your Own Good (1:45)
  12. Joker Manor (2:29)
  13. Batman's In The Zone (4:40)
  14. The Babs Signal (2:25)
  15. Battle Royale (4:54)
  16. A Long Farewell (2:49)
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Miguel reply Replies: 1 || 2017-02-07 00:50:50
I can't find a physical release ? Doesn't anyone know were to get it


Jordan2017-02-07 10:07:43
It's only available as CD-R on amazon.com :(

Anonymous reply Replies: 0 || 2017-02-07 00:47:15
Can't wait to see this . 97% on tomatoes ! Got the score on Saturday and listen 5 times already . AMAZING

Anonymous reply Replies: 0 || 2017-02-07 00:47:15
Can't wait to see this . 97% on tomatoes ! Got the score on Saturday and listen 5 times already . AMAZING

Anonymous reply Replies: 2 || 2017-02-05 12:29:19
Usually I am not into animation movie music because they are way too cheerful happy adventure style. But this one is amaaaaaaazing. I can hear a lot of stuff from other RCP scores but I don't mind.

This is really well orchestrated and badass. Lorne his best score.

I can only hope they will do a "superman lego movie" and he can do the score too


MusicWi2017-02-05 19:02:14
Totally agree . It great to get themes back again with super heroes !
10/10


Andrew772017-02-06 03:53:29
I saw the film over the weekend . Brilliant . Better the the Lego movie . Music is amazing . He has taken super hero music to another level .

Migeal reply Replies: 0 || 2017-02-04 08:46:47
Arrival of Robin is my best

Tim80 reply Replies: 0 || 2017-02-04 07:39:23
Order of amazing tracks :

1) Battle Royals - amazing theme and orchestration
2) The Babs Signal - great theme . Exactly how superhero movies should have a theme .
3) Chaoes in Gotham - totally crazy !
4) A Long Farewell

The rest : just as good but theses are amazing .

Ando4 reply Replies: 4 || 2017-02-03 06:03:57
Just downloaded the album . Already listened to it three times .
It's excellent . Lorns best score yet . Fun and series .


Brent2017-02-03 07:06:47
I absolutely love this score! Perhaps Lorne's best. Though, at the same time, I'm a little annoyed that Junkie's Mad Max descending action pattern keeps showing up at every possible moment.


Ando42017-02-03 18:11:21
I thought that to but then that line is also in Megamind ! So not really junkies!


Hybrid Soldier2017-02-03 19:48:42
Yeah that's funny I asked if there was Mad Max temp but it was rather Megamind ! ;)


The Pale King2017-02-03 20:56:56
That descending action theme is a bit annoying, but I'll forgive it for just how much fun this score is; a real treat.

Basically sounds like putting the score(s) for the Lego Movie, Batman '66, and Batman '89 / TAS in a blender, with a lot of fun, unexpcted surprises along the way.

Not to be that guy, but after the muddled disappointing Batman stuff in BvS, hats off to Lorne for creating something that sounds so quintessentially Batman.

Oh, and the Robin cue / theme might be one of my favorites in a long time :)

AndyM reply Replies: 1 || 2017-01-31 10:59:01
Just saw a screening of the film . Defiantly Lorne's best score yet .its nothing like I've heard in an animation . Can't wait for the album now and great songs


Anonymous2017-01-31 16:34:50
whats defiant about the score?

Kevin reply Replies: 2 || 2017-01-28 00:56:13
6:58 . Amazing . he has the original TV Batman theme !


Krosos792017-01-29 00:09:39
That was very funny. it sounds like the ultimate batman soundtrack to me. Has everythiung.fun and comedy and sadness.


MusizTom2017-01-30 21:37:19
Lorne has posted his writing method on his Facebook and it's great to see how
He writes music on the computer . Can not wait for the album

Hybrid Soldier reply Replies: 8 || 2017-01-27 20:05:27
Suite added !


Mike2017-01-27 20:43:25
You've gotta be kidding me! The "deshi deshi basara" percussion again? :P Lorne already used it in 13 Hours.


Musiz2017-01-27 21:37:39
This is crazy !!! Brilliant . feels in the world of Superheroes and Batman
But fun . Great start to the year for amazing soundtracks


David2017-01-28 04:51:14
@Mike where did he use it in 13hrs? Track plz


Mike822017-01-28 05:13:46
It's a drum pattern !! So what ! The robin song is so beautiful


Bou2017-01-28 12:53:58
1:45 totally Powell-ish :)


Bou2017-01-28 12:56:18
2:05 sounds like, no kidding, some Don Davis stuff from Matrix :)


Miguel2017-01-28 13:57:29
More John Barry I think than Powell . Great sounding score so far .


Mike2017-01-28 15:57:53
@David, it plays during "Welcome to Benghazi"

PeteMusic reply Replies: 0 || 2017-01-27 22:36:00
Sounding great . Really want to see the film now .

Versus reply Replies: 1 || 2017-01-27 20:28:10
Another Work of this overrated Composer


Mike822017-01-27 21:51:27
You must be deaf !!! Can't get over how emotional this score is sounding. Any more clips available ?

Waymann reply Replies: 4 || 2017-01-27 09:41:47
Do we really have to buy the album with all those awful pop songs included?


ZioMusic2017-01-27 14:15:13
It was on Amazon but now gone ????


Petro872017-01-27 16:22:51
There seems to be a vinyl of just the score being released in May


jrej35552017-01-27 17:34:26
Hey, no dissin' on "Man in the Mirror!" ;)


Anonymous2017-01-27 18:17:41
@jrej3555,

I sampled it last night. It's not what you think it is. It's it's own song. And it sucks.

mpolonest123 reply Replies: 2 || 2017-01-27 01:41:28
The samples for this sound really cool, and it's great seeing Lorne Balfe tackle it given his history with Batman.


Tomas362017-01-27 03:38:31
This is Balfes best score yet ! So many colors . Bravo


peter2017-01-27 17:23:34
where can I find those samples please?

Mike reply Replies: 0 || 2017-01-27 17:17:01
Seeing as Lorne worked on all three movies of the TDK trilogy with Zimmer, Howard, et al... Anyone think we'll find any easter eggs here? ;)

Felix reply Replies: 0 || 2017-01-26 23:58:57
Yes!!! Yes!!! Yes!!! :)

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The Lego Batman Movie soundtrack - Lorne Balfe 2017