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yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.
where got you did tracklist have been?Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.
And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hans’ theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If you’re talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hans’ ideas.His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :D
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesn’t harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that don’t think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
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Matthew MargesonAndrew KawczynskiPaul MounseyJason Soudah
ComposerAdditional MusicAdditional MusicAdditional Music
Rings
Label: Paramount Music (Digital Download Only)
Length: 56'16
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2159 votes)
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  1. First You Watch It Then You Die (3:19)
    Matthew Margeson, Andrew Kawczynski (Hans Zimmer)
  2. Gabriel Watches (3:02)
    Matthew Margeson (Hans Zimmer)
  3. Julia (1:49)
    Matthew Margeson
  4. The Sevens (1:49)
    Matthew Margeson, Paul Mounsey, Andrew Kawczynski
  5. Following Gabriel (3:46)
    Matthew Margeson, Paul Mounsey (Hans Zimmer)
  6. Don't Watch (6:29)
    Matthew Margeson (Hans Zimmer)
  7. Holt Explains (2:42)
    Matthew Margeson (Hans Zimmer)
  8. Drive To Sacrament Valley (2:34)
    Matthew Margeson, Paul Mounsey (Hans Zimmer)
  9. Girl With The Violin (1:15)
    Matthew Margeson
  10. Samara's Crypt (3:32)
    Matthew Margeson, Andrew Kawczynski (Hans Zimmer)
  11. Burke (3:58)
    Matthew Margeson, Paul Mounsey (Hans Zimmer)
  12. Flash Flood (3:58)
    Matthew Margeson, Andrew Kawczynski (Hans Zimmer)
  13. What Lies Beneath (3:13)
    Matthew Margeson (Hans Zimmer)
  14. Tea With Burke (6:04)
    Matthew Margeson, Paul Mounsey, Andrew Kawczynski (Hans Zimmer)
  15. Samara's Revenge (4:11)
    Matthew Margeson (Hans Zimmer)
  16. Rebirth (4:11)
    Matthew Margeson, Paul Mounsey (Hans Zimmer)
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JackAfrogarrix2017 reply Replies: 0 || 2017-06-18 18:59:10
Matthew Margeson Had Make This Great Creeping Score For Rings With Using The Original Theme By Hans Zimmer In The Whole Score Except The Track "The Sevens"

And With Additional Music By Andrew Kawczynski(Only 3 Track) & Paul Mounsey(Only 5 Tracks). But I Got A Question What Happens To Jason Soudah In The Score?

Hybrid Soldier reply Replies: 3 || 2017-06-05 00:36:56
Credits details !


JBSO992017-06-05 08:50:35
Hans Zimmer appears in every cue except the track four. This means that he worked on the score, or that his The Ring Themes were used or whta is that?


Felix2017-06-05 09:50:08
@JBSO99

it means, that the cues have used his theme


Michael Poleschuck2017-06-05 10:41:50
Hey, Hybrid Soldier, when are suite for this will be available? And for other new soundtracks?

Alik reply Replies: 0 || 2017-02-27 12:00:45
ost The Ring 2 much better!!

Jack Afrogarrix 2017 reply Replies: 0 || 2017-02-27 01:16:36
Matthew Margeson makes at interesting & creeping score with andrew Kawczynski,Paul Mounsey & Jason Soudah as additional Music. and Executive Score Producer By Hans Zimmer as He Collaborate This Rings Trilogy

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Hybrid Soldier reply Replies: 1 || 2017-02-10 16:37:55
The score is the only thing I'll save from that film (just like The Ring Two lol)......


Everan2017-02-10 21:09:20
That bad? Yikes.

With Margeson on this though, looking forward to it, hope it haunts like Wellness.

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Rings soundtrack - Matthew Margeson 2017