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I'd love to see Hans do another historical epic, for the record. I'm sure he'd say he's moved on from that sound, but personally, I miss it. That being said, Harry Gregson-Williams did good work here. Even if he then copied and pasted whole sections for Narnia. lol.Music editors loved their Gladiator temp too muchWhat was the reason of their swap? Why did Hans Zimmer quit Kigdom of HeavenHybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.
Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5
Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Canít insult me! I am genuinely curious. Whatís this about The Last Samurai???
I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :OCredits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.
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Henry JackmanHalli CautheryStephen HiltonAlex Belcher
ComposerAdditional MusicAdditional MusicAdditional Music
Kong - Skull Island
Label: WaterTower Music
Length: 56'42
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3289 votes)
  1. South Pacific (0:35)
    Henry Jackman, Stephen Hilton
  2. The Beach (1:27)
    Henry Jackman, Stephen Hilton, Jack Dolman
  3. Project Monarch (2:02)
    Henry Jackman, Stephen Hilton
  4. Packard's Blues (1:14)
    Henry Jackman, Alex Belcher
  5. Assembling The Team (1:48)
    Henry Jackman, Halli Cauthery
  6. Into The Storm (2:44)
    Henry Jackman, Alex Belcher, Stephen Hilton
  7. The Island (1:16)
    Henry Jackman
  8. Kong The Destroyer (3:43)
    Henry Jackman, Stephen Hilton
  9. Monsters Exist (2:27)
    Henry Jackman, Stephen Hilton
  10. Spider Attack (1:39)
    Henry Jackman, Alex Belcher, Stephen Hilton
  11. Dominant Species (2:00)
    Henry Jackman, Halli Cauthery, Alex Belcher
  12. The Temple (5:47)
    Henry Jackman, Stephen Hilton
  13. Grey Fox (2:33)
    Henry Jackman, Halli Cauthery
  14. Kong The Protector (1:49)
    Henry Jackman, Halli Cauthery
  15. Marlow's Farewell (2:37)
    Henry Jackman, Halli Cauthery, Stephen Hilton
  16. Lost (1:27)
    Henry Jackman, Alex Belcher, Stephen Hilton
  17. The Boneyard (1:52)
    Henry Jackman, Alex Belcher, Stephen Hilton
  18. Ambushed (2:21)
    Henry Jackman, Francesco Lupica
  19. The Heart Of Kong (2:11)
    Henry Jackman, Halli Cauthery, Stephen Hilton
  20. Man Vs. Beast (2:31)
    Henry Jackman, Alex Belcher, Stephen Hilton
  21. Creature From The Deep (2:44)
    Henry Jackman, Halli Cauthery, Stephen Hilton
  22. The Battle Of Skull Island (5:46)
    Henry Jackman, Stephen Hilton
  23. King Kong (2:42)
    Henry Jackman, Halli Cauthery
  24. Monster Mash (Bonus Track) (1:27)
    Henry Jackman, Halli Cauthery
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Hybrid Soldier reply Replies: 1 || 2017-06-06 23:30:55
Composer credits for those interested !


Edmund Meinerts2017-06-06 23:41:07
Thanks as always :)

Jordan reply Replies: 0 || 2017-03-21 21:00:43
I received today the CD edition, ordered via WaterTower Music shop, and very surprised that it's not a CD-R ! It's a real pressed disc.

Adrian reply Replies: 0 || 2017-03-12 00:36:37
Amazing soundtrack, amazing movie

Edmund Meinerts reply Replies: 1 || 2017-03-04 01:04:55
...and I just realized I used the word "impressed" or some variation thereupon four times in that post. *facepalm*


Edmund Meinerts2017-03-04 01:05:32
And this was supposed to be a reply to the other thread!

...I think I need to go to bed. :p

mpolonest123 reply Replies: 4 || 2017-03-03 17:32:08
:-/ Hmmmmm.... This is really an underwhelming score. It's not bad by any means, but most of the action/suspense music is incredibly generic. And the horn of doom... really?!?

I will say, I do like the use of electric guitars in the first half ("The Island" is pretty badass) and there is some decent orchestral writing in the second. There just seems to be something missing that would make this feel more inspired.


MrZimmerFan2017-03-03 18:56:17
I'm not the biggest fan of Jackman, but I think is a enyoable score (honestly, I prefer Uncharted or Pixels, but I have fun with this). I like the guitars with orchestra (The Battle of Skull Island have this epic/heroic theme for Kong or the textures for Monsters Exists)

Not the worst.


mpolonest123 2017-03-03 20:58:59
Like I said, it's not a bad score at all. I won't even compare it to JNH because the film is obviously a different beast entirely. The problem is the lack of a distinct voice mixed with some bland, modern action material that borrows heavily from Silvestri and Brian Tyler.

Jackman has always had trouble finding his sound. His scores are always enjoyable but they seem to have trouble being distinct enough. That's one reason I love TWS. The electronic style mixed with the traditional action scoring allow it to be fresh and original, no matter how harsh it gets. If you didn't tell me Jackman scored Skull Island I honestly wouldn't be able to tell you who did.


Macejko2017-03-03 22:39:14
Yes, Jackman underdelivers yet again. I swear, the best thing that came out of his career was Matt Margeson.


Edmund Meinerts2017-03-04 01:04:18
Heh. That's harsh, but I have to admit that Margeson's recent work has impressed me more than Jackman's. The latter had some excellent scores early in his career, but since Wreck-it Ralph he hasn't really impressed me...was not at all impressed with his Captain America scores and even his latest animated/comedy scores like Big Hero 6 and Pixels were missing something. Although I did think Birth of a Nation last year was an impressive new direction for him.

Mortifer V. reply Replies: 0 || 2017-03-03 20:35:56
Disappointing.

JBSO99 reply Replies: 0 || 2017-02-27 15:59:50
In the official youtube chanel of WaterTower Music you can listen to the track "The Island" and it sounds amazing. I hope the score will be a s epic as this track!

Dimitris Krommidas reply Replies: 2 || 2017-02-26 20:56:40
It will be a great epic score, Jackman is great, but shame that it doesn't get a cd release.


Jordan2017-02-27 09:33:05
CD available on the WaterTower website. I ordered one.


Dimitris Krommidas2017-02-27 15:08:29
Thanks!

Iamtommie reply Replies: 0 || 2017-02-26 19:50:27
Cool, can't wait!!!!

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Kong - Skull Island soundtrack - Henry Jackman 2017