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Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.Is this cd of the complete score available for purchase somewhere?
I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>
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Rupert Gregson-WilliamsAndrew KawczynskiPaul MounseyTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Wonder Woman
Label: WaterTower Music
Length: 78'38 (Score: 74'38)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2718 votes)
  1. Amazons Of Themyscira (6:47)
    Rupert Gregson-Williams (Hans Zimmer)
  2. History Lesson (5:16)
    Rupert Gregson-Williams
  3. Angel On The Wing (3:45)
    Rupert Gregson-Williams (Hans Zimmer)
  4. Ludendorff, Enough! (7:37)
    Rupert Gregson-Williams
  5. Pain, Loss & Love (5:27)
    Rupert Gregson-Williams
  6. No Man's Land (8:52)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  7. Fausta (3:20)
    Rupert Gregson-Williams
  8. Wonder Woman's Wrath (4:06)
    Rupert Gregson-Williams, Andrew Kawczynski (Hans Zimmer)
  9. The God Of War (8:02)
    Rupert Gregson-Williams, Andrew Kawczynski
  10. We Are All To Blame (3:11)
    Rupert Gregson-Williams
  11. Hell Hath No Fury (3:58)
    Rupert Gregson-Williams, Evan Jolly
  12. Lightning Strikes (3:35)
    Rupert Gregson-Williams, Thomas Farnon
  13. Trafalgar Celebration (4:50)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
  14. Action Reaction (5:54)
    Rupert Gregson-Williams, Andrew Kawczynski
  15. To Be Human - Sia (feat. Labrinth) (4:00)
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Peters reply Replies: 4 || 2017-05-26 01:43:06
Oh dear . Where is the theme ?


Everan2017-05-26 04:49:41
It's in the score alright, in No Man's Land, WW Wrath and a bit in Lightning Strikes. You hear more the rythmic percussion about than the electric cello parts but it's in alright


Micah2017-05-26 04:51:00
You can even hear it a bit in the beginning and middle of Amazons of Themiscyra.


Duder man prrson2017-05-26 07:42:49
It also makes a small appearance in Angel on the Wing


Medigo2017-05-26 11:06:49
I am just happy to get some musical continuity

Micah reply Replies: 0 || 2017-05-26 06:45:56
Gotta say, I think Wonder Woman's Wrath is my favorite track of 2017. Gregson-Williams does an amazing job building upon Zimmer's iconic "theme" to deliver an edge-of-your-seat, epic thrill ride.

Waymann reply Replies: 4 || 2017-05-25 16:28:14
The soundtrack is avalable for pre order on itunes. You get the third track and the song already.


Ds2017-05-25 17:02:19
Lol at this song... really worrying about the new direction of the DC movies. Would you have imagined a Katy Perry song in the credits of Batman v Superman or a Rihanna song at the end of Man of Steel. Me neither :-)


Hybrid Soldier2017-05-25 18:44:45
That's one lengthy CD !!


Ds2017-05-25 19:20:09
I hadn't even noticed the track lengths. Really impressive!


isildur2017-05-25 19:38:06
Wow! 78 minutes of score! Cool.

Micah reply Replies: 0 || 2017-05-25 19:34:40
Hm, Angel On The Wing sounds a lot like the Cerberus theme from Mass Effect 2.

Damian musik :) BÊC reply Replies: 1 || 2017-05-10 23:31:05
Hans Zimmer and Junkie XL = CRAP DRONE MUSIC ! BVS SHIT !!!!Rupert Gregson-Williams FANTASTIC composer :)


Micchel8152017-05-25 17:41:26
Boy...i belelieve you are in the wrong place...

Joseph Solano reply Replies: 6 || 2017-05-10 03:52:51
I'm surprised Tom Howe isn't on the album cover. He's supposed to be doing a lot apparently.


Peters882017-05-10 08:51:46
Where did you read this ? Are you saying that he came in a re wrote it ?whomis he anyway!


Micheal2017-05-10 12:16:19
So Howe is the co composer?


Joseph Solano2017-05-13 01:38:48
@Peters88 and @Michael The director tweeted a picture of Williams and Howe together saying he's providing additonal music. Not in the traditional RCP way, but like Danny Elfman with Age of Ultron. He's practically a co-composer.


Ando2017-05-13 04:21:27
Ant find that tweet anywhere ?


rockhound2017-05-13 06:11:02
on hows website he is just listed as additional composer, but on Hate From A Distance and A Most Peculiar Man it is listed as "co-write with Harry Gregson-Williams". so why should he get a co-composer credit on the front cover, when he is listed just as additional composer on his own website?


Joseph Solano2017-05-13 17:33:41
I looked everywhere. But nothing. Now I look crazy.

Waymann reply Replies: 5 || 2017-05-10 09:31:31
Tracklist is here...

1. Amazons Of Themyscira
2. History Lesson
3. Angel On The Wing
4. Ludendorff, Enough!
5. Pain, Loss & Love
6. No Man’s Land
7. Fausta
8. Wonder Woman’s Wrath
9. The God Of War
10. We Are All To Blame
11. Hell Hath No Fury
12. Lightning Strikes
13. Trafalgar Celebration
14. Action Reaction
15. To Be Human – Sia (feat. Labrinth)

I'm guessing this is not going to be a complete score.



Anonymous2017-05-10 15:56:59
Complete score? No shit Sherlock


JBSO992017-05-10 17:09:21
Why they have to add a song, that will probably be boring, instead of introducing more score in the album? I don't understand this kind of things


Edmund Meinerts2017-05-11 02:56:24
Because 90% of people who buy the album will be doing so for the song


Waymann2017-05-11 08:36:20
Also Sia again ? I think at this point she can release another album with all the songs from the films she's been doing lately...


Hari Haran2017-05-12 19:15:34
Edmund- I'm pretty sure the theme alone will do most of the marketing pull. It's ridiculous how popular it's become. I don't regret it at all. :D

Jack Afrogarrix 2017 reply Replies: 0 || 2017-05-11 03:23:42
Nice Music Will Be For Wonder Woman By The Composer Rupert Gregson-Williams. Rupert Is An Good Composer Just Like His Brother Harry Gregson-Williams. i Hope That This Music Will Be Different Than BVS Music.

Ds reply Replies: 27 || 2017-05-04 14:42:47
No Steve Mazzaro? :-o


PetersUr2017-05-04 20:51:35
Thank goodness !!!no drones and boring electronics then


Ds2017-05-04 22:51:20
Lol... like The Boss Baby is full of droning ? Like there is any droning in Hacksaw Ridge? Like a track as "This is my world" from BvS is full of electronics? Just because a composer is capable of writing electronic music doesnt mean he only does that.


Edmund Meinerts2017-05-04 23:12:24
There's quite a bit of droning in Hacksaw Ridge, especially the track of that name.


Anonymous2017-05-05 07:00:51
Indeed. And BossBaby sounds all fake synthy too in most places.


PetersMusic2017-05-05 08:40:01
He isn't a very good composer . Nothing original


Ds2017-05-05 13:04:09
OK, fair enough for Hacksaw Ridge. Maybe Mazzaro is responsible for that track after all... or maybe not. Time will tell.

But what's wrong with sounding synthy? Aside from the fact that you personally don't like synths, of course.


rockhound2017-05-05 15:00:03
it sounds often just cheap and it also doesnt make sense to use a full orchestra, that sounds in the end like synths. then why hiring a full orchestra and waste alot of money?


Edmund Meinerts2017-05-05 16:30:59
I have no problem with synths. I do have a problem with scores that use synths to try and fake the sound of an orchestra - ESPECIALLY when there's more than enough money to get the real thing. The absolute worst thing is when they actually do get an orchestra, but then cover it up with synths anyway. Hans and the RC guys can be really bad about that sometimes. There's a certain charm to his earlier work where that was done mostly for budgetary reasons, but now that he's the biggest composer on the planet there's absolutely no excuse. Except, of course, that he gets too attached to the sounds of his own keyboards. :p


JBSO992017-05-05 17:09:11
So electronics sounding like orchestra is a bda thing? What about TRON Legacy? Because I'm pretty sur many parts were synth strings and so and it sounded amazing. Also, they manage to mix synths and real orchestra at parts (I think in Flynn Lives) and they nailed it!


JBSO992017-05-05 17:10:17
bad*
sure*
Sorry for the typos...


Gustic62017-05-05 19:47:36
There are good sounding synths ..... and cheap sounding ! Zimmer always used to sound original and then the likes of a Chappie started sounding not like hi and generic


Edmund Meinerts2017-05-05 23:03:14
Tron Legacy is a pretty bad example to be honest, because that score is great at keeping things clean. The orchestra is clearly an orchestra that is allowed to breathe organically, and the synths are clearly synths and have their own very distinctive textures and colors. None of this muddy mixing of the two in the middle somewhere that Zimmer likes to do.

If there's synths in there to specifically replace or sound like the orchestra, I missed them.


mpolonest123 2017-05-06 00:50:10
I don't understand the hate that Mazzaro gets (although I'm personally biased because I love synth scores and think Chappie is a masterpiece) and he has shown a great knack for writing purely orchestral music. Joseph Trapanese on the other hand.....

Something like Chappie is definitely a throwback to Vangelis, where you do get that "faux-orchestra" synth soundscape. IMO Chappie is a great example of Zimmer doing a largely synth score correctly, as opposed to Inferno which conceptually was interesting but came out as a mess.


JBSO992017-05-06 12:08:55
I think the hate he gets it's in part from the people who feels like he doesn't have a proper own voice and he, most of the times, he just produces synths and so. For me Chappie had some very good parts, but at other parts I felt like I was listening to some noises, but then you have tracks like The Outside Is Temporary or We Own This Sky and this are truly great themes.
Also the tracks from Man of Steel & Batman v Superman were his name appears are some of the best of the albums, so I think it depends on what he is working on


Peteu2017-05-06 12:39:33
Hans needs to get back to working with people like Balfe. Actual composers - . Really looking forward to hear the wonder woman theme again in this film .


Hybrid Soldier2017-05-06 12:46:23
You might want to hold on regarding HZ's theme... I spoke with a bunch of people who worked on that score and the theme only appears a couple of times, it's not central or anything.


Everan2017-05-06 15:56:34
The theme is still in so that's great! Musical continuity is always a win.


Mike2017-05-06 16:15:39
That's a shame if that is true about the theme . Even the trailers are now strongly
Using the theme . It would be a mistake not to use it


Hedon2017-05-08 15:20:52
They should have gotten Steve Mazzaro to score it. Then the theme would certainly be used a lot, as Steve is very close to both Hans and Tina Guo who performed the theme in BvS. And we know Steve can create epic sounding music.


Hybrid Soldier2017-05-08 15:53:53
You don't get it, they don't use the theme much because it just doesn't work...

Honestly, think a second and try to develop that "theme" ! It's impossible !! It's not even a theme, it was just an action cue motif, an "announcement" of WW in Bat v Sup... It got popular but apart from an action scene, you can't do anything with it ! And Warner tried, believe me !!


Martiane2017-05-08 17:32:45
They are using it on every advert and trailer for the film . In my opinion , there is a lot you can do with Zimmers theme. It's one of the most memorable super hero themes in recent years. It's like The Terminator theme - powerful


Mephariel2017-05-08 18:50:04
The problem is, it is not a theme that can you easily transition in and out of. You can play it and play it...but that it.


Hybrid Soldier2017-05-08 19:36:12
Exactly, you can't slow it down, you can't really rearrange it...


mpolonest123 2017-05-08 20:07:49
You can hear the theme being played on strings at the very end of the "Alley Fight" clip they released.

I'm sure the WW theme will be worked in at the right moments (for sure the end credits) but Hybrid is right in it not being a developed idea. What I'm personally curious about is what tone the score will take, considering DC is trying to shoot for a lighter feel.


forced2017-05-08 20:11:32
Hybrid's right, it's a riff, not a theme. It was cool in context.

In the trailer it sounded forced in.


Edmund Meinerts2017-05-09 00:05:42
In full agreement with Hybrid. It's a cool riff for an action cue...but can you hear that theme being twisted into something that's quiet, intimate and emotional? Or stirring and heroic? It would be cool to hear them try, but honestly the best composer in the world wouldn't be able to make that sound natural.


David2017-05-09 00:33:01
Respectfully Hybrid, I disagree about slowing it down! Remember the scene when Diana is in her hotel room and Bruce emails her the photo of her and the rest of the files? Her theme is playing and it's slowed down. And it really works! At least I think it does. I think it sounds great :D

Everan reply Replies: 0 || 2017-05-05 16:51:25
a synth free clip, becasue synths are bad
https://www.youtube.com/watch? v=TMuY-mjDOnA

JBSO99 reply Replies: 2 || 2017-05-04 16:25:20
I hope this is as good as Hacksaw Ridge was. I loved this score and it looks like Rupert is able to create great heoric themes and good action themes (well, in this one he will use th Wonder Woman theme I suppose)


Edmund Meinerts2017-05-04 16:36:38
I hope it's as good as the second half of Hacksaw Ridge. First half was not that interesting to me. :p


JBSO992017-05-04 21:54:02
Well, yeah. The first part had some beautiful themes like Climbing for a Kiss, but the true highlights were in the second half. I specially love I Can't Hear You, Praying & Historical Footage.

By the way, I love the new cover of the album!

Joshua reply Replies: 1 || 2017-05-04 04:27:27
Ah nice, Paul Mounsey again! Been showing up a lot lately.


Edmund Meinerts2017-05-04 10:49:41
Well, if Powell refuses to work... :p Man's gotta pay the bills somehow!

Everan reply Replies: 0 || 2017-05-04 03:30:33
After Hacksaw, the wait for this one is killing me!

David reply Replies: 0 || 2017-05-04 00:02:55
Absolutely cannot wait for this! :)

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Wonder Woman soundtrack - Rupert Gregson-Williams 2017