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Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.
@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.
Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.
Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-p
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Hans ZimmerLorne BalfeBenjamin WallfischAndrew Kawczynski
ComposerAdditional MusicAdditional MusicAdditional Music
Dunkirk
Label: WaterTower Music
Length: 59'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1788 votes)
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  1. The Mole (5:35)
    Hans Zimmer (Sir Edward Elgar)
  2. We Need Our Army Back (6:28)
    Hans Zimmer
  3. Shivering Soldier (2:52)
    Hans Zimmer
  4. Supermarine (8:03)
    Hans Zimmer
  5. The Tide (3:48)
    Hans Zimmer (Sir Edward Elgar)
  6. Regimental Brothers (5:04)
    Hans Zimmer, Lorne Balfe (Sir Edward Elgar)
  7. Impulse (2:36)
    Hans Zimmer
  8. Home (6:02)
    Hans Zimmer, Benjamin Wallfisch (Sir Edward Elgar)
  9. The Oil (6:10)
    Hans Zimmer
  10. Variation 15 (Dunkirk) (5:51)
    Benjamin Wallfisch, Hans Zimmer (Sir Edward Elgar)
  11. End Titles (Dunkirk) (7:12)
    Hans Zimmer, Lorne Balfe, Benjamin Wallfisch (Sir Edward Elgar)
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Ahmad reply Replies: 16 || 2017-12-11 15:09:10
The score is nominated for a Golden Globe!
Other nominations: Best Picture and Best Director.


badbu2017-12-11 15:21:04
YEES!!! And Best Director :-)


nvictor2017-12-11 20:27:55
hope it wins the golden globe nomination as well.


Kosto82017-12-11 21:05:39
Congratulations to Hans, Ben and Lorne.excellent music


FaresTdkr2017-12-13 20:11:49
If this nominated for golden globe or even Oscar and win the title I'll kill my self.

This score is nothing compared to interstellar or even to POTC 3.


Macejko2017-12-13 20:14:58
If only every annoying film music fan would be so willing to take his own life as this one...


Hybrid Soldier2017-12-13 23:15:02
Now I have ONE true reason to want this score to win !

PEACE ! lol


Bob2017-12-14 00:22:57
wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.


JamesT2017-12-14 05:11:39
Hybrid, yes!


badbu2017-12-14 07:40:17
haha hybrid :D made my day


Ds2017-12-14 08:23:31
An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-p


Ahmad2017-12-14 08:54:40
I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work.


Brent2017-12-14 10:13:49
This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.

Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).

Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.

Excuse me while I go listen to No Time for Caution yet again.


Edmund Meinerts2017-12-14 11:00:09
Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.

For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.


Gringo19762017-12-14 12:00:06
hans should win the oscar for best sound effects and not for the best music/score. just as a statement.


Olive2017-12-14 13:34:58
@ds the same for desplat's victory with Budapest Hotel.


Hybrid Soldier2017-12-14 21:03:24
@Bob

Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o



Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)

George reply Replies: 3 || 2017-12-12 19:17:52
From the bonus features, Turning Up the Tension is indeed about Hans' score. Very interesting, definitely watch it if you can!


AndrewP2017-12-13 00:52:59
Strange Balfe is not mentioned ?


RR2017-12-13 02:49:05
hope we get the complete score soon..It's just adding salt to the wound watching this features


badbu2017-12-13 07:36:20
And Hans say nothing about the score :D The Complete Score...i don't think so...the FYC Score is the standard Score...maybe in 2-3 years...fml

badbu reply Replies: 1 || 2017-12-11 09:52:13
is there any making of out there? (making the score)


babdu2017-12-11 15:38:06
okay there is a making of out there :-)
(youtube making of dunkirk)

Hybrid Soldier reply Replies: 21 || 2017-12-03 12:06:14
Full Dunkirk cuesheet (in alphabetical order) :

ACTIVATE SMALL VESSELS POOL
Hans Zimmer

APPROACHING TRAWLER
Hans Zimmer

ATTACK AFTERMATH / NAVY REQUISITION
Hans Zimmer

BANDIT 11 O’CLOCK / OFF YOU GO
Hans Zimmer

BOARDING DESTROYER / BELOW DECK
Hans Zimmer, Andy Page

COLLINS CRASH LANDING
Hans Zimmer

COLLINS STRUGGLES / DITCH BALLAST
Hans Zimmer

COLLINS TRAPPED
Hans Zimmer

COLLINS UNDERWATER
Hans Zimmer

COLLINS WATER LANDING
Hans Zimmer

COVERED IN OIL / ABANDON SHIP
Hans Zimmer, Andrew Kawczynski

DECENT ALTITUDE
Hans Zimmer

DESTROYER BY
Hans Zimmer

DUTCH SAILOR COMES BACK
Hans Zimmer

END CREDIT - 5MEC1
Hans Zimmer, Benjamin Wallfisch, Lorne Balfe

END CREDIT - AIR v31.07
Hans Zimmer

END CREDIT - LONG NOTE HARMONICS v12.7
Hans Zimmer

END CREDIT - TOMMY v8.00
Hans Zimmer

ENGINELESS FLIGHT
Hans Zimmer, Benjamin Wallfisch

FARRIER ATTACKS HEINKEL
Hans Zimmer, Lorne Balfe

FARRIER CHASED BY 109
Hans Zimmer

FARRIER CHASING 109
Hans Zimmer

FARRIER FLY BY MINESWEEPER
Hans Zimmer

FARRIER HEINKLE FLY-BY
Hans Zimmer

FARRIER TURNS BACK
Hans Zimmer

FORTIS LEADER DOWN
Hans Zimmer

GEORGE FALLS
Hans Zimmer

HEINKEL 11 O’CLOCK
Hans Zimmer, Satnam Ramgotra

HEINKEL CRASH
Hans Zimmer

I CAN’T SEE
Hans Zimmer, Alex Gibson

I’M NOT GOING BACK TO DUNKIRK
Hans Zimmer

LITTLE BOATS
Hans Zimmer, Benjamin Wallfisch

MEETING REAR ADMIRAL
Hans Zimmer

MINESWEEPER BOMBED / TRAWLER FLOATS
Hans Zimmer, Andrew Kawczynski

NIMROD
Hans Zimmer, Benjamin Wallfisch

ONE BANDIT DOWN
Hans Zimmer

OPENING PT 1
Hans Zimmer

OPENING PT 2
Hans Zimmer, Steve Mazzaro

PLUG THE HOLE
Hans Zimmer

RAIL YARD
Hans Zimmer

SAUERKRAUT SAUCE
Hans Zimmer, Ryan Rubin

SHIVERING SOLDIER
Hans Zimmer

SHOULD WE TURN BACK
Hans Zimmer

SMOKE FROM THE SPITFIRE
Hans Zimmer

SOLDIER LOCKED BELOW DECK
Hans Zimmer

STRETCHER CARRY
Hans Zimmer, Andrew Kawczynski

STUKA ATTACK
Hans Zimmer

STUKA BOMBING MEDICAL SHIP
Hans Zimmer, Andy Page

TARGET PRACTICE
Hans Zimmer

THE AIR
Hans Zimmer

THE BEACH PT 1
Hans Zimmer

THE BEACH PT 2
Hans Zimmer, Andrew Kawczynski

THE BODIES COME BACK
Hans Zimmer, Alex Gibson

THERE WAS NO CHUTE
Hans Zimmer

TORPEDO
Hans Zimmer, Satnam Ramgotra

TORPEDO AFTERMATH
Hans Zimmer

TURN IT AROUND!
Hans Zimmer

U-BOAT
Hans Zimmer

VARIATION 15
Hans Zimmer, Benjamin Wallfisch

WAIT FOR ANOTHER LIFEBOAT
Hans Zimmer

WAITING FOR THE TIDE
Hans Zimmer

WHERE ARE YOU FROM?
Hans Zimmer

109 APPROACHING
Hans Zimmer


badbu2017-12-03 12:22:00
WOW! Thanks :-)


Ian2017-12-03 13:36:19
I get the sense many of the above cues are variations of one another, but nonetheless it's cool to see that Hans seemingly did the bulk of the work here.


Ahmad2017-12-03 14:36:56
Thanks for cuesheet! "Sauerkraut Sauce" LOL!
"STRETCHER CARRY"... That's the one I want the most!


babdu2017-12-03 14:39:55
ich liebe Sauerkraut...aber was zum Teufel soll Sauerkraut Sauce sein? :D


Mike (OTM)2017-12-03 14:59:02
That's pretty interesting... I wouldn't have guessed that Zimmer did 95% of this alone.

Also, I never understood the logic that the film arrangement of these cues couldn't be put on album. Why not? Stitch two or three together at a time if need be. I think it would work fine.


...2017-12-03 15:40:03
I really hope we get a FYC score like we did for Interstellar. There's so much interesting stuff in the score that isn't on the OST.


Der-Profl2017-12-03 22:07:15
Is there a reason why the cuesheet is leaked now? Does this mean that we get the full soundtrack leaked in the next time? I hope so. Like Ahmad, I want to listen to "STRETCHER CARRY".


Hybrid Soldier2017-12-03 22:30:26
"Is there a reason why the cuesheet is leaked now?"


...

Because ASCAP finally added it to its website ? Mayyyyyyybe ?


Der-Profl2017-12-04 00:58:57
Haha. Sorry, I don't know how that all works with leaking information about soundtrack and scores. Dunkirk and Ghost In The Shell are the first ones, which I follow. (I don't know, if I can say that like that and you know what I mean.)


mpolonest123 2017-12-04 01:27:23
@hybrid

Are suites ever included on the cue sheets?


Hybrid Soldier2017-12-04 08:45:48
Cuesheet shows exactly what appears in the film, from the first to the last second of this film... Whatever was written for it but doesn't appear in it won't be in the cuesheet.


isildur2017-12-04 11:40:38
Want. Want. Want. It will be glorious if we get the whole thing.


...2017-12-04 12:43:44
We won't get a FYC version because WB has added the OST to their For your Consideration site. I wonder how this is even allowed, being as there's so much on this OST that isn't in the film (suites etc)


Medigo2017-12-04 13:00:10
well screw WB then
greedy bastards


...2017-12-04 13:22:20
Yeah why the hell would they upload the OST:/


Mike (OTM)2017-12-06 02:00:54
Anyone know what the chronological order of this would be?


Mike (OTM)2017-12-06 02:00:54
Anyone know what the chronological order of this would be?


badbu2017-12-08 07:52:35
The "alternate" version from "Oil" when Tom attacks the german plane oO it's soooo much better! <3 The extra strings, the ticking...gosh


Ahmad2017-12-08 09:58:03
I really love the variation of Supermarine that plays right before the torpedo scene. I'm guessing it's either HEINKEL 11 O'CLOCK or FARRIER ATTACKS HEINKEL.

I love the album but I wish we got more. So many good varations.
At least, I wish they would release STRETCHER CARRY like they did with NO TIME FOR CAUTION.


badbu2017-12-08 10:03:09
Ahmad you're so right :-)
Maybe we get the FYC :D


Ahmad2017-12-08 11:17:14
After watching the scene again, I'm sure it's HEINKEL 11 O'CLOCK.

@badhu Unfortunately, WB has been sending the commercial albums to critics and voters for Dunkirk and BR2049, so I kinda lost hope on an FYC unless things change.

Goodness Hans, do you have to do this to us on almost every movie? :D

isildur reply Replies: 0 || 2017-12-06 06:25:57
So, as the rumors of Nolan directing the next Bond movie haven't died down yet, do you think we'll finally get a Hans' Bond score. I really hope we do. It would be so kick ass.

  Your name :   

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Mephariel reply Replies: 3 || 2017-11-23 18:09:18
Should have gotten one for Interstellar, not this.


nvictor2017-11-30 14:41:51
should have got a nomination for this, not interstellar.


Edmund Meinerts2017-12-03 15:35:18
Should definitely have gotten one for Interstellar, not this.


Ian2017-12-04 08:39:45
I've never found Interstellar compelling as a whole (although it has a couple of very strong cues), but it is indeed drastically superior to Dunkirk.

Anton reply Replies: 0 || 2017-12-02 16:47:22
https://www.justgiving.com/fundraising/geniussoundtrack

What a great gift from Maestro Zimmer for a charity

Miguel reply Replies: 0 || 2017-12-02 03:56:05
Here is a great auction on for a signed soundtrack by Zimmer lorne and Ron Howard and it’s personalised

Mephariel reply Replies: 7 || 2017-11-28 18:15:45
2018 Grammy Nominations:

Arrival — Jóhann Jóhannsson, composer
Dunkirk — Hans Zimmer, composer
Game Of Thrones: Season 7 — Ramin Djawadi, composer
Hidden Figures — Benjamin Wallfisch, Pharrell Williams & Hans Zimmer, composers
La La Land — Justin Hurwitz, composer

Zimmer nominated twice but this is a tough field with La La Land and Arrival.


Olive2017-11-28 18:40:19
La La Land, Arrival and Hidden Figures are not recommendations from last year?


Dom2017-11-28 18:40:47
Why are the Grammys so weird? Hidden Figures, La La Land and Arrival are 2016 film and Dunkirk is a 2017 film. It opened 7 months later.


Olive2017-11-28 19:05:42
And still mixes television series with films


Olive2017-11-28 19:06:59
La La Land will win, anyway.


Ian2017-11-29 02:57:01
^ Yeah, although I can appreciate that folks have different tastes, I really struggle to see how one could reasonably argue for anything else winning.


Edmund Meinerts2017-11-29 10:14:44
I'd argue against it because taken on its own, the actual score for La-La Land is nothing special. It's only going to win because it's carried by the songs.


nvictor2017-11-30 14:41:01
nomination acquired. now we just need to win right? ; )

badbu reply Replies: 5 || 2017-11-22 12:26:59
They're starting to send screeners. Finger crossed for the FYC :D


nvictor2017-11-22 21:02:15
this one is my pick for the oscar as well. hope it wins : )


badbu2017-11-23 08:09:53
jaa. but i think he will never get his second oscar...:-(


Edmund Meinerts2017-11-23 12:02:06
If he does I hope it's not for Dunkirk.


Max Potcats2017-11-23 13:06:01
An Oscar (or at lease a nomination) for Dunkirk or Blade Runner ; it would be great from the academy to reward this kind of score. In the last decade, only Gravity had also this kind of """""sound desing""""""" score.


Olive2017-11-23 15:50:00
Maybe a honorary in the future.

nvictor reply Replies: 2 || 2017-11-11 02:44:41
i listened to Blade Runner. for that, i want to take a minute to say my deepest admiration for Ben Wallfisch for his collaboration with Hans Zimmer (Ben is truly amazing!).

i came back to this soundtrack after Blade because i needed to understand. and after that, i went back to Batman v Superman, Inferno, and Rush.

now, i understand. i think understand it all. where the music is going, in my own uneducated opinion. and i am very happy to live in this day and age with such great composers.

i wish i can meet you all one day and tell you in person all the things i have found and discovered that make me so happy.

love you all : )


Olive2017-11-11 12:16:31
"now, i understand. i think understand it all. where the music is going"

I do not understand.


nvictor2017-11-18 01:04:13
Olive i love your pseudonym : ) i wrote that comment in a rush, i was overwhelmed by the music!

listen to the latest soundtracks by the remote control people, slow each of them a tad bit, and let me know if you still don't understand : )

YFM reply Replies: 4 || 2017-11-17 10:12:39
I'm working on my own version of "The Mole", "Escaping The Mole", or whatever the long warped/over music edited tension cue is named.

nightly demos will be posted every day until I finish it, but it sounds fine now if you "must have" it.

soundcloud.com/yourfavoratemusic/hans-zimmer-dunkirk-escapin g-the-mole-nightly-demo


badbu2017-11-17 13:07:10
the fyc is comming soon ;-)
maybe we get the "film version"


...2017-11-17 13:39:25
I really hope we get the FYC! The score needs to be heard in full

Great work btw!


Mike (OTM)2017-11-17 18:28:02
YFM, your work is awesome. Long time lurk-listener. Looking forward to this,


nvictor2017-11-18 00:57:47
oh noes can't find that page!?

Jacob reply Replies: 1 || 2017-11-11 13:42:47
Hey guys,

I found this track on youtube. its the Mole (film Version)
Its quite good. I wish they would release the real version sometime.

https://www.youtube.com/watch?v=_995VzM9FYg


bro2017-11-13 04:39:30
pretty good but it is missing several layers/tracks of strings over the main track

Mike (OTM) reply Replies: 0 || 2017-11-11 20:10:19
Hybrid, I assume the above credits are incomplete? We're missing three names...

Dudu reply Replies: 2 || 2017-10-29 23:13:13
Hi Hybrid!
Don't know where else to post this but do you know more about Andrew K's involvement in the thor ragnarok score? I also saw that it was mixed by Alan Meyerson; did RCP did a rescue mission there?
And still about Andrew, do you know if there are any plans for a release of his score for sky hunter?
Thanks ;)


Hybrid Soldier2017-10-31 19:36:15
He worked on Thor... I have honestly no more info...

As for Sky Hunter, there are talks about a soundtrack release, if that happens of course you'll know about it here !


Dudu2017-11-02 14:05:21
Okay thanks for the info!

Badbu reply Replies: 4 || 2017-10-24 11:21:09
Bluray Bonus:

Revisiting the Miracle 07:25
Dunkerque 04:45
Expanding the Frame 03:26
The In-camera Approach s 05:35
Rebuilding the Mole 05:42
The Army on the Beach 005:03
Uniform Approach 005:06
Inside the Cockpit 005:42
Assembling the Navy Fleet 03:38
Launching the Moonstone 05:38
Taking to the Sea 13:04
Sinking the Ships 07:09
The Little Ships 05:40
Turning up the Tension 07:03
The Dunkirk Spirit 07:32
Taking to the Air 11:47
----------------------------
Turning up the Tension 07:03 -> hopefully the making of the score :-)


Waymann2017-10-24 17:10:02
Could be, or could be about the narrative structure of the film.


yay2017-10-29 23:45:32
How you find this?


Ahmad2017-10-30 13:24:23
WB already did a press release with the details about the Blu-ray. It seems like there's no featurette about the music.

Creation: Revisiting the Miracle
Creation: Dunkerque
Creation: Expanding the Frame
Creation: The In-Camera Approach
Land: Rebuilding the Mole
Land: The Army On the Beach
Land: Uniform Approach
Air: Taking to the Air
Air: Inside the Cockpit
Sea: Assembling the Naval Fleet
Sea: Launching the Moonstone
Sea: Taking to the Sea
Sea: Sinking the Ships
Sea: The Little Ships
Conclusion: Turning Up the Tension
Conclusion: The Dunkirk Spirit


badbu2017-10-31 19:32:40
i think it is: Conclusion: Turning Up the Tension

babdu reply Replies: 3 || 2017-10-12 20:49:25
i need the FYC Score!!! Now!!! :D
One of my favourite scores from Hans!


Agent2017-10-12 22:19:40
Glad you liked it.


Der-Profl2017-10-13 21:34:27
babdu, mee too! :D


Collector2017-10-18 09:41:34
Same here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.

matthew reply Replies: 3 || 2017-10-16 17:03:53
as a giant fucking fan of this movie, I can't put it into words just how lazy is this presentation of the actual music.

it annoys the shit out of me when I read comments on youtube, Itunes, Amazon and also here, like whats the opening music? and the stupid answer is from everybody: "oh yeah, you're looking for The Mole, thats the opening scene!" well, fuck, the movie opens with The Mole, but it goes on for only 2 minutes, and the rest 4 minutes is unused, and the actual 4 minutes after 2 minutes, from the opening is unreleased. it is a minor fact that seems 100% unnoticed by every person. because the music is non-stop in the film, I consider the opening from the logos, until we arrive to the beach.

Shivering Soldier is the first track that appears "as used in the film" form on the release.

Supermarine is a misleading action suite released before the premiere, because of marketing purposes, I think the studio was a bit scared, so they wanted to demonstrate that this is more of a summer blockbuster than a black and white war movie.

Home is the classic "different version in film" case, only to give Hybrid Soldier the chance to come here and give a defense speech about how Zimmer, Nolan, and every soul at warner bros, at water tower music, at remote control and every world-class star status earned professionals in hollywood couldn't make the "as used in film" presentation dream come true. the "no the time for caution" event is still comes hilariously amature from a creative business built on the words: "Make it happen"




mpolonest123 2017-10-16 19:38:03
If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc.

But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.


Max Potcats2017-10-16 22:58:07
You're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.

ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--


Ahmad2017-10-17 17:07:40
I totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album.
Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting.

I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.

Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.

Tom reply Replies: 5 || 2017-10-03 16:37:33
I hate to be a party pooper here, but IMHO Dunkirk is a horrible soundtrack. Just a couple of sustained dissonant chords played over and over and over, ad nauseum. I mean come on Hans, can't you write beautiful and epic melodies anymore? This movie screamed for an epic theme that never materialized.

Now I know I am about to be attacked by all the die-hard Zimmer drones here but I'm just voicing my opinion. I long for the days when you could always count on Hans to deliver goose bump inducing epic memorable themes.


Waymann2017-10-03 16:57:24
I will not attack you but I don't agree that this film screamed for an epic main theme. Dunkirk is an expensive indiefilm, not Hacksaw Ridge or Saving Private Ryan. I think it was pretty clear from the beginning that this would be a more atmospheric score. Be prepared for Blade Runner 2049 this friday. It will be just the same.


Ahmad2017-10-03 16:58:58
"I mean come on Hans, can't you write beautiful and epic melodies anymore? This movie screamed for an epic theme that never materialized."

I hate to be the first one to break this down for you...

but maybe, just maybe, the guy who is in charge doesn't want that? If Nolan wanted an epic melodic theme, Zimmer would've written one. What part of collaboration you people don't understand?
It's not Zimmer's film it's Nolan's, he liked the score PERIOD.
You don't like it? that's okay, but it's perfect as it is and it served the film well. #TrollHarder


Ahmad2017-10-03 17:06:51
Wow that last line came off rude.
There are many ways and approaches to score a film and it makes me sad that some people want the same thing over and over again.

Although I disagree with you, I respect your opinion @Tom


Ds2017-10-03 17:40:08
Hans himself said that this score was more like "music by Christopher Nolan".

Christopher Nolan himself said this score had to be frustrating for Zimmer because his hands were tied for the whole process.


Der-Profl2017-10-03 21:40:27
What I like about humans is, that everyone has a different taste of music. It would be so boring if everyone would like the same. So, you don't like it, Tom, it's okay and I'm fine with that, and I like the score pretty damn much, cause it represents for me the pure sound of suspense, what the film also is, pure suspense. The score suits the film so well, that it is a great score. For me, of course!

Snivette reply Replies: 0 || 2017-09-27 02:21:17
I know that someone has most likely already asked this already but... where's the song from the trailer? It wasn't featured in the film at all nor is it listed on the soundtrack. Will it ever get released? I was really looking forward to that one..

Scorefan reply Replies: 0 || 2017-09-26 05:40:52
Hybrid, do you know when Hans will come to Mexico? I just listening right now an audio and he says he will come. He is coming because of the earthquake. Thanks

halo reply Replies: 6 || 2017-09-19 19:25:21
1m01
1m03
1m03 (Alternate)
1m04
1m05
1m09
2m01
2m02
2m03
2m06
3m01 (Insert)
3m05
3m06
4m02
5m01
5m02
5m03
5m03 (Alternate)
5m05
5m07
6m01
6m02
6m03
6m04
7m01


Waymann2017-09-19 19:42:47
? What’s this, a complete cue list?


badbu2017-09-19 19:47:50
oO is this the complete list???? oO


Ahmad2017-09-19 20:20:29
Again, people! S.O.U.R.C.E please!
For now I'm gonna consider this bullshit trolling because this doesn't tell us anything.


Hybrid Soldier2017-09-19 20:23:18
Especially since Hans has just never used that particular slate system at all...


badbu2017-09-19 20:23:35
@Ahmad...yep...you're so right!!!


Edmund Meinerts2017-09-20 16:26:58
Lol. Anyone can write up a bunch of random slate numbers. Nice try.

Heifelmeifel reply Replies: 3 || 2017-09-12 12:36:49
Happy Birthday, Mr Zimmer! 60 Years, and way to go. Please another 60 years :)


Dimitris Krommidas2017-09-12 14:38:15
Happy birthday to the legend!


Neptune2017-09-12 20:43:45
Hans Zimmer is 60 years old today and NO INFO ON FRONT PAGE atthis fan site!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


James2017-09-13 02:37:35
Haha!

Good one! Happy 60!

anon reply Replies: 20 || 2017-09-05 15:57:55
Surprised there isn't a Blade Runner page created yet - Zimmer and Wallfisch are officially the only credited composers per the new posters. JJ is officially out...


Ahmad2017-09-05 16:07:12
What! No! I've just purchased JJ's Arrival score and it's so freaking good.
It would've been a very cool trio.


Waymann2017-09-05 16:21:14
He is probably still involved but putting Hans Zimmer on your poster and soundtrack cover will sell a lot more.


Hybrid Soldier2017-09-05 19:19:49
Which posters ? Is there a link, all posters I've seen so far don't have credits... :o


anon2017-09-05 22:39:16
@Hybrid - pbs. twimg.com/media/DIjUOdpWsAEJkya.jpg:orig


Saurabh2017-09-05 23:09:22
I guess they might've kept one or two themes from Johannsson with Wallfisch handling majority of the score with some contribution from Zimmer. One more month now.


Hybrid Soldier2017-09-05 23:22:30
Thanks, I wouldn't have thought about the... Ukrainian poster lol... :P


anon2017-09-05 23:35:05
don't blame you lol


David2017-09-06 00:40:32
Hybrid will you have more details once the soundtrack is released? If Johansson is on it or not? Please let us know! :)


SPECTER2017-09-06 05:10:41
How many composers currently work with HZ at RCP. Do they all work at the same place?


Briom2017-09-06 09:48:10
What about Balfe ? I thought he was working on the film? Ghost in the Shell was a score that Bladerunner remake should be


Callahan2017-09-06 11:59:46
@Spectre So many. Take a look at the list "Team" above. They are 30% to 40% of the total.

@Brion He has his own projects now, man.


Callahan2017-09-06 12:03:38
@Spectre I firmly believe they do not all work in the same place, as the Powell and HGW assistants are considered part of the RCP.


Peter2017-09-06 12:24:17
If it beats Ghost In The Shell then it will be great because Lorne made a score that was a perfect blend synthesizers and an orchestra


Andrew2017-09-06 21:41:14
I doubt it will beat Ghost


Saurabh2017-09-06 21:59:43
Blade Runner isn't just synthesizers and some strings like Ghost in the Shell, although the synthesizer is the most identifiable thing in terms of music. The LA in the first Blade Runner was a melting pot of different cultures which was represented musically in tracks such as Damask Rose, Tales of the Future and in various scenes throughout the movie. If anything, it has a scope for tremendous diversity and musical richness if the composers choose to tap into that idea.


Mike2017-09-07 14:19:09
More Ghost music being released on Friday which makes my week


Hedon2017-09-10 13:23:31
Does anyone know why Vangelis is not doing it? Was he even asked?


Hybrid Soldier2017-09-10 13:52:22
Because he's retired and his last Hollywood project was... 14 years ago ?


Saurabh Kadam2017-09-12 07:08:11
Any word on the soundtrack Hybrid? Less than a month to go now.


Waymann2017-09-12 08:35:00
Well JJ is out, it's only Zimmer and Wallfisch now.

Frank reply Replies: 0 || 2017-09-09 21:48:39
icelandreview. com/news/2017/09/08/icelandic-film-composer-no-longer-attach ed-blade-runner-sequel
"Jóhann's agent has confirmed to Fréttabla&#240;i&#240; that the Icelandic composer is no longer involved with the film in any capacity, though he is prohibited from saying anything at this point due to his contract."

Fra reply Replies: 7 || 2017-08-27 21:07:29
Dunkirk CS

1: Enemy Surrounded (3:20) - Hans Zimmer
2: Beach (30 second) Hans Zimmer
3: 400.000 Men (One Week The Mole) (2:04) Hans Zimmer
4: Salvo Bombing (1:10) Lorne Balfe
5: Where Is The Bloody Air Force? (One Day The Sea) (57 Second) Hans Zimmer
6: Some Man? (One Day The Air) (1:05) Hans Zimmer & Lorne Balfe
just someone giving info like tihs


badbu2017-08-29 07:53:26
what is this?


no2017-08-29 10:02:48
Apple candy


badbu2017-08-29 20:56:28
ahh...okay...


badbu2017-08-29 21:20:38
@Fra: do you have the complete tracklist?


Der-Profl2017-09-01 18:31:43
How can I get this songs?


Ahmad2017-09-01 19:04:44
Okay, you can't just drop stuff like this here and not mention the source.


Collector2017-09-06 20:38:19
Does it mean a CS might be on the way? Can you at least share your source @Fra ?

The Movie Geek reply Replies: 0 || 2017-09-01 23:05:07
I went to see Hans Zimmer Live back in June and was inspired to make a video. His music is so good I haven't stopped listening.
Please have a watch and let me know what you think.https://youtu.be/r6iSC93E6Lw


New to RCP reply Replies: 36 || 2017-08-08 21:47:28
Okay so this isn't really just for Dunkirk, but rather all of RCP scores. I've just recently gotten into listening to all this; and frankly there is just so much to listen to that I don't know where to start. Any suggestions on where to start? Either by HZ or any of your fav composers in RCP?


Michael2017-08-08 22:05:15
I'd recommend starting off with a score like Crimson tide or Unstoppable by Harry gregson-Williams. That''I'll give a general idea to what the RCP style. Another suggestion would be National Treasure by Trevor Rabin and all of John Powell and Steve Jablonsky's works.


mpolonest123 2017-08-08 22:40:53
Just to name some good ones from composers OTHER than HZ;

John Powell: How To Train Your Dragon 1+2, Pan, The Bourne Supremacy, Antz, Chicken Run
Harry Gregson-Williams: The Martian, Kingdom of Heaven, Shrek 2
Ramon Djawadi: Pacific Rim, Clash of the Titans
Steve Jablonsky: Transformers (mainly the 1st two but check out the others) Steamboy, Pain and Gain
Trevor Rabin: Armageddon, Deep Blue Sea, National Treasure
Mark Mancina: Twister


mpolonest123 2017-08-08 22:45:07
As for the man himself, check out these ones;
The Peacemaker
Hannibal
Interstellar
The Dark Knight
Pirates of the Caribbean: At World's End
The Rock


Rigby 2017-08-08 22:58:48
To add to these lists,

Genius, Lego Batman, Beyond Two Souls by Lorne Balfe

and

Sherlock Holmes, Angels and Demons by Hans Zimmer


James2017-08-09 00:12:13
Tarzan, Lion King, The Thin Red Line, Rain Man, Ice Age, Happy Feet, The Prince of Egypt, Last Samurai, GLADIATOR...

To name some of the most delicate .. :p


Pete2017-08-09 01:15:31
Also listen to

John Powell: Endruance

Lorne Balfe : Churchill , Beyond Two Souls and call of Duty


Shivering Soldier2017-08-09 08:58:09
Are there any cuesheets?


New to RCP2017-08-09 17:25:00
Thanks guys, really appreciate it! Loving all this music so far.


Mike (OTM)2017-08-09 22:51:42
Some of my essential Zimmer...

1990s/early 2000s:

—Crimson Tide + The Rock + The Peacemaker (all in the same style)
—The Last Samurai
—Gladiator
—Broken Arrow
—The Prince of Egypt
—Pirates of the Caribbean 1-3
—The Lion King
—Muppet Treasure Island
—Beyond Rangoon

Mid-2000s/2010s:

—Batman Begins + The Dark Knight + (if you listen to the complete score and the unreleased suites) The Dark Knight Rises
—Kung Fu Panda 1-3 (though his presence was more muted on the second one...)
—Sherlock Holmes, the first
—Angels and Demons
—Interstellar
—Inception (I know, I know...BWAAAAAAAAM)
—The Amazing Spider-Man 2 (inventive score in a comparatively stagnant era for Hans...)

And this is missing a whole lot, too. But it should get you somewhere.


babdu2017-08-10 07:33:36
and...BACKDRAFT!!! <3


Brent2017-08-10 09:06:51
Here's my ultimate RCP list. Good luck! Lol. I undoubtedly missed quite a few composers. Though, I feel like these 9 will give you a good idea on what RCP represents.

Those with a star next to it, I would give a listen to first.

Zimmer:
The Dark Knight
Angels & Demons*
The Da Vinci Code
Kung Fu Panda 3
The Prince of Egypt
Driving Miss Daisy*
The Lion King*
Pirates of the Caribbean (2 & 3)*
Interstellar*
Inception
The Lone Ranger
The Last Samurai*
Gladiator*
Pearl Harbor / Black Hawk Down
Backdraft*
Rush
Sherlock Holmes (1 & 2)
Planet Earth II (main theme)*

Powell:
Bourne series*
How to Train Your Dragon (1 & 2)*
Kung Fu Panda (1 & 2)
Pan*
Hancock
Happy Feet
X-Men: The Last Stand*
Mr. & Mrs. Smith
The Italian Job
I Am Sam
Chicken Run

Gregson-Williams:
The Chronicles of Narnia (1 & 2)*
Shrek series*
The Town
Kingdom of Heaven*
Arthur Christmas*
Cowboys Vs Aliens
The Martian*
Prometheus (main theme)
The Zookeeper's Wife
Gone Baby Gone
Monkey Kingdom*
Prince of Persia*
Man on Fire
Passionada

Jablonsky:
Transformers series (especially #1)*
Ender's Game*
Ninja Turtles 2*
Deepwater Horizon
Pain & Gain
A Nightmare on Elm Street
Steamboy*
Lone Survivor
The Island
The Last Witch Hunter
Your Highness*
D-War

Jackman:
Captain America (2 & 3)*
Turbo
Wreck-It Ralph*
Puss In Boots
Kong: Skull Island
X-Men: First Class*
Kingsman*
The Birth of a Nation*
The Interview / This is the End
Captain Phillips
Winnie the Pooh

Zanelli:
The Odd Life of Timothy Green
Disturbia
Pirates 5*
Into the West
The Ottoman Lieutenant
The Pacific

Balfe:
Lego Batman*
13 Hours
Genius
Ghost in the Shell (check it out on YouTube)
Terminator Genisys
The Bible series
Penguins of Madagascar
Home
Skylanders
Megamind

Mancina:
Moana*
Planes (1 & 2)
The Haunted Mansion*
Speed
Training Day
August Rush*
Tarzan*
Bad Boys

Rabin:
Armageddon *
National Treasure (1 & 2)*
The Sorcerer's Apprentice
Flyboys
Glory Road


Macejko2017-08-10 12:10:10
Unvelievable that the release is once again this botched. There are at least two absolutely crucial and intense cues missing; instead we get two unnecessary variations of Supermarine. Goddammit...


Macejko2017-08-10 12:22:26
Sorry, wanted to make it as a separate post.


meta2017-08-10 14:09:47
what pieces might those be? Supermarine was intercut throughout the film...and I don't recall another piece outside of OIL or Home


Macejko2017-08-10 14:28:43
What I have in mind is the intesifying cue at the very beginning (ends with Mr. Dawson's boat leaving harbour/planes breaking formation - very memorable moment IMHO) and then the nerve-wreckig music that plays during the first drowning sequence (it gets repeated once again later in the film). I was disappointed to found neither on the album.


Meta2017-08-11 01:55:47
You got good ears because I honestly couldn't tell the difference....Much of it to me sounded like Oil when it wasn't sounding like Supermarine, and then if it wasn't sounding like Shivering Soldier, it was sounding like Variation 15 or the Mole....


bro2017-08-11 05:56:11
It's not a matter of good ears, it's a really long, different and really good cue. It's probably the best cue in the movie.


Ahmad2017-08-11 11:37:16
That cue is too good not to be on the album! It starts with a short string variation of the first 2 minutes of Supermarine then slowly turns into a variation of the last three minutes of "The Mole". So it's a hybrid of Supermarine and The Mole.

I was surprised by how different the film version of "Home" was.


mpolonest123 2017-08-11 14:50:25
@macjeko I could be wrong but the drowning cue sounded like a more intense, extended version of that tension build riff at 2:12 in "Despair" from TDKR. I'm sure that the studio will put out an fyc for the score, much like they did interstellar...


badbu2017-08-11 15:38:41
@mpolonest123 i hope so!!! :-) they drop the fyc (interstellar) 1 month after the movie, right?


mpolonest123 2017-08-11 16:40:27
@badbu Usually they drop the fyc closer to awards season. If I had to guess, probably November or December. That is if it still can qualify for an award (considering the main theme is an existing piece of music/more than one composer is credited)


Backbiter2017-08-12 17:46:22
I con not believe that no one has putted the King Arthur's Soundtrack


Kingfannypack2017-08-13 06:26:08
I feel embarassed to ask, but what is RCP?


isildur2017-08-13 10:50:42
Remote Control Productions. It's Hans' film score company.


Anonymous2017-08-13 17:03:17
More like his studio than "company"


James2017-08-13 20:34:40
The "budget meeting" piece is really so much funny!


SPECTER2017-08-14 04:27:36
For Hans this the best list you'll find. Only his most Elite and melodical scores are on this list.

Crimson Tide
The Rock
The Prince of Egypt
Gladiator
The Last Samurai
King Arthur
Tears of the Sun
Pirates of the Carribean 1-3
Interstellar
Batman Begins
The Dark Knight
Man of Steel
Chappie


Mephariel2017-08-14 06:27:42
@Specter

I am sorry, you want a list with Zimmer's most elite and melodical scores and you left out:

Beyond Rangoon
The Lion King
Driving Miss Daisy
Angels and Demons

and instead...put Chappie? I mean, I like Chappie, but come on...



Ds2017-08-15 00:43:51
I'll never understand why so many people dismiss Chappie. I think it's a brilliant score, as interesting as it is entertaining. It's very melodic in a typical HZ fashion, the electronics sounds partly modern, partly old school, and it's got some fantastic cues. Really, one of my favorites HZ scores in the last few years.


Meta2017-08-15 02:39:50
Are you kidding me? Chappie I consider MILES above Dunkirk, and even Inferno last year...

Best of 2015....


badbu2017-08-15 07:21:27
saw chappie last week for the first time. what a bad movie...jesus...the score is okay but nothing special


mpolonest123 2017-08-15 22:41:58
Yeah, Chappie really is one of the Z-Man's best scores as of late. For all the talk he does of innovating, both TASM2 and Chappie are pretty fresh as compared to BVS/Inferno/Dunkirk.

And yes, the film itself is a hot mess...


SPECTER2017-08-17 00:38:45
I just want to say that if CHAPPiEs score had been done with an orchestra or were to be remade with a live orchestra it would instantly become a hit.


Edmund Meinerts2017-08-17 08:37:54
If Chappie were redone with a live orchestra it would miss the point of that score entirely. And I'm saying that as someone for whom Zimmer's synth overdubs are an irritation most of the time...but that score is electronic at heart and soul, don't mess with it.


FaresTdkr2017-08-27 16:26:32
Hello I will suggest this albums in order:
Hans Zimmer:{all complete scores! Not original motion picture }
1:interstellar{complete 53 track score}
2:The Dark knight Triology{complete 3 Score}
3:The Last samurai
4:King Arthur
5:Pirates of the Caribbean 2,3 complete scores.
6:Lone ranger {rarely found complete score but there is one}
7:man of steel{General Zod theme}
8:Lost But won in Rush soundtrack.
9:Gladiator
Armand Amar{the most underestimated composer}
Every thing by armand Amar I have all his discography and never get enough from his work every year I wait for his release...
You can start By "Home"
Than go to "human"
Than La Terre vue de ciel"
After that you can decide if you want all the discography "I bet you will".
STEVEN PRICE:
1:Gravity
2:Fury
3:the Hunt{better to get Flac}
STEVE JABLONSKY:
TRANSFORMERS FIVE COMPLETE SCORES.
Other Composer you may want to check:
Danny Bensi{LA 92;The Gift}
Nick cave and warren ellis{The assassination of jessy james by the.."
Toygar Isikli!
Ilan Eshkeri {47 Ronin score}






Edmund Meinerts2017-08-27 17:04:34
Armand Amar is a very good composer, but nothing to do with RCP...

FaresTdkr reply Replies: 0 || 2017-08-27 15:49:46
Hi I want to ask about a really nice soundtrack that I can't find anything about here I mean "Savage Kingdom" from Nat Geo Wild documentary by bleeding fingers "Hans Zimmer" company so please create topic about it! Thanks

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