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Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !Yep, I noticed. And in mp3<br>I guess YT is still the better way
There's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack intoI hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...
hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.
Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.I'm agree thatThey are independent events, but I think they are working in conjunction with each other. I based this on the description on the Vienna website. Their program is called The World of Hans Zimmer and some of the arrangements will be written by Zimmer himself. That leads me to believe this year's gala is a bit different and is just a stop for Zimmer's tour.Probably not. The two are indepedent events.
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Hans ZimmerLorne BalfeBenjamin WallfischAndrew Kawczynski
ComposerAdditional MusicAdditional MusicAdditional Music
Dunkirk
Label: WaterTower Music
Length: 59'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2578 votes)
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  1. The Mole (5:35)
    Hans Zimmer (Sir Edward Elgar)
  2. We Need Our Army Back (6:28)
    Hans Zimmer
  3. Shivering Soldier (2:52)
    Hans Zimmer
  4. Supermarine (8:03)
    Hans Zimmer
  5. The Tide (3:48)
    Hans Zimmer (Sir Edward Elgar)
  6. Regimental Brothers (5:04)
    Hans Zimmer, Lorne Balfe (Sir Edward Elgar)
  7. Impulse (2:36)
    Hans Zimmer
  8. Home (6:02)
    Hans Zimmer, Benjamin Wallfisch (Sir Edward Elgar)
  9. The Oil (6:10)
    Hans Zimmer
  10. Variation 15 (Dunkirk) (5:51)
    Benjamin Wallfisch, Hans Zimmer (Sir Edward Elgar)
  11. End Titles (Dunkirk) (7:12)
    Hans Zimmer, Lorne Balfe, Benjamin Wallfisch (Sir Edward Elgar)
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dunki reply Replies: 1 || 2017-12-22 17:26:10
The Shape Of The Water FYC on the website is the CD, but the ones being sold on Ebay are the complete score. So maybe there's one from Dunkirk as well.


ffaa2017-12-23 15:31:39
send the link

Frank reply Replies: 18 || 2017-12-19 04:50:23
So the Academy posted 141 scores eligible for nomination and Dunkirk is in! I was so worried about the use of Nimrod might disqualify it.


JBSO992017-12-19 09:13:30
So the nomination is almost assured ( and I would say that even the winning, but that depends on the other nominations)


Cynist2017-12-19 16:42:19
if he didn't win for interstellar he's certainly not gonna win for Dunkirk


Max Potcats2017-12-19 19:30:34
the academy desn't deserve Hans


JBSO992017-12-19 21:28:21
@Cynist Yeah, I think Interstellar was a better score for winning an award. I think this year might go for Master Williams (Star Wars and The Post) but there might be some surprises.

From the RCP family, I wish benjamin Wallfisch got at least nominated. He has had a really great year (A Cure For Wellness, It, Blade Runner, and well, collaborating in Dunkirk), and he deserves some recognition.


Macejko2017-12-19 21:54:11
Yeah, sure, let's jerk Williams' old cock some more. God forbid he didn't get nominated every time he squeezes a tune through one buttcheek.


Brian72017-12-19 22:22:33
Why isn’t Balfe and Ben mentioned as co writers for the awards?


Ds2017-12-19 22:41:48
From what I remember, Interstellar was kind of snubbed for the major awards nominations (best picture, director, actors, etc.), and was only nominated in the technical categories and the score. No surprise it didn't win.

Dunkirk on the other hand has more chances to get nominated in the top categories, thereby increasing its chance to win best score.

But anyway I don't think Hans will win. There are enough Academy members who love him to secure a nomination, but not enough for a win.


Ahmad2017-12-19 23:09:54
Interstellar was perfection, but you people are ignoring how incredible Dunkirk's score is. It's not just background music, it's part of the movie. Hans and the music department did a wonderful job.

Anyway, the academy is inconsistent. There are many scores that had incredible melodies which some might call "real music" and were snubbed because the movies themselves were snubbed. This time, it seems like Dunkirk will release more recognition (best picture, best director and many technical awards probably) so I say it definitely has a chance at winning.


james (now james callahan)2017-12-20 02:38:51
The victory for Dunkirk is given as an assured thing. Good or bad, this happens several times, either to guarantee the most beloved film of the year the largest possible number of Oscars or because of social awareness policies. Tan Dun's victory in 2000 came mainly because of the latter. His score is wonderful, but Gladiator had the advantage of having been nominated for many more categories.

But I think that Matt Reeves will be remembered. Or not. The man did a great job with Apes. However he can be ignored this year to be remembered in the future. Nolan was forgotten by The Dark Knight simply because this movie was a blockbuster. Reeves will be no different. but it is sad the lack of recognition.


james (now james callahan)2017-12-20 02:49:49
About Williams, The Post has not yet been released, but I find hard he to win for any of them. He did a great job with TLJ, even not innovating with themes.But this year is not his. Maybe an honorary award in the future. As one that Morricone received years ago.

About Balfe and Wallfisch, they were credited as additional composers along with Andrew K, Steve Mazzaro, Andy Paige and Satnam R. That's the problem of the Academy with HZ.


isildur2017-12-20 10:47:35
Yeah. If Hans actually cared about getting an Oscar, just like other composers he would've put only his name on all his scores. Gladiator was disqualified just because Hans refused to drop Lisa's name event though she didn't compose any of the score. He values and acknowledges the contribution of all those who even remotely helped him on his scores so much and still gets the hatred for having so-called "Ghost Writers".

If it was Hans who scored the recent "Justice League" movie and had Geoff Zanelli, Pinar Topak as an additional composers everybody would've said Hans did very little but as it was someone else nobody mentions it even once. Meh.


James (now calahan)2017-12-20 11:12:01
Lisa wrote all her vocal contributions in Gladiator. Most of them along with Badelt. Hans alone is responsible for 80% of the album perhaps. "Roma is Light", for example, is Gerrard and Badelt.
People tend to relativize when other composers use additional composers. Zanelli and Toprak would appear in the eyes of these people as main composers if Zimmer signed the album.

I think the main problem is that the Hans composition process varies widely and is incomprehensible. Sometimes he makes a suite and lets several teams take care of certain parts of the score (at worlds end, angels and demons), other times he does the same and leaves it in the hands of a single composer (inception, the dark knight rises),others that he co-signs, but that clearly has almost no material truly composed by him (Boss Baby, The Little Prince) and which he works with several people, but still make up more than 50% of the song (Dunkirk, Gladiator). Apart from the fact that he needs conscious orchestrators who need to correct mistakes and improve the presentation of the music so that it can be played by real instruments.


Edmund Meinerts2017-12-20 13:01:26
Macejko, do you have to be a dick about everything?


isildur (Original)2017-12-20 14:48:46
Hey! That isn't me. Get your own name dude.


Macejko2017-12-20 16:03:29
No, but I do enjoy it, Edmund.


Jessica2017-12-20 16:05:22
@ Edmund: why is he a dick? just because he's talking about JWs ol' dick? He's right, so don't be a pussy.


Edmund Meinerts2017-12-21 17:27:37
I AM a pussy. Everyone knows.


Edmund Meinerts2017-12-22 10:18:51
^ not me, obviously.

Yes, he has a point, Williams does get nominated for everything, deserved or not (as does Thomas Newman and increasingly Alexandre Desplat), but there are less...distasteful ways to put things.

Ahmad reply Replies: 19 || 2017-12-11 15:09:10
The score is nominated for a Golden Globe!
Other nominations: Best Picture and Best Director.


badbu2017-12-11 15:21:04
YEES!!! And Best Director :-)


nvictor2017-12-11 20:27:55
hope it wins the golden globe nomination as well.


Kosto82017-12-11 21:05:39
Congratulations to Hans, Ben and Lorne.excellent music


FaresTdkr2017-12-13 20:11:49
If this nominated for golden globe or even Oscar and win the title I'll kill my self.

This score is nothing compared to interstellar or even to POTC 3.


Macejko2017-12-13 20:14:58
If only every annoying film music fan would be so willing to take his own life as this one...


Hybrid Soldier2017-12-13 23:15:02
Now I have ONE true reason to want this score to win !

PEACE ! lol


Bob2017-12-14 00:22:57
wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.


JamesT2017-12-14 05:11:39
Hybrid, yes!


badbu2017-12-14 07:40:17
haha hybrid :D made my day


Ds2017-12-14 08:23:31
An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-p


Ahmad2017-12-14 08:54:40
I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work.


Brent2017-12-14 10:13:49
This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.

Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).

Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.

Excuse me while I go listen to No Time for Caution yet again.


Edmund Meinerts2017-12-14 11:00:09
Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.

For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.


Gringo19762017-12-14 12:00:06
hans should win the oscar for best sound effects and not for the best music/score. just as a statement.


Olive2017-12-14 13:34:58
@ds the same for desplat's victory with Budapest Hotel.


Hybrid Soldier2017-12-14 21:03:24
@Bob

Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o



Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)


Ben2017-12-16 11:10:12
quote: "This score is nothing compared to interstellar or even to POTC 3."

How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.

Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.

After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".


FaresTdkr2017-12-16 11:28:54
In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.
I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.


James2017-12-16 14:57:37
@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."

The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,
Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.

George reply Replies: 3 || 2017-12-12 19:17:52
From the bonus features, Turning Up the Tension is indeed about Hans' score. Very interesting, definitely watch it if you can!


AndrewP2017-12-13 00:52:59
Strange Balfe is not mentioned ?


RR2017-12-13 02:49:05
hope we get the complete score soon..It's just adding salt to the wound watching this features


badbu2017-12-13 07:36:20
And Hans say nothing about the score :D The Complete Score...i don't think so...the FYC Score is the standard Score...maybe in 2-3 years...fml

badbu reply Replies: 1 || 2017-12-11 09:52:13
is there any making of out there? (making the score)


babdu2017-12-11 15:38:06
okay there is a making of out there :-)
(youtube making of dunkirk)

isildur reply Replies: 0 || 2017-12-06 06:25:57
So, as the rumors of Nolan directing the next Bond movie haven't died down yet, do you think we'll finally get a Hans' Bond score. I really hope we do. It would be so kick ass.

Mephariel reply Replies: 3 || 2017-11-23 18:09:18
Should have gotten one for Interstellar, not this.


nvictor2017-11-30 14:41:51
should have got a nomination for this, not interstellar.


Edmund Meinerts2017-12-03 15:35:18
Should definitely have gotten one for Interstellar, not this.


Ian2017-12-04 08:39:45
I've never found Interstellar compelling as a whole (although it has a couple of very strong cues), but it is indeed drastically superior to Dunkirk.

Anton reply Replies: 0 || 2017-12-02 16:47:22
https://www.justgiving.com/fundraising/geniussoundtrack

What a great gift from Maestro Zimmer for a charity

Miguel reply Replies: 0 || 2017-12-02 03:56:05
Here is a great auction on for a signed soundtrack by Zimmer lorne and Ron Howard and it’s personalised

Mephariel reply Replies: 7 || 2017-11-28 18:15:45
2018 Grammy Nominations:

Arrival — Jóhann Jóhannsson, composer
Dunkirk — Hans Zimmer, composer
Game Of Thrones: Season 7 — Ramin Djawadi, composer
Hidden Figures — Benjamin Wallfisch, Pharrell Williams & Hans Zimmer, composers
La La Land — Justin Hurwitz, composer

Zimmer nominated twice but this is a tough field with La La Land and Arrival.


Olive2017-11-28 18:40:19
La La Land, Arrival and Hidden Figures are not recommendations from last year?


Dom2017-11-28 18:40:47
Why are the Grammys so weird? Hidden Figures, La La Land and Arrival are 2016 film and Dunkirk is a 2017 film. It opened 7 months later.


Olive2017-11-28 19:05:42
And still mixes television series with films


Olive2017-11-28 19:06:59
La La Land will win, anyway.


Ian2017-11-29 02:57:01
^ Yeah, although I can appreciate that folks have different tastes, I really struggle to see how one could reasonably argue for anything else winning.


Edmund Meinerts2017-11-29 10:14:44
I'd argue against it because taken on its own, the actual score for La-La Land is nothing special. It's only going to win because it's carried by the songs.


nvictor2017-11-30 14:41:01
nomination acquired. now we just need to win right? ; )

badbu reply Replies: 5 || 2017-11-22 12:26:59
They're starting to send screeners. Finger crossed for the FYC :D


nvictor2017-11-22 21:02:15
this one is my pick for the oscar as well. hope it wins : )


badbu2017-11-23 08:09:53
jaa. but i think he will never get his second oscar...:-(


Edmund Meinerts2017-11-23 12:02:06
If he does I hope it's not for Dunkirk.


Max Potcats2017-11-23 13:06:01
An Oscar (or at lease a nomination) for Dunkirk or Blade Runner ; it would be great from the academy to reward this kind of score. In the last decade, only Gravity had also this kind of """""sound desing""""""" score.


Olive2017-11-23 15:50:00
Maybe a honorary in the future.

nvictor reply Replies: 2 || 2017-11-11 02:44:41
i listened to Blade Runner. for that, i want to take a minute to say my deepest admiration for Ben Wallfisch for his collaboration with Hans Zimmer (Ben is truly amazing!).

i came back to this soundtrack after Blade because i needed to understand. and after that, i went back to Batman v Superman, Inferno, and Rush.

now, i understand. i think understand it all. where the music is going, in my own uneducated opinion. and i am very happy to live in this day and age with such great composers.

i wish i can meet you all one day and tell you in person all the things i have found and discovered that make me so happy.

love you all : )


Olive2017-11-11 12:16:31
"now, i understand. i think understand it all. where the music is going"

I do not understand.


nvictor2017-11-18 01:04:13
Olive i love your pseudonym : ) i wrote that comment in a rush, i was overwhelmed by the music!

listen to the latest soundtracks by the remote control people, slow each of them a tad bit, and let me know if you still don't understand : )

YFM reply Replies: 4 || 2017-11-17 10:12:39
I'm working on my own version of "The Mole", "Escaping The Mole", or whatever the long warped/over music edited tension cue is named.

nightly demos will be posted every day until I finish it, but it sounds fine now if you "must have" it.

soundcloud.com/yourfavoratemusic/hans-zimmer-dunkirk-escapin g-the-mole-nightly-demo


badbu2017-11-17 13:07:10
the fyc is comming soon ;-)
maybe we get the "film version"


...2017-11-17 13:39:25
I really hope we get the FYC! The score needs to be heard in full

Great work btw!


Mike (OTM)2017-11-17 18:28:02
YFM, your work is awesome. Long time lurk-listener. Looking forward to this,


nvictor2017-11-18 00:57:47
oh noes can't find that page!?

Jacob reply Replies: 1 || 2017-11-11 13:42:47
Hey guys,

I found this track on youtube. its the Mole (film Version)
Its quite good. I wish they would release the real version sometime.

https://www.youtube.com/watch?v=_995VzM9FYg


bro2017-11-13 04:39:30
pretty good but it is missing several layers/tracks of strings over the main track

Mike (OTM) reply Replies: 0 || 2017-11-11 20:10:19
Hybrid, I assume the above credits are incomplete? We're missing three names...

Dudu reply Replies: 2 || 2017-10-29 23:13:13
Hi Hybrid!
Don't know where else to post this but do you know more about Andrew K's involvement in the thor ragnarok score? I also saw that it was mixed by Alan Meyerson; did RCP did a rescue mission there?
And still about Andrew, do you know if there are any plans for a release of his score for sky hunter?
Thanks ;)


Hybrid Soldier2017-10-31 19:36:15
He worked on Thor... I have honestly no more info...

As for Sky Hunter, there are talks about a soundtrack release, if that happens of course you'll know about it here !


Dudu2017-11-02 14:05:21
Okay thanks for the info!

Badbu reply Replies: 4 || 2017-10-24 11:21:09
Bluray Bonus:

Revisiting the Miracle 07:25
Dunkerque 04:45
Expanding the Frame 03:26
The In-camera Approach s 05:35
Rebuilding the Mole 05:42
The Army on the Beach 005:03
Uniform Approach 005:06
Inside the Cockpit 005:42
Assembling the Navy Fleet 03:38
Launching the Moonstone 05:38
Taking to the Sea 13:04
Sinking the Ships 07:09
The Little Ships 05:40
Turning up the Tension 07:03
The Dunkirk Spirit 07:32
Taking to the Air 11:47
----------------------------
Turning up the Tension 07:03 -> hopefully the making of the score :-)


Waymann2017-10-24 17:10:02
Could be, or could be about the narrative structure of the film.


yay2017-10-29 23:45:32
How you find this?


Ahmad2017-10-30 13:24:23
WB already did a press release with the details about the Blu-ray. It seems like there's no featurette about the music.

Creation: Revisiting the Miracle
Creation: Dunkerque
Creation: Expanding the Frame
Creation: The In-Camera Approach
Land: Rebuilding the Mole
Land: The Army On the Beach
Land: Uniform Approach
Air: Taking to the Air
Air: Inside the Cockpit
Sea: Assembling the Naval Fleet
Sea: Launching the Moonstone
Sea: Taking to the Sea
Sea: Sinking the Ships
Sea: The Little Ships
Conclusion: Turning Up the Tension
Conclusion: The Dunkirk Spirit


badbu2017-10-31 19:32:40
i think it is: Conclusion: Turning Up the Tension

babdu reply Replies: 3 || 2017-10-12 20:49:25
i need the FYC Score!!! Now!!! :D
One of my favourite scores from Hans!


Agent2017-10-12 22:19:40
Glad you liked it.


Der-Profl2017-10-13 21:34:27
babdu, mee too! :D


Collector2017-10-18 09:41:34
Same here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.

matthew reply Replies: 3 || 2017-10-16 17:03:53
as a giant fucking fan of this movie, I can't put it into words just how lazy is this presentation of the actual music.

it annoys the shit out of me when I read comments on youtube, Itunes, Amazon and also here, like whats the opening music? and the stupid answer is from everybody: "oh yeah, you're looking for The Mole, thats the opening scene!" well, fuck, the movie opens with The Mole, but it goes on for only 2 minutes, and the rest 4 minutes is unused, and the actual 4 minutes after 2 minutes, from the opening is unreleased. it is a minor fact that seems 100% unnoticed by every person. because the music is non-stop in the film, I consider the opening from the logos, until we arrive to the beach.

Shivering Soldier is the first track that appears "as used in the film" form on the release.

Supermarine is a misleading action suite released before the premiere, because of marketing purposes, I think the studio was a bit scared, so they wanted to demonstrate that this is more of a summer blockbuster than a black and white war movie.

Home is the classic "different version in film" case, only to give Hybrid Soldier the chance to come here and give a defense speech about how Zimmer, Nolan, and every soul at warner bros, at water tower music, at remote control and every world-class star status earned professionals in hollywood couldn't make the "as used in film" presentation dream come true. the "no the time for caution" event is still comes hilariously amature from a creative business built on the words: "Make it happen"




mpolonest123 2017-10-16 19:38:03
If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc.

But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.


Max Potcats2017-10-16 22:58:07
You're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.

ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--


Ahmad2017-10-17 17:07:40
I totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album.
Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting.

I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.

Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.

Snivette reply Replies: 0 || 2017-09-27 02:21:17
I know that someone has most likely already asked this already but... where's the song from the trailer? It wasn't featured in the film at all nor is it listed on the soundtrack. Will it ever get released? I was really looking forward to that one..

Scorefan reply Replies: 0 || 2017-09-26 05:40:52
Hybrid, do you know when Hans will come to Mexico? I just listening right now an audio and he says he will come. He is coming because of the earthquake. Thanks

halo reply Replies: 6 || 2017-09-19 19:25:21
1m01
1m03
1m03 (Alternate)
1m04
1m05
1m09
2m01
2m02
2m03
2m06
3m01 (Insert)
3m05
3m06
4m02
5m01
5m02
5m03
5m03 (Alternate)
5m05
5m07
6m01
6m02
6m03
6m04
7m01


Waymann2017-09-19 19:42:47
? What’s this, a complete cue list?


badbu2017-09-19 19:47:50
oO is this the complete list???? oO


Ahmad2017-09-19 20:20:29
Again, people! S.O.U.R.C.E please!
For now I'm gonna consider this bullshit trolling because this doesn't tell us anything.


Hybrid Soldier2017-09-19 20:23:18
Especially since Hans has just never used that particular slate system at all...


badbu2017-09-19 20:23:35
@Ahmad...yep...you're so right!!!


Edmund Meinerts2017-09-20 16:26:58
Lol. Anyone can write up a bunch of random slate numbers. Nice try.

Heifelmeifel reply Replies: 3 || 2017-09-12 12:36:49
Happy Birthday, Mr Zimmer! 60 Years, and way to go. Please another 60 years :)


Dimitris Krommidas2017-09-12 14:38:15
Happy birthday to the legend!


Neptune2017-09-12 20:43:45
Hans Zimmer is 60 years old today and NO INFO ON FRONT PAGE atthis fan site!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


James2017-09-13 02:37:35
Haha!

Good one! Happy 60!

anon reply Replies: 20 || 2017-09-05 15:57:55
Surprised there isn't a Blade Runner page created yet - Zimmer and Wallfisch are officially the only credited composers per the new posters. JJ is officially out...


Ahmad2017-09-05 16:07:12
What! No! I've just purchased JJ's Arrival score and it's so freaking good.
It would've been a very cool trio.


Waymann2017-09-05 16:21:14
He is probably still involved but putting Hans Zimmer on your poster and soundtrack cover will sell a lot more.


Hybrid Soldier2017-09-05 19:19:49
Which posters ? Is there a link, all posters I've seen so far don't have credits... :o


anon2017-09-05 22:39:16
@Hybrid - pbs. twimg.com/media/DIjUOdpWsAEJkya.jpg:orig


Saurabh2017-09-05 23:09:22
I guess they might've kept one or two themes from Johannsson with Wallfisch handling majority of the score with some contribution from Zimmer. One more month now.


Hybrid Soldier2017-09-05 23:22:30
Thanks, I wouldn't have thought about the... Ukrainian poster lol... :P


anon2017-09-05 23:35:05
don't blame you lol


David2017-09-06 00:40:32
Hybrid will you have more details once the soundtrack is released? If Johansson is on it or not? Please let us know! :)


SPECTER2017-09-06 05:10:41
How many composers currently work with HZ at RCP. Do they all work at the same place?


Briom2017-09-06 09:48:10
What about Balfe ? I thought he was working on the film? Ghost in the Shell was a score that Bladerunner remake should be


Callahan2017-09-06 11:59:46
@Spectre So many. Take a look at the list "Team" above. They are 30% to 40% of the total.

@Brion He has his own projects now, man.


Callahan2017-09-06 12:03:38
@Spectre I firmly believe they do not all work in the same place, as the Powell and HGW assistants are considered part of the RCP.


Peter2017-09-06 12:24:17
If it beats Ghost In The Shell then it will be great because Lorne made a score that was a perfect blend synthesizers and an orchestra


Andrew2017-09-06 21:41:14
I doubt it will beat Ghost


Saurabh2017-09-06 21:59:43
Blade Runner isn't just synthesizers and some strings like Ghost in the Shell, although the synthesizer is the most identifiable thing in terms of music. The LA in the first Blade Runner was a melting pot of different cultures which was represented musically in tracks such as Damask Rose, Tales of the Future and in various scenes throughout the movie. If anything, it has a scope for tremendous diversity and musical richness if the composers choose to tap into that idea.


Mike2017-09-07 14:19:09
More Ghost music being released on Friday which makes my week


Hedon2017-09-10 13:23:31
Does anyone know why Vangelis is not doing it? Was he even asked?


Hybrid Soldier2017-09-10 13:52:22
Because he's retired and his last Hollywood project was... 14 years ago ?


Saurabh Kadam2017-09-12 07:08:11
Any word on the soundtrack Hybrid? Less than a month to go now.


Waymann2017-09-12 08:35:00
Well JJ is out, it's only Zimmer and Wallfisch now.

Frank reply Replies: 0 || 2017-09-09 21:48:39
icelandreview. com/news/2017/09/08/icelandic-film-composer-no-longer-attach ed-blade-runner-sequel
"Jóhann's agent has confirmed to Fréttabla&#240;i&#240; that the Icelandic composer is no longer involved with the film in any capacity, though he is prohibited from saying anything at this point due to his contract."

Fra reply Replies: 7 || 2017-08-27 21:07:29
Dunkirk CS

1: Enemy Surrounded (3:20) - Hans Zimmer
2: Beach (30 second) Hans Zimmer
3: 400.000 Men (One Week The Mole) (2:04) Hans Zimmer
4: Salvo Bombing (1:10) Lorne Balfe
5: Where Is The Bloody Air Force? (One Day The Sea) (57 Second) Hans Zimmer
6: Some Man? (One Day The Air) (1:05) Hans Zimmer & Lorne Balfe
just someone giving info like tihs


badbu2017-08-29 07:53:26
what is this?


no2017-08-29 10:02:48
Apple candy


badbu2017-08-29 20:56:28
ahh...okay...


badbu2017-08-29 21:20:38
@Fra: do you have the complete tracklist?


Der-Profl2017-09-01 18:31:43
How can I get this songs?


Ahmad2017-09-01 19:04:44
Okay, you can't just drop stuff like this here and not mention the source.


Collector2017-09-06 20:38:19
Does it mean a CS might be on the way? Can you at least share your source @Fra ?

The Movie Geek reply Replies: 0 || 2017-09-01 23:05:07
I went to see Hans Zimmer Live back in June and was inspired to make a video. His music is so good I haven't stopped listening.
Please have a watch and let me know what you think.https://youtu.be/r6iSC93E6Lw


New to RCP reply Replies: 36 || 2017-08-08 21:47:28
Okay so this isn't really just for Dunkirk, but rather all of RCP scores. I've just recently gotten into listening to all this; and frankly there is just so much to listen to that I don't know where to start. Any suggestions on where to start? Either by HZ or any of your fav composers in RCP?


Michael2017-08-08 22:05:15
I'd recommend starting off with a score like Crimson tide or Unstoppable by Harry gregson-Williams. That''I'll give a general idea to what the RCP style. Another suggestion would be National Treasure by Trevor Rabin and all of John Powell and Steve Jablonsky's works.


mpolonest123 2017-08-08 22:40:53
Just to name some good ones from composers OTHER than HZ;

John Powell: How To Train Your Dragon 1+2, Pan, The Bourne Supremacy, Antz, Chicken Run
Harry Gregson-Williams: The Martian, Kingdom of Heaven, Shrek 2
Ramon Djawadi: Pacific Rim, Clash of the Titans
Steve Jablonsky: Transformers (mainly the 1st two but check out the others) Steamboy, Pain and Gain
Trevor Rabin: Armageddon, Deep Blue Sea, National Treasure
Mark Mancina: Twister


mpolonest123 2017-08-08 22:45:07
As for the man himself, check out these ones;
The Peacemaker
Hannibal
Interstellar
The Dark Knight
Pirates of the Caribbean: At World's End
The Rock


Rigby 2017-08-08 22:58:48
To add to these lists,

Genius, Lego Batman, Beyond Two Souls by Lorne Balfe

and

Sherlock Holmes, Angels and Demons by Hans Zimmer


James2017-08-09 00:12:13
Tarzan, Lion King, The Thin Red Line, Rain Man, Ice Age, Happy Feet, The Prince of Egypt, Last Samurai, GLADIATOR...

To name some of the most delicate .. :p


Pete2017-08-09 01:15:31
Also listen to

John Powell: Endruance

Lorne Balfe : Churchill , Beyond Two Souls and call of Duty


Shivering Soldier2017-08-09 08:58:09
Are there any cuesheets?


New to RCP2017-08-09 17:25:00
Thanks guys, really appreciate it! Loving all this music so far.


Mike (OTM)2017-08-09 22:51:42
Some of my essential Zimmer...

1990s/early 2000s:

—Crimson Tide + The Rock + The Peacemaker (all in the same style)
—The Last Samurai
—Gladiator
—Broken Arrow
—The Prince of Egypt
—Pirates of the Caribbean 1-3
—The Lion King
—Muppet Treasure Island
—Beyond Rangoon

Mid-2000s/2010s:

—Batman Begins + The Dark Knight + (if you listen to the complete score and the unreleased suites) The Dark Knight Rises
—Kung Fu Panda 1-3 (though his presence was more muted on the second one...)
—Sherlock Holmes, the first
—Angels and Demons
—Interstellar
—Inception (I know, I know...BWAAAAAAAAM)
—The Amazing Spider-Man 2 (inventive score in a comparatively stagnant era for Hans...)

And this is missing a whole lot, too. But it should get you somewhere.


babdu2017-08-10 07:33:36
and...BACKDRAFT!!! <3


Brent2017-08-10 09:06:51
Here's my ultimate RCP list. Good luck! Lol. I undoubtedly missed quite a few composers. Though, I feel like these 9 will give you a good idea on what RCP represents.

Those with a star next to it, I would give a listen to first.

Zimmer:
The Dark Knight
Angels & Demons*
The Da Vinci Code
Kung Fu Panda 3
The Prince of Egypt
Driving Miss Daisy*
The Lion King*
Pirates of the Caribbean (2 & 3)*
Interstellar*
Inception
The Lone Ranger
The Last Samurai*
Gladiator*
Pearl Harbor / Black Hawk Down
Backdraft*
Rush
Sherlock Holmes (1 & 2)
Planet Earth II (main theme)*

Powell:
Bourne series*
How to Train Your Dragon (1 & 2)*
Kung Fu Panda (1 & 2)
Pan*
Hancock
Happy Feet
X-Men: The Last Stand*
Mr. & Mrs. Smith
The Italian Job
I Am Sam
Chicken Run

Gregson-Williams:
The Chronicles of Narnia (1 & 2)*
Shrek series*
The Town
Kingdom of Heaven*
Arthur Christmas*
Cowboys Vs Aliens
The Martian*
Prometheus (main theme)
The Zookeeper's Wife
Gone Baby Gone
Monkey Kingdom*
Prince of Persia*
Man on Fire
Passionada

Jablonsky:
Transformers series (especially #1)*
Ender's Game*
Ninja Turtles 2*
Deepwater Horizon
Pain & Gain
A Nightmare on Elm Street
Steamboy*
Lone Survivor
The Island
The Last Witch Hunter
Your Highness*
D-War

Jackman:
Captain America (2 & 3)*
Turbo
Wreck-It Ralph*
Puss In Boots
Kong: Skull Island
X-Men: First Class*
Kingsman*
The Birth of a Nation*
The Interview / This is the End
Captain Phillips
Winnie the Pooh

Zanelli:
The Odd Life of Timothy Green
Disturbia
Pirates 5*
Into the West
The Ottoman Lieutenant
The Pacific

Balfe:
Lego Batman*
13 Hours
Genius
Ghost in the Shell (check it out on YouTube)
Terminator Genisys
The Bible series
Penguins of Madagascar
Home
Skylanders
Megamind

Mancina:
Moana*
Planes (1 & 2)
The Haunted Mansion*
Speed
Training Day
August Rush*
Tarzan*
Bad Boys

Rabin:
Armageddon *
National Treasure (1 & 2)*
The Sorcerer's Apprentice
Flyboys
Glory Road


Macejko2017-08-10 12:10:10
Unvelievable that the release is once again this botched. There are at least two absolutely crucial and intense cues missing; instead we get two unnecessary variations of Supermarine. Goddammit...


Macejko2017-08-10 12:22:26
Sorry, wanted to make it as a separate post.


meta2017-08-10 14:09:47
what pieces might those be? Supermarine was intercut throughout the film...and I don't recall another piece outside of OIL or Home


Macejko2017-08-10 14:28:43
What I have in mind is the intesifying cue at the very beginning (ends with Mr. Dawson's boat leaving harbour/planes breaking formation - very memorable moment IMHO) and then the nerve-wreckig music that plays during the first drowning sequence (it gets repeated once again later in the film). I was disappointed to found neither on the album.


Meta2017-08-11 01:55:47
You got good ears because I honestly couldn't tell the difference....Much of it to me sounded like Oil when it wasn't sounding like Supermarine, and then if it wasn't sounding like Shivering Soldier, it was sounding like Variation 15 or the Mole....


bro2017-08-11 05:56:11
It's not a matter of good ears, it's a really long, different and really good cue. It's probably the best cue in the movie.


Ahmad2017-08-11 11:37:16
That cue is too good not to be on the album! It starts with a short string variation of the first 2 minutes of Supermarine then slowly turns into a variation of the last three minutes of "The Mole". So it's a hybrid of Supermarine and The Mole.

I was surprised by how different the film version of "Home" was.


mpolonest123 2017-08-11 14:50:25
@macjeko I could be wrong but the drowning cue sounded like a more intense, extended version of that tension build riff at 2:12 in "Despair" from TDKR. I'm sure that the studio will put out an fyc for the score, much like they did interstellar...


badbu2017-08-11 15:38:41
@mpolonest123 i hope so!!! :-) they drop the fyc (interstellar) 1 month after the movie, right?


mpolonest123 2017-08-11 16:40:27
@badbu Usually they drop the fyc closer to awards season. If I had to guess, probably November or December. That is if it still can qualify for an award (considering the main theme is an existing piece of music/more than one composer is credited)


Backbiter2017-08-12 17:46:22
I con not believe that no one has putted the King Arthur's Soundtrack


Kingfannypack2017-08-13 06:26:08
I feel embarassed to ask, but what is RCP?


isildur2017-08-13 10:50:42
Remote Control Productions. It's Hans' film score company.


Anonymous2017-08-13 17:03:17
More like his studio than "company"


James2017-08-13 20:34:40
The "budget meeting" piece is really so much funny!


SPECTER2017-08-14 04:27:36
For Hans this the best list you'll find. Only his most Elite and melodical scores are on this list.

Crimson Tide
The Rock
The Prince of Egypt
Gladiator
The Last Samurai
King Arthur
Tears of the Sun
Pirates of the Carribean 1-3
Interstellar
Batman Begins
The Dark Knight
Man of Steel
Chappie


Mephariel2017-08-14 06:27:42
@Specter

I am sorry, you want a list with Zimmer's most elite and melodical scores and you left out:

Beyond Rangoon
The Lion King
Driving Miss Daisy
Angels and Demons

and instead...put Chappie? I mean, I like Chappie, but come on...



Ds2017-08-15 00:43:51
I'll never understand why so many people dismiss Chappie. I think it's a brilliant score, as interesting as it is entertaining. It's very melodic in a typical HZ fashion, the electronics sounds partly modern, partly old school, and it's got some fantastic cues. Really, one of my favorites HZ scores in the last few years.


Meta2017-08-15 02:39:50
Are you kidding me? Chappie I consider MILES above Dunkirk, and even Inferno last year...

Best of 2015....


badbu2017-08-15 07:21:27
saw chappie last week for the first time. what a bad movie...jesus...the score is okay but nothing special


mpolonest123 2017-08-15 22:41:58
Yeah, Chappie really is one of the Z-Man's best scores as of late. For all the talk he does of innovating, both TASM2 and Chappie are pretty fresh as compared to BVS/Inferno/Dunkirk.

And yes, the film itself is a hot mess...


SPECTER2017-08-17 00:38:45
I just want to say that if CHAPPiEs score had been done with an orchestra or were to be remade with a live orchestra it would instantly become a hit.


Edmund Meinerts2017-08-17 08:37:54
If Chappie were redone with a live orchestra it would miss the point of that score entirely. And I'm saying that as someone for whom Zimmer's synth overdubs are an irritation most of the time...but that score is electronic at heart and soul, don't mess with it.


FaresTdkr2017-08-27 16:26:32
Hello I will suggest this albums in order:
Hans Zimmer:{all complete scores! Not original motion picture }
1:interstellar{complete 53 track score}
2:The Dark knight Triology{complete 3 Score}
3:The Last samurai
4:King Arthur
5:Pirates of the Caribbean 2,3 complete scores.
6:Lone ranger {rarely found complete score but there is one}
7:man of steel{General Zod theme}
8:Lost But won in Rush soundtrack.
9:Gladiator
Armand Amar{the most underestimated composer}
Every thing by armand Amar I have all his discography and never get enough from his work every year I wait for his release...
You can start By "Home"
Than go to "human"
Than La Terre vue de ciel"
After that you can decide if you want all the discography "I bet you will".
STEVEN PRICE:
1:Gravity
2:Fury
3:the Hunt{better to get Flac}
STEVE JABLONSKY:
TRANSFORMERS FIVE COMPLETE SCORES.
Other Composer you may want to check:
Danny Bensi{LA 92;The Gift}
Nick cave and warren ellis{The assassination of jessy james by the.."
Toygar Isikli!
Ilan Eshkeri {47 Ronin score}






Edmund Meinerts2017-08-27 17:04:34
Armand Amar is a very good composer, but nothing to do with RCP...

FaresTdkr reply Replies: 0 || 2017-08-27 15:49:46
Hi I want to ask about a really nice soundtrack that I can't find anything about here I mean "Savage Kingdom" from Nat Geo Wild documentary by bleeding fingers "Hans Zimmer" company so please create topic about it! Thanks

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