NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Lorne BalfeThomas FarnonSteffen ThumQueenie Li
ComposerAdditional ArrangementsAdditional ArrangementsMusic Production Coordinator
Churchill
Label: Filmtrax (Digital Download Only)
Length: 48'33
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1540 votes)
  1. The Beach (4:09)
  2. Meeting With Month (2:11)
  3. An Unsociable Hour (2:33)
  4. Eisenhower Will Listen (2:37)
  5. Back To London (2:32)
  6. Journey To The Camp (2:06)
  7. Meeting With The King (5:28)
  8. Let It Rain (3:40)
  9. The Ships Are Gathering (2:32)
  10. We Could All Help (3:45)
  11. A Cottage By The Sea (2:40)
  12. The Speech (5:48)
  13. Recovery (5:20)
  14. Purpose (3:12)
Create Topic

JBSO99 reply Replies: 0 || 2017-09-10 12:37:59
Just listened to the album again and I liked it even more. Balfe this year is on top form and he has created so many different scores that he is slowly becoming one of y favourites.
The thing that surprises me is the little talk this score is getting, despite being one of Balfe's bests.

MrZimmerFan reply Replies: 2 || 2017-07-06 19:06:29
Geostorm soundtrack released by Watertower Music


Adam2017-07-07 12:17:37
Is there a track listing ??


MrZimmerFan2017-07-07 12:55:17
The score release is 20th October

Andrew reply Replies: 10 || 2017-06-30 02:36:13
Just seen Balfe got 5/5 from Film Music Media filmmusicmedia.com/reviews/churchillbylornebalfereview


Peter2017-06-30 03:31:54
Well deserved . Churchill is one of the best scores this year so far .


Alexandre2017-06-30 05:05:18
That web site rarely give 5 Stars !!!! Well done to Lorne . He deserves it and the score


PetriM2017-06-30 05:44:11
In my humble opinion this music is what I yearn for when I listen to film music . That review is 100% . It's perfect


ABoshn2017-06-30 06:22:41
After having not heard of this film I was surprised to see this review . I have now purshaced the soundtrack and agree . The score is everything one would wish for . 5/5


Mike2017-06-30 17:55:09
Impressive !


StephM2017-07-01 04:28:35
Strange that when a fantastic score like this doesn't get as many people talking about it like Transformers !!!!!!! Come on people !


Edmund Meinerts2017-07-01 12:52:10
Are you kidding, StephM? 2017 at this website has been nothing but slobbering all over Lorne Balfe.


James2017-07-01 16:41:30
Lol
This is funny and curious at same time. He is not like a Michael Giacchino. But...


Miguel2017-07-01 23:46:05
The slobbering is well deserved . Slobber away !!!


PetMusic2017-07-02 01:55:19
I'm interested to know what other scores has received 5/5 ? An enjoyable score for sure

Peatmusic reply Replies: 1 || 2017-06-17 16:11:04
Saw the film last night and Balfe's music is solid . It is one of the stars of the film and truly elevates the film . 9/10 nice change of writing for him


Ants@yahoo2017-06-17 23:49:44
Love this score . Beautiful

Peter81 reply Replies: 2 || 2017-06-08 13:23:38
Love this music and not what I would expect from someone from Remote Control


Thomas2017-06-08 23:28:24
Agree it's beautiful . Have listen to this album over 5 times already love it


KiosM2017-06-09 14:02:43
Amazing soundtrack from the Meastro . 5/5 again by Balfe

AndrewP reply Replies: 3 || 2017-06-07 00:29:09
We just watched the live performance of the score with an orchestra to the film in London and it was great. Lorne was playing piano with an orchestra . Emotional score . Hope he gets a nomination for this score . Brian Cox is unbeliable in the film playing Churchill


Anonymous2017-06-07 03:50:31
Superb score! Esp love The Beach - many parts remind me of The Coral Atoll from The Thin Red Line...


Mephariel2017-06-07 09:01:37
Also Interstellar. The cue "Purpose" sounds very similar in parts, to the "Where We're Going" in Interstellar.


...2017-06-07 14:26:25
is there any chance to watch it on youtube or something?

Peteift reply Replies: 0 || 2017-06-07 09:09:42
Really great soundtrack and beats his Crying with Laughter . Simple and very emotional

Hedon reply Replies: 0 || 2017-06-06 13:20:36
Amazing how many projects that has Lorne's name attached to it these days. The guy is everywhere!

zulu reply Replies: 1 || 2017-06-06 03:39:03
Lorne is the worst compser from rc! sounds like frost/Nixon! i know he was there the additional composer. but every time the same thing?


Miguel2017-06-06 10:16:08
Yes . That's why Lego Batman sounds identical to Frost Nixon !!!!! Very funny Zulu!

Rian reply Replies: 0 || 2017-06-05 19:51:57
Lorne is performing this with an orchestra live to the film tomorrow in London. Is anyone going ? We tried for tickets but it sold out last week!! Sounds really good.

Andreas reply Replies: 0 || 2017-06-04 02:35:48
Lorne nails it again !!!!!!! I though Genius was fantastic but this great

PeterMarksfilm reply Replies: 0 || 2017-06-03 23:55:09
This music is everything I love with film . Emotional and makes me imagine images to the music . Breathtaking . Balfe has a voice that is unique

Mike reply Replies: 0 || 2017-06-03 21:52:46
Beautiful .

Peter reply Replies: 0 || 2017-06-03 21:31:24
Great score and very moving .

Micheal reply Replies: 0 || 2017-06-03 00:33:55
Not the type of RCP score I would expect !!!! Balfes score is amazing and very teastful and memorable .

Antin reply Replies: 0 || 2017-06-02 23:49:54
What a beautiful score and very sensative . The last cue the most beautiful I have heard

Manulder reply Replies: 0 || 2017-06-02 22:27:10
A Great score again i love it. Congratulations mr BALFE

 HANS-ZIMMER.com© 2001-2018 OST 
Churchill soundtrack - Lorne Balfe 2017