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I do kinda prefer the 2014 score over the KOTM score, but McCreary's work does deserve more love than just being called a 'retreat of the original theme'.<br>It also deserved to be heard more, but the movie's sound mixing was terrible.Wasn't expecting to see someone else here for the same reason. Really hoping those two soundtracks return, they're great for studying music.Are Steve Jablonsky and Rupert Greyson-Williams still apart of RCP or they went solo too?I wouldn't disagree that Godzilla KOTM is a good score since it works very well for the movie and by itself. I'm just saying that Junkie XL can bring something new and interesting to the franchise which hasn't been done before.Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)
@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)
In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...Yeah... McCreary's score is one of the best from last year so I'd rather have him again.I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTM
No way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.But Marc is no longer with RCP I am assuming. His scores are not advertised here.
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Benjamin WallfischAntonio AndradeJohn Witt Chapman
ComposerSynth ProgrammerAdditional Engineering
It
Label: WaterTower Music
Length: 87'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2046 votes)
  1. Every 27 Years (2:36)
  2. Paper Boat (1:55)
  3. Georgie, Meet Pennywise (3:38)
  4. Derry (2:24)
  5. River Chase (2:09)
  6. Egg Boy (2:44)
  7. Beverly (1:20)
  8. Come Join The Clown, Eds (1:20)
  9. You'll Float Too (3:20)
  10. Shape Shifter (1:42)
  11. Hockstetter Attack (2:15)
  12. Haircut (4:14)
  13. Derry History (2:48)
  14. January Embers (1:05)
  15. Saving Mike (1:15)
  16. This Is Not A Dream (2:08)
  17. Slideshow (2:01)
  18. Georgie's Theme (1:42)
  19. He Didn't Stutter Once (1:33)
  20. Neibolt Street (4:17)
  21. Time To Float (3:04)
  22. It's What It Wants (1:19)
  23. You'll Die If You Try (4:38)
  24. Return To Neibolt (2:31)
  25. Into The Well (2:05)
  26. Pennywise's Tower (1:48)
  27. Deadlights (2:04)
  28. Searching For Stanley (2:28)
  29. Saving Beverly (3:36)
  30. Georgie Found (1:53)
  31. Transformation (0:58)
  32. Feed On Your Fear (2:34)
  33. Welcome To The Losers Club (3:05)
  34. Yellow Raincoat (1:43)
  35. Blood Oath (3:11)
  36. Kiss (0:54)
  37. Every 27 Years (Reprise) (2:07)
  38. Epilogue - The Pennywise Dance (0:36)
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DT-2019 reply Replies: 4 || 2019-03-31 20:54:28
Wallfisch confirmed he is doing the score for It: Chapter 2 via his Twitter page.


MrZimmerFan2019-08-27 16:54:41
CD coming in 30th August, 45 tracks, 2-CD

https: //www.amazon.com/Chapter-Original-Motion-Picture-Soundtrack/ d p/B07WP74YBJ


NotSoAnonymous2019-08-27 20:47:50
Wow! I am very happy to see another large release!


DT-20172019-08-28 09:14:14
45 tracks! Jeezus! There wasn't much missing from this one! Looks to be the same situation with Chapter 2!


Iamtommie442019-08-28 14:04:52
Well, the movie is 2 hours & 45 minutes long, or something like that.

I expect the release to be around 1 hour & 50 minutes

DT-2017 reply Replies: 6 || 2018-08-17 00:35:38
Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.


Edmund Meinerts2018-08-17 10:28:34
Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...


badbu2018-08-17 13:06:51
true...


Hybrid Soldier2018-08-17 17:51:43
"it must have been deleted."

Yes. Stop this please.


Cameron2018-08-17 18:53:45
@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?


Hybrid Soldier2018-08-17 20:01:51
I haven't in a long time, you'll notice...


mpolonest1232018-08-17 20:12:31
I hope the site hasn’t gotten in any trouble for posting the lists :-(

Jean-Luc reply Replies: 0 || 2019-03-01 06:40:47
New Hellboy red band trailer is online on YouTube, and that trailer is awesome and lot gore and everything. I hope to hear what's Benjamin Wallfisch does with the Hellboy movie with amazing music.

Iamtommie reply Replies: 0 || 2018-06-28 23:41:16
Wallfisch is scoring the new Hellboy movie. Very curious what that will be!!

DT-2017 reply Replies: 1 || 2018-02-03 00:21:30
Assembling my own edit for IT, I've found at least seven cues that are different in the film:

-Georgie, Meet Pennywise (the children's choir sings "Oranges and Lemons" instead of whispering it)
-Egg Boy (Different choir performance when Ben is rifling through the book, there's less strings when Ben is chased by the headless boy)
-Mike's Fear (Seems to drop some of the orchestra and synths at the end)
-"Judith" (or "Painting Lady" if you prefer) (When Judith appears before Stan, the children's choir sings "Oranges and Lemons", before the shouting girl comes in like on the OST version. The end of the cue is choir-free)
-Slideshow (Cuts out some of the synth just before Pennywise actually comes out of the projector)
-Time To Float (Stronger percussion as Pennywise emerges from the freezer)
-Return to Niebolt (Adds in a synthetic timpani drum)
-The end credits includes another version of "Georgie, Meet Pennywise" that ends at the point where Georgie reaches into the grate.


JBSO992018-02-03 13:29:13
And in the movie, in the opening titles, after the singing kid, plays "Every 27 Years (Reprise)" and in the end credits is when "Every 27 Years" plays, but without the "Oranges and Lemons" bit.

Also, I'm interest in what your edit is? I mean, are you creating film version of some tracks, or are you mixing them together or something like that?

DT-2017 reply Replies: 2 || 2018-01-12 00:26:58
Interestingly, though this score is being submitted for consideration in Awards Season, I haven't seen an FYC floating about for this one. Anybody in the know and is able to say whether the FYC is just this OST, or whether it's different in any way?


Anonymous2018-01-12 02:22:53
For years now WB has been jewing out and using the soundtrack as the FYC. Go figure that the same studio who re-releases and re-releases a harry potter collection year after year pulls this


DT-20172018-01-12 15:57:33
I guess it would depend entirely on what sort of award WB is going after. I'm told if they submit it for an Oscar, they have to present it as is heard in the film, and the OST presentation would definitely disqualify it if that's the case. (The point came up when I asked why The Last Jedi was cues taken from the film stems when somebody else suggested it wasn't because of the ease given how the film was scored)

badbu reply Replies: 2 || 2017-10-23 07:52:16
Time To Float is sooo strong :-) And a nice Scene btw :-)


CT-11382017-10-23 09:37:10
Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.


badbu2017-10-23 11:06:00
yeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)

mpolonest123 reply Replies: 3 || 2017-09-08 15:58:36
Finished with my first listen and I'm loving what I heard. Normally 80+ minutes tend to drag for me... not here. The music is consistently strong and Wallfisch is able to do something most horror composers fail at; keep the horror underscore interesting. I tend to normally get bored with horror scores when they pull the same tricks, but I found myself genuinely unnerved with the vocal effects he throws in.

As for the themes, while there are definitely no competitors for ACFW they all work extremely well. Especially when they allow for big moments of wonder or softer emotion. I'm really loving this one, not quite as much as Wellness but definitely in the same ballpark.


mpolonest123 2017-09-08 16:03:47
And am I crazy or is that Richard Bellis' theme from the miniseries in "Its What It Wants"?


Medigo2017-09-09 13:46:06
I like it'
but sweet god
dont listen to this with headphones


CT-11382017-10-22 23:34:29
mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.

JBSO99 reply Replies: 1 || 2017-10-22 14:16:01
Does anyone know what tracks appear in the end credits of the movie (in case there is music, that I think it is). I think the credits open with Every 27 Years (Reprise), but I don't know what's next.
Thanks in advance for the help!


CT-11382017-10-22 23:32:47
I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.

CT-1138 reply Replies: 5 || 2017-09-28 00:04:58
Pretty good score that fits the film very well (which, by the way, is a great film). I don't think the OST misses anything off of any significance... but it doesn't seem to be in chronological order either.


Hybrid Soldier2017-09-28 00:23:45
Well Ben wrote more than a hundred cues for it ! Lots of very very short pieces... The OST has got everything needed indeed. As for chronlogical order, the second half is, but the first is kinda all over the place with lots of combined cues so hard to really place them, but here's what I came up with (if you don't want to start butchering every track lol) :

Every 27 Years (2:36)
Paper Boat (1:55)
Georgie, Meet Pennywise (3:38)
Derry (2:24)
Shape Shifter (1:42)
Egg Boy (2:44)
River Chase (2:09)
Hockstetter Attack (2:15)
Beverly (1:20)
Derry History (2:48)
Come Join The Clown, Eds (1:20)
Haircut (4:14)
You'll Float Too (3:20)
January Embers (1:05)
Saving Mike (1:15)
This Is Not A Dream (2:08)
Slideshow (2:01)
He Didn't Stutter Once (1:33)
Neibolt Street (4:17)
Time To Float (3:04)
It's What It Wants (1:19)
You'll Die If You Try (4:38)
Return To Neibolt (2:31)
Into The Well (2:05)
Pennywise's Tower (1:48)
The Pennywise Dance (0:36)
Deadlights (2:04)
Searching For Stanley (2:28)
Saving Beverly (3:36)
Georgie Found (1:53)
Transformation (0:58)
Feed On Your Fear (2:34)
Welcome To The Losers Club (3:05)
Yellow Raincoat (1:43)
Blood Oath (3:11)
Kiss (0:54)
Every 27 Years (Reprise) (2:07)
Georgie's Theme (1:42)

Aaaaand if you STILL want a super detailed breakdown of the beginning :

Every 27 Years
Paper Boat
Georgie, Meet Pennywise
Derry (0:20 to 1:02)
Derry (1:41 to end)
Derry (1:02 to 1:41)
Shape Shifter
Derry (0:00 to 0:21)
Egg Boy
River Chase
Hockstetter Attack
January Embers (0:00 to 0:25)
Haircut (0:00 to 0:51)
Beverly
Derry History
Come Join The Clown, Eds
Haircut (0:51 to end)
You'll Float Too
January Embers (0:25 to end)
Saving Mike
This Is Not A Dream
Slideshow
He Didn't Stutter Once (0:31 to end)
He Didn't Stutter Once (0:00 to 0:31)
21 Neibolt Street
Time To Float
It's What It Wants
You'll Die If You Try (0:51 to end)
You'll Die If You Try (0:00 to 0:51)
Return To Neibolt
Etc.


JBSO992017-09-28 09:21:45
Hundred cues! Wow! That's s lot of work on his part. I kind of like the horror pays but I would have love if he had created more tracks like Paper Boat, Beverly or Blood Oath, but I guess the movie didn't needed more. Also I hope will be brought back to score the second chapter so he can use some of his themes and develop them.

PS: Hybrid, thanks for the chrono tracklist!


CT-11382017-09-28 11:24:26
Thanks for the breakdown :)

It's nice to know the second half is in order, though I think "The Pennywise Dance" should go before "Deadlights" since it plays as Pennywise does the 'old man jig'.


Hybrid Soldier2017-09-28 11:58:54
That... is what I wrote ! lol


CT-11382017-09-28 12:02:54
Oops, you already chronologically placed "The Pennywise Dance"! My bad!

Waymann reply Replies: 0 || 2017-09-07 16:10:43
The samples sound great. Blood Oath's going be a favorite. Sounds like an emotional score.

mpolonest123 reply Replies: 1 || 2017-08-24 18:31:35
So excited for this!!!! :D

If it's anything on the same level as A Cure For Wellness then bring it on!


David2017-08-25 02:21:43
Me too! A Cure For Wellness was great!

Mikes reply Replies: 0 || 2017-08-25 00:39:04
Yawn

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