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Please oh please oh please for the love of God make the sheet music for Women of Ireland available to the masses!!! <br>Thanks.Little HZ interview about a few things...i thought it was gonna be the 28thNow there is rumours, the score can be released in 23th September
hey guys i just found this soundtrack and i am in love with it, hans zimmer was sooooooooooooo cute in this filmWatched the movie again last night.....and Wow! I forgot how great the score was. It's ridiculous where we are now in terms of film music.....As people say: Where are the themes, where is the melody? Where is the emotion? At this point, scores like Remember the Titans are like an extinct species. <br><br>And it's not just me......I listen to interviews and podcasts where more and more people from the industry say the exact same thing: film music is just not the same. It's like filmmakers are afraid to use actual themes now. I really wonder what is the real reason for that. Is it because the younger generation likes music that's all over the place? Like that dubstep thing, or whatever the hell kids call it....Or it's all a deliberate thing coming from the composers world? Wish we knew the answer......Thanks for proving my point, Meta. Thank you. Just look at the comment he left, folks. It all speaks for itself. He simply can't contain himself. He always needs to cram something negative. Always. No exception.<br><br>I'm glad they didn't delete it. Let it stay here for all to see.<br><br>Oh, and by the way Meta, the way you tried to provoke me AGAIN, this time by trashing Bay, is just not working. Simply because Bay is so big and so successful with such a huge fanbase (fanbase, which includes dozens of other big-time directors as well) that I can just laugh at your attempts to trash and bash him. Also, I think I would agree with Steven Spielberg's opinion on Bay. You know, because he actually knows a thing or two about cinema.... Here's what Spielberg said over 10 years ago: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." <br><br>I rest my case.Hybrid, the site isn't letting me see or play any of the music samples on scores, it it something only on my end?Schifrin and Mancini would be proud. Awesome fun work by Wallfisch.
Love Sugar Plum Raid!It's a great score! The Sugar PlumRaid is awesome. It's a great big band score! Loved it!This looks promising. Benjamin Wallfisch will probably do a good job.so sad they didn´t release the whole score, Lorne did a great job on this one :/At 3 minutes into the film there is a great little cue for Qira and Han (when we first meet her). Is that anywhere on the soundtrack?
Well Lorne incorporated some of the song melodies into his score, so I guess that's why they're credited...Please bring this show to the United States. Dallas, Austin, San Antonio, or Houston would be great!Everything is as the director wants it... if its "awkward" silence, or old songs, or the new score... most of the times the director doesn't try to satisfy film score fans as his priority.It was a motif loosely related to Beckett which ended up getting repurposed for Barbossa in On Stranger Tides and here. To be fair the theme was used in conjunction with him during the Calypso cue. Judging by its placement throughout AWE I think it was meant to be a “betrayal” theme.Wait what did they use for barbossa in AWE?
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Benjamin WallfischAntonio AndradeJohn Witt Chapman
ComposerSynth ProgrammerAdditional Engineering
It
Label: WaterTower Music
Length: 87'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1127 votes)
  1. Every 27 Years (2:36)
  2. Paper Boat (1:55)
  3. Georgie, Meet Pennywise (3:38)
  4. Derry (2:24)
  5. River Chase (2:09)
  6. Egg Boy (2:44)
  7. Beverly (1:20)
  8. Come Join The Clown, Eds (1:20)
  9. You'll Float Too (3:20)
  10. Shape Shifter (1:42)
  11. Hockstetter Attack (2:15)
  12. Haircut (4:14)
  13. Derry History (2:48)
  14. January Embers (1:05)
  15. Saving Mike (1:15)
  16. This Is Not A Dream (2:08)
  17. Slideshow (2:01)
  18. Georgie's Theme (1:42)
  19. He Didn't Stutter Once (1:33)
  20. Neibolt Street (4:17)
  21. Time To Float (3:04)
  22. It's What It Wants (1:19)
  23. You'll Die If You Try (4:38)
  24. Return To Neibolt (2:31)
  25. Into The Well (2:05)
  26. Pennywise's Tower (1:48)
  27. Deadlights (2:04)
  28. Searching For Stanley (2:28)
  29. Saving Beverly (3:36)
  30. Georgie Found (1:53)
  31. Transformation (0:58)
  32. Feed On Your Fear (2:34)
  33. Welcome To The Losers Club (3:05)
  34. Yellow Raincoat (1:43)
  35. Blood Oath (3:11)
  36. Kiss (0:54)
  37. Every 27 Years (Reprise) (2:07)
  38. Epilogue - The Pennywise Dance (0:36)
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DT-2017 reply Replies: 6 || 2018-08-17 00:35:38
Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.


Edmund Meinerts2018-08-17 10:28:34
Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...


badbu2018-08-17 13:06:51
true...


Hybrid Soldier2018-08-17 17:51:43
"it must have been deleted."

Yes. Stop this please.


Cameron2018-08-17 18:53:45
@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?


Hybrid Soldier2018-08-17 20:01:51
I haven't in a long time, you'll notice...


mpolonest1232018-08-17 20:12:31
I hope the site hasn’t gotten in any trouble for posting the lists :-(

Iamtommie reply Replies: 0 || 2018-06-28 23:41:16
Wallfisch is scoring the new Hellboy movie. Very curious what that will be!!

DT-2017 reply Replies: 1 || 2018-02-03 00:21:30
Assembling my own edit for IT, I've found at least seven cues that are different in the film:

-Georgie, Meet Pennywise (the children's choir sings "Oranges and Lemons" instead of whispering it)
-Egg Boy (Different choir performance when Ben is rifling through the book, there's less strings when Ben is chased by the headless boy)
-Mike's Fear (Seems to drop some of the orchestra and synths at the end)
-"Judith" (or "Painting Lady" if you prefer) (When Judith appears before Stan, the children's choir sings "Oranges and Lemons", before the shouting girl comes in like on the OST version. The end of the cue is choir-free)
-Slideshow (Cuts out some of the synth just before Pennywise actually comes out of the projector)
-Time To Float (Stronger percussion as Pennywise emerges from the freezer)
-Return to Niebolt (Adds in a synthetic timpani drum)
-The end credits includes another version of "Georgie, Meet Pennywise" that ends at the point where Georgie reaches into the grate.


JBSO992018-02-03 13:29:13
And in the movie, in the opening titles, after the singing kid, plays "Every 27 Years (Reprise)" and in the end credits is when "Every 27 Years" plays, but without the "Oranges and Lemons" bit.

Also, I'm interest in what your edit is? I mean, are you creating film version of some tracks, or are you mixing them together or something like that?

DT-2017 reply Replies: 2 || 2018-01-12 00:26:58
Interestingly, though this score is being submitted for consideration in Awards Season, I haven't seen an FYC floating about for this one. Anybody in the know and is able to say whether the FYC is just this OST, or whether it's different in any way?


Anonymous2018-01-12 02:22:53
For years now WB has been jewing out and using the soundtrack as the FYC. Go figure that the same studio who re-releases and re-releases a harry potter collection year after year pulls this


DT-20172018-01-12 15:57:33
I guess it would depend entirely on what sort of award WB is going after. I'm told if they submit it for an Oscar, they have to present it as is heard in the film, and the OST presentation would definitely disqualify it if that's the case. (The point came up when I asked why The Last Jedi was cues taken from the film stems when somebody else suggested it wasn't because of the ease given how the film was scored)

badbu reply Replies: 2 || 2017-10-23 07:52:16
Time To Float is sooo strong :-) And a nice Scene btw :-)


CT-11382017-10-23 09:37:10
Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.


badbu2017-10-23 11:06:00
yeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)

mpolonest123 reply Replies: 3 || 2017-09-08 15:58:36
Finished with my first listen and I'm loving what I heard. Normally 80+ minutes tend to drag for me... not here. The music is consistently strong and Wallfisch is able to do something most horror composers fail at; keep the horror underscore interesting. I tend to normally get bored with horror scores when they pull the same tricks, but I found myself genuinely unnerved with the vocal effects he throws in.

As for the themes, while there are definitely no competitors for ACFW they all work extremely well. Especially when they allow for big moments of wonder or softer emotion. I'm really loving this one, not quite as much as Wellness but definitely in the same ballpark.


mpolonest123 2017-09-08 16:03:47
And am I crazy or is that Richard Bellis' theme from the miniseries in "Its What It Wants"?


Medigo2017-09-09 13:46:06
I like it'
but sweet god
dont listen to this with headphones


CT-11382017-10-22 23:34:29
mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.

JBSO99 reply Replies: 1 || 2017-10-22 14:16:01
Does anyone know what tracks appear in the end credits of the movie (in case there is music, that I think it is). I think the credits open with Every 27 Years (Reprise), but I don't know what's next.
Thanks in advance for the help!


CT-11382017-10-22 23:32:47
I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.

CT-1138 reply Replies: 5 || 2017-09-28 00:04:58
Pretty good score that fits the film very well (which, by the way, is a great film). I don't think the OST misses anything off of any significance... but it doesn't seem to be in chronological order either.


Hybrid Soldier2017-09-28 00:23:45
Well Ben wrote more than a hundred cues for it ! Lots of very very short pieces... The OST has got everything needed indeed. As for chronlogical order, the second half is, but the first is kinda all over the place with lots of combined cues so hard to really place them, but here's what I came up with (if you don't want to start butchering every track lol) :

Every 27 Years (2:36)
Paper Boat (1:55)
Georgie, Meet Pennywise (3:38)
Derry (2:24)
Shape Shifter (1:42)
Egg Boy (2:44)
River Chase (2:09)
Hockstetter Attack (2:15)
Beverly (1:20)
Derry History (2:48)
Come Join The Clown, Eds (1:20)
Haircut (4:14)
You'll Float Too (3:20)
January Embers (1:05)
Saving Mike (1:15)
This Is Not A Dream (2:08)
Slideshow (2:01)
He Didn't Stutter Once (1:33)
Neibolt Street (4:17)
Time To Float (3:04)
It's What It Wants (1:19)
You'll Die If You Try (4:38)
Return To Neibolt (2:31)
Into The Well (2:05)
Pennywise's Tower (1:48)
The Pennywise Dance (0:36)
Deadlights (2:04)
Searching For Stanley (2:28)
Saving Beverly (3:36)
Georgie Found (1:53)
Transformation (0:58)
Feed On Your Fear (2:34)
Welcome To The Losers Club (3:05)
Yellow Raincoat (1:43)
Blood Oath (3:11)
Kiss (0:54)
Every 27 Years (Reprise) (2:07)
Georgie's Theme (1:42)

Aaaaand if you STILL want a super detailed breakdown of the beginning :

Every 27 Years
Paper Boat
Georgie, Meet Pennywise
Derry (0:20 to 1:02)
Derry (1:41 to end)
Derry (1:02 to 1:41)
Shape Shifter
Derry (0:00 to 0:21)
Egg Boy
River Chase
Hockstetter Attack
January Embers (0:00 to 0:25)
Haircut (0:00 to 0:51)
Beverly
Derry History
Come Join The Clown, Eds
Haircut (0:51 to end)
You'll Float Too
January Embers (0:25 to end)
Saving Mike
This Is Not A Dream
Slideshow
He Didn't Stutter Once (0:31 to end)
He Didn't Stutter Once (0:00 to 0:31)
21 Neibolt Street
Time To Float
It's What It Wants
You'll Die If You Try (0:51 to end)
You'll Die If You Try (0:00 to 0:51)
Return To Neibolt
Etc.


JBSO992017-09-28 09:21:45
Hundred cues! Wow! That's s lot of work on his part. I kind of like the horror pays but I would have love if he had created more tracks like Paper Boat, Beverly or Blood Oath, but I guess the movie didn't needed more. Also I hope will be brought back to score the second chapter so he can use some of his themes and develop them.

PS: Hybrid, thanks for the chrono tracklist!


CT-11382017-09-28 11:24:26
Thanks for the breakdown :)

It's nice to know the second half is in order, though I think "The Pennywise Dance" should go before "Deadlights" since it plays as Pennywise does the 'old man jig'.


Hybrid Soldier2017-09-28 11:58:54
That... is what I wrote ! lol


CT-11382017-09-28 12:02:54
Oops, you already chronologically placed "The Pennywise Dance"! My bad!

Waymann reply Replies: 0 || 2017-09-07 16:10:43
The samples sound great. Blood Oath's going be a favorite. Sounds like an emotional score.

mpolonest123 reply Replies: 1 || 2017-08-24 18:31:35
So excited for this!!!! :D

If it's anything on the same level as A Cure For Wellness then bring it on!


David2017-08-25 02:21:43
Me too! A Cure For Wellness was great!

Mikes reply Replies: 0 || 2017-08-25 00:39:04
Yawn

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