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love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanksSon"Drums: JON JABLONSKY"<br><br><br>Steve's brother?MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISES
MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CA
MOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YENMOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>
Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.
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Benjamin WallfischAntonio AndradeJohn Witt Chapman
ComposerSynth ProgrammerAdditional Engineering
It
Label: WaterTower Music
Length: 87'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1079 votes)
  1. Every 27 Years (2:36)
  2. Paper Boat (1:55)
  3. Georgie, Meet Pennywise (3:38)
  4. Derry (2:24)
  5. River Chase (2:09)
  6. Egg Boy (2:44)
  7. Beverly (1:20)
  8. Come Join The Clown, Eds (1:20)
  9. You'll Float Too (3:20)
  10. Shape Shifter (1:42)
  11. Hockstetter Attack (2:15)
  12. Haircut (4:14)
  13. Derry History (2:48)
  14. January Embers (1:05)
  15. Saving Mike (1:15)
  16. This Is Not A Dream (2:08)
  17. Slideshow (2:01)
  18. Georgie's Theme (1:42)
  19. He Didn't Stutter Once (1:33)
  20. Neibolt Street (4:17)
  21. Time To Float (3:04)
  22. It's What It Wants (1:19)
  23. You'll Die If You Try (4:38)
  24. Return To Neibolt (2:31)
  25. Into The Well (2:05)
  26. Pennywise's Tower (1:48)
  27. Deadlights (2:04)
  28. Searching For Stanley (2:28)
  29. Saving Beverly (3:36)
  30. Georgie Found (1:53)
  31. Transformation (0:58)
  32. Feed On Your Fear (2:34)
  33. Welcome To The Losers Club (3:05)
  34. Yellow Raincoat (1:43)
  35. Blood Oath (3:11)
  36. Kiss (0:54)
  37. Every 27 Years (Reprise) (2:07)
  38. Epilogue - The Pennywise Dance (0:36)
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Iamtommie reply Replies: 0 || 2018-06-28 23:41:16
Wallfisch is scoring the new Hellboy movie. Very curious what that will be!!

DT-2017 reply Replies: 1 || 2018-02-03 00:21:30
Assembling my own edit for IT, I've found at least seven cues that are different in the film:

-Georgie, Meet Pennywise (the children's choir sings "Oranges and Lemons" instead of whispering it)
-Egg Boy (Different choir performance when Ben is rifling through the book, there's less strings when Ben is chased by the headless boy)
-Mike's Fear (Seems to drop some of the orchestra and synths at the end)
-"Judith" (or "Painting Lady" if you prefer) (When Judith appears before Stan, the children's choir sings "Oranges and Lemons", before the shouting girl comes in like on the OST version. The end of the cue is choir-free)
-Slideshow (Cuts out some of the synth just before Pennywise actually comes out of the projector)
-Time To Float (Stronger percussion as Pennywise emerges from the freezer)
-Return to Niebolt (Adds in a synthetic timpani drum)
-The end credits includes another version of "Georgie, Meet Pennywise" that ends at the point where Georgie reaches into the grate.


JBSO992018-02-03 13:29:13
And in the movie, in the opening titles, after the singing kid, plays "Every 27 Years (Reprise)" and in the end credits is when "Every 27 Years" plays, but without the "Oranges and Lemons" bit.

Also, I'm interest in what your edit is? I mean, are you creating film version of some tracks, or are you mixing them together or something like that?

DT-2017 reply Replies: 2 || 2018-01-12 00:26:58
Interestingly, though this score is being submitted for consideration in Awards Season, I haven't seen an FYC floating about for this one. Anybody in the know and is able to say whether the FYC is just this OST, or whether it's different in any way?


Anonymous2018-01-12 02:22:53
For years now WB has been jewing out and using the soundtrack as the FYC. Go figure that the same studio who re-releases and re-releases a harry potter collection year after year pulls this


DT-20172018-01-12 15:57:33
I guess it would depend entirely on what sort of award WB is going after. I'm told if they submit it for an Oscar, they have to present it as is heard in the film, and the OST presentation would definitely disqualify it if that's the case. (The point came up when I asked why The Last Jedi was cues taken from the film stems when somebody else suggested it wasn't because of the ease given how the film was scored)

badbu reply Replies: 2 || 2017-10-23 07:52:16
Time To Float is sooo strong :-) And a nice Scene btw :-)


CT-11382017-10-23 09:37:10
Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.


badbu2017-10-23 11:06:00
yeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)

mpolonest123 reply Replies: 3 || 2017-09-08 15:58:36
Finished with my first listen and I'm loving what I heard. Normally 80+ minutes tend to drag for me... not here. The music is consistently strong and Wallfisch is able to do something most horror composers fail at; keep the horror underscore interesting. I tend to normally get bored with horror scores when they pull the same tricks, but I found myself genuinely unnerved with the vocal effects he throws in.

As for the themes, while there are definitely no competitors for ACFW they all work extremely well. Especially when they allow for big moments of wonder or softer emotion. I'm really loving this one, not quite as much as Wellness but definitely in the same ballpark.


mpolonest123 2017-09-08 16:03:47
And am I crazy or is that Richard Bellis' theme from the miniseries in "Its What It Wants"?


Medigo2017-09-09 13:46:06
I like it'
but sweet god
dont listen to this with headphones


CT-11382017-10-22 23:34:29
mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.

JBSO99 reply Replies: 1 || 2017-10-22 14:16:01
Does anyone know what tracks appear in the end credits of the movie (in case there is music, that I think it is). I think the credits open with Every 27 Years (Reprise), but I don't know what's next.
Thanks in advance for the help!


CT-11382017-10-22 23:32:47
I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.

CT-1138 reply Replies: 5 || 2017-09-28 00:04:58
Pretty good score that fits the film very well (which, by the way, is a great film). I don't think the OST misses anything off of any significance... but it doesn't seem to be in chronological order either.

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Hybrid Soldier2017-09-28 00:23:45
Well Ben wrote more than a hundred cues for it ! Lots of very very short pieces... The OST has got everything needed indeed. As for chronlogical order, the second half is, but the first is kinda all over the place with lots of combined cues so hard to really place them, but here's what I came up with (if you don't want to start butchering every track lol) :

Every 27 Years (2:36)
Paper Boat (1:55)
Georgie, Meet Pennywise (3:38)
Derry (2:24)
Shape Shifter (1:42)
Egg Boy (2:44)
River Chase (2:09)
Hockstetter Attack (2:15)
Beverly (1:20)
Derry History (2:48)
Come Join The Clown, Eds (1:20)
Haircut (4:14)
You'll Float Too (3:20)
January Embers (1:05)
Saving Mike (1:15)
This Is Not A Dream (2:08)
Slideshow (2:01)
He Didn't Stutter Once (1:33)
Neibolt Street (4:17)
Time To Float (3:04)
It's What It Wants (1:19)
You'll Die If You Try (4:38)
Return To Neibolt (2:31)
Into The Well (2:05)
Pennywise's Tower (1:48)
The Pennywise Dance (0:36)
Deadlights (2:04)
Searching For Stanley (2:28)
Saving Beverly (3:36)
Georgie Found (1:53)
Transformation (0:58)
Feed On Your Fear (2:34)
Welcome To The Losers Club (3:05)
Yellow Raincoat (1:43)
Blood Oath (3:11)
Kiss (0:54)
Every 27 Years (Reprise) (2:07)
Georgie's Theme (1:42)

Aaaaand if you STILL want a super detailed breakdown of the beginning :

Every 27 Years
Paper Boat
Georgie, Meet Pennywise
Derry (0:20 to 1:02)
Derry (1:41 to end)
Derry (1:02 to 1:41)
Shape Shifter
Derry (0:00 to 0:21)
Egg Boy
River Chase
Hockstetter Attack
January Embers (0:00 to 0:25)
Haircut (0:00 to 0:51)
Beverly
Derry History
Come Join The Clown, Eds
Haircut (0:51 to end)
You'll Float Too
January Embers (0:25 to end)
Saving Mike
This Is Not A Dream
Slideshow
He Didn't Stutter Once (0:31 to end)
He Didn't Stutter Once (0:00 to 0:31)
21 Neibolt Street
Time To Float
It's What It Wants
You'll Die If You Try (0:51 to end)
You'll Die If You Try (0:00 to 0:51)
Return To Neibolt
Etc.


JBSO992017-09-28 09:21:45
Hundred cues! Wow! That's s lot of work on his part. I kind of like the horror pays but I would have love if he had created more tracks like Paper Boat, Beverly or Blood Oath, but I guess the movie didn't needed more. Also I hope will be brought back to score the second chapter so he can use some of his themes and develop them.

PS: Hybrid, thanks for the chrono tracklist!


CT-11382017-09-28 11:24:26
Thanks for the breakdown :)

It's nice to know the second half is in order, though I think "The Pennywise Dance" should go before "Deadlights" since it plays as Pennywise does the 'old man jig'.


Hybrid Soldier2017-09-28 11:58:54
That... is what I wrote ! lol


CT-11382017-09-28 12:02:54
Oops, you already chronologically placed "The Pennywise Dance"! My bad!

Waymann reply Replies: 0 || 2017-09-07 16:10:43
The samples sound great. Blood Oath's going be a favorite. Sounds like an emotional score.

mpolonest123 reply Replies: 1 || 2017-08-24 18:31:35
So excited for this!!!! :D

If it's anything on the same level as A Cure For Wellness then bring it on!


David2017-08-25 02:21:43
Me too! A Cure For Wellness was great!

Mikes reply Replies: 0 || 2017-08-25 00:39:04
Yawn

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