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hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?
I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the postsThis is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.
Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.
Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.I like it too but I don't understand why this thread is full of slobbering fanboys while nobody is talking about, say, Kingsman 2 which is just as good. I don't want to stop anyone talking about his music but did we really need every day this year for someone to go "oh my god I can't wait for Lorne to release another unreleased cue from Ghost in the Shell"? It doesn't contribute anything meaningful and makes this site look even more like a YouTube comments section than it already does.Your right Edmund ..... how dare we take about any other composer apart from Zimmer or John Powell!  Thankfully your point of view is in the minority. There is obviously a reason why he is one of the busiest composers . Geostorm isnít original BUT itís great music and I like it at least
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Ramin DjawadiStephen ColemanWilliam MarriottJohn Witt Chapman
ComposerOrchestratorTechnical Score AdvisorAssistant Music Mixer
The Mountain Between Us
Label: Lakeshore Records
Length: 49'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (154 votes)
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  1. The Mountain Between Us (6:10)
  2. Don't Say Anything (2:18)
  3. I'm Sorry (1:39)
  4. Rule Of Three (3:27)
  5. Finding The Cabin (3:57)
  6. I'm Scared (1:14)
  7. They Can't Hear You (0:45)
  8. 1% Of Something (2:14)
  9. Trust Your Instinct (1:30)
  10. The Photograph (1:46)
  11. Flare Gun (2:04)
  12. Little Recorder (2:10)
  13. The Mountains (3:07)
  14. Separation (3:24)
  15. Not Today (2:15)
  16. I Feel Alive (2:39)
  17. Where Is The Dog? (1:28)
  18. Just Me And You (2:11)
  19. The Heart Is Just A Muscle (1:07)
  20. Meaning Of Life (3:46)
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JBSO99 reply Replies: 0 || 2017-10-07 20:19:51
I've just listened to the full album and I have to say, it's both very suprising and very good music. I really like what Ramin has created in this one, even if it's not his usual style, it's a wonderful and beautiful score. I'm loving the main theme!

Ds reply Replies: 0 || 2017-10-07 15:21:22
Very surprising score from Ramin, I'll say a rather pleasant surprise. First time I hear something like that from him!

Pk reply Replies: 0 || 2017-10-07 01:56:32
This is a beautiful score, one of the best works of ramin, this and got, ramin is on fire

Waymann reply Replies: 4 || 2017-10-06 08:57:56
Anyone else happing trouble downloading track 1,3,4 and 5 from the itunes store. It says not available...


Waymann2017-10-06 09:38:42
Also Djawadi suprises again with a sound we haven't heard from him. I see this score ending up high on my best of the year list. It's fantastic.


JBSO992017-10-06 12:18:19
Does anybody know if this is available on Spotify or something like that? I want to fully hear it first, and then I decide if I buy it or not. Thanks in advance!


Waymann2017-10-06 13:11:29
Maybe it will be on youtube in the next few days. But this score is definitely worth your money. This is theme based score with no atmospheric tracks.


JBSO992017-10-06 14:41:47
Wow, that's very good news. This looks like it's gonna be one of my favourites of the year. I cannot wait to hear it!

Waymann reply Replies: 3 || 2017-10-03 08:41:01
Digital release is this friday as expected... pre-order up on itunes, no samples.


JBSO992017-10-03 14:05:36
Well, no samples but there is the suite to give you an idea of how it will sound like.
Even if this Friday is thr release of Blade Runner 2049 and that will grab the majority of attention (probably including mine), I'm really looking forward to hear this score to discover how Djawadi complexes music outside the Game of Thrones/Warcraft/Pacific Rim style and so, that are the one I know of him (and also The Great Wall and Westworld).


Waymann2017-10-03 15:17:24
Saw a feature this morning about the score on this film. https://www.youtube.com/watch?v=pQxcIcah2pQ Sounds great.


JBSO992017-10-03 17:30:04
Yeah, I watched it too. It looks like it's going to be something new in Djawadi's scores. I hope the rest of the score is as good as the suite.

Frank reply Replies: 1 || 2017-08-30 05:05:14
So here's a suite for this film. Sounds really good! soundcloud.com/ lakeshore-records/mountain-between-us-suite-mountain-between -us-soundtrack/s-4dxhj


Waymann2017-08-30 08:40:55
Thanks for posting this! This sounds indeed amazing, very different in style from typical Djawadi scores.

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The Mountain Between Us soundtrack - Ramin Djawadi 2017