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Known credits are Renaway Train for Mazzaro (was on his website), The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.<br><br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.<br><br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.<br><br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
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Hans ZimmerSteven KofskyPeter AsherJon Monroe
ComposerMusic ProducerMusical DirectorTechnical Music Assistant
Hans Zimmer - Live In Prague
Label: Eagle Rock
Length: 124'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2669 votes)
CD1
  1. Driving (Driving Miss Daisy) - Discombobulate (Sherlock Holmes) - Zoosters Breakout (Madagascar) (7:37)
  2. Crimson Tide (Crimson Tide) - 160 BPM (Angels & Demons) (12:07)
  3. Gladiator Medley (Gladiator) (12:46)
  4. Chevaliers De Sangreal (The Da Vinci Code) (4:24)
  5. Circle Of Life - King Of Pride Rock (The Lion King) (7:09)
  6. Pirates Of The Caribbean Medley (Pirates Of The Caribbean) (11:57)
  7. You're So Cool (True Romance) (2:12)
  8. Main Theme (Rain Man) (4:13)
CD2
  1. What Are You Going To Do When You Are Not Saving The World? (Man Of Steel) (4:50)
  2. Journey To The Line (The Thin Red Line) (6:37)
  3. The Electro Suite (The Amazing Spider-Man 2) (5:15)
  4. The Dark Knight Trilogy Medley (The Dark Knight Trilogy) (13:11)
  5. Aurora (Includes Introduction) (5:54)
  6. Interstellar Medley (Interstellar) (12:17)
  7. Inception Medley (Inception) (13:44)
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Nick reply Replies: 0 || 2019-10-03 05:07:34
Imagine a future show if Hans and co. played Sea Wall from Blade Runner 2049. ...That cue with a full orchestral and choral ensemble behind the synthesizers...damn.

Mephariel reply Replies: 0 || 2019-10-01 18:25:29
From Concrete Playground:

"While the Oscar, Golden Globe, Grammy and Tony-winner obviously isn't going to play every single one of his iconic film scores, expect to hear plenty of your favourites from a lineup that also includes Wonder Woman, Gladiator, Pirates of the Caribbean, 12 Years a Slave, Sherlock Holmes, Mission Impossible II and Pearl Harbour — plus the small screen's The Crown and Blue Planet II as well."

Is Zimmer really playing The Crown and Blue Planet II?

mellowjammer reply Replies: 6 || 2019-01-08 13:54:17
Just watched the BluRay last night. I have a 9.2 system but not Atmos. I seemed to notice that when they focused on individual instruments for featured "solos", the instrument did not stand out in the mix as I would have expected it to do. Also, some of the low end seemed a bit thick, almost like there was too much reverberation to each note. Beautifully filmed, but the mix left me a bit flat, seems like the sound engineer could have done a better job.


...2019-01-08 14:34:10
The sound of this show isn’t very good. You can’t really hear the performances like with for instance world of hans zimmer which is a much better concert, sound wise and in general IMO.


Mephariel2019-01-08 19:52:24
Agree 100%. The World of Hans Zimmer is so much better music wise than this show.


Ds2019-01-08 21:00:32
Couldn't disagree more about the bluray... The album version is mixed uniformly, but in the blu-ray I noticed a focus on instruments (and especially the choir) when they appear on screen. I thought it was actually very well mixed, a terrific sound overall. And this hybrid orchestral/rock/synth configuration is definitely something unique.
It was also acknowledged in the official review of blu-ray.com, which awarded the blu-ray 4/5 for picture and 5/5 for sound.
Some may say The World of HZ has a better sound, but in truth it just has a more orchestral/traditional sound. That's not better, that's simply different... but less original.


Mephariel2019-01-08 21:09:59
I don't think it is just more orchestral/traditional sound. I think the problem is, in Hans Zimmer live, the solo performances were stunning, but the bigger performances with layers lacked the players required to really bring the oomph out of the pieces. For example, I feel like in "Time," I couldn't hear the declaration of each note that made the cue so satisfying. Everything just blended together, especially when Russell added her vocals during the climax.

In pieces like Pirates where Guo and other artists had their chamber style performances, I really enjoyed that.


...2019-01-08 23:29:56
I’m sorry but mixing orchestra with rock is nothing new or original... it has been done before by loads of people and the sound is very commercial and not at all what I like about Zimmer’s music. World of Hans Zimmer has the music being performed the way I know it, like it was written.

HZ live was a nice attempt to bring in different audiences into the world of film music but other than that, it wasn’t a good concert in my opinion. Some things like rain Man, Madagascar and true Romance worked very well but as soon as there were “bigger” pieces being performed it all just got loud and didn’t sound like it should.

On the other hand, World of hans zimmer is a great concert and I can’t wait to see it again and buy the CD!


mellowjammer2019-01-16 21:40:49
I watched again and the "thickness" in some of the low end was in fact multiple kettle drums being rapidly pounded which in fact accounts for the excess reverberation and explains why it sounded muddy to me. I will have to get the "World of Hans Zimmer" recording that others are talking about and see if I like that one better.

Hossein1994 reply Replies: 0 || 2018-12-17 17:45:41
Why lisa gerrard wasnt in this concert???

Hossein1994 reply Replies: 0 || 2018-12-17 17:45:37
Why lisa gerrard wasnt in this concert???

Mike (OTM) reply Replies: 0 || 2018-04-12 00:21:23
Who did the arrangements of the pieces here? Was it Hans, or a bit of everyone?

Mike (OTM) reply Replies: 4 || 2017-11-04 17:56:33
This is the first official release of (part of) the Wayne Manor/Moody Bruce suite, isn't it?


Ds2017-11-07 20:31:03
Yes... except "officially" the TDK medley contains: Why So Serious? / Like A Dog Chasing Cars / Why Do We Fall / Introduce A Little Anarchy / The Fire Rises.
That's according to the booklet and the scene selection on the Blu-ray. And that's hilarious because selecting "Why Do We Fall" leads you right in the middle of the actual Like a Dog Chasing Cars, and "Introduce a Little Anarchy" leads you to the Moody Bruce segment.

They shouldn't have let the intern take care of the track list :-p


Hybrid Soldier2017-11-07 20:47:39
Not as laughable as POTC medley honestly...

They mixed up the Jack Sparrow suite with the film cue "Captain Jack Sparrow" and credited it to Hans & Trevor Morris... And credited the "One Day" as in the OST to Hans, Jackman, Gire & Sponsler while in fact, nothing from Gire/Sponsler is in that medley...

Who do they hire to do that ? Ask me ! I know my shit in cuesheet area ! lol


Michael Fields2017-11-08 05:44:10
But what about original suites for the third Pirates movie? I mean "New Love Suite" or "Marry Me" (written by Zimmer and Jackman). It's the same material, but slightly rearranged.


mittens2018-01-28 18:02:41
Yes, some really, really bad work on that part...

Chanelonam reply Replies: 0 || 2018-01-18 13:57:49
I saw it at the cinema and it was wonderful!
I regret having missed his concert in Paris.
Do you know if he will make a future concert in France?
I hope to meet him one day
Thank you!

DT-1138 reply Replies: 0 || 2017-11-14 00:23:23
I have to say, I like the presentation of the Electro Suite on here. I feel the original was perhaps too long and repetitive, and so to me it benefits from the shorter length.

Waymann reply Replies: 2 || 2017-11-07 22:53:04
I listened to the digital version last friday and I didn’t think much of it. I liked it but I wasn’t blow away by it and didn’t feel the urge to listen to it again over the weekend. But today I finally received the blu-ray and watched it in my home theater and holy damn... The Dolby Atmos track truly makes this an experience. It’s like you are in the arena and the sound quality is impeccable. Also this killer Dolby Atmos track accompanied with the footage of the concert truly brings this whole thing alive. I think the blu-ray is the best way to experience this concert (again). No cd or LP will do the same.

I didn’t see this concert live but a few years ago I saw Hans Zimmer and his team play the Inception Medley live on the WSA concert in Belgium which was already an experience on it’s own. This concernt is the closed to what I experienced back then.


Marts2017-11-08 00:05:57
Yeah, you have to watch it and feel it. Listening to the digital CD does not do it justice. The audio/visual quality is awesome.



Mephariel2017-11-08 01:40:21
I listen to all the tracks on MP3 multiple times but I agree with you that the quality is pretty disappointing. I thought a lot of the recordings were too soft. The show is amazing with the visuals.

Frank reply Replies: 7 || 2017-11-04 07:27:27
I got some questions after reading the booklet.
1. Why does James Newton Howard get credit for The Dark Knight music? I thought those pieces were composed by Zimmer alone.
2. Why does Ryan Rubin and Alex Gibson, two music editors, get credits for Interstellar?


Brent2017-11-04 08:20:00
James gets a credit because he co-wrote (almost) all the major themes of TDK trilogy. The only piece Hans truly wrote himself (at least to my knowledge) is the Joker’s theme. TDKR was the only film in the franchise to not have James a part of it (although his themes remain).


Hybrid Soldier2017-11-04 10:10:40
No, it's because technically JNH is credited on every single cue of BB & TDK. But the suite is HZ's music.

And on some projects Hans gives cuesheet credits for Music Editors, especially Nolan films (they will get something like 2% of each cue), so they are the ones appearing in Interstellar cuesheet.


MuroFilm2017-11-04 19:30:03
Why isn’t Balfe credited ?


Mike (OTM)2017-11-04 19:38:27
He didn't do any of the music here, as far as I know.


James2017-11-05 00:35:02
I laughed a lot of people screaming in the tank.


James2017-11-05 00:37:22
Oops! Forgive my comment.Wrong section!


Mr Lemonoue2017-11-06 16:48:40
I miss Broken Arrow and they could have skipped 160 BPM.

Jim reply Replies: 0 || 2017-11-04 12:32:23
Are there any special features on DVD or blu-ray?

Pk reply Replies: 3 || 2017-09-13 02:40:23
I am surpised hans didnt film the concert where lisa gerrard performed.


james2017-09-13 03:08:07
Praga of 2016 is the only show recorded


james2017-09-13 03:08:49
Prague*


Marts2017-11-04 11:58:37
Well, they didn't know Lisa would perform really. She only did originally in NZ and AUS in 2017, this was a long time before that. Maybe they didn't even know they would tour in 2017, it's fantastic we got this show, if we got Lisa it would have been another year before it came out.

Paul reply Replies: 1 || 2017-11-04 09:15:46
I like all the tracks, but there are a few that are my highlights!
- chevaliers de sangreal (just simply beautiful)
- The lion king (childhood memories)
- you’re so cool (love the theme)
- journey to the line (small, but powerfull with a dash of epicness)
- electro suite (i like the agression)
- interstellar (altough i’m not very fond of the soundtrack)
-inception (time is my #1 track, what aan amazing piece of music)

I’m curious what your favorites are....


Marts2017-11-04 11:56:33
I have to say Pirates medley is my favourite, it's just epic and the violins are beautiful.

I like it all though. Personally Interstellar is my favourite soundtrack ever but it's a bit harder to do justice to it here without the huge organs. Lion King also, Lebo has such charisma and fills the whole place with energy!

Breadcrumbs reply Replies: 2 || 2017-11-04 04:19:45
Hybrid, will a deluxe edition for this album be released? I remember reading somewhere on a website that there would be, and I'm not sure whether to buy the standard version now, or wait for a month or two for the deluxe version.


Laurens2017-11-04 09:25:18
In the original statement they announced a deluxe edition but when pre-orders came about, they posted an additionel statement saying that they had mistakenly announced the deluxe edition. So I’d think it won’t happen but of course you can never be 100% sure.


Hybrid Soldier2017-11-04 10:08:44
No Deluxe.

Dfault reply Replies: 0 || 2017-11-02 10:20:32
Can anyone tell me why the Prague concert was decided to be the one the footage was shot at? Is it something to do with the whole orchestra? I some versions of Hans's ealrier work I see reference to "The City of Prague Philarmonic Orchestra", does Hans have close ties with this orchestra and choir or is it just coinsedence?

Paul reply Replies: 4 || 2017-10-31 01:20:11
I have a question... i live in the netherlands, and i want to buy the blu-ray.. but i’m not sure if it works in my “region”. Can anybody help me please


Alexander 2017-10-31 02:32:23
Hey Paul,
I am in germany and there is a blu ray version for germany so I guess it will play in the netherlands as well.


Waymann2017-10-31 09:16:46
There is a version in the Netherlands as well look for it on bol.com or ECI it.s all the same discs... it doesn’t matter where you get it.


Paul2017-10-31 09:56:42
Thanks, Alexander and Waymann!
You just made my day


Waymann2017-11-02 08:45:09
Looks like the blu-ray is cancled in the benelux. What's happening???

Max Potcats reply Replies: 0 || 2017-10-31 01:36:33
THIS IS A MUST for every fan of HZ or soundtrack.
Terrific!

Silent reply Replies: 4 || 2017-10-30 01:09:08
I'm listening to it right now. Damn, Interstellar Medley is amazing. The audio quality is outstanding.


Jacob2017-10-30 12:25:39
Again XD i wanna listing to it to. How do you doing that ?


Alexander 2017-10-30 16:00:05
Want to know that as well :D
So pumped to hear chevaliers de sangreal in this version !!!


Jacob2017-10-30 17:44:38
Ow i can see you can download it already on pirate bay :), Perhaps iam going listin to a few numbers. And listing to the howl album when iam getting it.


Alexander 2017-10-30 17:49:11
Really?! Ok thank you man ! Then its da vinci code time now haha

marcorea reply Replies: 1 || 2017-10-30 02:06:49
Listened to it a few times this week. I enjoyed it but the mix seems a bit of a mix bag for me. The orchestra seems too recessed and percussion in some tracks are over pronounced but it’s still and enjoyable listen. It might be different on the blu ray


Edmund Meinerts2017-10-30 10:47:21
"The orchestra seems too recessed and percussion in some tracks are over pronounced"

On a Zimmer product? No!

Bibi reply Replies: 1 || 2017-10-29 20:18:19
I'm listening the all thing now. The audio is amazing.


Jacob2017-10-29 21:40:46
How do you do that ? I recive my cd at 3th of november ? I wanna listing to it now ! :D

George reply Replies: 0 || 2017-10-29 21:18:55
Absolutely chilling. Chevaliers brought me to tears. Zoosters put a huge smile on my face. 160 BPM drum solo made me want to go on a run. Pirates sent chills down my spine. And thats as far as I've gotten so far....

Duck reply Replies: 1 || 2017-10-29 09:23:41
Amazon.uk main description says that Blu ray is region A only. In detailed description you can find it is All regions. But All regions is usually used for DVD format. Does anybody know what is right? Region A only or Region free(all regions)?


Ds2017-10-29 10:00:11
Yeah, I think something weird is going on. On Amazon.fr, they sell the CD and DVD but not the Bluray anymore.
I ordered mine in a shop, I hope there won't be any issue.

Julian reply Replies: 2 || 2017-10-01 22:57:53
Saw it now 3 times. In Mannheim, Frankfurt and toady at the Cinema. Really a fantastic show. Even in the Cinema it works really well. Thanks to Hans and the wonderful musicians for this great experience


dannyXXL2017-10-02 14:14:56
what was your favorite concert? mannheim, frankfurt or at the cinema?


Julian2017-10-03 02:18:13
My favourite was in Mannheim. The Mixing of the Sound in a Football Stadium, like it was in Frankfurt, is really hard. Sometimes you didn't recognize the Melody and the Mixing was bad. So i talked to other People there, if they had the same perception like me. And there were some people, who said, that they had the same feeling about the Sound. Later on, towards the second half of the concert, the Sound was good. But they needed some time to find the right mix for the location. So it wasn't a bad Concert and you also had the Highlihts with Trevor Horn and Lisa Gerrard but for the Mixing i prefer the Mannheim Concert in 2016. So for the Cinema. It's filmed in a classical Way. You don't have the experimental Concertfilm like Rammstein's Live in Paris Concert (you really have to see it) The Footage was very good. You get another point of view, another angles of the Stage and it was really interessting to see the people performing and how they react to each other. And also the Mixing of the Sound was really good. You noticed every Instrument in the right moment, really good job by the Producers. Overall i can say you should get the DVD or Blu Ray. It's a good Thing, if you missed the Live Show. But to be part of the Crowd in front of the Stage will always be the best way to experience Hans Music. And everytime i watched the show, i wanted to join the Band on the Stage and having a little Jam Session, even in the Cinema :D. So fucking great musicians and great Music.

Paul reply Replies: 2 || 2017-08-30 16:47:55
I'm very happy this is coming out, but I'm also a little bit disapointed that its missing Thelma & Louise, and Wonder Woman


Pit2017-09-06 21:37:16
This concert in prague is from 2016!!!


Fizzbin2017-10-02 19:32:46
It´s sad, that a lot of sources in the web are talking about, that the recording was made in June 2017. That was so wrong! And sad that Thelma & Louise was missing. But of course its a great show too. [And the best: I filmed for me the complete show at Frankfurt; with Trevor Horn,....and Lisa Gerrard] :)

Backbiter reply Replies: 0 || 2017-08-31 05:12:22
Finally!

Hybrid Soldier reply Replies: 3 || 2017-08-30 10:54:16
The one you've been expecting for soooo long !


Jim2017-08-30 11:10:00
Thank you, lol...


mpolonest123 2017-08-30 15:04:36
I'm so happy this is finally getting released! Got to see the Manchester show on the first run and was blown away.


Zimson2017-08-30 19:34:01
So glad they're doing a dvd too!

Heinz reply Replies: 0 || 2017-08-30 11:17:58
The album includes 2 CD's and will be released on November 3rd (source: amazon.de)

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