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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Hans ZimmerSteven KofskyPeter AsherJon Monroe
ComposerMusic ProducerMusical DirectorTechnical Music Assistant
Hans Zimmer - Live In Prague
Label: Eagle Rock
Length: 124'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (585 votes)
CD1
  1. Driving (Driving Miss Daisy) - Discombobulate (Sherlock Holmes) - Zoosters Breakout (Madagascar) (7:37)
  2. Crimson Tide (Crimson Tide) - 160 BPM (Angels & Demons) (12:07)
  3. Gladiator Medley (Gladiator) (12:46)
  4. Chevaliers De Sangreal (The Da Vinci Code) (4:24)
  5. Circle Of Life - King Of Pride Rock (The Lion King) (7:09)
  6. Pirates Of The Caribbean Medley (Pirates Of The Caribbean) (11:57)
  7. You're So Cool (True Romance) (2:12)
  8. Main Theme (Rain Man) (4:13)
CD2
  1. What Are You Going To Do When You Are Not Saving The World? (Man Of Steel) (4:50)
  2. Journey To The Line (The Thin Red Line) (6:37)
  3. The Electro Suite (The Amazing Spider-Man 2) (5:15)
  4. The Dark Knight Trilogy Medley (The Dark Knight Trilogy) (13:11)
  5. Aurora (Includes Introduction) (5:54)
  6. Interstellar Medley (Interstellar) (12:17)
  7. Inception Medley (Inception) (13:44)
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DT-1138 reply Replies: 0 || 2017-11-14 00:23:23
I have to say, I like the presentation of the Electro Suite on here. I feel the original was perhaps too long and repetitive, and so to me it benefits from the shorter length.

Mike (OTM) reply Replies: 3 || 2017-11-04 17:56:33
This is the first official release of (part of) the Wayne Manor/Moody Bruce suite, isn't it?


Ds2017-11-07 20:31:03
Yes... except "officially" the TDK medley contains: Why So Serious? / Like A Dog Chasing Cars / Why Do We Fall / Introduce A Little Anarchy / The Fire Rises.
That's according to the booklet and the scene selection on the Blu-ray. And that's hilarious because selecting "Why Do We Fall" leads you right in the middle of the actual Like a Dog Chasing Cars, and "Introduce a Little Anarchy" leads you to the Moody Bruce segment.

They shouldn't have let the intern take care of the track list :-p


Hybrid Soldier2017-11-07 20:47:39
Not as laughable as POTC medley honestly...

They mixed up the Jack Sparrow suite with the film cue "Captain Jack Sparrow" and credited it to Hans & Trevor Morris... And credited the "One Day" as in the OST to Hans, Jackman, Gire & Sponsler while in fact, nothing from Gire/Sponsler is in that medley...

Who do they hire to do that ? Ask me ! I know my shit in cuesheet area ! lol


Michael Fields2017-11-08 05:44:10
But what about original suites for the third Pirates movie? I mean "New Love Suite" or "Marry Me" (written by Zimmer and Jackman). It's the same material, but slightly rearranged.

Waymann reply Replies: 2 || 2017-11-07 22:53:04
I listened to the digital version last friday and I didnít think much of it. I liked it but I wasnít blow away by it and didnít feel the urge to listen to it again over the weekend. But today I finally received the blu-ray and watched it in my home theater and holy damn... The Dolby Atmos track truly makes this an experience. Itís like you are in the arena and the sound quality is impeccable. Also this killer Dolby Atmos track accompanied with the footage of the concert truly brings this whole thing alive. I think the blu-ray is the best way to experience this concert (again). No cd or LP will do the same.

I didnít see this concert live but a few years ago I saw Hans Zimmer and his team play the Inception Medley live on the WSA concert in Belgium which was already an experience on itís own. This concernt is the closed to what I experienced back then.


Marts2017-11-08 00:05:57
Yeah, you have to watch it and feel it. Listening to the digital CD does not do it justice. The audio/visual quality is awesome.



Mephariel2017-11-08 01:40:21
I listen to all the tracks on MP3 multiple times but I agree with you that the quality is pretty disappointing. I thought a lot of the recordings were too soft. The show is amazing with the visuals.

Frank reply Replies: 7 || 2017-11-04 07:27:27
I got some questions after reading the booklet.
1. Why does James Newton Howard get credit for The Dark Knight music? I thought those pieces were composed by Zimmer alone.
2. Why does Ryan Rubin and Alex Gibson, two music editors, get credits for Interstellar?


Brent2017-11-04 08:20:00
James gets a credit because he co-wrote (almost) all the major themes of TDK trilogy. The only piece Hans truly wrote himself (at least to my knowledge) is the Jokerís theme. TDKR was the only film in the franchise to not have James a part of it (although his themes remain).


Hybrid Soldier2017-11-04 10:10:40
No, it's because technically JNH is credited on every single cue of BB & TDK. But the suite is HZ's music.

And on some projects Hans gives cuesheet credits for Music Editors, especially Nolan films (they will get something like 2% of each cue), so they are the ones appearing in Interstellar cuesheet.


MuroFilm2017-11-04 19:30:03
Why isnít Balfe credited ?


Mike (OTM)2017-11-04 19:38:27
He didn't do any of the music here, as far as I know.


James2017-11-05 00:35:02
I laughed a lot of people screaming in the tank.


James2017-11-05 00:37:22
Oops! Forgive my comment.Wrong section!


Mr Lemonoue2017-11-06 16:48:40
I miss Broken Arrow and they could have skipped 160 BPM.

Jim reply Replies: 0 || 2017-11-04 12:32:23
Are there any special features on DVD or blu-ray?

Pk reply Replies: 3 || 2017-09-13 02:40:23
I am surpised hans didnt film the concert where lisa gerrard performed.


james2017-09-13 03:08:07
Praga of 2016 is the only show recorded


james2017-09-13 03:08:49
Prague*


Marts2017-11-04 11:58:37
Well, they didn't know Lisa would perform really. She only did originally in NZ and AUS in 2017, this was a long time before that. Maybe they didn't even know they would tour in 2017, it's fantastic we got this show, if we got Lisa it would have been another year before it came out.

Paul reply Replies: 1 || 2017-11-04 09:15:46
I like all the tracks, but there are a few that are my highlights!
- chevaliers de sangreal (just simply beautiful)
- The lion king (childhood memories)
- youíre so cool (love the theme)
- journey to the line (small, but powerfull with a dash of epicness)
- electro suite (i like the agression)
- interstellar (altough iím not very fond of the soundtrack)
-inception (time is my #1 track, what aan amazing piece of music)

Iím curious what your favorites are....


Marts2017-11-04 11:56:33
I have to say Pirates medley is my favourite, it's just epic and the violins are beautiful.

I like it all though. Personally Interstellar is my favourite soundtrack ever but it's a bit harder to do justice to it here without the huge organs. Lion King also, Lebo has such charisma and fills the whole place with energy!

Breadcrumbs reply Replies: 2 || 2017-11-04 04:19:45
Hybrid, will a deluxe edition for this album be released? I remember reading somewhere on a website that there would be, and I'm not sure whether to buy the standard version now, or wait for a month or two for the deluxe version.


Laurens2017-11-04 09:25:18
In the original statement they announced a deluxe edition but when pre-orders came about, they posted an additionel statement saying that they had mistakenly announced the deluxe edition. So Iíd think it wonít happen but of course you can never be 100% sure.


Hybrid Soldier2017-11-04 10:08:44
No Deluxe.

Dfault reply Replies: 0 || 2017-11-02 10:20:32
Can anyone tell me why the Prague concert was decided to be the one the footage was shot at? Is it something to do with the whole orchestra? I some versions of Hans's ealrier work I see reference to "The City of Prague Philarmonic Orchestra", does Hans have close ties with this orchestra and choir or is it just coinsedence?

Paul reply Replies: 4 || 2017-10-31 01:20:11
I have a question... i live in the netherlands, and i want to buy the blu-ray.. but iím not sure if it works in my ďregionĒ. Can anybody help me please


Alexander 2017-10-31 02:32:23
Hey Paul,
I am in germany and there is a blu ray version for germany so I guess it will play in the netherlands as well.


Waymann2017-10-31 09:16:46
There is a version in the Netherlands as well look for it on bol.com or ECI it.s all the same discs... it doesnít matter where you get it.


Paul2017-10-31 09:56:42
Thanks, Alexander and Waymann!
You just made my day


Waymann2017-11-02 08:45:09
Looks like the blu-ray is cancled in the benelux. What's happening???

Max Potcats reply Replies: 0 || 2017-10-31 01:36:33
THIS IS A MUST for every fan of HZ or soundtrack.
Terrific!

Silent reply Replies: 4 || 2017-10-30 01:09:08
I'm listening to it right now. Damn, Interstellar Medley is amazing. The audio quality is outstanding.


Jacob2017-10-30 12:25:39
Again XD i wanna listing to it to. How do you doing that ?


Alexander 2017-10-30 16:00:05
Want to know that as well :D
So pumped to hear chevaliers de sangreal in this version !!!


Jacob2017-10-30 17:44:38
Ow i can see you can download it already on pirate bay :), Perhaps iam going listin to a few numbers. And listing to the howl album when iam getting it.


Alexander 2017-10-30 17:49:11
Really?! Ok thank you man ! Then its da vinci code time now haha

marcorea reply Replies: 1 || 2017-10-30 02:06:49
Listened to it a few times this week. I enjoyed it but the mix seems a bit of a mix bag for me. The orchestra seems too recessed and percussion in some tracks are over pronounced but itís still and enjoyable listen. It might be different on the blu ray


Edmund Meinerts2017-10-30 10:47:21
"The orchestra seems too recessed and percussion in some tracks are over pronounced"

On a Zimmer product? No!

Bibi reply Replies: 1 || 2017-10-29 20:18:19
I'm listening the all thing now. The audio is amazing.


Jacob2017-10-29 21:40:46
How do you do that ? I recive my cd at 3th of november ? I wanna listing to it now ! :D

George reply Replies: 0 || 2017-10-29 21:18:55
Absolutely chilling. Chevaliers brought me to tears. Zoosters put a huge smile on my face. 160 BPM drum solo made me want to go on a run. Pirates sent chills down my spine. And thats as far as I've gotten so far....

Duck reply Replies: 1 || 2017-10-29 09:23:41
Amazon.uk main description says that Blu ray is region A only. In detailed description you can find it is All regions. But All regions is usually used for DVD format. Does anybody know what is right? Region A only or Region free(all regions)?


Ds2017-10-29 10:00:11
Yeah, I think something weird is going on. On Amazon.fr, they sell the CD and DVD but not the Bluray anymore.
I ordered mine in a shop, I hope there won't be any issue.

Julian reply Replies: 2 || 2017-10-01 22:57:53
Saw it now 3 times. In Mannheim, Frankfurt and toady at the Cinema. Really a fantastic show. Even in the Cinema it works really well. Thanks to Hans and the wonderful musicians for this great experience

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dannyXXL2017-10-02 14:14:56
what was your favorite concert? mannheim, frankfurt or at the cinema?


Julian2017-10-03 02:18:13
My favourite was in Mannheim. The Mixing of the Sound in a Football Stadium, like it was in Frankfurt, is really hard. Sometimes you didn't recognize the Melody and the Mixing was bad. So i talked to other People there, if they had the same perception like me. And there were some people, who said, that they had the same feeling about the Sound. Later on, towards the second half of the concert, the Sound was good. But they needed some time to find the right mix for the location. So it wasn't a bad Concert and you also had the Highlihts with Trevor Horn and Lisa Gerrard but for the Mixing i prefer the Mannheim Concert in 2016. So for the Cinema. It's filmed in a classical Way. You don't have the experimental Concertfilm like Rammstein's Live in Paris Concert (you really have to see it) The Footage was very good. You get another point of view, another angles of the Stage and it was really interessting to see the people performing and how they react to each other. And also the Mixing of the Sound was really good. You noticed every Instrument in the right moment, really good job by the Producers. Overall i can say you should get the DVD or Blu Ray. It's a good Thing, if you missed the Live Show. But to be part of the Crowd in front of the Stage will always be the best way to experience Hans Music. And everytime i watched the show, i wanted to join the Band on the Stage and having a little Jam Session, even in the Cinema :D. So fucking great musicians and great Music.

Paul reply Replies: 2 || 2017-08-30 16:47:55
I'm very happy this is coming out, but I'm also a little bit disapointed that its missing Thelma & Louise, and Wonder Woman


Pit2017-09-06 21:37:16
This concert in prague is from 2016!!!


Fizzbin2017-10-02 19:32:46
Itīs sad, that a lot of sources in the web are talking about, that the recording was made in June 2017. That was so wrong! And sad that Thelma & Louise was missing. But of course its a great show too. [And the best: I filmed for me the complete show at Frankfurt; with Trevor Horn,....and Lisa Gerrard] :)

Backbiter reply Replies: 0 || 2017-08-31 05:12:22
Finally!

Hybrid Soldier reply Replies: 3 || 2017-08-30 10:54:16
The one you've been expecting for soooo long !


Jim2017-08-30 11:10:00
Thank you, lol...


mpolonest123 2017-08-30 15:04:36
I'm so happy this is finally getting released! Got to see the Manchester show on the first run and was blown away.


Zimson2017-08-30 19:34:01
So glad they're doing a dvd too!

Heinz reply Replies: 0 || 2017-08-30 11:17:58
The album includes 2 CD's and will be released on November 3rd (source: amazon.de)

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