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MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.
GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CAMOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YEN
MOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)
mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.And as far Zimmer scores that I don’t like for the most part, there is a small handful (Madagascar, MI2, etc.)That’s completely fair, and I honestly couldn’t defend this score and be genuine about it. I think it does help that I love this movie (despite being hard to watch) and have come to associate the music with it so much. Still, I can’t lie that I find portions of it to be incredibly effective, even when the music does become solely ambient. In terms of listenability/originality the best cue is, ironically, the 24-second “Washington” cue.<br><br>I would kill to know what Zimmer personally thinks of this score. I’m sure he had a great working relationship with Steve, hence him working on “Windows”, but I’m sure the temptrack must have been murder on his creativity...This is my least favorite Zimmer score, actually. Or else the one that I feel has the least going for it; I guess it doesn't make me mad like On Stranger Tides, but at the same time it lacks anything even remotely compelling. "Boat Trip to New Orleans" is the only halfway interesting cue and even then I don't really like to listen to it much. The experimental parts aren't interesting experiments (ooh...clapping...wow), and the Journey to the Line stuff is just tired and bland (on top of being super derivative). I get that it works in the movie or whatever but if I had a gun to my head with orders to delete one Hans score from my library and never listen to it again, I'm pretty sure this would be the one I'd go for.
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Hans ZimmerSteven KofskyPeter AsherJon Monroe
ComposerMusic ProducerMusical DirectorTechnical Music Assistant
Hans Zimmer - Live In Prague
Label: Eagle Rock
Length: 124'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1383 votes)
CD1
  1. Driving (Driving Miss Daisy) - Discombobulate (Sherlock Holmes) - Zoosters Breakout (Madagascar) (7:37)
  2. Crimson Tide (Crimson Tide) - 160 BPM (Angels & Demons) (12:07)
  3. Gladiator Medley (Gladiator) (12:46)
  4. Chevaliers De Sangreal (The Da Vinci Code) (4:24)
  5. Circle Of Life - King Of Pride Rock (The Lion King) (7:09)
  6. Pirates Of The Caribbean Medley (Pirates Of The Caribbean) (11:57)
  7. You're So Cool (True Romance) (2:12)
  8. Main Theme (Rain Man) (4:13)
CD2
  1. What Are You Going To Do When You Are Not Saving The World? (Man Of Steel) (4:50)
  2. Journey To The Line (The Thin Red Line) (6:37)
  3. The Electro Suite (The Amazing Spider-Man 2) (5:15)
  4. The Dark Knight Trilogy Medley (The Dark Knight Trilogy) (13:11)
  5. Aurora (Includes Introduction) (5:54)
  6. Interstellar Medley (Interstellar) (12:17)
  7. Inception Medley (Inception) (13:44)
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Mike (OTM) reply Replies: 0 || 2018-04-12 00:21:23
Who did the arrangements of the pieces here? Was it Hans, or a bit of everyone?

Mike (OTM) reply Replies: 4 || 2017-11-04 17:56:33
This is the first official release of (part of) the Wayne Manor/Moody Bruce suite, isn't it?


Ds2017-11-07 20:31:03
Yes... except "officially" the TDK medley contains: Why So Serious? / Like A Dog Chasing Cars / Why Do We Fall / Introduce A Little Anarchy / The Fire Rises.
That's according to the booklet and the scene selection on the Blu-ray. And that's hilarious because selecting "Why Do We Fall" leads you right in the middle of the actual Like a Dog Chasing Cars, and "Introduce a Little Anarchy" leads you to the Moody Bruce segment.

They shouldn't have let the intern take care of the track list :-p


Hybrid Soldier2017-11-07 20:47:39
Not as laughable as POTC medley honestly...

They mixed up the Jack Sparrow suite with the film cue "Captain Jack Sparrow" and credited it to Hans & Trevor Morris... And credited the "One Day" as in the OST to Hans, Jackman, Gire & Sponsler while in fact, nothing from Gire/Sponsler is in that medley...

Who do they hire to do that ? Ask me ! I know my shit in cuesheet area ! lol


Michael Fields2017-11-08 05:44:10
But what about original suites for the third Pirates movie? I mean "New Love Suite" or "Marry Me" (written by Zimmer and Jackman). It's the same material, but slightly rearranged.


mittens2018-01-28 18:02:41
Yes, some really, really bad work on that part...

Chanelonam reply Replies: 0 || 2018-01-18 13:57:49
I saw it at the cinema and it was wonderful!
I regret having missed his concert in Paris.
Do you know if he will make a future concert in France?
I hope to meet him one day
Thank you!

DT-1138 reply Replies: 0 || 2017-11-14 00:23:23
I have to say, I like the presentation of the Electro Suite on here. I feel the original was perhaps too long and repetitive, and so to me it benefits from the shorter length.

Waymann reply Replies: 2 || 2017-11-07 22:53:04
I listened to the digital version last friday and I didn’t think much of it. I liked it but I wasn’t blow away by it and didn’t feel the urge to listen to it again over the weekend. But today I finally received the blu-ray and watched it in my home theater and holy damn... The Dolby Atmos track truly makes this an experience. It’s like you are in the arena and the sound quality is impeccable. Also this killer Dolby Atmos track accompanied with the footage of the concert truly brings this whole thing alive. I think the blu-ray is the best way to experience this concert (again). No cd or LP will do the same.

I didn’t see this concert live but a few years ago I saw Hans Zimmer and his team play the Inception Medley live on the WSA concert in Belgium which was already an experience on it’s own. This concernt is the closed to what I experienced back then.

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Marts2017-11-08 00:05:57
Yeah, you have to watch it and feel it. Listening to the digital CD does not do it justice. The audio/visual quality is awesome.



Mephariel2017-11-08 01:40:21
I listen to all the tracks on MP3 multiple times but I agree with you that the quality is pretty disappointing. I thought a lot of the recordings were too soft. The show is amazing with the visuals.

Frank reply Replies: 7 || 2017-11-04 07:27:27
I got some questions after reading the booklet.
1. Why does James Newton Howard get credit for The Dark Knight music? I thought those pieces were composed by Zimmer alone.
2. Why does Ryan Rubin and Alex Gibson, two music editors, get credits for Interstellar?


Brent2017-11-04 08:20:00
James gets a credit because he co-wrote (almost) all the major themes of TDK trilogy. The only piece Hans truly wrote himself (at least to my knowledge) is the Joker’s theme. TDKR was the only film in the franchise to not have James a part of it (although his themes remain).


Hybrid Soldier2017-11-04 10:10:40
No, it's because technically JNH is credited on every single cue of BB & TDK. But the suite is HZ's music.

And on some projects Hans gives cuesheet credits for Music Editors, especially Nolan films (they will get something like 2% of each cue), so they are the ones appearing in Interstellar cuesheet.


MuroFilm2017-11-04 19:30:03
Why isn’t Balfe credited ?


Mike (OTM)2017-11-04 19:38:27
He didn't do any of the music here, as far as I know.


James2017-11-05 00:35:02
I laughed a lot of people screaming in the tank.


James2017-11-05 00:37:22
Oops! Forgive my comment.Wrong section!


Mr Lemonoue2017-11-06 16:48:40
I miss Broken Arrow and they could have skipped 160 BPM.

Jim reply Replies: 0 || 2017-11-04 12:32:23
Are there any special features on DVD or blu-ray?

Pk reply Replies: 3 || 2017-09-13 02:40:23
I am surpised hans didnt film the concert where lisa gerrard performed.


james2017-09-13 03:08:07
Praga of 2016 is the only show recorded


james2017-09-13 03:08:49
Prague*


Marts2017-11-04 11:58:37
Well, they didn't know Lisa would perform really. She only did originally in NZ and AUS in 2017, this was a long time before that. Maybe they didn't even know they would tour in 2017, it's fantastic we got this show, if we got Lisa it would have been another year before it came out.

Paul reply Replies: 1 || 2017-11-04 09:15:46
I like all the tracks, but there are a few that are my highlights!
- chevaliers de sangreal (just simply beautiful)
- The lion king (childhood memories)
- you’re so cool (love the theme)
- journey to the line (small, but powerfull with a dash of epicness)
- electro suite (i like the agression)
- interstellar (altough i’m not very fond of the soundtrack)
-inception (time is my #1 track, what aan amazing piece of music)

I’m curious what your favorites are....


Marts2017-11-04 11:56:33
I have to say Pirates medley is my favourite, it's just epic and the violins are beautiful.

I like it all though. Personally Interstellar is my favourite soundtrack ever but it's a bit harder to do justice to it here without the huge organs. Lion King also, Lebo has such charisma and fills the whole place with energy!

Breadcrumbs reply Replies: 2 || 2017-11-04 04:19:45
Hybrid, will a deluxe edition for this album be released? I remember reading somewhere on a website that there would be, and I'm not sure whether to buy the standard version now, or wait for a month or two for the deluxe version.


Laurens2017-11-04 09:25:18
In the original statement they announced a deluxe edition but when pre-orders came about, they posted an additionel statement saying that they had mistakenly announced the deluxe edition. So I’d think it won’t happen but of course you can never be 100% sure.


Hybrid Soldier2017-11-04 10:08:44
No Deluxe.

Dfault reply Replies: 0 || 2017-11-02 10:20:32
Can anyone tell me why the Prague concert was decided to be the one the footage was shot at? Is it something to do with the whole orchestra? I some versions of Hans's ealrier work I see reference to "The City of Prague Philarmonic Orchestra", does Hans have close ties with this orchestra and choir or is it just coinsedence?

Paul reply Replies: 4 || 2017-10-31 01:20:11
I have a question... i live in the netherlands, and i want to buy the blu-ray.. but i’m not sure if it works in my “region”. Can anybody help me please


Alexander 2017-10-31 02:32:23
Hey Paul,
I am in germany and there is a blu ray version for germany so I guess it will play in the netherlands as well.


Waymann2017-10-31 09:16:46
There is a version in the Netherlands as well look for it on bol.com or ECI it.s all the same discs... it doesn’t matter where you get it.


Paul2017-10-31 09:56:42
Thanks, Alexander and Waymann!
You just made my day


Waymann2017-11-02 08:45:09
Looks like the blu-ray is cancled in the benelux. What's happening???

Max Potcats reply Replies: 0 || 2017-10-31 01:36:33
THIS IS A MUST for every fan of HZ or soundtrack.
Terrific!

Silent reply Replies: 4 || 2017-10-30 01:09:08
I'm listening to it right now. Damn, Interstellar Medley is amazing. The audio quality is outstanding.


Jacob2017-10-30 12:25:39
Again XD i wanna listing to it to. How do you doing that ?


Alexander 2017-10-30 16:00:05
Want to know that as well :D
So pumped to hear chevaliers de sangreal in this version !!!


Jacob2017-10-30 17:44:38
Ow i can see you can download it already on pirate bay :), Perhaps iam going listin to a few numbers. And listing to the howl album when iam getting it.


Alexander 2017-10-30 17:49:11
Really?! Ok thank you man ! Then its da vinci code time now haha

marcorea reply Replies: 1 || 2017-10-30 02:06:49
Listened to it a few times this week. I enjoyed it but the mix seems a bit of a mix bag for me. The orchestra seems too recessed and percussion in some tracks are over pronounced but it’s still and enjoyable listen. It might be different on the blu ray


Edmund Meinerts2017-10-30 10:47:21
"The orchestra seems too recessed and percussion in some tracks are over pronounced"

On a Zimmer product? No!

Bibi reply Replies: 1 || 2017-10-29 20:18:19
I'm listening the all thing now. The audio is amazing.


Jacob2017-10-29 21:40:46
How do you do that ? I recive my cd at 3th of november ? I wanna listing to it now ! :D

George reply Replies: 0 || 2017-10-29 21:18:55
Absolutely chilling. Chevaliers brought me to tears. Zoosters put a huge smile on my face. 160 BPM drum solo made me want to go on a run. Pirates sent chills down my spine. And thats as far as I've gotten so far....

Duck reply Replies: 1 || 2017-10-29 09:23:41
Amazon.uk main description says that Blu ray is region A only. In detailed description you can find it is All regions. But All regions is usually used for DVD format. Does anybody know what is right? Region A only or Region free(all regions)?


Ds2017-10-29 10:00:11
Yeah, I think something weird is going on. On Amazon.fr, they sell the CD and DVD but not the Bluray anymore.
I ordered mine in a shop, I hope there won't be any issue.

Julian reply Replies: 2 || 2017-10-01 22:57:53
Saw it now 3 times. In Mannheim, Frankfurt and toady at the Cinema. Really a fantastic show. Even in the Cinema it works really well. Thanks to Hans and the wonderful musicians for this great experience


dannyXXL2017-10-02 14:14:56
what was your favorite concert? mannheim, frankfurt or at the cinema?


Julian2017-10-03 02:18:13
My favourite was in Mannheim. The Mixing of the Sound in a Football Stadium, like it was in Frankfurt, is really hard. Sometimes you didn't recognize the Melody and the Mixing was bad. So i talked to other People there, if they had the same perception like me. And there were some people, who said, that they had the same feeling about the Sound. Later on, towards the second half of the concert, the Sound was good. But they needed some time to find the right mix for the location. So it wasn't a bad Concert and you also had the Highlihts with Trevor Horn and Lisa Gerrard but for the Mixing i prefer the Mannheim Concert in 2016. So for the Cinema. It's filmed in a classical Way. You don't have the experimental Concertfilm like Rammstein's Live in Paris Concert (you really have to see it) The Footage was very good. You get another point of view, another angles of the Stage and it was really interessting to see the people performing and how they react to each other. And also the Mixing of the Sound was really good. You noticed every Instrument in the right moment, really good job by the Producers. Overall i can say you should get the DVD or Blu Ray. It's a good Thing, if you missed the Live Show. But to be part of the Crowd in front of the Stage will always be the best way to experience Hans Music. And everytime i watched the show, i wanted to join the Band on the Stage and having a little Jam Session, even in the Cinema :D. So fucking great musicians and great Music.

Paul reply Replies: 2 || 2017-08-30 16:47:55
I'm very happy this is coming out, but I'm also a little bit disapointed that its missing Thelma & Louise, and Wonder Woman


Pit2017-09-06 21:37:16
This concert in prague is from 2016!!!


Fizzbin2017-10-02 19:32:46
It´s sad, that a lot of sources in the web are talking about, that the recording was made in June 2017. That was so wrong! And sad that Thelma & Louise was missing. But of course its a great show too. [And the best: I filmed for me the complete show at Frankfurt; with Trevor Horn,....and Lisa Gerrard] :)

Backbiter reply Replies: 0 || 2017-08-31 05:12:22
Finally!

Hybrid Soldier reply Replies: 3 || 2017-08-30 10:54:16
The one you've been expecting for soooo long !


Jim2017-08-30 11:10:00
Thank you, lol...


mpolonest123 2017-08-30 15:04:36
I'm so happy this is finally getting released! Got to see the Manchester show on the first run and was blown away.


Zimson2017-08-30 19:34:01
So glad they're doing a dvd too!

Heinz reply Replies: 0 || 2017-08-30 11:17:58
The album includes 2 CD's and will be released on November 3rd (source: amazon.de)

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