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Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.
@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.
Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.
Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-p
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Henry JackmanMatthew MargesonAlex BelcherJason Soudah
ComposerComposerAdditional MusicAdditional Music
Kingsman - The Golden Circle
Label: Fox Music / La-La Land Records
Length: 76'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (597 votes)
  1. Eggsy Is Back (5:50)
    Henry Jackman, Matthew Margeson (Dominic Lewis, John Denver, William Danoff, Taffy Danoff)
  2. Memories Of Harry (2:00)
    Henry Jackman, Matthew Margeson
  3. The Golden Circle (1:18)
    Henry Jackman, Matthew Margeson
  4. Poppy (2:17)
    Henry Jackman, Matthew Margeson
  5. Incoming Missiles (2:56)
    Henry Jackman, Matthew Margeson
  6. You May Shed A Tear In Private (3:02)
    Henry Jackman, Matthew Margeson
  7. Tequila (2:09)
    Henry Jackman, Matthew Margeson, Alex Belcher
  8. The Lepidopterist (2:16)
    Henry Jackman, Matthew Margeson, Alex Belcher
  9. Rescuing Harry (1:45)
    Henry Jackman, Matthew Margeson
  10. Statesman (1:48)
    Henry Jackman, Matthew Margeson
  11. Ginger's First Test (1:15)
    Henry Jackman, Matthew Margeson, Alex Belcher, Jason Soudah
  12. Whiskey's Demons (1:02)
    Henry Jackman, Matthew Margeson
  13. Tornado In A Trailer Park (2:30)
    Henry Jackman, Matthew Margeson, Alex Belcher (Dominic Lewis)
  14. Poppy's Terms (3:01)
    Henry Jackman, Matthew Margeson
  15. Dancing Disease (3:05)
    Henry Jackman, Matthew Margeson
  16. The Gondola Experience (6:30)
    Henry Jackman, Matthew Margeson, Jason Soudah, Ryan Taubert
  17. Cabin Ambush (4:13)
    Henry Jackman, Matthew Margeson, Alex Belcher
  18. Horrific News Report (2:41)
    Henry Jackman, Matthew Margeson
  19. Flying To Poppyland (5:09)
    Henry Jackman, Matthew Margeson, Alex Belcher
  20. No Time For Emotion (2:51)
    Henry Jackman, Matthew Margeson (John Denver, William Danoff, Taffy Danoff)
  21. Temple Battle (6:54)
    Henry Jackman, Matthew Margeson
  22. Viva Las Vegan (2:44)
    Henry Jackman, Matthew Margeson
  23. Not In Vain (3:59)
    Henry Jackman, Matthew Margeson (John Denver, William Danoff, Taffy Danoff)
  24. A Man Who's Honorable (2:41)
    Henry Jackman, Matthew Margeson
  25. Kingsman Hoedown (2:17)
    Henry Jackman, Matthew Margeson
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FunnyML reply Replies: 3 || 2017-12-02 03:49:52
Here's an extended version:
01. Charlie's Back
02. Eggsy's Back
03. Man Of Sewage
04. Happy Birthday
05. Mincer
06. Harry Memories
07. Merlin Debrief
08. Makeover
09. Jet Fight
10. Armageddon
11. Bottle - Part 1
12. Toast The Fallen
13. Bottle - Part 3
14. Merlin To Kentucky
15. Meet Tequila
16. Welcome To Statesman
17. Harry Rescue Flashback
18. Charlie In Poppyland
19. Elton Will Die
20. Meet Champ
21. Tequila Face
22. New Glasses
23. Harry Remembers - Part 1
24. Puppy Present / Finger Condom
25. Poppy's Bad For Angel
26. Tent Breakup
27. Clara's Implant
28. Between Rage And Serenity
29. Harry Remembers - Part 3
30. Bar Fight
31. Pharma Jingle
32. Get To Italy
33. Antidote Theft
34. Spinning Gondola
35. Gondola Finale
36. Whiskey Is Down
37. Cambodia
38. Tilde's Got The Rash
39. Poppy Skypes The President
40. Martini With Harry
41. Whiskey Comes To Life / Cages
42. Poppy's Mine Field
43. Merlin's Farewell
44. Wednesday Nights Preamble
45. Bennie Fight
46. Poppy's Last Stand
47. Whiskey's Last Stand
48. Not In Vain
49. Eggsy's Wedding Day
50. End Credits

ASCAP also lists the following cues that don't seem to be included above:
Charlie Gets His Arm (HJ/MM)
Eggsy Harry Goodbye (HJ/MM)
Harry Goes Home (HJ/MM/AB)
Kingsman Hoedown (HJ/MM)
Tequila Laid Up (HJ/MM/AB)

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Please enter number: 1596 


Iamtommie2017-12-02 14:22:34
Where'd you get this?


FunnyML2017-12-06 00:23:49
I'm getting offered stuff occasionally. Didn't come to pass in the end, but I kept the tracklist.


Iamtommie2017-12-06 11:32:31
Do you get the complete or expanded score or onlu the tracklist?

Iamtommie reply Replies: 1 || 2017-09-24 00:00:18
Does anyone know a chronological order or is this chronological??


FunnyML2017-12-02 05:15:39
Just put "02. Memories Of Harry" between "04. Poppy" and "05. Incomig Missiles" and it should be chronological.

"12. Whiskey's Demons" and "25. Kingsman Hoedown" seem to be unused though.

Hybrid Soldier reply Replies: 1 || 2017-10-18 22:00:20
Composer credits !


Edmund Meinerts2017-10-19 09:56:37
Not actually though...probably a bit more Jackman than there actually is, eh? ;)

Anonymous reply Replies: 3 || 2017-10-02 01:17:42
Why oh why isn't this on Spotify. Is it 2010 again?


Mephariel2017-10-02 03:54:49
Isn't the official release Oct 20?


Waymann2017-10-02 09:06:32
That's the CD release.


Discovery2017-10-05 11:34:27
It has been put on Spotify RIGHT NOW! Finally!

Lejti reply Replies: 2 || 2017-09-23 20:40:19
"Mutant and Proud" (from X-Men First Class) was used on the scene when Harry's gets back his memories. Am i right?


Lejti2017-09-24 07:53:07
My fault, it was "Rage and Serenity"


Edmund Meinerts2017-09-26 12:21:27
Yeah, I noticed that! It was either that cue exactly dropped in, or a temp version of it that is so close as to be practically indistinguishable from the original. Of course, same director, same composer, same studio...guess there are no rights/plagiarism issues there!

Enquiry reply Replies: 0 || 2017-09-25 22:02:34
HYBRID, do you know IF or WHEN this album will be released on Spotify or Google Play Music? So far, I can only find it on iTunes.

George reply Replies: 3 || 2017-09-23 16:16:56
Is it just me or is Poppyís theme the same thing as Jack and Jillís theme from puss n boots?


Anonymous2017-09-23 17:30:12
Probably. The first Kingsman sounds just like Winter Soldier.


Medigo2017-09-24 00:56:01
Winter Soldier sounds almost nothing like Kingsman
Civil war maybe


JBSO992017-09-24 22:39:10
The first Kingsman is by far superior than Civil War and it has nothing similiar to The Winter Soldier.

Civil War for me was quite bland and generic but the first Kingsman has some very good themes and great strong action cues.

On the other hand I really liked The Winter Soldier, but not as much as the Kingsman scores.

David reply Replies: 0 || 2017-09-24 00:10:05
Yes! "No Time for Emotion" and "Not In Vain" contain John Denver's "Country Roads"! No Time for Emotion is Mark Strong singing it like in the film!! I'm so happy they included this! :D

JBSO99 reply Replies: 0 || 2017-09-22 21:24:18
Just watched the movie and it was awesome, well not as great s the first one, but still very entertaining.

As for the score, by now I have just listened to it in the movie and there worked perfectly, I would say even better than in the first one, with some old themes and some very good new themes, specially I love the Poppy theme.

Now I will listen to the album to see what tracks are we missing but it looks like a really complete pack.

Waymann reply Replies: 1 || 2017-09-22 10:34:40
Great fun score. It has everything I expected. Although that country vibe in some tracks is nice not really my cup of tea.


Edmund Meinerts2017-09-22 12:37:36
I guess that's for the Statesmen. Would have preferred an all-out Western sound for them to contrast with the Bond-type music for the Kingsmen...that would have been fun!

Waymann reply Replies: 4 || 2017-09-21 16:11:26
The score has 25 tracks and is about 1 hour and 16 minutes long. Samples sound awesome. Great action score with new theme's and variations of the old ones. Looking forward to hearing it in full.


JBSO992017-09-21 16:41:29
Where can I listen to those samples? I would love to hear some bits of the score before watching the movie.


Iamtommie2017-09-21 17:15:33
Where did you get this information and samples?


Waymann2017-09-21 20:14:22
iTunes SriLanka is the first itunes store to get the new releases online on friday. But by now you can also go to iTunes New Zeland or something and checkout the album and itís samples.


FunnyML2017-09-22 07:31:57
I hope LLL didn't microedit this as much as the first one.

Felix reply Replies: 0 || 2017-09-20 23:03:19
After I saw the movie....very great movie & very great scores, better than the first scores!! And the theme for Poppy is also very good!!

George reply Replies: 1 || 2017-09-19 22:18:43
https://player.fm/series/the-annotator-1543347/matthew-marge son-kingsman-the-golden-circle a nice commentary on the new score with a sneak peek into the score!


iamtommie2017-09-20 00:35:39
Great inside look!! And the things we got to hear sound pretty amazing. Can't wait for it!!!

JBSO99 reply Replies: 2 || 2017-09-12 23:42:25
I have read on soundtrack.net that the CD will be out on the 20th of September, two days before the movie release. Is that true?

Anyway, I cannot wait for this one. The music for the first one was really funny and entertaining and I hope this one will be as good as the first one.


Waymann2017-09-13 08:57:25
No the CD comes out on October 20th, not september.

Really looking forward to this one. The soundtrack for the first film was one of my favorites of 2015. Also a new Thomas Newman score that day. I'm a happy man.


JBSO992017-09-13 10:09:48
Oops! Yeah, my mistake, the CD releas it is in October. Anyway, it will surely be released digitally the day the movie premieres.

Felix reply Replies: 0 || 2017-09-12 21:46:58
Yeah can't wait for the second movie, love the music from the first!! :)

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Kingsman - The Golden Circle soundtrack - Henry Jackman - Matthew Margeson 2017