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Where did you get this information and samples?Where can I listen to those samples? I would love to hear some bits of the score before watching the movie.The score has 25 tracks and is about 1 hour and 16 minutes long. Samples sound awesome. Great action score with new theme's and variations of the old ones. Looking forward to hearing it in full.Total video game score, circa 98. This is one of those scores -<br> my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D<br><br>to Armageddon, do it! The complete score, if you can. It's incredible!
To Edmund Meinerts,<br><br>I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.<br><br>Cheers.To rockhound, <br><br>With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?King Arthur is the perfect example. A terrible script but a great scoreAfter I saw the movie....very great movie & very great scores, better than the first scores!! And the theme for Poppy is also very good!!Well there's also the track where Izzy's transformers dies, a few action tracks not included that I'd be interested to hear, but you're right, the track I'm most interested in is We Have To Go's film version. The extra strings in the small excerpt where Megatron's arm gets cut off, and the ones added to the main theme really give the song a more heroic and intense tone.
Yep. These tracks are amazingOnly tracks that come to mind that aren't in the OST are a variation of Seglass when introducing Edmund, and the film version of We Have To Go.<br><br>Hell, the OST has more music than the movie.Daniel Pemberton seems like a twat.I own the CD and I agree there are times in the score where it's so bombastic it distorts your speakers.<br><br>Still, I felt this was a great score from Zimmer.  It was peak Russian sounding chorus time for Hans and the action cues were better than other scores of this time like The Rock.i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.
Lol. Anyone can write up a bunch of random slate numbers. Nice try.Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.Someone who know the LINK of the complete Soundtrack can Post it here? Thank U<br><br>Ps. Can't wait to hear it!!mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (Iíll give it a *** 1/2).THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.   <br><br>Cheers, <br><br>B.
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Hans ZimmerBenjamin Wallfisch
ComposerComposer
Blade Runner 2049
Label: Alcon
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (18 votes)
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Anonymous reply Replies: 13 || 2017-09-18 22:13:17
Apparently Hans should be stopped from scoring too many movies and he should let others have it. Let us unite and say #StopHansZimmer

https: //www.theguardian.com/film/filmblog/2017/sep/18/hans-zimmer- blade-runner-2049-film-composer


Hybrid Soldier2017-09-18 22:42:57
"Let us unite"


lol


Good luck fighting Hollywood ! You'll tell me about it ! lol


Frank2017-09-19 08:30:50
I'll quote Daniel Pemberton's Tweet here "It's like some one has taken the Film Score Monthly message board and printed it in a national newspaper.."


Waymann2017-09-19 08:35:25
StopHansZimmer ?? That does also mean stop Lorne Balfe, Benjamin Wallfisch, Steve Jablonksy, Geoff Zanelli, Henry Jackman, Dominic Lewis, etc... They are Hans Zimmer now.



Waymann2017-09-19 10:02:00
Also, even before the score is released for Blade Runner 2049 they all say it's going to be bad because Zimmer is scoring it instead of a composer who, let's be honest never proved he could do a movie with this kind of scale. Let's wait for the score the released maybe it's going to be great.


Edmund Meinerts2017-09-19 13:03:01
This is a pretty dumb article. Zimmer isn't who needs to be stopped, it's the Hollywood execs who ask composers to copy him rather than develop their own original voices. We've heard from Steamboy what someone like Jablonsky can do, but 90% of the time when he gets hired it's to be a cheaper version of Zimmer. That's what needs to be stopped, not Zimmer himself.


Peter2017-09-19 14:04:02
Hans delivers, and often goes beyond the directors imagination.
however, a bad movie can't have a very good score.
Give Hans something new, and he will deliver something new.
Successful people are often being ask to repeat their previous succes, limiting their creativity. #stopthestophanszimmerpeople


meta2017-09-19 14:10:05
His music is considered cost-effective and popular for the times...Honestly for Zimmer to go away the times would have to go away. Also factor in progress in technology which is slowly making regular instruments obsolete...


Edmund Meinerts2017-09-19 14:12:05
"a bad movie can't have a very good score."

Bullshit!


Max Potcats2017-09-19 18:59:16
Tron 2.


Macejko2017-09-19 21:08:53
TRON 2 isn't a bad movie by any means, but I digress. I whole-heartedly agree with Edmund here; I could name dozens of bad movies with wonderful scores, and I'd say that the vast majority of them comes related to RCP.


Max Potcats2017-09-19 22:12:29
oh yes! my bad... I understood the opposite of what Edmund was saying...
And, yes, Tron 2 is not such a bad movie (partially thanks to the score :P )


Hans2017-09-20 19:52:29
Daniel Pemberton seems like a twat.


Backbiter2017-09-20 23:36:03
King Arthur is the perfect example. A terrible script but a great score

SPECTER reply Replies: 0 || 2017-09-20 01:50:36
Please make this a melodic memorable score. I understand due the context of the film their will most likely be sound design. All I want is one or two beautiful melodical electronic themes like the original Vangelis theme for BR. Hope to hear an epic emotional action sound similar to CHAPPiEs action themes. Please don't make another Dunkirk type score.

Hybrid Soldier reply Replies: 4 || 2017-09-14 00:14:29
The release isn't confirmed yet, but I take my chance !


Mephariel2017-09-14 05:15:33
Hybrid, is Zimmer/Wallfisch actually done with the score or are they still working on it?


Saurabh2017-09-14 05:56:16
Hopefully we'll get some details by next week or so. I'm more curious to see what Wallfisch has done here coz I haven't heard his purely electronic sensibilities (if any).


Hybrid Soldier2017-09-14 18:49:24
I can't say much because I don't know much... I think everyone involved has some crazy NDA so they can't talk about it.

But about what I know, the score has definitely been completed a while back. Hans & Ben started working on somewhere between april & june. Hans was on tour, but he spent his 15 days break in July 100% on it, and probably continued at the end of the tour in august. For the second LA HZ show, Denis Villeneuve was actually there.

So rescore ? Yes definitely... Last min rush job ? Nope.


David2017-09-15 01:44:34
Oh, sh!t! Well that's great to hear! I'm now even more excited for the score! I absolutely cannot wait!

Do you know if JJ is still in there at all??

Ian reply Replies: 3 || 2017-09-14 07:50:41
I *really* hope the inclusion of Wallfisch on this means it doesn't just go in the direction of BvS/Inferno/Dunkirk sound design.


Edmund Meinerts2017-09-14 13:13:08
I doubt it. Wallfisch is not a sound design guy, he's more classically inclined. In Dunkirk he was mostly in charge of the Elgar stuff, right?


James2017-09-14 13:53:29
Yes.


JBSO992017-09-14 14:19:49
But the thing that Wallfisch is in this it does not mean that it is goin to be different because he was also in Dunkirk and BvS. Okay, he was more in charge of more melodic parts but that does not mean that there won't be any sound design.

Anyway, I also prefer synths with amore emotional and melodical feel than the sound design, and in this movie fits better the mlodic parts, I think.

Mephariel reply Replies: 2 || 2017-09-14 05:03:19
There has to be release. Hans Zimmer and epic sci-fi but no release? I can't believe that.

The only thing I can think of is if there are some legal issues with Johannson.


KurosawaFan2017-09-14 05:41:42
so, is Johannson completely out of the picture?! I was SO looking forward to hearing what he'd come-up with...


JBSO992017-09-14 07:07:58
KurosawaFan Johannsson is definitely out of the project, but I'm not sure if Zimmer and Wallfisch will keep some of his score or his themes or if they are restoring completely.
I was also looking forward what he could bring to this movie, but Zimmer and Wallfisch are surely creating an amazing score.

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Blade Runner 2049 soundtrack - Hans Zimmer - Benjamin Wallfisch 2017