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Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)A shame if Balfe's ramshackled another stellar score......can he not leave these artists alone? I think he does not consider himself as a creative, but other people actually do creative work. If you are only there to plug holes, what's the point of you guys defending his 'talent'?Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.
The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional Music
I find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.but if Lorne has written 50% of the score you should have a credit like in Ghost in the shell
Lorne is got additional music credit, not for co-composer, and still appear the image of the label for the soundtrack.But Lorne is still not credited as an official composer.  It is possible that Lorne shares credit with Max.In other news Lorne just finished compiling the OST for Gemini Man...When Richter was the composer there was an album planned at Deutsche Grammophon...<br><br>When Lorne jumped in to write a new score for the movie, apparently that release was cancelled... Now that film has like 50/50 MR LB, and nothing's planned at all.<br><br>So we'll see, but apart from posting some cues of his score online, like Lorne did before, I doubt there'll be an official release... And if Richter's release gets back on track, it would definitely have his score only.Hybrid, by "not happening" you mean Richter's part of the score or Balfe's? Or the whole thing is as messed up as Ghost in the Shell, regarding the score?
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Hans ZimmerJay Rifkin
ComposerMusic Engineer
Driving Miss Daisy
Label: Varese Sarabande
Length: 35'31 (Score: 23'12)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6004 votes)
  1. Kiss Of Fire - Louis Armstrong (3:04)
  2. Santa Baby - Eartha Kitt (3:23)
  3. Driving (6:50)
  4. Home (3:23)
  5. Georgia (7:55)
  6. End Titles (4:51)
  7. Song To The Moon - Antonin Dvorak (6:05)
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MacArthur reply Replies: 4 || 2013-09-17 01:53:01
Just Bought this score. Love it!

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Mike2013-09-17 01:54:28
I really like the concert version of it in "Wings of a Film".


MacArthur2013-09-17 01:55:18
Yeah! is it better than this one


MacArthur2013-09-17 01:56:19
Although I like the Rain Man version in the film soundtrack better than the on wings of a film one


Mike2013-09-17 01:56:59
I don't know. They're all good. You'd have to hear it for yourself. I do like the 70s/80s rock style electric guitar in the concert version though. Plus the concert version uses real instruments. The score here is just Zimmer working with his synthesizer.

Mike reply Replies: 1 || 2013-06-03 02:22:57
So interesting to hear how Zimmer evolved. His late 80s/early 90s scores were really heavy on the synthesizer, then his mid-90s and early 2000s scores had a lot of big and grand stuff, and then now he's moved away from that into a more "intellectual" style of writing, if you wanna call it that.


Anonymous2013-06-03 02:24:34
Yeah and this was back before he had billions of additional arrangers...

Anonymous reply Replies: 0 || 2009-02-26 00:00:00
is the best song!!!!

misterblue (Paris, France) reply Replies: 0 || 2008-07-03 00:00:00
A jazzy , moving soundtrack. Strangely, the limitations of a fully "sampled" orchestration doesn't spoil the "old times "feeling . Superb soundtrack. I still listen to this one very often.

batman5 reply Replies: 0 || 2007-04-23 00:00:00
clearly shows zimmers ability to compose music. alot of people say he writes only evil. here is proof that zimmer is capable of writing for any mood and tone of music

Hybrid Soldier reply Replies: 0 || 2007-03-06 00:00:00
More informations :

1. Kiss Of Fire - Performed by Louis Armstrong (3:04)
2. Santa Baby - Performed by Eartha Kitt (3:23)
3. Driving (6:50)
4. Home (3:23)
5. Georgia (7:55)
6. End Titles (4:51)
7. Song To The Moon - Excerpt from opera "Rusalka" by Antonin Dvorak, performed by Gabriela Benackova and Vaclav Neumann (6:05)

Suicune reply Replies: 0 || 2007-02-24 00:00:00
Truly, one of the best early Zimmer soundtracks. The music is very lively and it really moves you. Altough it does not contain many score tracks, it is still very enjoyable. With this soundtrack, Zimmer cemented his position as one of the most promising movie score composers at ter late of the 80's and the beginning of the 90's. The End Titles is the best both score and CD track. I recommend this to every Zimmer fan and soundtrack fan alike.

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Driving Miss Daisy soundtrack - Hans Zimmer 1989