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Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.Accurate?<br><br>01. 1m01 Opening – Meet Mickey (2:29)<br>02. 1m01s The Hills Of California (2:35)<br>03. 1m02 Save the Blonde (3:13)<br>04. 1m03 Bathtub Oath (0:52)<br>05. 1m04 Fire – You’re Talking To God (1:39)<br>06. 1m05s No Baby, Nobody But You (2:48)<br>07. 1m06s Mr Five By Five (3:13)<br>08. 1m07s Perdido (3:20)<br>09. 1m08s Early Autumn (3:30)<br>10. 2m09 War for the Soul of LA (1:22)<br>11. 2m11 Going After Mickey (0:56)<br>12. 2m12s Mr. Fool (2:57)<br>13. 2m13s Chicken Shack Boogie (Part 2) (2:56)<br>14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)<br>15. 2m13s Kiss Kiss (Part 1) (2:16)<br>16. 2m14 Choosing The Squad (2:47)<br>17. 2m18 Cohen Threatens Reporter (0:22)<br>18. 2m19s Amado Mio (2:38)<br>19. 2m20 Cohen and Dragna (1:35)<br>20. 2m21 When Do We Start (1:01)<br>21. 2m21a When Do We Start (0:29)<br>22. 2m22s Bull Fiddle Boogie (2:37)<br>23. 2m23 Crashing the Casino (1:13)<br>24. 2m25s So Tired (2:58)<br>25. 3m26 Pete Killed (3:53)<br>26. 3m28 Burbank Jail Breakout (2:29)<br>27. 3m29 Dragna Killed (0:54)<br>28. 3m30 Planting the Wire (2:15)<br>29. 3m32 Car Chase (3:20)<br>30. 4m33 You Know the Drill (1:05)<br>31. 4m35s A Little Bird Told Me (2:40)<br>32. 4m37s Route 66 (2:36)<br>33. 4m38s Big Jay’s Hop (2:55)<br>34. 4m39s Blow Blow Blow (2:06)<br>35. 4m41 Don’t Go (1:31)<br>36. 4m41a Boxing Video (0:55)<br>37. 4m42 Identifying the Wire (0:59)<br>38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)<br>39. 4m43a Everybody Out (0:25)<br>40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)<br>41. 4m44 Boogie In the Front (2:33)<br>42. 4m44a Cohen Beats the Cop (0:34)<br>43. 4m46 Coordinating The Response (2:21)<br>44. 4m46a I Need You On the Wire Tonight (0:34)<br>45. 4m47 Cliftons (1:10)<br>46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)<br>47. 4m48s The Evening Primrose (Part 2) (3:20)<br>48. 5m49 Keeler Killed (0:42)<br>49. 5m49a Chinatown (4:23)<br>50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)<br>51. 5m50 Connie Lives (1:56)<br>52. 5m51 Train Station Goodbye (1:34)<br>53. 5m52 Grace Is Alive (1:07)<br>54. 5m53 Let’s Finish It (1:41)<br>55. 6m55 Ole Buttermilk Sky (2:17)<br>56. 6m57 Serving the Warrant (7:36)<br>57. 6m58 Fist Fight – The End (4:13)<br>58. 6m59 Bless You (For the Good That’s In You) (2:55)<br>59. 6m61 End Credit Score Suite (5:22)Where can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.
I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.
Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).
Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)Some of the synth work throughout is definitely like Spirit. The first couple minutes of Coda are one example.It's only suggestions based on about few dozen listened scores of those composers.<br>By the way known that HGW was part of it.
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Henry JackmanHalli CautheryPaul MounseyMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Jumanji - Welcome To The Jungle
Label: Sony Masterworks
Length: 60:23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1268 votes)
  1. The Jumanji Overture (3:20)
    Henry Jackman
  2. Digging Up The Past (1:43)
    Henry Jackman, Halli Cauthery
  3. Brantfort High (1:09)
    Henry Jackman
  4. Into The Jungle (1:23)
    Henry Jackman, Maverick Dugger
  5. Out Of Character (2:31)
    Henry Jackman, Halli Cauthery
  6. The Legend Of The Jewel (2:23)
    Henry Jackman
  7. The Adventure Begins (1:40)
    Henry Jackman, Halli Cauthery
  8. Special Abilities (1:16)
    Henry Jackman, Halli Cauthery
  9. The Bikers (3:44)
    Henry Jackman
  10. Van Pelt (1:00)
    Henry Jackman
  11. A Test Of Friendship (1:22)
    Henry Jackman
  12. The Bazaar (1:16)
    Henry Jackman
  13. Snake Charmer (3:41)
    Henry Jackman, Halli Cauthery, Paul Mounsey
  14. The Power Of Bravestone (1:04)
    Henry Jackman
  15. Seaplane McDonough (2:17)
    Henry Jackman, Halli Cauthery
  16. The Missing Piece (1:46)
    Henry Jackman, Halli Cauthery
  17. Lost In Time (1:18)
    Henry Jackman, Halli Cauthery
  18. Flirting With Danger (1:36)
    Henry Jackman, Halli Cauthery
  19. Albino Rhinos (3:44)
    Henry Jackman
  20. Retrieving The Emerald (1:54)
    Henry Jackman
  21. Out Of Lives (1:49)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  22. First Kiss (1:22)
    Henry Jackman, Paul Mounsey
  23. The Jaguars (3:03)
    Henry Jackman, Halli Cauthery
  24. Ring Of Fire (2:07)
    Henry Jackman, Halli Cauthery
  25. Begin The Climb (1:56)
    Henry Jackman, Halli Cauthery
  26. Call Out Its Name (2:23)
    Henry Jackman
  27. Leaving Jumanji (3:03)
    Henry Jackman, Halli Cauthery
  28. An Older Friend (2:40)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  29. Back To School (1:53)
    Henry Jackman
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Felix reply Replies: 2 || 2019-04-15 14:18:25
Anybody knows if Henry Jackman will come back for Jumanji 3??


Anonymous2019-04-15 15:56:14
wait what when did jumangi 2 come out


Felix2019-04-15 20:50:31
If you watch it rightfull, this here is the second one

MrZimmerFan reply Replies: 0 || 2018-07-24 16:48:22
The Predator by Henry Jackman is going to have his release by Lakeshore Records in September, obviously digital release the same day as opening for the movie

Hybrid Soldier reply Replies: 1 || 2018-04-01 17:54:20
Composer credits !


Edmund Meinerts2018-04-02 10:25:05
Who the heck is Maverick Dugger, and why does he have such a stupidly awesome name?

A surprising amount of solo Jackman credits, at least for these days.

Jean-Luc reply Replies: 2 || 2018-03-29 22:44:30
Good news about Henry Jackman is currently scoring the upcoming by The Predator 2018. I'm really excited to hear about his score for the predator, but I think his score might be like from Kong Skull Island or Jumanji welcome to the jungle or something new things about the jungle. I hope Henry Jackman should use for 1987 predator theme for Alan Silvestri it would be amazing news.


ThePhantasm2018-03-30 07:22:39
I'm pretty sure he will use it, he's a huge fan of alan silvestri. And also Predator was the first soundtrack he heard so I'm certain he will. He talks about it all in an interview with hans, thomas newman, and steven price


Jean-Luc2018-03-30 18:38:07
Awesome, that's great news!

Michael Fields reply Replies: 0 || 2018-01-04 06:54:18
Here are the booklet credits:

Original Score Composed And Produced by
HENRY JACKMAN

Executive In Charge Of Music For Sony Pictures:
SPRING ASPERS

Additional music by
HALLI CAUTHERY
PAUL MOUNSEY

Score recorded and mixed by
ALAN MEYERSON

Music Editor
DAVID METZNER

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
SERGIO RUELAS JR.

Assistant To Henry Jackman
JOHN PAUL LEFEBRE

Music Contractor
PETER ROTTER

Score Conducted By
NICK GLENNIE - SMITH
STEPHEN COLEMAN

Digital Score Recordist
KEVIN GLOBERMAN

Score Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS INC.)

Score Mix Assistant
FOREST CHRISTENSON

Score Choir Conducted And Contracted By
JASPER RANDALL

Score Recorded At
BARBRA STREISAND SCORING STAGE, SONY PICTURES STUDIOS;
APOGEE STUDIOS;
THE VILLAGE STUDIOS

Overdub Musicians
GEORGE DOERING
PEDRO EUSTACHE
MIKE SHAPIRO
ALEX NECIOSUP - ACUNA
MATT CHAMBERLAIN
CHESTER LANG
ALEX BELCHER
MATTHEW K. JUSTMANN

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Stage Manager
JULIANNE McCORMACK

SONY PICTURES STUDIOS Stage Crew:
KEITH UKRISNA (Recordist)
ADAM MICHALAK (Recordist)
GREG DENNEN (Scoring Stagehand)
DAVID MARQUETTE (Scoring Stagehand)
GREG LOSKORN (Scoring Stage Manager)

Booklet Editing & Design
WLP LTD

SONY CLASSICAL Licensing
MARK CAVELL

SONY CLASSICAL Product Development
KLARA KORYTOWSKA

Score Published By
TWENTY FIFTEEN AVENUE MUSIC, INC. (ASCAP)
Admin. By
SONY/ATV MUSIC PUBLISHING LLC.

Henry Jackman would like to thank:
JAKE KASDAN
SPRING ASPERS
RAUL PEREZ
TOM ROTHMAN
SKY ROBINSON
CLARE YEZERSKI
ASHKAN KARIMLOO
ALAN MEYERSON
ED TRYBEK
LAURA ENGEL
STEVE KOFSKY
VICTORIA DE LA VEGA
RALPH
ELLIE
And
MUM.

JBSO99 reply Replies: 2 || 2017-12-14 14:32:32
Tracklist with track duration:
01. The Jumanji Overture (03:20)
02. Digging Up The Past (01:43)
03. Brantfort High (01:09)
04. Into The Jungle (01:23)
05. Out of Character (02:31)
06. The Legend of the Jewel (02:23)
07. The Adventure Begins (01:40)
08. Special Abilities (01:16)
09. The Bikers (03:44)
10. Van Pelt (01:00)
11. A Test Of Friendship (01:22)
12. The Bazaar (01:16)
13. Snake Charmer (03:41)
14. The Power of Bravestone (01:04)
15. Seaplane McDonough (02:17)
16. The Missing Piece (01:46)
17. Lost In Time (01:18)
18. Flirting With Danger (01:36)
19. Albino Rhinos (03:44)
20. Retrieving the Emerald (01:54)
21. Out of Lives (01:49)
22. First Kiss (01:22)
23. The Jaguars (03:03)
24. Ring of Fire (02:07)
25. Begin The Climb (01:56)
26. Call Out Its Name (02:23)
27. leaving Jumanji (03:03)
28. An Older Friend (02:40)
29. Back To School (01:53)


JBSO992017-12-14 14:33:55
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.


Waymman2017-12-15 16:56:12
Great score! Lots of fun.

Iamtommie reply Replies: 1 || 2017-12-09 10:01:11
I read one or two reviews of the movie and they said that Jackman's score is actually really good. Especially the drums in the score.
I'm exitied!!


JBSO992017-12-10 12:18:41
I really hope so because the movie itself looks really dull, but at least it's a great score. But I would have prefered James Newton Howard to do it as was set before Jackman.

mouseny reply Replies: 1 || 2017-11-30 19:35:06
Is Paul Mounsey secretly composing everything these days?!


Olive2017-12-01 01:37:36
Secretly I do not know, as long as his name appears on the credits. But he's done a lot of stuff on many projects. It is a reflection on the pause that Powell has taken in recent years

Ijnamuj reply Replies: 13 || 2017-11-29 02:01:25
Why does Henry always score the worst movies? Man on a Ledge, Abraham Lincoln: Vampire Hunter, G.I. Joe: Retaliation, Pixels, Jack Reacher: Never Go Back, Kong: Skull Island, and now Jumanji: Welcome to the Jungle! His scores are all great and accompany each film well, it's just that he's not the best at choosing good movies to score.


Edmund Meinerts2017-11-29 10:13:27
I liked Kong! And the trailer for this made me laugh a couple times, which I usually don't at dumb shticky comedy like this...


Brent2017-11-29 10:51:39
I wouldn’t say that’s fair. Each composer has had no shortage of terrible movies. Lol!

This should be a fun list:

Jablonsky: Last Witch Hunter, Battleship, Gangster Squad, give or take Transformers
Djawadi: Great Wall, Warcraft, Dracula, Red Dawn, Fright Night
HGW: Cowboys & Aliens, X-Men Origins, Number 23, Flushed Away, Phone Booth
Powell: Knight & Day, Rio, Mars Needs Moms, Robots, Paycheck, Gigli, Evolution
Junkie: Run All Night, Brimstone, Point Break, Kill Your Friends, Paranoia
Zanelli: Disturbia, Masterminds, Mortdecai, Scorpion King 4, Ghost Town

And, let’s not forget Zimmer himself: Shark Tale, It’s Complicated, Inferno, Amazing Spider-Man 2, Madagascar (gosh, I HATE those movies), On Stranger Tides, The Dilemma, The Weather Man, Thunderbirds, Pearl Harbor


Olive2017-11-29 11:02:19
Shark Tale, The Fan, Muppets: The Island Treasure, Point of no return, Calendar Girl, Riding in Cars with Boys, Jow Do You No, etc, etc.


Olive2017-11-29 11:02:58
How Do You Know* lol


Simba2017-11-29 11:55:35
"The Fan" is a great movie! What are you talking about?!


Andreas2017-11-29 12:30:46
I've read that this movie got great reviews and an advernture score from Jackman sounds fun to me.


Olive2017-11-29 17:00:41
Maybe you think so, but it was a worldwide failure.


olive2017-11-29 17:01:48
The above response was addressed to @Simba


rockhound2017-11-29 17:38:39
The Fan was not a successful movie, but for me it is also a great movie. great acting, nice cinematography, good suspense and an amazing effective score by zimmer. i think this movie is the first tony scott movie, which showed the typical tony scott music style, that he prefered in his followed movies. some parts has already a bit from Enemy of the State. maybe these are harrys cues.


mpolonest123 2017-11-29 19:02:54
Ehhh The Fan is ok as a film. It’s a good idea that goes overboard in the third act. My problem with Tony Scott is that he wasn’t a bad director, but sometimes went more for style over substance (Crimson Tide/Pelham are pretty good though)

As for the score, one of Zimmer’s best!


Olive2017-11-29 19:42:14
Yeah, sometimes, by the style, I feel "The Fan" more like a HGW score than Zimmer.


Ds2017-11-30 07:50:11
Is it just me or do the above lists of "terrible movies" actually contain a lot of very nice and enjoyable movies? :-D


Olive2017-11-30 13:12:01
Hehe

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Jumanji - Welcome To The Jungle soundtrack - Henry Jackman 2017