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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and GŲransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with GŲransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who Iíve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNHís themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didnít really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasnít really a Disney tentpole release. Maleficent isnít a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think heíll do an awesome job with.@Mephariel - youíre right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, Iíd much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think GŲransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad Iím not the only one whoís more excited for those compared to cold and dark Nolan/Zimmer scores. Iím kinda over those to be honest.And if Iím completely honest, Iím more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Henry JackmanHalli CautheryPaul MounseyMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Jumanji - Welcome To The Jungle
Label: Sony Masterworks
Length: 60:23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1235 votes)
  1. The Jumanji Overture (3:20)
    Henry Jackman
  2. Digging Up The Past (1:43)
    Henry Jackman, Halli Cauthery
  3. Brantfort High (1:09)
    Henry Jackman
  4. Into The Jungle (1:23)
    Henry Jackman, Maverick Dugger
  5. Out Of Character (2:31)
    Henry Jackman, Halli Cauthery
  6. The Legend Of The Jewel (2:23)
    Henry Jackman
  7. The Adventure Begins (1:40)
    Henry Jackman, Halli Cauthery
  8. Special Abilities (1:16)
    Henry Jackman, Halli Cauthery
  9. The Bikers (3:44)
    Henry Jackman
  10. Van Pelt (1:00)
    Henry Jackman
  11. A Test Of Friendship (1:22)
    Henry Jackman
  12. The Bazaar (1:16)
    Henry Jackman
  13. Snake Charmer (3:41)
    Henry Jackman, Halli Cauthery, Paul Mounsey
  14. The Power Of Bravestone (1:04)
    Henry Jackman
  15. Seaplane McDonough (2:17)
    Henry Jackman, Halli Cauthery
  16. The Missing Piece (1:46)
    Henry Jackman, Halli Cauthery
  17. Lost In Time (1:18)
    Henry Jackman, Halli Cauthery
  18. Flirting With Danger (1:36)
    Henry Jackman, Halli Cauthery
  19. Albino Rhinos (3:44)
    Henry Jackman
  20. Retrieving The Emerald (1:54)
    Henry Jackman
  21. Out Of Lives (1:49)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  22. First Kiss (1:22)
    Henry Jackman, Paul Mounsey
  23. The Jaguars (3:03)
    Henry Jackman, Halli Cauthery
  24. Ring Of Fire (2:07)
    Henry Jackman, Halli Cauthery
  25. Begin The Climb (1:56)
    Henry Jackman, Halli Cauthery
  26. Call Out Its Name (2:23)
    Henry Jackman
  27. Leaving Jumanji (3:03)
    Henry Jackman, Halli Cauthery
  28. An Older Friend (2:40)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  29. Back To School (1:53)
    Henry Jackman
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Felix reply Replies: 2 || 2019-04-15 14:18:25
Anybody knows if Henry Jackman will come back for Jumanji 3??


Anonymous2019-04-15 15:56:14
wait what when did jumangi 2 come out


Felix2019-04-15 20:50:31
If you watch it rightfull, this here is the second one

MrZimmerFan reply Replies: 0 || 2018-07-24 16:48:22
The Predator by Henry Jackman is going to have his release by Lakeshore Records in September, obviously digital release the same day as opening for the movie

Hybrid Soldier reply Replies: 1 || 2018-04-01 17:54:20
Composer credits !


Edmund Meinerts2018-04-02 10:25:05
Who the heck is Maverick Dugger, and why does he have such a stupidly awesome name?

A surprising amount of solo Jackman credits, at least for these days.

Jean-Luc reply Replies: 2 || 2018-03-29 22:44:30
Good news about Henry Jackman is currently scoring the upcoming by The Predator 2018. I'm really excited to hear about his score for the predator, but I think his score might be like from Kong Skull Island or Jumanji welcome to the jungle or something new things about the jungle. I hope Henry Jackman should use for 1987 predator theme for Alan Silvestri it would be amazing news.


ThePhantasm2018-03-30 07:22:39
I'm pretty sure he will use it, he's a huge fan of alan silvestri. And also Predator was the first soundtrack he heard so I'm certain he will. He talks about it all in an interview with hans, thomas newman, and steven price


Jean-Luc2018-03-30 18:38:07
Awesome, that's great news!

Michael Fields reply Replies: 0 || 2018-01-04 06:54:18
Here are the booklet credits:

Original Score Composed And Produced by
HENRY JACKMAN

Executive In Charge Of Music For Sony Pictures:
SPRING ASPERS

Additional music by
HALLI CAUTHERY
PAUL MOUNSEY

Score recorded and mixed by
ALAN MEYERSON

Music Editor
DAVID METZNER

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
SERGIO RUELAS JR.

Assistant To Henry Jackman
JOHN PAUL LEFEBRE

Music Contractor
PETER ROTTER

Score Conducted By
NICK GLENNIE - SMITH
STEPHEN COLEMAN

Digital Score Recordist
KEVIN GLOBERMAN

Score Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS INC.)

Score Mix Assistant
FOREST CHRISTENSON

Score Choir Conducted And Contracted By
JASPER RANDALL

Score Recorded At
BARBRA STREISAND SCORING STAGE, SONY PICTURES STUDIOS;
APOGEE STUDIOS;
THE VILLAGE STUDIOS

Overdub Musicians
GEORGE DOERING
PEDRO EUSTACHE
MIKE SHAPIRO
ALEX NECIOSUP - ACUNA
MATT CHAMBERLAIN
CHESTER LANG
ALEX BELCHER
MATTHEW K. JUSTMANN

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Stage Manager
JULIANNE McCORMACK

SONY PICTURES STUDIOS Stage Crew:
KEITH UKRISNA (Recordist)
ADAM MICHALAK (Recordist)
GREG DENNEN (Scoring Stagehand)
DAVID MARQUETTE (Scoring Stagehand)
GREG LOSKORN (Scoring Stage Manager)

Booklet Editing & Design
WLP LTD

SONY CLASSICAL Licensing
MARK CAVELL

SONY CLASSICAL Product Development
KLARA KORYTOWSKA

Score Published By
TWENTY FIFTEEN AVENUE MUSIC, INC. (ASCAP)
Admin. By
SONY/ATV MUSIC PUBLISHING LLC.

Henry Jackman would like to thank:
JAKE KASDAN
SPRING ASPERS
RAUL PEREZ
TOM ROTHMAN
SKY ROBINSON
CLARE YEZERSKI
ASHKAN KARIMLOO
ALAN MEYERSON
ED TRYBEK
LAURA ENGEL
STEVE KOFSKY
VICTORIA DE LA VEGA
RALPH
ELLIE
And
MUM.

JBSO99 reply Replies: 2 || 2017-12-14 14:32:32
Tracklist with track duration:
01. The Jumanji Overture (03:20)
02. Digging Up The Past (01:43)
03. Brantfort High (01:09)
04. Into The Jungle (01:23)
05. Out of Character (02:31)
06. The Legend of the Jewel (02:23)
07. The Adventure Begins (01:40)
08. Special Abilities (01:16)
09. The Bikers (03:44)
10. Van Pelt (01:00)
11. A Test Of Friendship (01:22)
12. The Bazaar (01:16)
13. Snake Charmer (03:41)
14. The Power of Bravestone (01:04)
15. Seaplane McDonough (02:17)
16. The Missing Piece (01:46)
17. Lost In Time (01:18)
18. Flirting With Danger (01:36)
19. Albino Rhinos (03:44)
20. Retrieving the Emerald (01:54)
21. Out of Lives (01:49)
22. First Kiss (01:22)
23. The Jaguars (03:03)
24. Ring of Fire (02:07)
25. Begin The Climb (01:56)
26. Call Out Its Name (02:23)
27. leaving Jumanji (03:03)
28. An Older Friend (02:40)
29. Back To School (01:53)


JBSO992017-12-14 14:33:55
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.


Waymman2017-12-15 16:56:12
Great score! Lots of fun.

Iamtommie reply Replies: 1 || 2017-12-09 10:01:11
I read one or two reviews of the movie and they said that Jackman's score is actually really good. Especially the drums in the score.
I'm exitied!!


JBSO992017-12-10 12:18:41
I really hope so because the movie itself looks really dull, but at least it's a great score. But I would have prefered James Newton Howard to do it as was set before Jackman.

mouseny reply Replies: 1 || 2017-11-30 19:35:06
Is Paul Mounsey secretly composing everything these days?!

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Please enter number: 1600 


Olive2017-12-01 01:37:36
Secretly I do not know, as long as his name appears on the credits. But he's done a lot of stuff on many projects. It is a reflection on the pause that Powell has taken in recent years

Ijnamuj reply Replies: 13 || 2017-11-29 02:01:25
Why does Henry always score the worst movies? Man on a Ledge, Abraham Lincoln: Vampire Hunter, G.I. Joe: Retaliation, Pixels, Jack Reacher: Never Go Back, Kong: Skull Island, and now Jumanji: Welcome to the Jungle! His scores are all great and accompany each film well, it's just that he's not the best at choosing good movies to score.


Edmund Meinerts2017-11-29 10:13:27
I liked Kong! And the trailer for this made me laugh a couple times, which I usually don't at dumb shticky comedy like this...


Brent2017-11-29 10:51:39
I wouldnít say thatís fair. Each composer has had no shortage of terrible movies. Lol!

This should be a fun list:

Jablonsky: Last Witch Hunter, Battleship, Gangster Squad, give or take Transformers
Djawadi: Great Wall, Warcraft, Dracula, Red Dawn, Fright Night
HGW: Cowboys & Aliens, X-Men Origins, Number 23, Flushed Away, Phone Booth
Powell: Knight & Day, Rio, Mars Needs Moms, Robots, Paycheck, Gigli, Evolution
Junkie: Run All Night, Brimstone, Point Break, Kill Your Friends, Paranoia
Zanelli: Disturbia, Masterminds, Mortdecai, Scorpion King 4, Ghost Town

And, letís not forget Zimmer himself: Shark Tale, Itís Complicated, Inferno, Amazing Spider-Man 2, Madagascar (gosh, I HATE those movies), On Stranger Tides, The Dilemma, The Weather Man, Thunderbirds, Pearl Harbor


Olive2017-11-29 11:02:19
Shark Tale, The Fan, Muppets: The Island Treasure, Point of no return, Calendar Girl, Riding in Cars with Boys, Jow Do You No, etc, etc.


Olive2017-11-29 11:02:58
How Do You Know* lol


Simba2017-11-29 11:55:35
"The Fan" is a great movie! What are you talking about?!


Andreas2017-11-29 12:30:46
I've read that this movie got great reviews and an advernture score from Jackman sounds fun to me.


Olive2017-11-29 17:00:41
Maybe you think so, but it was a worldwide failure.


olive2017-11-29 17:01:48
The above response was addressed to @Simba


rockhound2017-11-29 17:38:39
The Fan was not a successful movie, but for me it is also a great movie. great acting, nice cinematography, good suspense and an amazing effective score by zimmer. i think this movie is the first tony scott movie, which showed the typical tony scott music style, that he prefered in his followed movies. some parts has already a bit from Enemy of the State. maybe these are harrys cues.


mpolonest123 2017-11-29 19:02:54
Ehhh The Fan is ok as a film. Itís a good idea that goes overboard in the third act. My problem with Tony Scott is that he wasnít a bad director, but sometimes went more for style over substance (Crimson Tide/Pelham are pretty good though)

As for the score, one of Zimmerís best!


Olive2017-11-29 19:42:14
Yeah, sometimes, by the style, I feel "The Fan" more like a HGW score than Zimmer.


Ds2017-11-30 07:50:11
Is it just me or do the above lists of "terrible movies" actually contain a lot of very nice and enjoyable movies? :-D


Olive2017-11-30 13:12:01
Hehe

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Jumanji - Welcome To The Jungle soundtrack - Henry Jackman 2017