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Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lolThe problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.
I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Hornerís classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And Iím not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movieChill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I canít help but wondering if thereís some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think youíre pushing it a bit.<br>Anyway no hate I donít care who wrote it Iím just curious about the behind the scenes stuff.
You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to Go
Not to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% SteveI wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?
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Henry JackmanHalli CautheryPaul MounseyMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Jumanji - Welcome To The Jungle
Label: Sony Masterworks
Length: 60:23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1189 votes)
  1. The Jumanji Overture (3:20)
    Henry Jackman
  2. Digging Up The Past (1:43)
    Henry Jackman, Halli Cauthery
  3. Brantfort High (1:09)
    Henry Jackman
  4. Into The Jungle (1:23)
    Henry Jackman, Maverick Dugger
  5. Out Of Character (2:31)
    Henry Jackman, Halli Cauthery
  6. The Legend Of The Jewel (2:23)
    Henry Jackman
  7. The Adventure Begins (1:40)
    Henry Jackman, Halli Cauthery
  8. Special Abilities (1:16)
    Henry Jackman, Halli Cauthery
  9. The Bikers (3:44)
    Henry Jackman
  10. Van Pelt (1:00)
    Henry Jackman
  11. A Test Of Friendship (1:22)
    Henry Jackman
  12. The Bazaar (1:16)
    Henry Jackman
  13. Snake Charmer (3:41)
    Henry Jackman, Halli Cauthery, Paul Mounsey
  14. The Power Of Bravestone (1:04)
    Henry Jackman
  15. Seaplane McDonough (2:17)
    Henry Jackman, Halli Cauthery
  16. The Missing Piece (1:46)
    Henry Jackman, Halli Cauthery
  17. Lost In Time (1:18)
    Henry Jackman, Halli Cauthery
  18. Flirting With Danger (1:36)
    Henry Jackman, Halli Cauthery
  19. Albino Rhinos (3:44)
    Henry Jackman
  20. Retrieving The Emerald (1:54)
    Henry Jackman
  21. Out Of Lives (1:49)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  22. First Kiss (1:22)
    Henry Jackman, Paul Mounsey
  23. The Jaguars (3:03)
    Henry Jackman, Halli Cauthery
  24. Ring Of Fire (2:07)
    Henry Jackman, Halli Cauthery
  25. Begin The Climb (1:56)
    Henry Jackman, Halli Cauthery
  26. Call Out Its Name (2:23)
    Henry Jackman
  27. Leaving Jumanji (3:03)
    Henry Jackman, Halli Cauthery
  28. An Older Friend (2:40)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  29. Back To School (1:53)
    Henry Jackman
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MrZimmerFan reply Replies: 0 || 2018-07-24 16:48:22
The Predator by Henry Jackman is going to have his release by Lakeshore Records in September, obviously digital release the same day as opening for the movie

Hybrid Soldier reply Replies: 1 || 2018-04-01 17:54:20
Composer credits !


Edmund Meinerts2018-04-02 10:25:05
Who the heck is Maverick Dugger, and why does he have such a stupidly awesome name?

A surprising amount of solo Jackman credits, at least for these days.

Jean-Luc reply Replies: 2 || 2018-03-29 22:44:30
Good news about Henry Jackman is currently scoring the upcoming by The Predator 2018. I'm really excited to hear about his score for the predator, but I think his score might be like from Kong Skull Island or Jumanji welcome to the jungle or something new things about the jungle. I hope Henry Jackman should use for 1987 predator theme for Alan Silvestri it would be amazing news.


ThePhantasm2018-03-30 07:22:39
I'm pretty sure he will use it, he's a huge fan of alan silvestri. And also Predator was the first soundtrack he heard so I'm certain he will. He talks about it all in an interview with hans, thomas newman, and steven price


Jean-Luc2018-03-30 18:38:07
Awesome, that's great news!

Michael Fields reply Replies: 0 || 2018-01-04 06:54:18
Here are the booklet credits:

Original Score Composed And Produced by
HENRY JACKMAN

Executive In Charge Of Music For Sony Pictures:
SPRING ASPERS

Additional music by
HALLI CAUTHERY
PAUL MOUNSEY

Score recorded and mixed by
ALAN MEYERSON

Music Editor
DAVID METZNER

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
SERGIO RUELAS JR.

Assistant To Henry Jackman
JOHN PAUL LEFEBRE

Music Contractor
PETER ROTTER

Score Conducted By
NICK GLENNIE - SMITH
STEPHEN COLEMAN

Digital Score Recordist
KEVIN GLOBERMAN

Score Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS INC.)

Score Mix Assistant
FOREST CHRISTENSON

Score Choir Conducted And Contracted By
JASPER RANDALL

Score Recorded At
BARBRA STREISAND SCORING STAGE, SONY PICTURES STUDIOS;
APOGEE STUDIOS;
THE VILLAGE STUDIOS

Overdub Musicians
GEORGE DOERING
PEDRO EUSTACHE
MIKE SHAPIRO
ALEX NECIOSUP - ACUNA
MATT CHAMBERLAIN
CHESTER LANG
ALEX BELCHER
MATTHEW K. JUSTMANN

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Stage Manager
JULIANNE McCORMACK

SONY PICTURES STUDIOS Stage Crew:
KEITH UKRISNA (Recordist)
ADAM MICHALAK (Recordist)
GREG DENNEN (Scoring Stagehand)
DAVID MARQUETTE (Scoring Stagehand)
GREG LOSKORN (Scoring Stage Manager)

Booklet Editing & Design
WLP LTD

SONY CLASSICAL Licensing
MARK CAVELL

SONY CLASSICAL Product Development
KLARA KORYTOWSKA

Score Published By
TWENTY FIFTEEN AVENUE MUSIC, INC. (ASCAP)
Admin. By
SONY/ATV MUSIC PUBLISHING LLC.

Henry Jackman would like to thank:
JAKE KASDAN
SPRING ASPERS
RAUL PEREZ
TOM ROTHMAN
SKY ROBINSON
CLARE YEZERSKI
ASHKAN KARIMLOO
ALAN MEYERSON
ED TRYBEK
LAURA ENGEL
STEVE KOFSKY
VICTORIA DE LA VEGA
RALPH
ELLIE
And
MUM.

JBSO99 reply Replies: 2 || 2017-12-14 14:32:32
Tracklist with track duration:
01. The Jumanji Overture (03:20)
02. Digging Up The Past (01:43)
03. Brantfort High (01:09)
04. Into The Jungle (01:23)
05. Out of Character (02:31)
06. The Legend of the Jewel (02:23)
07. The Adventure Begins (01:40)
08. Special Abilities (01:16)
09. The Bikers (03:44)
10. Van Pelt (01:00)
11. A Test Of Friendship (01:22)
12. The Bazaar (01:16)
13. Snake Charmer (03:41)
14. The Power of Bravestone (01:04)
15. Seaplane McDonough (02:17)
16. The Missing Piece (01:46)
17. Lost In Time (01:18)
18. Flirting With Danger (01:36)
19. Albino Rhinos (03:44)
20. Retrieving the Emerald (01:54)
21. Out of Lives (01:49)
22. First Kiss (01:22)
23. The Jaguars (03:03)
24. Ring of Fire (02:07)
25. Begin The Climb (01:56)
26. Call Out Its Name (02:23)
27. leaving Jumanji (03:03)
28. An Older Friend (02:40)
29. Back To School (01:53)


JBSO992017-12-14 14:33:55
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.


Waymman2017-12-15 16:56:12
Great score! Lots of fun.

Iamtommie reply Replies: 1 || 2017-12-09 10:01:11
I read one or two reviews of the movie and they said that Jackman's score is actually really good. Especially the drums in the score.
I'm exitied!!


JBSO992017-12-10 12:18:41
I really hope so because the movie itself looks really dull, but at least it's a great score. But I would have prefered James Newton Howard to do it as was set before Jackman.

mouseny reply Replies: 1 || 2017-11-30 19:35:06
Is Paul Mounsey secretly composing everything these days?!

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Olive2017-12-01 01:37:36
Secretly I do not know, as long as his name appears on the credits. But he's done a lot of stuff on many projects. It is a reflection on the pause that Powell has taken in recent years

Ijnamuj reply Replies: 13 || 2017-11-29 02:01:25
Why does Henry always score the worst movies? Man on a Ledge, Abraham Lincoln: Vampire Hunter, G.I. Joe: Retaliation, Pixels, Jack Reacher: Never Go Back, Kong: Skull Island, and now Jumanji: Welcome to the Jungle! His scores are all great and accompany each film well, it's just that he's not the best at choosing good movies to score.


Edmund Meinerts2017-11-29 10:13:27
I liked Kong! And the trailer for this made me laugh a couple times, which I usually don't at dumb shticky comedy like this...


Brent2017-11-29 10:51:39
I wouldnít say thatís fair. Each composer has had no shortage of terrible movies. Lol!

This should be a fun list:

Jablonsky: Last Witch Hunter, Battleship, Gangster Squad, give or take Transformers
Djawadi: Great Wall, Warcraft, Dracula, Red Dawn, Fright Night
HGW: Cowboys & Aliens, X-Men Origins, Number 23, Flushed Away, Phone Booth
Powell: Knight & Day, Rio, Mars Needs Moms, Robots, Paycheck, Gigli, Evolution
Junkie: Run All Night, Brimstone, Point Break, Kill Your Friends, Paranoia
Zanelli: Disturbia, Masterminds, Mortdecai, Scorpion King 4, Ghost Town

And, letís not forget Zimmer himself: Shark Tale, Itís Complicated, Inferno, Amazing Spider-Man 2, Madagascar (gosh, I HATE those movies), On Stranger Tides, The Dilemma, The Weather Man, Thunderbirds, Pearl Harbor


Olive2017-11-29 11:02:19
Shark Tale, The Fan, Muppets: The Island Treasure, Point of no return, Calendar Girl, Riding in Cars with Boys, Jow Do You No, etc, etc.


Olive2017-11-29 11:02:58
How Do You Know* lol


Simba2017-11-29 11:55:35
"The Fan" is a great movie! What are you talking about?!


Andreas2017-11-29 12:30:46
I've read that this movie got great reviews and an advernture score from Jackman sounds fun to me.


Olive2017-11-29 17:00:41
Maybe you think so, but it was a worldwide failure.


olive2017-11-29 17:01:48
The above response was addressed to @Simba


rockhound2017-11-29 17:38:39
The Fan was not a successful movie, but for me it is also a great movie. great acting, nice cinematography, good suspense and an amazing effective score by zimmer. i think this movie is the first tony scott movie, which showed the typical tony scott music style, that he prefered in his followed movies. some parts has already a bit from Enemy of the State. maybe these are harrys cues.


mpolonest123 2017-11-29 19:02:54
Ehhh The Fan is ok as a film. Itís a good idea that goes overboard in the third act. My problem with Tony Scott is that he wasnít a bad director, but sometimes went more for style over substance (Crimson Tide/Pelham are pretty good though)

As for the score, one of Zimmerís best!


Olive2017-11-29 19:42:14
Yeah, sometimes, by the style, I feel "The Fan" more like a HGW score than Zimmer.


Ds2017-11-30 07:50:11
Is it just me or do the above lists of "terrible movies" actually contain a lot of very nice and enjoyable movies? :-D


Olive2017-11-30 13:12:01
Hehe

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Jumanji - Welcome To The Jungle soundtrack - Henry Jackman 2017