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Wondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.All those people who complain that Hans isn't sticking to more traditional scores forget that at heart, hes a synth man who loves his synthesizers and keyboards. Hans is just as much as a musical artist as Bowie or Paul Mccartney, in the sense that he goes through musical trends and his style adapts or changes. That's just the way it is, enjoy it for what it is. <br><br>Crucify me for comparing a human to David Bowie!Wow! Stephen Barton worked on a lot of the important cues here, huh?I'm with Edmund in that I'd love for Hans to win more Oscars, but not this score. I feel like even Blade Runner 2049 is more deserving of an award than this. Sure, it works great in the film, but that shouldn't be reason enough for an Oscar. I feel like Desplat's nominated score is more deserving than this one. <br><br>"But this one has a unique sound and recording!"<br><br>Okay... a lot of scores have that. A lot of Zimmer's work has that. Doesn't make them all masterpieces.<br><br>"But we have to spite those evil reviewers who hate this score!"<br><br>Why do you let their opinion get in the way of your enjoyment? If you love it enough, the critics' opinions should only make you enjoy it more because you see something in it they don't. <br><br>I agree with George in that Hans needs to go back to a melodic sound. I don't think whether this score wins or not will change Hans' mind on that, but I do want his next Oscar winner to mean something other than, "Oh cool! I won this award because I made weird sounds!" (Which by the way, involves things like programming and a lot of other technical adjustments that have nothing to do with Hans' composing ability)."The thing that I'm proudest about Dunkirk is you can't separate it from the film."<br>- Hans Zimmer, GQ
I understand, but it does not make sense.<br>You're arguing that the score for a movie released in January this year was produced before of the score of a movie that went to theaters in July. If Balfe started working on "12 strong" a year before the movie release, the same can be said of Dunkirk. It is easy to infer that the Dunkirk's score has been working since the middle of 2016! Or even before, because of the tours that Zimmer has done.<br>The music/sound design, even being simple, was not made and recorded between January and May of last year.Olive  that is when it was announced !!! Not when he did itBalfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .
Edmund - the release dates do not matter . Check out Balfeís Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.
Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).@Ahmad i only need "The Oil (Film Version)" :D Then i'll be happy :D
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Henry JackmanHalli CautheryPaul MounseyMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Jumanji - Welcome To The Jungle
Label: Sony Masterworks
Length: 60'23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (359 votes)
  1. The Jumanji Overture (3:20)
  2. Digging Up The Past (1:43)
  3. Brantfort High (1:09)
  4. Into The Jungle (1:23)
  5. Out Of Character (2:31)
  6. The Legend Of The Jewel (2:23)
  7. The Adventure Begins (1:40)
  8. Special Abilities (1:16)
  9. The Bikers (3:44)
  10. Van Pelt (1:00)
  11. A Test Of Friendship (1:22)
  12. The Bazaar (1:16)
  13. Snake Charmer (3:41)
  14. The Power Of Bravestone (1:04)
  15. Seaplane McDonough (2:17)
  16. The Missing Piece (1:46)
  17. Lost In Time (1:18)
  18. Flirting With Danger (1:36)
  19. Albino Rhinos (3:44)
  20. Retrieving The Emerald (1:54)
  21. Out Of Lives (1:49)
  22. First Kiss (1:22)
  23. The Jaguars (3:03)
  24. Ring Of Fire (2:07)
  25. Begin The Climb (1:56)
  26. Call Out Its Name (2:23)
  27. Leaving Jumanji (3:03)
  28. An Older Friend (2:40)
  29. Back To School (1:53)
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Michael Fields reply Replies: 0 || 2018-01-04 06:54:18
Here are the booklet credits:

Original Score Composed And Produced by
HENRY JACKMAN

Executive In Charge Of Music For Sony Pictures:
SPRING ASPERS

Additional music by
HALLI CAUTHERY
PAUL MOUNSEY

Score recorded and mixed by
ALAN MEYERSON

Music Editor
DAVID METZNER

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
SERGIO RUELAS JR.

Assistant To Henry Jackman
JOHN PAUL LEFEBRE

Music Contractor
PETER ROTTER

Score Conducted By
NICK GLENNIE - SMITH
STEPHEN COLEMAN

Digital Score Recordist
KEVIN GLOBERMAN

Score Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS INC.)

Score Mix Assistant
FOREST CHRISTENSON

Score Choir Conducted And Contracted By
JASPER RANDALL

Score Recorded At
BARBRA STREISAND SCORING STAGE, SONY PICTURES STUDIOS;
APOGEE STUDIOS;
THE VILLAGE STUDIOS

Overdub Musicians
GEORGE DOERING
PEDRO EUSTACHE
MIKE SHAPIRO
ALEX NECIOSUP - ACUNA
MATT CHAMBERLAIN
CHESTER LANG
ALEX BELCHER
MATTHEW K. JUSTMANN

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Stage Manager
JULIANNE McCORMACK

SONY PICTURES STUDIOS Stage Crew:
KEITH UKRISNA (Recordist)
ADAM MICHALAK (Recordist)
GREG DENNEN (Scoring Stagehand)
DAVID MARQUETTE (Scoring Stagehand)
GREG LOSKORN (Scoring Stage Manager)

Booklet Editing & Design
WLP LTD

SONY CLASSICAL Licensing
MARK CAVELL

SONY CLASSICAL Product Development
KLARA KORYTOWSKA

Score Published By
TWENTY FIFTEEN AVENUE MUSIC, INC. (ASCAP)
Admin. By
SONY/ATV MUSIC PUBLISHING LLC.

Henry Jackman would like to thank:
JAKE KASDAN
SPRING ASPERS
RAUL PEREZ
TOM ROTHMAN
SKY ROBINSON
CLARE YEZERSKI
ASHKAN KARIMLOO
ALAN MEYERSON
ED TRYBEK
LAURA ENGEL
STEVE KOFSKY
VICTORIA DE LA VEGA
RALPH
ELLIE
And
MUM.

JBSO99 reply Replies: 2 || 2017-12-14 14:32:32
Tracklist with track duration:
01. The Jumanji Overture (03:20)
02. Digging Up The Past (01:43)
03. Brantfort High (01:09)
04. Into The Jungle (01:23)
05. Out of Character (02:31)
06. The Legend of the Jewel (02:23)
07. The Adventure Begins (01:40)
08. Special Abilities (01:16)
09. The Bikers (03:44)
10. Van Pelt (01:00)
11. A Test Of Friendship (01:22)
12. The Bazaar (01:16)
13. Snake Charmer (03:41)
14. The Power of Bravestone (01:04)
15. Seaplane McDonough (02:17)
16. The Missing Piece (01:46)
17. Lost In Time (01:18)
18. Flirting With Danger (01:36)
19. Albino Rhinos (03:44)
20. Retrieving the Emerald (01:54)
21. Out of Lives (01:49)
22. First Kiss (01:22)
23. The Jaguars (03:03)
24. Ring of Fire (02:07)
25. Begin The Climb (01:56)
26. Call Out Its Name (02:23)
27. leaving Jumanji (03:03)
28. An Older Friend (02:40)
29. Back To School (01:53)


JBSO992017-12-14 14:33:55
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.


Waymman2017-12-15 16:56:12
Great score! Lots of fun.

Iamtommie reply Replies: 1 || 2017-12-09 10:01:11
I read one or two reviews of the movie and they said that Jackman's score is actually really good. Especially the drums in the score.
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JBSO992017-12-10 12:18:41
I really hope so because the movie itself looks really dull, but at least it's a great score. But I would have prefered James Newton Howard to do it as was set before Jackman.

mouseny reply Replies: 1 || 2017-11-30 19:35:06
Is Paul Mounsey secretly composing everything these days?!


Olive2017-12-01 01:37:36
Secretly I do not know, as long as his name appears on the credits. But he's done a lot of stuff on many projects. It is a reflection on the pause that Powell has taken in recent years

Ijnamuj reply Replies: 13 || 2017-11-29 02:01:25
Why does Henry always score the worst movies? Man on a Ledge, Abraham Lincoln: Vampire Hunter, G.I. Joe: Retaliation, Pixels, Jack Reacher: Never Go Back, Kong: Skull Island, and now Jumanji: Welcome to the Jungle! His scores are all great and accompany each film well, it's just that he's not the best at choosing good movies to score.


Edmund Meinerts2017-11-29 10:13:27
I liked Kong! And the trailer for this made me laugh a couple times, which I usually don't at dumb shticky comedy like this...


Brent2017-11-29 10:51:39
I wouldnít say thatís fair. Each composer has had no shortage of terrible movies. Lol!

This should be a fun list:

Jablonsky: Last Witch Hunter, Battleship, Gangster Squad, give or take Transformers
Djawadi: Great Wall, Warcraft, Dracula, Red Dawn, Fright Night
HGW: Cowboys & Aliens, X-Men Origins, Number 23, Flushed Away, Phone Booth
Powell: Knight & Day, Rio, Mars Needs Moms, Robots, Paycheck, Gigli, Evolution
Junkie: Run All Night, Brimstone, Point Break, Kill Your Friends, Paranoia
Zanelli: Disturbia, Masterminds, Mortdecai, Scorpion King 4, Ghost Town

And, letís not forget Zimmer himself: Shark Tale, Itís Complicated, Inferno, Amazing Spider-Man 2, Madagascar (gosh, I HATE those movies), On Stranger Tides, The Dilemma, The Weather Man, Thunderbirds, Pearl Harbor


Olive2017-11-29 11:02:19
Shark Tale, The Fan, Muppets: The Island Treasure, Point of no return, Calendar Girl, Riding in Cars with Boys, Jow Do You No, etc, etc.


Olive2017-11-29 11:02:58
How Do You Know* lol


Simba2017-11-29 11:55:35
"The Fan" is a great movie! What are you talking about?!


Andreas2017-11-29 12:30:46
I've read that this movie got great reviews and an advernture score from Jackman sounds fun to me.


Olive2017-11-29 17:00:41
Maybe you think so, but it was a worldwide failure.


olive2017-11-29 17:01:48
The above response was addressed to @Simba


rockhound2017-11-29 17:38:39
The Fan was not a successful movie, but for me it is also a great movie. great acting, nice cinematography, good suspense and an amazing effective score by zimmer. i think this movie is the first tony scott movie, which showed the typical tony scott music style, that he prefered in his followed movies. some parts has already a bit from Enemy of the State. maybe these are harrys cues.


mpolonest123 2017-11-29 19:02:54
Ehhh The Fan is ok as a film. Itís a good idea that goes overboard in the third act. My problem with Tony Scott is that he wasnít a bad director, but sometimes went more for style over substance (Crimson Tide/Pelham are pretty good though)

As for the score, one of Zimmerís best!


Olive2017-11-29 19:42:14
Yeah, sometimes, by the style, I feel "The Fan" more like a HGW score than Zimmer.


Ds2017-11-30 07:50:11
Is it just me or do the above lists of "terrible movies" actually contain a lot of very nice and enjoyable movies? :-D


Olive2017-11-30 13:12:01
Hehe

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Jumanji - Welcome To The Jungle soundtrack - Henry Jackman 2017