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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he ďmapped outĒ the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality itís a technically impressive score, I really canít think of any other film score that is so synchronized with a filmís tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well ó the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Henry JackmanHalli CautheryPaul MounseyMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Jumanji - Welcome To The Jungle
Label: Sony Masterworks
Length: 60:23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1153 votes)
  1. The Jumanji Overture (3:20)
    Henry Jackman
  2. Digging Up The Past (1:43)
    Henry Jackman, Halli Cauthery
  3. Brantfort High (1:09)
    Henry Jackman
  4. Into The Jungle (1:23)
    Henry Jackman, Maverick Dugger
  5. Out Of Character (2:31)
    Henry Jackman, Halli Cauthery
  6. The Legend Of The Jewel (2:23)
    Henry Jackman
  7. The Adventure Begins (1:40)
    Henry Jackman, Halli Cauthery
  8. Special Abilities (1:16)
    Henry Jackman, Halli Cauthery
  9. The Bikers (3:44)
    Henry Jackman
  10. Van Pelt (1:00)
    Henry Jackman
  11. A Test Of Friendship (1:22)
    Henry Jackman
  12. The Bazaar (1:16)
    Henry Jackman
  13. Snake Charmer (3:41)
    Henry Jackman, Halli Cauthery, Paul Mounsey
  14. The Power Of Bravestone (1:04)
    Henry Jackman
  15. Seaplane McDonough (2:17)
    Henry Jackman, Halli Cauthery
  16. The Missing Piece (1:46)
    Henry Jackman, Halli Cauthery
  17. Lost In Time (1:18)
    Henry Jackman, Halli Cauthery
  18. Flirting With Danger (1:36)
    Henry Jackman, Halli Cauthery
  19. Albino Rhinos (3:44)
    Henry Jackman
  20. Retrieving The Emerald (1:54)
    Henry Jackman
  21. Out Of Lives (1:49)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  22. First Kiss (1:22)
    Henry Jackman, Paul Mounsey
  23. The Jaguars (3:03)
    Henry Jackman, Halli Cauthery
  24. Ring Of Fire (2:07)
    Henry Jackman, Halli Cauthery
  25. Begin The Climb (1:56)
    Henry Jackman, Halli Cauthery
  26. Call Out Its Name (2:23)
    Henry Jackman
  27. Leaving Jumanji (3:03)
    Henry Jackman, Halli Cauthery
  28. An Older Friend (2:40)
    Henry Jackman, Paul Mounsey, Halli Cauthery
  29. Back To School (1:53)
    Henry Jackman
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MrZimmerFan reply Replies: 0 || 2018-07-24 16:48:22
The Predator by Henry Jackman is going to have his release by Lakeshore Records in September, obviously digital release the same day as opening for the movie

Hybrid Soldier reply Replies: 1 || 2018-04-01 17:54:20
Composer credits !


Edmund Meinerts2018-04-02 10:25:05
Who the heck is Maverick Dugger, and why does he have such a stupidly awesome name?

A surprising amount of solo Jackman credits, at least for these days.

Jean-Luc reply Replies: 2 || 2018-03-29 22:44:30
Good news about Henry Jackman is currently scoring the upcoming by The Predator 2018. I'm really excited to hear about his score for the predator, but I think his score might be like from Kong Skull Island or Jumanji welcome to the jungle or something new things about the jungle. I hope Henry Jackman should use for 1987 predator theme for Alan Silvestri it would be amazing news.


ThePhantasm2018-03-30 07:22:39
I'm pretty sure he will use it, he's a huge fan of alan silvestri. And also Predator was the first soundtrack he heard so I'm certain he will. He talks about it all in an interview with hans, thomas newman, and steven price


Jean-Luc2018-03-30 18:38:07
Awesome, that's great news!

Michael Fields reply Replies: 0 || 2018-01-04 06:54:18
Here are the booklet credits:

Original Score Composed And Produced by
HENRY JACKMAN

Executive In Charge Of Music For Sony Pictures:
SPRING ASPERS

Additional music by
HALLI CAUTHERY
PAUL MOUNSEY

Score recorded and mixed by
ALAN MEYERSON

Music Editor
DAVID METZNER

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
SERGIO RUELAS JR.

Assistant To Henry Jackman
JOHN PAUL LEFEBRE

Music Contractor
PETER ROTTER

Score Conducted By
NICK GLENNIE - SMITH
STEPHEN COLEMAN

Digital Score Recordist
KEVIN GLOBERMAN

Score Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS INC.)

Score Mix Assistant
FOREST CHRISTENSON

Score Choir Conducted And Contracted By
JASPER RANDALL

Score Recorded At
BARBRA STREISAND SCORING STAGE, SONY PICTURES STUDIOS;
APOGEE STUDIOS;
THE VILLAGE STUDIOS

Overdub Musicians
GEORGE DOERING
PEDRO EUSTACHE
MIKE SHAPIRO
ALEX NECIOSUP - ACUNA
MATT CHAMBERLAIN
CHESTER LANG
ALEX BELCHER
MATTHEW K. JUSTMANN

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Stage Manager
JULIANNE McCORMACK

SONY PICTURES STUDIOS Stage Crew:
KEITH UKRISNA (Recordist)
ADAM MICHALAK (Recordist)
GREG DENNEN (Scoring Stagehand)
DAVID MARQUETTE (Scoring Stagehand)
GREG LOSKORN (Scoring Stage Manager)

Booklet Editing & Design
WLP LTD

SONY CLASSICAL Licensing
MARK CAVELL

SONY CLASSICAL Product Development
KLARA KORYTOWSKA

Score Published By
TWENTY FIFTEEN AVENUE MUSIC, INC. (ASCAP)
Admin. By
SONY/ATV MUSIC PUBLISHING LLC.

Henry Jackman would like to thank:
JAKE KASDAN
SPRING ASPERS
RAUL PEREZ
TOM ROTHMAN
SKY ROBINSON
CLARE YEZERSKI
ASHKAN KARIMLOO
ALAN MEYERSON
ED TRYBEK
LAURA ENGEL
STEVE KOFSKY
VICTORIA DE LA VEGA
RALPH
ELLIE
And
MUM.

JBSO99 reply Replies: 2 || 2017-12-14 14:32:32
Tracklist with track duration:
01. The Jumanji Overture (03:20)
02. Digging Up The Past (01:43)
03. Brantfort High (01:09)
04. Into The Jungle (01:23)
05. Out of Character (02:31)
06. The Legend of the Jewel (02:23)
07. The Adventure Begins (01:40)
08. Special Abilities (01:16)
09. The Bikers (03:44)
10. Van Pelt (01:00)
11. A Test Of Friendship (01:22)
12. The Bazaar (01:16)
13. Snake Charmer (03:41)
14. The Power of Bravestone (01:04)
15. Seaplane McDonough (02:17)
16. The Missing Piece (01:46)
17. Lost In Time (01:18)
18. Flirting With Danger (01:36)
19. Albino Rhinos (03:44)
20. Retrieving the Emerald (01:54)
21. Out of Lives (01:49)
22. First Kiss (01:22)
23. The Jaguars (03:03)
24. Ring of Fire (02:07)
25. Begin The Climb (01:56)
26. Call Out Its Name (02:23)
27. leaving Jumanji (03:03)
28. An Older Friend (02:40)
29. Back To School (01:53)

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JBSO992017-12-14 14:33:55
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.


Waymman2017-12-15 16:56:12
Great score! Lots of fun.

Iamtommie reply Replies: 1 || 2017-12-09 10:01:11
I read one or two reviews of the movie and they said that Jackman's score is actually really good. Especially the drums in the score.
I'm exitied!!


JBSO992017-12-10 12:18:41
I really hope so because the movie itself looks really dull, but at least it's a great score. But I would have prefered James Newton Howard to do it as was set before Jackman.

mouseny reply Replies: 1 || 2017-11-30 19:35:06
Is Paul Mounsey secretly composing everything these days?!


Olive2017-12-01 01:37:36
Secretly I do not know, as long as his name appears on the credits. But he's done a lot of stuff on many projects. It is a reflection on the pause that Powell has taken in recent years

Ijnamuj reply Replies: 13 || 2017-11-29 02:01:25
Why does Henry always score the worst movies? Man on a Ledge, Abraham Lincoln: Vampire Hunter, G.I. Joe: Retaliation, Pixels, Jack Reacher: Never Go Back, Kong: Skull Island, and now Jumanji: Welcome to the Jungle! His scores are all great and accompany each film well, it's just that he's not the best at choosing good movies to score.


Edmund Meinerts2017-11-29 10:13:27
I liked Kong! And the trailer for this made me laugh a couple times, which I usually don't at dumb shticky comedy like this...


Brent2017-11-29 10:51:39
I wouldnít say thatís fair. Each composer has had no shortage of terrible movies. Lol!

This should be a fun list:

Jablonsky: Last Witch Hunter, Battleship, Gangster Squad, give or take Transformers
Djawadi: Great Wall, Warcraft, Dracula, Red Dawn, Fright Night
HGW: Cowboys & Aliens, X-Men Origins, Number 23, Flushed Away, Phone Booth
Powell: Knight & Day, Rio, Mars Needs Moms, Robots, Paycheck, Gigli, Evolution
Junkie: Run All Night, Brimstone, Point Break, Kill Your Friends, Paranoia
Zanelli: Disturbia, Masterminds, Mortdecai, Scorpion King 4, Ghost Town

And, letís not forget Zimmer himself: Shark Tale, Itís Complicated, Inferno, Amazing Spider-Man 2, Madagascar (gosh, I HATE those movies), On Stranger Tides, The Dilemma, The Weather Man, Thunderbirds, Pearl Harbor


Olive2017-11-29 11:02:19
Shark Tale, The Fan, Muppets: The Island Treasure, Point of no return, Calendar Girl, Riding in Cars with Boys, Jow Do You No, etc, etc.


Olive2017-11-29 11:02:58
How Do You Know* lol


Simba2017-11-29 11:55:35
"The Fan" is a great movie! What are you talking about?!


Andreas2017-11-29 12:30:46
I've read that this movie got great reviews and an advernture score from Jackman sounds fun to me.


Olive2017-11-29 17:00:41
Maybe you think so, but it was a worldwide failure.


olive2017-11-29 17:01:48
The above response was addressed to @Simba


rockhound2017-11-29 17:38:39
The Fan was not a successful movie, but for me it is also a great movie. great acting, nice cinematography, good suspense and an amazing effective score by zimmer. i think this movie is the first tony scott movie, which showed the typical tony scott music style, that he prefered in his followed movies. some parts has already a bit from Enemy of the State. maybe these are harrys cues.


mpolonest123 2017-11-29 19:02:54
Ehhh The Fan is ok as a film. Itís a good idea that goes overboard in the third act. My problem with Tony Scott is that he wasnít a bad director, but sometimes went more for style over substance (Crimson Tide/Pelham are pretty good though)

As for the score, one of Zimmerís best!


Olive2017-11-29 19:42:14
Yeah, sometimes, by the style, I feel "The Fan" more like a HGW score than Zimmer.


Ds2017-11-30 07:50:11
Is it just me or do the above lists of "terrible movies" actually contain a lot of very nice and enjoyable movies? :-D


Olive2017-11-30 13:12:01
Hehe

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Jumanji - Welcome To The Jungle soundtrack - Henry Jackman 2017