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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Hans ZimmerJacob SheaDavid FlemingJasha Klebe
ComposerComposerComposerAdditional Music
Blue Planet II (TV Series Documentary)
Label: Silva Screen
Length: 71'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1330 votes)
  1. The Blue Planet (3:17)
  2. Family Theme (2:38)
  3. Surfing Dolphins (2:22)
  4. Abyssal Plain (3:08)
  5. Mobula Rays (2:44)
  6. Race To Feed (5:11)
  7. Albatross Flight (5:39)
  8. Big Blue (4:25)
  9. Turtle Spa (2:28)
  10. Ducks And Currents (2:21)
  11. Humboldt Squid (3:36)
  12. A Forest Awakens (3:26)
  13. Scavengers Of The Deep (2:27)
  14. Kobudai Transformation (5:40)
  15. Clownfish (3:53)
  16. Baby Turtle (3:44)
  17. Weedy Sea Dragon (3:49)
  18. Portuguese Man Of War (4:55)
  19. Walrus : The Right Piece Of Ice (5:45)
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Mephariel reply Replies: 0 || 2019-02-18 16:14:12
"BBC Studios has announced that Hans Zimmer, Jacob Shea and Jasha Klebe will compose the theme and score for the upcoming BBC Earth natural history series One Planet, Seven Worlds. The show is presented and executive produced by Sir David Attenborough and will reveal how each distinct continent has shaped the unique animal life found there. Each of the series’ seven episodes will transport viewers to a single continent and tell the story of its spectacular wildlife and iconic landscapes. Zimmer, Shea and Klebe have previously composed music for BBC’s Planet Earth II and Blue Planet II (for Bleeding Fingers Music). One Planet, Seven Worlds will premiere later this year on BBC One in the UK and on BBC America in the U.S."

From filmmusicreporter.com


Knight reply Replies: 0 || 2019-01-03 22:01:04
Jasha's credits from ASCAP are on track 1, 4, 11 and 13 along with the other 3 composers

Mephariel reply Replies: 12 || 2018-12-18 22:21:48
Hans Zimmer and Anže Rozman will score Great Bear Rainforest.

"The main title theme for the film will be composed by the legendary Academy Award-winning composer Hans Zimmer, with the score being composed by Anže Rozman for Bleeding Fingers Music, produced by Russell Emanuel."

From VitalThrills.com



Knight2018-12-18 22:30:42
Let's hope this one actually gets a score release cause 2018 was a lousy year for releases.


Sam2018-12-19 10:21:35
what a shame, this is so typical nowadays: "MAIN THEME BY THE UNBELIEVEAVABLE ALMIGHTY HAAAAAAAAAAANS ZIIIIIIIIIIIMMER (...ohandthescorebyxyz)"



Knight2018-12-19 12:05:02
Well Hans needs to do something during all this downtime :D


Anonymous2018-12-19 14:09:22
The main theme is usually the best part of those productions. It is good that they point it out who wrote it.


Mephariel2018-12-19 18:46:37
While I love to see Zimmer be involved in the whole thing, I am kind of excited to see new names in Bleeding Fingers Music having a chance to showcase themselves. I think this is for the best.


Martan2018-12-23 14:44:21
Cheap . Why does Zimmer lower himself to these projects ?


Knight2018-12-23 14:47:04
Lower himself? You wot m8 it's music


Martan2018-12-26 23:36:37
Yes lower himself .he shouldn’t be wasting his time writing music for project like this.Seems cheap


Knight2018-12-27 00:44:25
Project like this? Soo a nature documentary? Like Planet Earth and Blue Planet II?


Martan2018-12-27 12:15:11
Knight - I did not mean nature documentaries I mean just writing a theme and then farming it out to other people


Edmund Meinerts2018-12-27 15:30:29
aka something Hans Zimmer has been doing since about 1994?


Mephariel2018-12-27 16:46:00
Not sure how writing a theme is "lowering" himself.

Mephariel reply Replies: 1 || 2018-12-22 21:36:54
Just saw the first episode on Netflix. There are tons of music that are not on the album. I wonder if there will ever be a complete release.


Ds2018-12-22 23:27:54
I remember in the first episode, there's a moment with gigantic waves and a massive organ playing. Yep, a complete score would be very much welcome :-p

Knight reply Replies: 2 || 2018-12-02 21:52:17
Anyone know if Jasha's contributions made it on album?
He's uploaded his additionals to his website but I haven't cross-referenced any with the album. (aside from the main theme)


Mephariel2018-12-03 18:18:11
I always wonder about his contributions. Did he leave Bleeding Fingers or just the project?


Knight2018-12-03 18:36:46
According to Dave and Jacob, the composers for BPII were picked via a raffle, so Jasha was likely only kept on the project due to PEII.

Patrick reply Replies: 1 || 2018-06-07 15:24:36
Has the Radiohead-Song "Bloom" with Hans Zimmer been released somewhere in the meanwhile? I just can find the trailer version with background noise and voices


Mephariel2018-06-07 23:15:49
I gave up waiting for it. I think it is never going to be released.

Mephariel reply Replies: 3 || 2017-10-30 08:33:56
Just finished listening to the whole score. It is mostly fantastic. Epic, powerful, and dynamic.

The main theme not as addicting and powerful as Planet Earth II, but better written, a bit more sophisticated, and just feels right for the subject matter.

Besides that, some of the best cues are the ones with vocals like "Surfing Dolphins," "A Forest Awakens," and "Ducks And Currents."

If you are looking for the more of a Zimmeresque cue, check out "Walrus: The Right Piece of Ice," which reminds me of many Zimmer solemn ending pieces like "Home" from The Lone Ranger.

Just as I suspect, the best Zimmer score this year.


Kekec2017-10-30 15:29:57
How much of it is actually Zinmmer's work? Just the main or end title, or did he compose more tracks this time?


...2017-10-30 16:44:46
He did more this time!


Sektor2018-04-04 02:19:23
Any idea what the deep didgeridoo-like instrument is in A Forest Awakens?

FaresTdkr reply Replies: 4 || 2018-02-20 11:13:19
Just finished watching the serie today and I'm really sad since there is alot of great material not released in the soundtrack I wish one day the complete soundtrack released for this " the greatest documentary ever" for me.


badbu2018-02-20 11:15:57
it's always the same with hans ;-)


Oscarilbo2018-02-20 17:48:29
I bought a 2CD version. It's, to my experience, very complete.


rockhound2018-02-20 18:02:34
Planet Earth II has a 2CD release, but Blue Planet II?


Balfe2018-02-23 14:58:22
Some good music here but would be so much better if Zimmer hadn't had to homogenize it all again. He is a shameful corporation.

Mike (OTM) reply Replies: 0 || 2017-11-21 00:49:36
I don't suppose you have credits for this score, Hybrid?

Patrick reply Replies: 0 || 2017-11-12 16:19:05
Beautiful explanation of the development of Ocean Bloom Song: https://www.youtube.com/watch?v=cIsewG2g-1g

Marts reply Replies: 2 || 2017-11-01 06:27:26
Beautiful score, perfectly fitting. Reminds me a little of 'The Land Before Time' feeling. Really like the theme, subtle but lovely. I also like how there is less tracks and the tracks are longer than PEII with a bit more weight. Too many short cues in the PEII soundtrack to really get into as a whole.


Anonymous2017-11-10 20:05:52
the shorter presentation here was better, surprisingly


Max Potcats2017-11-10 21:59:26
Any news for an official release of the 'Ocean Bloom' song?

Mike (OTM) reply Replies: 7 || 2017-10-30 21:44:15
This score, I have to say, moves me more than Planet Earth II did. Planet Earth II really pushed the "let's have an epic theme," which was fine, but said epic theme was kind of...generic. This theme sounds like more thought was put into it, and it sounds like Zimmer had a bit more of an imprint on this score, too. It's nice to hear some unabashedly melodic stuff from him in an era where experimenting with soundscapes seems to have become his thing.*

*yes, I'm waiting for disagreement on that last sentence... ;)


NM2017-10-30 22:11:32
Surfing Dolphins = Celebrate The Oscars v3? lol

This is a really fun, big thoughtful score and the orchestrations are beautiful.


George 2017-10-30 22:58:52
I'm just curious to know just how involved he was this time. He was pretty busy this year so its hard for me to imagine that he had a lot of time to have serious involvement. Although I hope I'm wrong haha, it'd be a nice to get a melodic movie score from him again. This is great!


Mephariel2017-10-31 00:36:15
It is also worth noting that Jasha Klebe wrote additional music for this score.

I think Zimmer did more this time than last time. Last time, it specifically stated that he only did the main theme. But with that said, I have a feeling most of it was him guiding rather than actually writing much.


Mike (OTM)2017-10-31 00:38:25
George, well, he no doubt did "The Blue Planet." (Watch me be wrong...)

He also, at least, co-wrote a track with Radiohead. But notice that, unlike Planet Earth II, it says, "Score by Hans Zimmer, Jacob Shea, and David Fleming." Planet Earth II had "theme by Hans Zimmer" as a separate heading.


Mephariel2017-10-31 03:55:51
Zimmer definitely wrote "The Blue Planet." In BBC's behind the scenes video, only Zimmer's name was on the cuesheet.


PG2017-10-31 07:27:33
Agreed that this is a lovely score. However, some parts of it sound very Edward Scissorhands to me. The Family Theme in particular.


Marts2017-11-01 04:56:34
Yeah, love hearing some orchestral melodic stuff again - still pretty minimal but I like that. I think the PEII theme fit that perfectly, and this theme does too. Puts you right into the big blue.

Gilvane Cezar reply Replies: 0 || 2017-10-31 02:23:28
Beautiful score but... any idea when (ocean) Bloom will be released?

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David reply Replies: 0 || 2017-10-30 02:51:09
It's fantastic!

... reply Replies: 3 || 2017-10-29 09:22:45
It's strange that this isn't on iTunes and Spotify yet, it's supposed to come out today.


Phil2017-10-29 13:33:37
Yep, I‘m also waiting....


...2017-10-29 14:09:48
Apparently it's available on Spotify UK but nowhere else


Silent2017-10-30 01:38:35
It's available on iTunes France, now.

Mephariel reply Replies: 0 || 2017-10-28 20:38:52
90% sure this will be my favorite score with Zimmer's name attached to it this year.

... reply Replies: 0 || 2017-10-28 11:18:08
Really looking forward to this! I saw a shared Facebook video from the recording in London and it sounded really nice!

 HANS-ZIMMER.com© 2001-2018 OST 
Blue Planet II (TV Series Documentary) soundtrack - Hans Zimmer - Jacob Shea - David Fleming 2017