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"Desplats music is clearly superior to Hans."<br><br>That's a very dangerous thing to say around here... :PI'm sure the academy would love to know that Hans souldn't been nominated.    The Dunkirk Score is a masterpiece, but as I said if you have a problem with the score that's because you have a problem with the movie itself.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Well john powell left RCP as well and he still has a great career, i think Klaus just has a shitty agent, it makes me so angry cause he's so talented and I want to hear more from him but he doesn't get great movies. Or even big summer movies, I don't know about his career going downhill though.
LOL. You clearly have no idea how Hans always worked like this, collaborating with people. There are no ghostwriters when everybody is credited.Track times<br><br>1. Return to Croft Manor - Junkie XL (8.13)<br>2. Seeking Endurance - Junkie XL (1.09)<br>3. The Bag - Junkie XL (1.49)<br>4. Path of Paternal Secrets - Junkie XL (3.39)<br>5. The Devil's Sea - Junkie XL (4.11)<br>6. Let Yamatai Have Her - Junkie XL (13.23)<br>7. Figure in the Night - Junkie XL (4.15)<br>8. Remember This - Junkie XL (3.26)<br>9. Never Give Up - Junkie XL (5.36)<br>10. Karakuri Wall - Junkie XL (4.38)<br>11. What Lies Underneath Yamatai - Junkie XL (8.35)<br>12. There's No Time - Junkie XL (4.01)<br>13. Becoming the Tomb Raider - Junkie XL (7.15)<br>14. The Croft Legacy - Junkie XL (2)again alexander desplat beats hans zimmer and won bafta !! why ?! maybe it is time for hans to write his scores all by himself not his all by his ghostwriters , and come up with a whole new idea like his old scores for example lion king that even beat 2 great works of thomas newman in oscar !!! <br>good luckhybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.Then explain to me why his career went downhill after he left Remote in 2006 ?
Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Well, Klaus did compose a lot of the essential music from 1997 to 2005. As we know, Hans says - Hans does. Why do we trust this 'Hybrid Soldier', who calls them themselves that anyway? Tell us more mr rcp. How are you top of the line when you are French. Who is Hybrid - must be a reject from HZ line....<br><br>he is doing Christopher Robin (2018, its disney<br>that is a big movie is it notwhen i take a look on IMDB, klaus is still busy with filmmusic. just because he doesn't score hollywood blockbusters anymore and is not busy as lorne balfe, doesn't mean that he destroyed his career.
From the way you talk it even seems like the man turned into a criminal. lolDownload button doesn't, hasn't ever and won't ever work. It came along with the player design but they disabled the download functionality.Did a bunch of comments get deleted? I posted the other day about the "Ghost In The Shell - Suite" download button not working. Still isnt't :(@Hybrid,<br>Speaking of klaus, do you know how the other rcp members feel about him? Do they still keep in touch or is he persona non grata?<br>I know that geoff zanelli is completely pissed (check his website, for all the projects he names his colleagues like steve jablonsky or else, and then for the klaus projects he just puts « the composer »), and you told that hans avoids him as much as he can ( which I can see when the pirates topic is brought during interviews post 2006...no mention of klaus)<br>Hell even michael levine in his post about « why hans gets the job » name-dropped EVERYONE at rcp but klaus <br>So i was wondering how people act towards jim nowadays, especially ramin djawadi who is really popular now and started as his assistant!Meh. As long as Steve is still there trying to salvage the movies with his music I'll be fine.
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Hans ZimmerJacob SheaDavid FlemingJasha Klebe
ComposerComposerComposerAdditional Music
Blue Planet II (TV Series Documentary)
Label: Silva Screen
Length: 71'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (665 votes)
  1. The Blue Planet (3:17)
  2. Family Theme (2:38)
  3. Surfing Dolphins (2:22)
  4. Abyssal Plain (3:08)
  5. Mobula Rays (2:44)
  6. Race To Feed (5:11)
  7. Albatross Flight (5:39)
  8. Big Blue (4:25)
  9. Turtle Spa (2:28)
  10. Ducks And Currents (2:21)
  11. Humboldt Squid (3:36)
  12. A Forest Awakens (3:26)
  13. Scavengers Of The Deep (2:27)
  14. Kobudai Transformation (5:40)
  15. Clownfish (3:53)
  16. Baby Turtle (3:44)
  17. Weedy Sea Dragon (3:49)
  18. Portuguese Man Of War (4:55)
  19. Walrus : The Right Piece Of Ice (5:45)
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Mike (OTM) reply Replies: 0 || 2017-11-21 00:49:36
I don't suppose you have credits for this score, Hybrid?

Patrick reply Replies: 0 || 2017-11-12 16:19:05
Beautiful explanation of the development of Ocean Bloom Song: https://www.youtube.com/watch?v=cIsewG2g-1g

Marts reply Replies: 2 || 2017-11-01 06:27:26
Beautiful score, perfectly fitting. Reminds me a little of 'The Land Before Time' feeling. Really like the theme, subtle but lovely. I also like how there is less tracks and the tracks are longer than PEII with a bit more weight. Too many short cues in the PEII soundtrack to really get into as a whole.


Anonymous2017-11-10 20:05:52
the shorter presentation here was better, surprisingly


Max Potcats2017-11-10 21:59:26
Any news for an official release of the 'Ocean Bloom' song?

Mike (OTM) reply Replies: 7 || 2017-10-30 21:44:15
This score, I have to say, moves me more than Planet Earth II did. Planet Earth II really pushed the "let's have an epic theme," which was fine, but said epic theme was kind of...generic. This theme sounds like more thought was put into it, and it sounds like Zimmer had a bit more of an imprint on this score, too. It's nice to hear some unabashedly melodic stuff from him in an era where experimenting with soundscapes seems to have become his thing.*

*yes, I'm waiting for disagreement on that last sentence... ;)


NM2017-10-30 22:11:32
Surfing Dolphins = Celebrate The Oscars v3? lol

This is a really fun, big thoughtful score and the orchestrations are beautiful.


George 2017-10-30 22:58:52
I'm just curious to know just how involved he was this time. He was pretty busy this year so its hard for me to imagine that he had a lot of time to have serious involvement. Although I hope I'm wrong haha, it'd be a nice to get a melodic movie score from him again. This is great!


Mephariel2017-10-31 00:36:15
It is also worth noting that Jasha Klebe wrote additional music for this score.

I think Zimmer did more this time than last time. Last time, it specifically stated that he only did the main theme. But with that said, I have a feeling most of it was him guiding rather than actually writing much.


Mike (OTM)2017-10-31 00:38:25
George, well, he no doubt did "The Blue Planet." (Watch me be wrong...)

He also, at least, co-wrote a track with Radiohead. But notice that, unlike Planet Earth II, it says, "Score by Hans Zimmer, Jacob Shea, and David Fleming." Planet Earth II had "theme by Hans Zimmer" as a separate heading.


Mephariel2017-10-31 03:55:51
Zimmer definitely wrote "The Blue Planet." In BBC's behind the scenes video, only Zimmer's name was on the cuesheet.


PG2017-10-31 07:27:33
Agreed that this is a lovely score. However, some parts of it sound very Edward Scissorhands to me. The Family Theme in particular.


Marts2017-11-01 04:56:34
Yeah, love hearing some orchestral melodic stuff again - still pretty minimal but I like that. I think the PEII theme fit that perfectly, and this theme does too. Puts you right into the big blue.

Gilvane Cezar reply Replies: 0 || 2017-10-31 02:23:28
Beautiful score but... any idea when (ocean) Bloom will be released?

Mephariel reply Replies: 2 || 2017-10-30 08:33:56
Just finished listening to the whole score. It is mostly fantastic. Epic, powerful, and dynamic.

The main theme not as addicting and powerful as Planet Earth II, but better written, a bit more sophisticated, and just feels right for the subject matter.

Besides that, some of the best cues are the ones with vocals like "Surfing Dolphins," "A Forest Awakens," and "Ducks And Currents."

If you are looking for the more of a Zimmeresque cue, check out "Walrus: The Right Piece of Ice," which reminds me of many Zimmer solemn ending pieces like "Home" from The Lone Ranger.

Just as I suspect, the best Zimmer score this year.


Kekec2017-10-30 15:29:57
How much of it is actually Zinmmer's work? Just the main or end title, or did he compose more tracks this time?


...2017-10-30 16:44:46
He did more this time!

David reply Replies: 0 || 2017-10-30 02:51:09
It's fantastic!

... reply Replies: 3 || 2017-10-29 09:22:45
It's strange that this isn't on iTunes and Spotify yet, it's supposed to come out today.


Phil2017-10-29 13:33:37
Yep, I‘m also waiting....


...2017-10-29 14:09:48
Apparently it's available on Spotify UK but nowhere else


Silent2017-10-30 01:38:35
It's available on iTunes France, now.

Mephariel reply Replies: 0 || 2017-10-28 20:38:52
90% sure this will be my favorite score with Zimmer's name attached to it this year.

... reply Replies: 0 || 2017-10-28 11:18:08
Really looking forward to this! I saw a shared Facebook video from the recording in London and it sounded really nice!

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Blue Planet II (TV Series Documentary) soundtrack - Hans Zimmer - Jacob Shea - David Fleming 2017