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If Steffen & Max did anything, it's arrange Lorne's cues...Personally, I donīt think that Aruj and Thum got a chance (or time) to write anything for this film, but I may be wrong... who knowsIn which tracks does William's sad theme appear?Alright, these are my speculations on the credits for this version, mixed with what we already know about it from Soundclouds/websites/etc.<br><br>What we know:<br>Luke Richards - Today We Hunt, Running Out Of Tomorrows, Ospreys<br>Lorne Balfe - Battlefield<br><br>Gary Dworetsky - Final 50 seconds of Calling All Autobots<br><br>My personal speculation:<br>David Fleming - Drone Chase, Dive<br><br>Gary Dworetsky - History of Transformers<br><br>Max Aruj & Steffen Thum - Vivian Follows Merlin, Claim The Staff<br><br>I have no sources to back this up, these are just my guesses based on what I feel these composers' styles are.I watched the movie yesterday. Unfortunately,the songs are in Portuguese here, in Brazil (even "Spirit"! ). But Hans' work is still amazing, intense, he's stolen the show again!
Saw the movie but never listened to the score, is it worth listening to?This complete album sound like Lit!! I like to hear about this album in one day soon.I just hope they bring back William's sad theme and other variations of Dolores's theme which were unreleased in season 2It is, actually, completely in correct order. There's just 5 theme suites  here & there.Okay, I want this. Where, how much? lol<br><br>And I'm willing to bet that even those Jablonsky fans who didn't like the score wanna hear the complete album.
@Ahmad i think end credits :PDo you know the chronological order for this one Hybrid? I had quick glance at the complete here and the OST album seems massively out of order16 hours of music?<br>Can we hear those 16 hours of music one day?I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.Additional arrangements instead of additional music? Even part of the score not on album?
Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...
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Harry Gregson-WilliamsTom HowePaul MounseyJack Dolman
ComposerComposerAdditional MusicMusic Editor
Early Man
Label: Universal Music
Length: 67'11 (Score: 54'38)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1229 votes)
  1. Good Day - New Hope Club (1:46)
  2. Hope - The Vamps (3:15)
  3. Tiger Feet - New Hope Club (3:41)
  4. I Predict A Riot - Kaiser Chiefs (3:51)
  5. Dug's Theme (2:40)
  6. Prehistoric Prologue (3:42)
  7. In The Valley (1:27)
  8. Meet Dug (0:41)
  9. Meet The Tribe (2:12)
  10. Rabbit Ambush (1:02)
  11. Bronze Attack (2:17)
  12. City Of Bronze (1:04)
  13. Dug In Bronze Land (0:51)
  14. Stadium Chase (0:39)
  15. The Ancestral Call (1:04)
  16. The Message Bird (1:58)
  17. Giant Badlands Duck (3:10)
  18. Stealing Footballs (1:04)
  19. She Shoots, She Scores (0:45)
  20. Challenge The Champions (1:45)
  21. Harp Escape (1:59)
  22. They're Not A Team (0:47)
  23. Message From The Queen (1:05)
  24. Foul Play (1:18)
  25. Revelations In The Mine (5:04)
  26. Royal Game Day (1:40)
  27. Forfeiture And Humiliation (2:11)
  28. Do It For The Valley (2:08)
  29. The Final Game (4:40)
  30. Chief Is Down (0:54)
  31. Hognob In Goal (3:33)
  32. Mousing Around (1:06)
  33. Trophy Presentation (1:33)
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Anonymous reply Replies: 2 || 2018-10-20 18:47:06
Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !


Anonymous2018-10-20 22:08:31
Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.


Rafael2018-10-21 01:56:53
Year, but seriously, these genres are where Harry Gregson-Williams always succeeded (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.

Michael Fields reply Replies: 0 || 2018-08-09 07:05:21
MOVIE CREDITS:

Music By
HARRY GREGSON - WILLIAMS
TOM HOWE

Score Produced By
HARRY GREGSON - WILLIAMS

Score Conducted By
HARRY GREGSON - WILLIAMS
GAVIN GREENAWAY

Music Editors
JACK DOLMAN
TONY LEWIS

Temp Music Editor
GRAHAM SUTTON

Score Recorded And Mixed By
SIMON RHODES

Score Recorded And Mixed At
ABBEY ROAD STUDIOS, LONDON

Score Recordist
TOBY HULBERT

Assistant Score Engineers
STEFANO CIVETTA
CONNOR HUGHES

Score Technical Support
JUAN CORTES
STEPHANIE ECONOMOU
JOSE PARODY

Orchestrations By
DAVID BUTTERWORTH
DAVID KRYSTAL

Music Preparation
JILL STREATER
For
GLOBAL MUSIC SERVICES

Music Contractor
AMY STEWART
For
ISOBEL GRIFFITHS LTD.

Concert Master
PERRY MONTAGUE - MASON

Choir
APOLLO VOICES

Choir Master
CHRIS FOSTER

Music Production Supervisor
MONICA ZIERHUT

FEATURED MUSICIANS:

Solo Woodwinds
CHARLES ADELPHIA

Guitar
VIVIAN VILICHKOFF

Cello
CAROLINE DALE
TIM GILL

Bass
ALLEN WHALEY

Ethnic Flute
ANDY FINDON

Choir Lyrics Arranged By
ZLATINA SANDALSKA

Andreas reply Replies: 0 || 2018-05-25 10:54:46
Also new Harry Gregson-Williams score out today! Breath.

MrZimmerFan reply Replies: 1 || 2018-04-09 22:32:39
The Meg will be released by Watertower Music.



Jean-Luc 2018-04-09 23:14:32
That's a great news!

Morgan Joylighter reply Replies: 8 || 2018-01-29 17:13:46
Comparing this to classics like Chicken Run makes me sad. Will we ever get scores like that again?


Olive2018-01-30 01:39:48
Chicken Run is more Power than Williams, you know...


Olive2018-01-30 01:40:08
Powell*


Morgan Joylighter2018-01-30 14:31:16
I know, the comparison is more that they are both claymation films by the same director. It's sad that they wanted interesting fresh music 20 years ago and now they just ask for generic crap with no creativity or passion.


Edmund Meinerts2018-01-31 10:04:28
I've only heard a few bits of this score but it sounded nice enough, no masterpiece but no generic crap either.


Andreas2018-01-31 11:58:02
I thought it was great. The main theme is great and played throughout the score. Looking forward seeing the movie. No generic crap indeed.


Morgan Joylighter2018-01-31 16:32:36
You can reject the specific phrase "generic crap," it was just a quick way to describe how I felt after listening to the score. If some of you actually enjoy it than I don't want to insist its worse than you think it is. I just didn't have the same experience.

But I would be very surprised if any long-time MV/RC fan could listen to Chicken Run and Early Man back-to-back and not feel a sense of sadness for what we've lost in the last 20 years. There are emotions that are almost totally missing from modern scores. Emotions that are the whole reason I and others fell in love with the Zimmer style of film music in the first place.


Edmund Meinerts2018-01-31 20:11:33
You could also listen to Early Man and The Replacement Killers back to back and reflect on how far Harry Gregson-Williams has come. I don't know. A whole lot of scores would suffer by being compared with Chicken Run, regardless of when they were composed.


Morgan Joylighter2018-02-05 17:30:34
Now that I cannot argue with :)

Mephariel reply Replies: 0 || 2018-01-28 10:06:54
Not a bad score. Pretty fun and engaging most of the time.

Andreas reply Replies: 0 || 2018-01-24 08:51:50
Wondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.

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Early Man soundtrack - Harry Gregson-Williams - Tom Howe 2018