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Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.Ludwig Göransson
Nolan's movie IT IS CONFIRMED ;)As much as I liked Julyan's work - especially his score for Insomnia, don't think it would work. I mention Lorne because he has worked with Nolan as part of Zimmer's team and his sound is very familiar to Zimmer's. <br><br>Of course, everything is kept under wraps. I personally think Zimmer doesn't want to confirm his involvement so that he doesn't get asked about it. I mean the film starts filming in three months and we only have a date. Hans usually starts very early on Nolan's films that's what surprises me the most, if he really is in the dark with this one.I really can't see Nolan going back to Julyan. The guy's a TV composer at heart. He's not suited for these big epics Nolan keeps making. The last "major" movie he scored was The Cabin the Woods in 2012.Trust me, I hope so !Stay calm folks, the name of the film has not yet been disclosed. When it announced, you see there ''Music by HANS ZIMMER''
To be honest, Dunkirk kind of sounded like Nolan asking Hans to take inspiration from David Julyan anyway. In some ways.If Hans wouldn't score a Nolan project, just expect David Julyan, they are close friends you know...I certainly expect that Hans will score the Nolan movie, but we'll see. It's certainly possible that, like other directors Hans has worked with off and on, Nolan won't choose Zimmer for every project moving forward, but will still collaborate with him again on the right project. We'll see, I guess.To me, Nolan and Zimmer have become inseparable so I'd be really surprised if he doesn't score the film. But if not Zimmer than who? Balfe? :D - Hope I didn't open the floodgates of hell... <br><br>Anyway, super excited and happy that Zimmer is scoring Dune. It was an obvious choice just glad it was confirmed - Would've also liked a collab with Wallfisch since BR2049 is one of my favorite scores.I hope Nolan and Hans haven't had a falling out.... I may not like every single choice they've made, but I always enjoy their collaborations and look forward to them.
Apparently Zimmer didn't have a good time on Dunkirk (according to Nolan himself) but I never got the feeling that they weren't happy in the end about the score.WHAAAAAATTTTTT? Nolan's movie is not confirmed??? But Nolan-Zimmer is the rule, no? But why wouldn't Hans score Nolan's movie? Did something happen between them?Wait wait wait Nolan's movie for Hans is not confirmed... Far from it...This is also releasing in 2020. How many movies are up for release now from 2019-2020, Lion King, Dark Phoenix, Wonder Woman 2, Top Gun - Maverick, SpongeBob, Nolan's movie, this, and that BBC show. We are gonna get so much stuff. I am very excited.YES!!!!!<br><br>So happy that Villeneuve is directing and Zimmer is attached to score. While I know it’s unlikely I hope this score is more than just sound design, there is so much opportunity here to write some kickass music.
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Harry Gregson-WilliamsTom HowePaul MounseyJack Dolman
ComposerComposerAdditional MusicMusic Editor
Early Man
Label: Universal Music
Length: 67'11 (Score: 54'38)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1111 votes)
  1. Good Day - New Hope Club (1:46)
  2. Hope - The Vamps (3:15)
  3. Tiger Feet - New Hope Club (3:41)
  4. I Predict A Riot - Kaiser Chiefs (3:51)
  5. Dug's Theme (2:40)
  6. Prehistoric Prologue (3:42)
  7. In The Valley (1:27)
  8. Meet Dug (0:41)
  9. Meet The Tribe (2:12)
  10. Rabbit Ambush (1:02)
  11. Bronze Attack (2:17)
  12. City Of Bronze (1:04)
  13. Dug In Bronze Land (0:51)
  14. Stadium Chase (0:39)
  15. The Ancestral Call (1:04)
  16. The Message Bird (1:58)
  17. Giant Badlands Duck (3:10)
  18. Stealing Footballs (1:04)
  19. She Shoots, She Scores (0:45)
  20. Challenge The Champions (1:45)
  21. Harp Escape (1:59)
  22. They're Not A Team (0:47)
  23. Message From The Queen (1:05)
  24. Foul Play (1:18)
  25. Revelations In The Mine (5:04)
  26. Royal Game Day (1:40)
  27. Forfeiture And Humiliation (2:11)
  28. Do It For The Valley (2:08)
  29. The Final Game (4:40)
  30. Chief Is Down (0:54)
  31. Hognob In Goal (3:33)
  32. Mousing Around (1:06)
  33. Trophy Presentation (1:33)
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Anonymous reply Replies: 2 || 2018-10-20 18:47:06
Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !


Anonymous2018-10-20 22:08:31
Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.


Rafael2018-10-21 01:56:53
Year, but seriously, these genres are where Harry Gregson-Williams always succeeded (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.

Michael Fields reply Replies: 0 || 2018-08-09 07:05:21
MOVIE CREDITS:

Music By
HARRY GREGSON - WILLIAMS
TOM HOWE

Score Produced By
HARRY GREGSON - WILLIAMS

Score Conducted By
HARRY GREGSON - WILLIAMS
GAVIN GREENAWAY

Music Editors
JACK DOLMAN
TONY LEWIS

Temp Music Editor
GRAHAM SUTTON

Score Recorded And Mixed By
SIMON RHODES

Score Recorded And Mixed At
ABBEY ROAD STUDIOS, LONDON

Score Recordist
TOBY HULBERT

Assistant Score Engineers
STEFANO CIVETTA
CONNOR HUGHES

Score Technical Support
JUAN CORTES
STEPHANIE ECONOMOU
JOSE PARODY

Orchestrations By
DAVID BUTTERWORTH
DAVID KRYSTAL

Music Preparation
JILL STREATER
For
GLOBAL MUSIC SERVICES

Music Contractor
AMY STEWART
For
ISOBEL GRIFFITHS LTD.

Concert Master
PERRY MONTAGUE - MASON

Choir
APOLLO VOICES

Choir Master
CHRIS FOSTER

Music Production Supervisor
MONICA ZIERHUT

FEATURED MUSICIANS:

Solo Woodwinds
CHARLES ADELPHIA

Guitar
VIVIAN VILICHKOFF

Cello
CAROLINE DALE
TIM GILL

Bass
ALLEN WHALEY

Ethnic Flute
ANDY FINDON

Choir Lyrics Arranged By
ZLATINA SANDALSKA

Andreas reply Replies: 0 || 2018-05-25 10:54:46
Also new Harry Gregson-Williams score out today! Breath.

MrZimmerFan reply Replies: 1 || 2018-04-09 22:32:39
The Meg will be released by Watertower Music.



Jean-Luc 2018-04-09 23:14:32
That's a great news!

Morgan Joylighter reply Replies: 8 || 2018-01-29 17:13:46
Comparing this to classics like Chicken Run makes me sad. Will we ever get scores like that again?


Olive2018-01-30 01:39:48
Chicken Run is more Power than Williams, you know...


Olive2018-01-30 01:40:08
Powell*


Morgan Joylighter2018-01-30 14:31:16
I know, the comparison is more that they are both claymation films by the same director. It's sad that they wanted interesting fresh music 20 years ago and now they just ask for generic crap with no creativity or passion.


Edmund Meinerts2018-01-31 10:04:28
I've only heard a few bits of this score but it sounded nice enough, no masterpiece but no generic crap either.


Andreas2018-01-31 11:58:02
I thought it was great. The main theme is great and played throughout the score. Looking forward seeing the movie. No generic crap indeed.


Morgan Joylighter2018-01-31 16:32:36
You can reject the specific phrase "generic crap," it was just a quick way to describe how I felt after listening to the score. If some of you actually enjoy it than I don't want to insist its worse than you think it is. I just didn't have the same experience.

But I would be very surprised if any long-time MV/RC fan could listen to Chicken Run and Early Man back-to-back and not feel a sense of sadness for what we've lost in the last 20 years. There are emotions that are almost totally missing from modern scores. Emotions that are the whole reason I and others fell in love with the Zimmer style of film music in the first place.


Edmund Meinerts2018-01-31 20:11:33
You could also listen to Early Man and The Replacement Killers back to back and reflect on how far Harry Gregson-Williams has come. I don't know. A whole lot of scores would suffer by being compared with Chicken Run, regardless of when they were composed.


Morgan Joylighter2018-02-05 17:30:34
Now that I cannot argue with :)

Mephariel reply Replies: 0 || 2018-01-28 10:06:54
Not a bad score. Pretty fun and engaging most of the time.

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Andreas reply Replies: 0 || 2018-01-24 08:51:50
Wondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.

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Early Man soundtrack - Harry Gregson-Williams - Tom Howe 2018