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Great new podcast with Steve. Check it out, it's worth it - https://www.score-movie.com/single-post/2018/04/24/Episode-6 -Steve-Jablonsky-Behind-the-Score-Trent-Reznor-Atticus-Ross- Name-That-ScoreI'm guessing that the end credits will be where we hear what Williams wrote for the film, a concert arrangement of the new theme he contributed. So it'll start with the classic fanfare and then lead into that, and then if there's any time left to fill they'll put in some of Powell's material.For the most part I agree with you, especially in regards to continuity. Him writing a third theme for Cap makes no sense whatsoever, considering that the credits of TWS had a more traditional take on his CA theme which is basically what he ended up writing for Civil War. Same with the lack of The Falcon theme, which was even used in Ant-Man. I have a feeling this has something to do with what the Russo Bros wanted however.<br><br>As for the overall score though, I actually think it works great in context. Considering the film is a thriller, the more nuanced approach Henry took here feels very appropriate. And even though itís a short motif, I genuinely like the theme for Black Panther.Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.
This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !Yep, I noticed. And in mp3<br>I guess YT is still the better wayThere's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack into
I hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.
Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
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Rupert Gregson-Williams
Composer
The Alienist (TV Series)
Label: Lakeshore Records
Length: 64'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (557 votes)
  1. Street Of New York (4:15)
  2. Roundsman (0:52)
  3. Dr. Laszlo Kreizler (2:53)
  4. On The Case (1:13)
  5. Brooklyn Bridge (3:55)
  6. Sarah (2:40)
  7. Closing In (3:54)
  8. Another Boy (3:07)
  9. Eyes And Tongue (4:37)
  10. Mary (3:51)
  11. Politics Of Policing (1:34)
  12. Independent Investigation (2:39)
  13. Madness Of The City (2:39)
  14. Irish (3:17)
  15. Matter Of Time (3:11)
  16. Trance (1:15)
  17. Man Of The Flesh (2:13)
  18. Alienated Mind (2:51)
  19. Jesse Pomeroy (3:22)
  20. Look Inside (
  21. The Facts (1:55)
  22. Cyrus (1:20)
  23. Dispatch (2:16)
  24. The Alienist (Main Title) (0:35)
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FaresTdkr reply Replies: 4 || 2018-01-25 22:12:48
OMG, I love it. I love when rupert did the soundtrack by himself, i mean without "direct" help from other composers Like "Balfe" since I think he's very creative(Rupert I mean) when he work alone Like Zimmer When he work alone give us a masterpiece(interstellar; Lone Ranger; Dark knight Rises...). Maybe, he feel more comfortable when he work alone...

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Ds2018-01-26 11:56:37
Since when did he do The Lone Ranger all by himself? :-D it seems like it was more like a gigantic team effort.


FaresTdkr2018-01-26 14:02:49
Did you notice "direct" in my post"


Edmund Meinerts2018-01-26 14:42:03
I'd say Geoff Zanelli doing the best cue of the score on his own is about as "direct" as it gets!


Ian2018-01-26 22:30:21
^ Agreed! Plus, Lone Ranger as a whole seemed heavily temp-tracked - or, at the very least, elements of Sherlock Holmes, Angels & Demons, and Inception/The Thin Red Line were very obviously lifted.

If you want an example of Zimmer doing great work (largely) on his own, look no further than The Da Vinci Code, IMO.

Andreas reply Replies: 0 || 2018-01-25 23:01:34
Where is it on iTunes ? Seems like it been removed...

Fares reply Replies: 3 || 2018-01-20 16:48:41
When this will be released?


Hybrid Soldier2018-01-20 16:49:02
Can't you click ?


Fares2018-01-20 16:52:53
Sorry! By the way will Hans release believe documentary soundtrack?


Hybrid Soldier2018-01-20 17:02:16
No idea, the documentary hasn't been released yet (only on a festival).

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The Alienist (TV Series) soundtrack - Rupert Gregson-Williams 2018