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Ha! As I always suspected, EDI's Sacrifice was co-written by an MV/RC guy. It was just too obvious...<br><br>It's weird to see BT's electronic/transe sound mixed up with a classic MV/RC sound, but I kinda like it. I admit, when I first heard the score I wasn't terribly impressed (aside from Thailand and EDI's Sacrifice), but now I'm warming up to it. The Rabin/Zimmer influence is quite obvious, so that's a good reason to give it a listen. <br><br>Come to think of it, BT needs to do a score with Junkie XL. Now THAT would be a great combo. They should team up for the next Mad Max movie. It will be a madhouse of a score. lol.Hybrid doesn't like the FYC because of how much it butchers Steve's original themes and doesn't include additional composer credits. I believe that was the reason.The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?
Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
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Ramin DjawadiBrandon CampbellStephen ColemanJohn Witt Chapman
ComposerAdditional MusicOrchestratorMusic Editor
A Wrinkle In Time
Label: Walt Disney Records
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (658 votes)
  1. Flower Of The Universe (No I.D. Remix) - Sade
  2. I Believe - DJ Khaled Featuring Demi Lovato
  3. Magic - Sia
  4. Let Me Live - Kehlani
  5. Warrior - Chloe x Halle
  6. Park Bench People - Freestyle Fellowship
  7. Flower Of The Universe - Sade
  8. A Wrinkle In Time
  9. Mrs. Whatsit, Mrs. Who And Mrs. Which
  10. Darkness Across The Universe
  11. Touch The Stars
  12. Happy Medium
  13. Camazotz
  14. Home
  15. Uriel
  16. Is This A Dream?
  17. Forgive Me
  18. Be A Warrior
  19. Tap Into Your Mind
  20. Tesseract
  21. Sorry I'm Late
  22. The Universe Is Within All Of Us
Create Topic

Michael Fields reply Replies: 1 || 2018-04-17 08:51:44
BOOKLET CREDITS (From The Movie):

Music Composed, Conducted And Produced By
RAMIN DJAWADI

Music Consultant
TRACY McKNIGHT

Additional Music By
BRANDON CAMPBELL

Orchestrations By
STEPHEN COLEMAN
ANDREW KINNEY

Recorded And Mixed By
CHRIS FOGEL

Music Preparation
BOOKER WHITE (WALT DISNEY MUSIC)

Orchestra Contractor
PETER ROTTER

Choir Contractor
JASPER RANDALL

Digital Score Recordist
LARRY MAH

Technical Music Advisors
WILLIAM MARRIOTT
OMER BENYAMIN

Music Production Services
TORI FILLAT

Score Mix Assistant
JOHN WITT CHAPMAN

Score Recorded At
EASTWOOD SCORING STAGE,
WARNER BROS. STUDIOS

Score Mixed At
ELBO STUDIOS

Eastwood Stage Recordist
TOM HARDISTY

Eastwood Stage Technical Engineer
RYAN ROBINSON

Eastwood Stage Crew
RICHARD WHEELER JR.
GREG DENNEN

Eastwood Stage Manager
JAIME OLVERA

Orchestra Leader
BELINDA BROUGHTON

Music Editors
JULIE PEARCE
CARLTON KALLER
JOE E. RAND
DEL SPIVA

Assistant Music Editor
NEVIN SEUS

P. S. It will be really cool, if Hybrid Soldier add all booklet credits and suites to new movie soundtracks.

  Your name :   

Please enter number: 1618 


Hybrid Soldier2018-04-17 19:13:37
I will but we have tech issues, moved servers so I can't add audio at the moment and a few other things... :/

Olive reply Replies: 0 || 2018-03-10 18:57:46
Sweet score. With many highlights. However, little original. It's an interesting work for Ramin, but it's far from being a significant effort in the genre of the fantasy scores.

George reply Replies: 2 || 2018-03-09 22:39:51
To be honest this is better than both hurricane heist and Tomb Raider... and possibly Pacific Rim Uprising that comes out next week. We just got 4 major RCP scores and I’m kinda underwhelmed with what I’ve heard from all four of them, unfortunately.


MrZimmerFan2018-03-09 22:42:42
Pacific Rim comes in two weeks, i think is little too soon for a full opinion. As for this i like it, but not too memorable.


George2018-03-09 23:59:31
You’re right, I shouldn’t make a judgment call just yet! Hoping Pacific Rim turns out well, though!

JBSO99 reply Replies: 5 || 2018-03-08 19:04:06
I'm now in my first listen of the score and I gotta say that it has less action tan I expected but that's not a bad thing because instead we have great, beautiful fantasy themes. I specially love tracks like A Wrinkle In Time or Uriel.

Too bad there is only 45 minutes of score...


JBSO992018-03-08 19:15:18
For anyone wondering, this is the full tracklist with track duration. Also, I have credits for each track that I don't know if they are correct, so if anyone could clarify this I would be grateful:

01 Flower Of The Universe (No I.D. Remix) - Sade
02 I Believe - DJ Khaled Featuring Demi Lovato
03 Magic - Sia
04 Let Me Live - Kehlani
05 Warrior - Chloe x Halle
06 Park Bench People - Freestyle Fellowship
07 Flower Of The Universe - Sade

08 A Wrinkle In Time (02:09)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

09 Mrs. Whatsit, Mrs. Who And Mrs. Which (03:35)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah, Tom Hardisty, Stephanie Alexander & Suzanne Waters

10 Darkness Across The Universe (02:32)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

11 Touch The Stars (01:44)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

12 Happy Medium (02:05)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

13 Camazotz (03:50)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

14 Home (01:17)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

15 Uriel (02:18)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

16 Is This A Dream? (02:14)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

17 Forgive Me (03:10)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah, Tom Hardisty & Suzanne Waters

18 Be A Warrior (05:00)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah, Tom Hardisty & Suzanne Waters

19 Tap Into Your Mind (03:01)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah, Tom Hardisty & Suzanne Waters

20 Tesseract (03:22)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty

21 Sorry I'm Late (06:09)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah, Tom Hardisty, Stephanie Alexander & Suzanne Waters

22 The Universe Is Within All Of Us (02:09)
Ramin Djawadi, Stephen Coleman, Andrew Kinney, Tori Fillat, Larry Mah & Tom Hardisty


Olive2018-03-08 23:41:29
Well, that is a "girls movie" in the end of day.


Edmund Meinerts2018-03-08 23:49:42
What? Girl's movie? No it's not! It's based on a really well-known novel - I hesitate to say "classic" because I'm not sure it's quite there, but it's damn close.


Olive2018-03-09 00:43:26
Yeah, I know I know.

I refer to the lack of action music claimed by the author of the above post.
This is not a Jean Claude Van Dame movie, it's a movie about teenagers with travels among the space.


JBSO992018-03-09 11:11:52
Olive, I don't know if there is action or not in the movie. I was just saying that there are like two or three action oriented tracks, but maybe in the movie there is more action.

rockhound reply Replies: 0 || 2018-03-08 18:49:05
a lovely score with a very nice fantasy theme. Sorry I'm Late is a very beautiful emotional track, without getting too sappy. well done ramin.

Iamtommie reply Replies: 0 || 2018-02-24 12:04:54
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait

Iamtommie reply Replies: 0 || 2018-02-24 12:04:54
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait

Waymann reply Replies: 18 || 2018-02-21 21:51:27
Tracklist:


1. Flower of the Universe (No I.D. Remix) – Sade
2. I Believe – DJ Khaled Featuring Demi Lovato
3. Magic -Sia
4. Let Me Live – Kehlani
5. Warrior – Chloe x Halle
6. Park Bench People – Freestyle Fellowship
7. Flower of the Universe – Sade
8. A Wrinkle in Time
9. Mrs. Whatsit, Mrs. Who and Mrs. Which
10. Darkness Across the Universe
11. Touch the Stars
12. Happy Medium
13. Camazotz
14. Home
15. Uriel
16. Is This a Dream?
17. Forgive Me
18. Be a Warrior
19. Tap Into Your Mind
20. Tesseract
21. Sorry I’m Late
22. The Universe Is Within All of Us

Good to see Sia is contributing a song, :s


Edmund Meinerts2018-02-22 11:09:37
At some point in the next 5 years I think the number of movies with Sia songs will overtake the number of movies without them.


badbu2018-02-22 13:15:50
hahahah :D


Anonymous2018-02-22 14:46:53
Instead of concerning ourselves with Sia, we have to be worried about Djawadi. The man has a knick for a simple tv tune. But anything outside of that sounds like a youtube fanvideo. The incidental score for Game of Thrones, especially the wall scenes, is terrible and amateurish.

All I can think is that the producers must have been pressed with time and had to go with the casio synth nonsense Djawadi presented them with. It is the worst example of scoring for a major franchise.

Again, Dwajadi does well with his choral bits but he is not a composer, more a theme tune man. Who Wants to be a Millionare would serve him better than a complex franchise.

Simultaneously, the Paint it Black material from Westworld is outstanding. But was this done by Djawadi or a much more talented orchestrator - can we look into this as it sounds nothing like his work


Macejko2018-02-22 16:16:18
Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?


JBSO992018-02-22 20:09:32
Too many songs! But at least there is 15 tracks of score.

BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.


Kingfannypack is the Milfcommander2018-02-23 08:08:48
Ummm the entirety of the Game of Thrones soundtracks show that Djawadi has many strengths both as a composer and a "theme man" or whatever. Game of Thrones has a soundtrack that is comparable to that of Lord of the Rings - not as memorable, but both LoTR and GoT have phenomenal soundtracks with memorable themes that describe the worlds depicted in each respective franchise. Each soundtrack has themes depicting different cultures, groups of people, characters or complex ideas. While GoT soundtrack isn't as beloved as the LoTR score, they share those qualities. So no, Djawadi is no weak composer.


Edmund Meinerts2018-02-23 11:48:37
The Game of Thrones scores do have their strengths but they're a long, long, long way from Lord of the Rings...


Balfe2018-02-23 12:15:49
To even compare Djawadi and Shore in complexity is offensive. I presume you haven't actually bothered reading Doug Adams' book on the thematic nuances of The Lord of the Rings? Djawadi employs tiny little nuggets of melody as themes that he recycles verbatim every time. There is no variation.

The Lord of the Rings is based on an extensive amount of thematic development which, absolutely, is missing in Game of Thrones.

Certainly, Shore's work is not as nuanced in development as, let's say, Williams with Star Wars, but to compare his extensively detailed emphatically organic and orchestrally and instrumentally complex work to Djawadi using a cello and a bank of samples is offensive.

Again, some of the choral music is fine but very basic in both harmony and application, and again, let down by the cheapness of the samples underlying them.


Macejko2018-02-23 13:11:20
I love LotR music, but the superior "development" and "complexity" that the buffoon above me is referring to basically translates to "now the theme is being played by six violins instead of seven, because one of the characters just died", which is just super-duper noticeable, if you catch my drift.

In the meantime, Djawadi manages a complete tonal shift from adventurous to dark and ominous (Needle - House of Black and White), from royal and grandious to bloody and brutal (King's Arrival - The Throne Is Mine), and combining the themes in ways Shore hasn't even attempted.

I love these posh music-savvy professionals straight from conservatory in Cocksville, Tennessee, telling us mere peasants that our tastes suck because if you listen very very carefully, you will notice that one of the choir members in O3:47 just scratched his balls, which of course signfies the internal turmoil Frodo is in.

I will say it again - I love LotR music. But thematic nuances my ass. Even intent listeners would miss about 90% of them - so much so they might be on many occassions downright nonexistent - and even if you do notice, the entire experience just boils down to "oh, the theme is now being played slightly differently, I guess that's kinda cool, in a way, maybe". There has never been a radical transformation or combination of themes in a way Djawadi does it. "Playing a more somber version of the Fellowship theme", or whatever else you may say to justify putting Shore on a higher pedestal than Djawadi, simply doesn't cut it. All of it serves just as a pointless piece of trivia, being used by stuck-up smellers of their own farts to appear mighty and knowledgeable.


Anonymous2018-02-23 13:59:23
Marejcko here sounds like a Daily Mail reader off his medication. If you cannot understand the difference between Shore's nuanced approach to orchestal music and Djawadi's instrumental approach, I suppose it is the same as explaining Brexit to a Daily Mail reading ape and someone with an ability to think. Or, to take it from the other perspective, Fox News to anyone with a brain.

By the way, it is not a great argument to say that 90% of listeners will miss the nuances. Most people have better brains than you do - I suppose you support the RNA as well with your level of cognitive ability and intelligence. If you do, you are an inhuman.


Marejcko2018-02-23 14:02:09
I am so lonely. Please do not abandon me. Why you so nasty. Me not nasty. Can I be friend with you?


Marejcko2018-02-23 14:04:41
My degree from a conservatory in Cocksville, Tennessee, allows me to authoritative. Suck on my balls as I am not Cartman, at all.


Anonymous2018-02-23 14:29:01
Anonymous apologises - Marejko seems to support Trump and the NRA. Well, if you do, prepare for a tsunami of young people who are not as thick and selfish as you in their worldview. And if you support these organisations, shame on you as a coward.



Backbiter2018-02-23 16:44:50
Anonymous

> Call other people coward
> Uses a fake name to avoid repercussions


Macejko2018-02-23 17:41:36
Is Trump argument the new Hitler argument on teh internetz? I guess I must have pissed someone off.

Good.


Mephariel2018-02-23 18:00:27
LOL at comparing GOT to LOTR. Shore's LOTR is far superior in scope, thematic development, composition, etc. I like GOT, but GOT is not even in the same league.


Hybrid Soldier2018-02-23 18:34:35
Why compare GOT & TLOTR in the first place ? They couldn't be more different...

It's like comparing Flash Gordon to Interstellar...


superultramegaa2018-02-24 00:26:32
Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.

JBSO99 reply Replies: 4 || 2018-01-31 09:14:31
When is this supposed to be released? I cannot wait to listen what Djawadi has created in this one!


iamtommie2018-01-31 11:37:52
Click on 'See Details...' and you'll find out


Waymann2018-01-31 11:56:01
Digital release will be on March 1st or March 9th.

Always excited to hear new material from Ramin. But this movie I don't know, it looks awful. Still looking forward what he will add to the movie.


JBSO992018-01-31 12:39:09
So obvious... There are still a couple of months left but luckily the digital release will happen earlier.


Edmund Meinerts2018-01-31 12:58:13
I hope the movie turns out OK because the book it's based on is wonderful. And Ava DuVernay is an interesting choice of director. But so was Duncan Jones for Warcraft (to keep it in the Djawadi family) and that turned out fairly mediocre, and I can't say that I have high hopes for this.

Also, that poster/album cover is...yuck.

Kingfannypack is the Milfcommander reply Replies: 1 || 2018-01-31 00:27:15
I'm excited to listen to this, i've only listened to Djawadi's Game of Thrones music. That alone demonstrates his immense talent. Hope the film is good too!


Macejko2018-01-31 08:24:10
My dude, give his other works chance as well. Pacific Rim, The Great Wall, Gears of War 4, Dracula Untold, Westworld... Oh, so good.

mpolonest123 reply Replies: 0 || 2018-01-30 23:57:30
Soooooo excited!!! Hopefully Ramin delivers :-)

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A Wrinkle In Time soundtrack - Ramin Djawadi 2018