NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Yeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?Haha, It's as the prophecy foretold.
John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)
So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, itís basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poeís theme from Force Awakens.Letís just say ďReminiscience TherapyĒ.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in theseYeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.
Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that Iím guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally Iíve never been in love with Inception. I admire it on a technical level, but outside of ďTimeĒ I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...You know, I don't think I've ever really gotten the full story surrounding that score. I've heard conflicting reports. My personal belief is that Ross did little to no substantial composition and that all the new stuff (themes, suites, new cues and also significantly fresh arrangements of old material) is pure Williams, but that film is full of reused music from the first film (it's actually quite frustrating, not as bad as On Stranger Tides or as heartbreaking as The Hobbit, but a bit of a rehashy mess and it makes the key error of using the Philosopher's Stone motif as a Voldemort theme). That's where I think Ross comes in and was responsible for taking those cues verbatim from the first film and tweaking/rearranging them just enough to match the timings of the scenes without actually adding any of his "own" notes. His role is likely somewhere between additional music, arrangement and music editing (but as Hybrid likes to point out, oftentimes those sorts of roles are really blurred and overlapping anyways).<br><br>A guy at jwfan did an analysis that helps understand the nature of that score, but be warned, it goes *really* deep:<br><br>www.jwfan.com/forums/index.php?/topic/27619-finished-chamber -of-secrets-thematic-and-originality-analysis/
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Lorne BalfeMax ArujQueenie LiJohannes Vogel
ComposerScore ProducerMusic Production CoordinatorConductor
Pacific Rim Uprising
Label: Milan Records
Length: 76'01 (Score: 67'06)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (796 votes)
  1. Pacific Rim Uprising (4:47)
  2. Born Into War (4:12)
  3. Rise Of The Jaegers (1:38)
  4. Go Big Or Go Extinct (Patrick Stump Remix) (2:10)
  5. Daddy Yo - Wizkid (2:39)
  6. Shatterdome Arrival (2:03)
  7. Sneaking In (3:07)
  8. Shao Industries (4:35)
  9. Scrapper Chase (3:56)
  10. Flashback (2:17)
  11. Nobody Speak Feat. Run The Jewels - DJ Shadow (3:15)
  12. Kaiju Brain (2:11)
  13. Combat (2:19)
  14. Obsidian Fury (3:31)
  15. Get It Done (3:24)
  16. Come Down - Anderson .Paak (2:59)
  17. Shatterdome Attacked (7:18)
  18. Amara (2:36)
  19. Coming Together (3:14)
  20. On The Move (2:21)
  21. Mega Kaiju (2:29)
  22. Battle Speech (2:39)
  23. End Game (2:00)
  24. Victory (2:18)
  25. The Revenge (1:52)
Create Topic

Jack Afrogarrix 2018 reply Replies: 8 || 2018-04-02 03:46:38
Lorne Balfe Had Made the greateat score for pacific rim Uprising including a remix of "go big or go extinct By ramin Djawadi. It Worth it to hear this Score


Edmund Meinerts2018-04-02 10:23:46
Aw fuck, it's back.


PeterM2018-04-02 11:41:10
Edmund shut up .Just try and stop slagging anyone off who simply likes a composers music because it is boring now .


AndrewK2018-04-02 11:58:18
ďAw fuck, it's back.Ē what a stupid comment to make.i havenít seen the film yet but either way being negative about people liking something is stupid .


Edmund Meinerts2018-04-02 15:47:26
LOL, way to miss the point guys. Jack Afrogarrix is a noted shitposter.


superultramegaa2018-04-02 16:02:01
PeterM, AndrewK shut up. Just try and stop slagging off anyone who simply criticizes a composer's music because it is annoying now. Stop being negative about people with a different opinion on something. It's stupid.


PeterM2018-04-02 20:32:25
Edmund quite writing anything for a change in any of Balfes releases.We are not interested in your put down comments.we all clearly understand your feelings ......


Edmund Meinerts2018-04-02 21:03:33
This has nothing to do with Balfe, you absolute fuckwit!


superultramegaa2018-04-03 04:27:54
So Peter, on a scale of dense to completely brain dead, how low is your IQ?

Jean-Luc reply Replies: 3 || 2018-03-29 21:36:38
Everyone, I have a question for you about a Mission Impossible Fallout movie by who will score that film. Last time I saw Henry Jackman was removed from IMDB app. But I found out the news about confirmed about Lorne Balfe will score that movie because Lorne Balfe seem all over the pictures. But I kept waiting for a film music reporter website about who will score for the mission impossible fallout movie, but we will find out the update for next month I believe that.


Miguel2018-03-30 18:45:31
I facebooked Balfe and ask him but he said he was not doing it even though the music in the trailer is by him


AndyP2018-03-30 21:13:32
I thought Henry was doing it ?


Jean-Luc2018-03-30 23:35:40
Oh, it's interesting to me

ok reply Replies: 16 || 2018-03-23 14:35:19
This is feels like a very temped soundtrack, only that explains why the score is so generic. I wonder which movies music scenes producer-director used to make lorne do this.

Track 8 - is Tron legacy (dont know maybe he worked on it, powell was involved maybe he was too)


Mephariel2018-03-23 16:35:49
Is there a Balfe score that is not very temped? Every single Balfe score I listened to is basically giving an old score a fresh set of paint.


AndrewP2018-03-26 22:47:52
Mephariel - please educate us . Genius is what ? Blackwood is what ? Marcella is what ?


Mephariel2018-03-27 04:42:02
Genius? You mean like in the track "Forbidden Love" where he tempted the shit out of "Where We're Going" in Interstellar?


Edmund Meinerts2018-03-27 08:52:48
Mephariel, don't expect any sort of objectivity when it comes to the many-headed Balfe shill that is Andrew/Andreas/Andy. Although I note that even he has struggled to say anything nice about Hurricane Heist or PR: Uprising...some things are beyond the realm if the possible I suppose.


JamesT2018-03-27 19:40:39
@Mephariel

What score is the track Forbidden Love from?


Max Potcats2018-03-27 19:55:51
From Genius, I find some little similarities with Quantifiable Connection from interstellar complete score, but nothing shameful, if it's a temp this is not the worst we heard..


Micheal2018-03-28 16:21:13
Edmund has to me move on.you have an issue with Balfe .we know .Solo will be out soon enough for you and your tissues


Mike2018-03-28 16:26:40
Mephariel ( Edmund ) try and channel your negativity somewhere else please


Edmund Meinerts2018-03-28 23:58:43
...and the tone policing, right on schedule. We brook nothing but pure unadulterated praise for Lord Balfe around these parts!


SiMusic2018-03-29 00:21:42
Yet again Edmund canít help himself .


Zimmerfan2018-03-29 00:31:10
Iím not a big balfe fan but honestly Edmund you have issues.Balfe obviously knows what he is doing and people keep hiring him.we get it that you love John Powell but not everyone else does.So give it a rest with the balfe bashing because itís boring now .Night


superultramegaa2018-03-29 01:18:19
Once again the broken translation/punctuation regulars can't help themselves.


Mephariel2018-03-29 03:19:36
@Max

I'll be really specific. The entire first section of "Forbidden Love," the melodic baseline came directly from 6:03 of "Where We're Going."

It is actually pretty obvious.


Ian2018-03-29 06:28:00
Mephariel - I have no issue calling Lorne or anyone else for temping/recycling cues, but honestly those two cues seem incidentally similar if at all. And Forbidden Love is *drastically* superior, so even if there was temping involved, Lorne did genuinely good work there IMO


Edmund Meinerts2018-03-29 08:51:02
Why do you guys keep mentioning Powell? I'm not.


Olive2018-03-30 01:09:18
Meh

Andrew, Andreas, Andy, Mike, Michael, Peter, Pete, x name + music or x name + film. They are the same person.

Frank reply Replies: 0 || 2018-03-28 06:12:24
I got a friend who was an intern of Legendary Pictures and he said the reason there's only a remix of Ramin's original theme is because some copyright issues between Universal and Warner Bros. Anyone can confirm that? Hybrid?

Kingfannypack is the Milfcommander reply Replies: 0 || 2018-03-27 05:55:36
Congratulations to Lorne Balfe in his new child!

Anonymous reply Replies: 11 || 2018-03-22 18:03:31
It is out. Not bad but it doesn't sound very epic or memorable. Tomb Raider had better moments.

The orchestration is so empty.


MrZimmerFan2018-03-22 18:05:12
I will said this, is more enjoyable than Hurricane Heist.

But the first was more memorable


Anonymous2018-03-22 18:15:58
yeah but this movie would be better fit for a jablonsky score.


he has bigger themes and a richer sound


MrZimmerFan2018-03-22 18:36:27
The first movie has memorable theme and enjoyable action tracks, this one, has one or three actions cues i have enjoyed, more than than i expected, but the main theme is forgetteable.

Jablonsky would fit if is the Jablonsky, for example, for TF5 or first Transformers (and i am guilty pleasure fan for Battleship)

And now i lost respect in the whole internet :D


George2018-03-22 18:49:45
Agreed. Itís simply not that memorable. Out of Pacific Rim 2, a wrinkle in time, tomb raider, and hurricane heist I thought for sure at least ONE would be a hit. Unfortunately all four of them seem pretty forgettable. Really hoping Hans puts something memorable and iconic together for X Men Dark Phoenix.


MrZimmerFan2018-03-22 18:53:03
At least Tomb Raider and A Wrinkle of Time have a theme.


mpolonest1232018-03-22 19:46:03
There are some fun action cues and an interesting mix of electronics that sounds like a hybrid of Tron Legacy and Chappie but is honestly so forgettable outside of that. Why on earth did they opt out of using Ramin's themes?

It would be like if POTC2 came out and instead of using "He's a Pirate" or any of the other motifs, Disney hired a Hans Zimmer protege to come in and write their own take on the material. When I go to see Star Wars I expect Star Wars. With this I expected at least ties to the first one.


superultramegaa2018-03-22 20:04:00
The thematic continuity complaint is a problem with the movie industry in general now. Not just Pacific Rim. It's a problem with Marvel, DC, and hell, any movie series really. Even the new TMNT movies, as good as Jablonsky's score for the second one was, still couldn't keep the original themes.

The only ones that do keep the original thematic material lately have been Transformers, Star Wars, Star Trek (at least the first 2's scores I don't know about the 3rd's), Pirates of the Caribbean, a few animated film series, and Harry Potter.

Not sure if this is a director or composer fault (probably director/studio), but it's just something we're going to have to deal with for a while until the next phase of film score trends come along.


MrZimmerFan2018-03-22 20:10:47
@superultramega: The three Star Trek movies are compose by the same composer, and the producer is J.J Abrams.

And the theme is the same.


mpolonest1232018-03-22 20:44:18
@Superultramega

What's odd is that the PR theme was used in the marketing. Same with Zimmers material being used in the Justice League trailers, so obviously the studio liked it enough. Probably the directors choice.


mpolonest123 2018-03-23 13:34:22
I was also thinking about something; Lorne Balfe worked on Terminator Genisys, a score in which the original thematic material was used appropriately but also combined with his new material. How a sequel score SHOULD be. Obviously this was the directors choice. It seems like a lot of these newer directors have no clue how music works, something which should be one of the least difficult parts of making a film.


MrZimmerFan2018-03-23 14:19:27
The only themes in Terminator Genysis was the main theme and part of the Reese theme, i guess.

The rest is new material by Balfe.

Jean-Luc reply Replies: 0 || 2018-03-23 02:54:31
I like that soundtrack, I think that score is fun action, but I'm noticing Shao Industries are more like Tron Legacy music to me. My Opinion about Pacific Rim first one by Ramin Djawadi's score is better and his theme is perfect!

FaresTdkr reply Replies: 2 || 2018-03-22 19:09:29
I just said this before and I want to say it again:
Shao industries sound like Tron Legacy


MrZimmerFan2018-03-22 19:19:53
It is sound like that.

Multiple times in the score, there is sounds like Tron


....2018-03-23 01:24:20
The descending string line is almost completely ripped from CLU

FaresTdkr reply Replies: 0 || 2018-03-11 15:02:46
Shao Industries on Dezzer And Itunes. IT Sound like Daft Punk TRON LEGACY...

Andreas reply Replies: 0 || 2018-03-08 16:07:55
Hurricane Heist will be released tomorrow. Sounds like a mix of 12 Strong en Geostorm.

MrZimmerFan reply Replies: 0 || 2018-03-08 13:40:21
I have something cool: Hurricane Heist is going to be released tomorrow.

I curious about this score by Balfe

... reply Replies: 0 || 2018-03-04 16:37:23
"Sneaking in" soundtrack sounds srsly like Geostorm... and I kinda like it :D

Farestdkr reply Replies: 0 || 2018-03-04 16:02:12
@hybrid do you have any news about Daniel suett(2014 winner of Hans Zimmer want you..,Savage Kingdom Composer, Oak Island Composer). Why Hans didn't hire him in some of his movie he's a big talent. I love Savage Kingdom soundtrack it's absolutely Zimmer style.

  Your name :   

Please enter number: 1620 

FaresTdkr reply Replies: 0 || 2018-03-04 15:46:08
These two track are available on Deezer if you want listen...

Scorefan reply Replies: 2 || 2018-03-03 23:09:04
@Hybrid, is it true that Lorne sometimes have used the name Oswin Mackintosh?


Hybrid Soldier2018-03-03 23:12:28
Yes, nickname he used for Extreme Music mostly...


Scorefan2018-03-04 00:35:35
Thanks Hybrid

FaresTdkr reply Replies: 9 || 2018-03-01 17:59:41
Well I got two tracks from this soundtrack and it sounds as usual like a shit &#128169;.


ThePhantasm 2018-03-01 19:22:14
Haters gonna hate. I think Lorne's gonna give us a good soundtrack


MrZimmerFan2018-03-01 21:33:33
Actually, the first track is quite forgetteable and the second one is the only quite like.



Olive2018-03-01 21:51:27
I will find it!


FaresTdkr2018-03-01 22:06:09
Why just why for god sake Jablonski can give a big addition for this movie just why. Balfe I ask you to give back my money that I spent on theses two tracks...Even Joseph Trapanese can do better on this. Sorry for balfe fans but I'm really disappointed since I love this movie so much.


ThePhantasm 2018-03-01 22:13:01
where are you guys even listening to the samples? lorne hasn't posted anything about it


Olive2018-03-01 23:48:20
Yeah, where?


Andreas2018-03-01 23:52:31
Itís on itunes up for pre order. Digital release is friday 16th


ThePhantasm 2018-03-01 23:53:59
must be in other countries, cause there's nothing here in the iTunes us store


Block-Busted2018-03-03 23:55:34
Where did you listen to the soundtrack?

Andreas reply Replies: 5 || 2018-03-01 08:46:40
Anything on the release of The Hurricane Heist? Movie looks stupid as hell but Lorne is scoring it...


George2018-03-01 12:53:01
I was wondering that too yesterday, the director posted a video of Lorne's music last summer on Instagram and the music sounded pretty good, so hopefully we get a release!


Iamtommie2018-03-01 13:10:00
Click on details!! All the way at the bottom stands a releasedate. That is on every official release on this page


Anonymous2018-03-01 15:55:37
Why don't they just reuse the score for Geostorm lol


Andreas2018-03-01 23:54:31
They will also release of score for Marcella by Lorne balfe next week.


fs2018-03-03 12:28:47
Compared to the first score it is just generic... like every weekend output from lorne. It always sounds like he has no joy in composing... just spitw out some tracks, which only are accepted because he uses hans powerfull sample library, and job done. I am sure is able to do a lot better

Ds reply Replies: 2 || 2018-03-02 06:54:39
The first track just blew me away, very cool and powerful. Between this and Tomb Raider I think March will be a very good month for us!


Fares Tdkr2018-03-02 14:07:18
The First track... Well maybe you mean the first 2 min which sound like jablonski(merlin's Staff from TF5) then start the noise in the second two mins.


Ds2018-03-02 14:29:17
I like the whole track, but what you call "the noise" is actually the part that impressed me the most!

MrZimmerFan reply Replies: 12 || 2018-02-21 16:59:06
Three tracks from Milan Music

https ://www.youtube.com /watch?v=wSz1qRRsnyA

https:/ /www.youtube.com/watch? v=AWdVYV8OQb4

https: / /www.youtube.com/watch?v=IuDqLefLsMk

Weird, really weird


...2018-02-21 17:13:20
that second one, it looks like that some idiot put one tracks two times there so it sounds pretty bad


mpolonest1232018-02-21 17:31:43
Why does Shao Industries sound like CLU from Tron Legacy?


...2018-02-21 17:47:42
This sounds fan made tbh...


MrZimmerFan2018-02-21 17:56:11
Is strange, is fricking strange.

Dosen't sound like a score for a giant monster-robot movie, at all.

Now, i would love hear Paseano or Djawadi


George2018-02-21 18:31:55
Hybrid, do you know if these are legit? Shao Industries sounds okay but the "main title" track sounds... well.. weird, almost like something is wrong with the upload


Georg2018-02-21 18:48:10
If they messed up the upload, then I don't think it would sound quite as strange... the first 20 seconds sound intriguing until the off beat drums come in and it sounds like crap from then on


Iamtommie2018-02-21 19:52:25
I'm sorry to say. But it sounds awful. If the whole score is going to sound like that I won't buy it


Ian2018-02-21 21:36:51
Tracks are gone, so yeah, I'd guess they made a mistake somehow


Max Potcats2018-02-22 10:57:56
Is it real tracks? Because the YT channel deleted the 3 videos... I guess it must be a fake.


MrZimmerFan2018-02-22 11:48:50
I don't think a discography like Milan post fake tracks.

There is must something wrong


Balfe2018-02-22 14:54:09
I would not be surprised if this was done by Balfe finally trying out his real compositional skills outside of him just acting as Hans' copy assistant. Everything that Balfe has done on his own to date is abysmal (okay The Lego Batman movie had some flair but that was probably done by the next generation of assistants).

Please go back to Ironclad and listen to Balfe before he was HBalfe, to hear his skills. Not very good, right? The man is an arranger not a composer.

This score will be utterly crap or it will sound like Tron and Transformers.

Shame as Del Toro and Steven Knight work with real composers like Max Richter who would have excelled here.


rockhound2018-03-01 17:41:11
2 tracks are already available on itunes. on march 9th, there will be also a score release of lornes music for the television series MARCELLA.

Olive reply Replies: 2 || 2018-02-25 21:40:38
Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?


Brian2018-02-25 22:07:55
Olive - wrong.Balfe has said it is used in the film on Twitter.


Olive2018-02-25 22:24:06
Okay, I'll wait for the more detailed credits in the release.

MrZimmerFan reply Replies: 6 || 2018-02-25 17:37:44
Where you get the tracklist?

;)


Tom2018-02-25 18:05:25
Where did you get the tracklist ???????


...2018-02-25 18:19:18
where got you did tracklist have been?


ThePhantasm 2018-02-25 18:30:00
Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)


Edmund Meinerts2018-02-25 18:40:10
"Shatterdome Attacked", at least we'll get one 7-minute action cue...

Also. TRACKLIST YOU GET DID WHERE???


ThePhantasm 2018-02-25 19:36:20
yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon.


Edmund Meinerts2018-02-25 20:48:24
A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.

Lynk reply Replies: 3 || 2018-02-09 11:35:31
I am getting a stronger Power Rangers/Transformers vibe from this cover art than what I recall from the first Pacific Rim movie.


Anonymous2018-02-09 13:10:16
because it's a transformers knockoff


MrZimmerFan2018-02-09 14:12:44
And what makes you think that?


Everan2018-02-09 17:30:43
The Jaegers clearly transform into giant planes and cars. Duh

JBSO99 reply Replies: 2 || 2018-02-09 11:20:41
Wasn't John Paesano going to do this? Why he ended up not doing it? I think Balfe is a good choice for this movie but I would have loved to hear Paesano's work on this.

Anyway, I hope Balfe keeps the main theme from the previous movie because it was amazing. I think is one of Djawadi's best themes (at least in movie scores)


Edmund Meinerts2018-02-09 12:27:10
One positive development of the switch from Paesano to Balfe is that I think it's much likelier we hear more of Djawadi's themes from the first Pacific Rim. A fellow RCP member would be more inclined to keep it in the family, so to speak.


MrZimmerFan2018-02-09 12:48:12
Paseano recorded the score last fall in Vienna, the producers dropped out.

As much like Balfe, i would like hear the Paesano's score.

 HANS-ZIMMER.com© 2001-2017 OST 
Pacific Rim Uprising soundtrack - Lorne Balfe 2018