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love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanksSon"Drums: JON JABLONSKY"<br><br><br>Steve's brother?MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISES
MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CA
MOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YENMOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>
Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.
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Lorne BalfeMax ArujQueenie LiJohannes Vogel
ComposerScore ProducerMusic Production CoordinatorConductor
Pacific Rim Uprising
Label: Milan Records
Length: 76'01 (Score: 67'06)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (977 votes)
  1. Pacific Rim Uprising (4:47)
  2. Born Into War (4:12)
  3. Rise Of The Jaegers (1:38)
  4. Go Big Or Go Extinct (Patrick Stump Remix) (2:10)
  5. Daddy Yo - Wizkid (2:39)
  6. Shatterdome Arrival (2:03)
  7. Sneaking In (3:07)
  8. Shao Industries (4:35)
  9. Scrapper Chase (3:56)
  10. Flashback (2:17)
  11. Nobody Speak Feat. Run The Jewels - DJ Shadow (3:15)
  12. Kaiju Brain (2:11)
  13. Combat (2:19)
  14. Obsidian Fury (3:31)
  15. Get It Done (3:24)
  16. Come Down - Anderson .Paak (2:59)
  17. Shatterdome Attacked (7:18)
  18. Amara (2:36)
  19. Coming Together (3:14)
  20. On The Move (2:21)
  21. Mega Kaiju (2:29)
  22. Battle Speech (2:39)
  23. End Game (2:00)
  24. Victory (2:18)
  25. The Revenge (1:52)
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123 reply Replies: 0 || 2018-06-08 18:16:17
This part of the trailer soundtrack has put a smile on my face, did he re-use his of track? :D

- https://youtu.be/QD1pbWCJcKQ?t=1m58s

(btw I love Lorne´s music and I am not upset about it)

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Jack Afrogarrix 2018 reply Replies: 8 || 2018-04-02 03:46:38
Lorne Balfe Had Made the greateat score for pacific rim Uprising including a remix of "go big or go extinct By ramin Djawadi. It Worth it to hear this Score


Edmund Meinerts2018-04-02 10:23:46
Aw fuck, it's back.


PeterM2018-04-02 11:41:10
Edmund shut up .Just try and stop slagging anyone off who simply likes a composers music because it is boring now .


AndrewK2018-04-02 11:58:18
“Aw fuck, it's back.” what a stupid comment to make.i haven’t seen the film yet but either way being negative about people liking something is stupid .


Edmund Meinerts2018-04-02 15:47:26
LOL, way to miss the point guys. Jack Afrogarrix is a noted shitposter.


superultramegaa2018-04-02 16:02:01
PeterM, AndrewK shut up. Just try and stop slagging off anyone who simply criticizes a composer's music because it is annoying now. Stop being negative about people with a different opinion on something. It's stupid.


PeterM2018-04-02 20:32:25
Edmund quite writing anything for a change in any of Balfes releases.We are not interested in your put down comments.we all clearly understand your feelings ......


Edmund Meinerts2018-04-02 21:03:33
This has nothing to do with Balfe, you absolute fuckwit!


superultramegaa2018-04-03 04:27:54
So Peter, on a scale of dense to completely brain dead, how low is your IQ?

Jean-Luc reply Replies: 3 || 2018-03-29 21:36:38
Everyone, I have a question for you about a Mission Impossible Fallout movie by who will score that film. Last time I saw Henry Jackman was removed from IMDB app. But I found out the news about confirmed about Lorne Balfe will score that movie because Lorne Balfe seem all over the pictures. But I kept waiting for a film music reporter website about who will score for the mission impossible fallout movie, but we will find out the update for next month I believe that.


Miguel2018-03-30 18:45:31
I facebooked Balfe and ask him but he said he was not doing it even though the music in the trailer is by him


AndyP2018-03-30 21:13:32
I thought Henry was doing it ?


Jean-Luc2018-03-30 23:35:40
Oh, it's interesting to me

ok reply Replies: 16 || 2018-03-23 14:35:19
This is feels like a very temped soundtrack, only that explains why the score is so generic. I wonder which movies music scenes producer-director used to make lorne do this.

Track 8 - is Tron legacy (dont know maybe he worked on it, powell was involved maybe he was too)


Mephariel2018-03-23 16:35:49
Is there a Balfe score that is not very temped? Every single Balfe score I listened to is basically giving an old score a fresh set of paint.


AndrewP2018-03-26 22:47:52
Mephariel - please educate us . Genius is what ? Blackwood is what ? Marcella is what ?


Mephariel2018-03-27 04:42:02
Genius? You mean like in the track "Forbidden Love" where he tempted the shit out of "Where We're Going" in Interstellar?


Edmund Meinerts2018-03-27 08:52:48
Mephariel, don't expect any sort of objectivity when it comes to the many-headed Balfe shill that is Andrew/Andreas/Andy. Although I note that even he has struggled to say anything nice about Hurricane Heist or PR: Uprising...some things are beyond the realm if the possible I suppose.


JamesT2018-03-27 19:40:39
@Mephariel

What score is the track Forbidden Love from?


Max Potcats2018-03-27 19:55:51
From Genius, I find some little similarities with Quantifiable Connection from interstellar complete score, but nothing shameful, if it's a temp this is not the worst we heard..


Micheal2018-03-28 16:21:13
Edmund has to me move on.you have an issue with Balfe .we know .Solo will be out soon enough for you and your tissues


Mike2018-03-28 16:26:40
Mephariel ( Edmund ) try and channel your negativity somewhere else please


Edmund Meinerts2018-03-28 23:58:43
...and the tone policing, right on schedule. We brook nothing but pure unadulterated praise for Lord Balfe around these parts!


SiMusic2018-03-29 00:21:42
Yet again Edmund can’t help himself .


Zimmerfan2018-03-29 00:31:10
I’m not a big balfe fan but honestly Edmund you have issues.Balfe obviously knows what he is doing and people keep hiring him.we get it that you love John Powell but not everyone else does.So give it a rest with the balfe bashing because it’s boring now .Night


superultramegaa2018-03-29 01:18:19
Once again the broken translation/punctuation regulars can't help themselves.


Mephariel2018-03-29 03:19:36
@Max

I'll be really specific. The entire first section of "Forbidden Love," the melodic baseline came directly from 6:03 of "Where We're Going."

It is actually pretty obvious.


Ian2018-03-29 06:28:00
Mephariel - I have no issue calling Lorne or anyone else for temping/recycling cues, but honestly those two cues seem incidentally similar if at all. And Forbidden Love is *drastically* superior, so even if there was temping involved, Lorne did genuinely good work there IMO


Edmund Meinerts2018-03-29 08:51:02
Why do you guys keep mentioning Powell? I'm not.


Olive2018-03-30 01:09:18
Meh

Andrew, Andreas, Andy, Mike, Michael, Peter, Pete, x name + music or x name + film. They are the same person.

Frank reply Replies: 0 || 2018-03-28 06:12:24
I got a friend who was an intern of Legendary Pictures and he said the reason there's only a remix of Ramin's original theme is because some copyright issues between Universal and Warner Bros. Anyone can confirm that? Hybrid?

Kingfannypack is the Milfcommander reply Replies: 0 || 2018-03-27 05:55:36
Congratulations to Lorne Balfe in his new child!

Anonymous reply Replies: 11 || 2018-03-22 18:03:31
It is out. Not bad but it doesn't sound very epic or memorable. Tomb Raider had better moments.

The orchestration is so empty.


MrZimmerFan2018-03-22 18:05:12
I will said this, is more enjoyable than Hurricane Heist.

But the first was more memorable


Anonymous2018-03-22 18:15:58
yeah but this movie would be better fit for a jablonsky score.


he has bigger themes and a richer sound


MrZimmerFan2018-03-22 18:36:27
The first movie has memorable theme and enjoyable action tracks, this one, has one or three actions cues i have enjoyed, more than than i expected, but the main theme is forgetteable.

Jablonsky would fit if is the Jablonsky, for example, for TF5 or first Transformers (and i am guilty pleasure fan for Battleship)

And now i lost respect in the whole internet :D


George2018-03-22 18:49:45
Agreed. It’s simply not that memorable. Out of Pacific Rim 2, a wrinkle in time, tomb raider, and hurricane heist I thought for sure at least ONE would be a hit. Unfortunately all four of them seem pretty forgettable. Really hoping Hans puts something memorable and iconic together for X Men Dark Phoenix.


MrZimmerFan2018-03-22 18:53:03
At least Tomb Raider and A Wrinkle of Time have a theme.


mpolonest1232018-03-22 19:46:03
There are some fun action cues and an interesting mix of electronics that sounds like a hybrid of Tron Legacy and Chappie but is honestly so forgettable outside of that. Why on earth did they opt out of using Ramin's themes?

It would be like if POTC2 came out and instead of using "He's a Pirate" or any of the other motifs, Disney hired a Hans Zimmer protege to come in and write their own take on the material. When I go to see Star Wars I expect Star Wars. With this I expected at least ties to the first one.


superultramegaa2018-03-22 20:04:00
The thematic continuity complaint is a problem with the movie industry in general now. Not just Pacific Rim. It's a problem with Marvel, DC, and hell, any movie series really. Even the new TMNT movies, as good as Jablonsky's score for the second one was, still couldn't keep the original themes.

The only ones that do keep the original thematic material lately have been Transformers, Star Wars, Star Trek (at least the first 2's scores I don't know about the 3rd's), Pirates of the Caribbean, a few animated film series, and Harry Potter.

Not sure if this is a director or composer fault (probably director/studio), but it's just something we're going to have to deal with for a while until the next phase of film score trends come along.


MrZimmerFan2018-03-22 20:10:47
@superultramega: The three Star Trek movies are compose by the same composer, and the producer is J.J Abrams.

And the theme is the same.


mpolonest1232018-03-22 20:44:18
@Superultramega

What's odd is that the PR theme was used in the marketing. Same with Zimmers material being used in the Justice League trailers, so obviously the studio liked it enough. Probably the directors choice.


mpolonest123 2018-03-23 13:34:22
I was also thinking about something; Lorne Balfe worked on Terminator Genisys, a score in which the original thematic material was used appropriately but also combined with his new material. How a sequel score SHOULD be. Obviously this was the directors choice. It seems like a lot of these newer directors have no clue how music works, something which should be one of the least difficult parts of making a film.


MrZimmerFan2018-03-23 14:19:27
The only themes in Terminator Genysis was the main theme and part of the Reese theme, i guess.

The rest is new material by Balfe.

Jean-Luc reply Replies: 0 || 2018-03-23 02:54:31
I like that soundtrack, I think that score is fun action, but I'm noticing Shao Industries are more like Tron Legacy music to me. My Opinion about Pacific Rim first one by Ramin Djawadi's score is better and his theme is perfect!

FaresTdkr reply Replies: 2 || 2018-03-22 19:09:29
I just said this before and I want to say it again:
Shao industries sound like Tron Legacy


MrZimmerFan2018-03-22 19:19:53
It is sound like that.

Multiple times in the score, there is sounds like Tron


....2018-03-23 01:24:20
The descending string line is almost completely ripped from CLU

FaresTdkr reply Replies: 0 || 2018-03-11 15:02:46
Shao Industries on Dezzer And Itunes. IT Sound like Daft Punk TRON LEGACY...

Andreas reply Replies: 0 || 2018-03-08 16:07:55
Hurricane Heist will be released tomorrow. Sounds like a mix of 12 Strong en Geostorm.

MrZimmerFan reply Replies: 0 || 2018-03-08 13:40:21
I have something cool: Hurricane Heist is going to be released tomorrow.

I curious about this score by Balfe

... reply Replies: 0 || 2018-03-04 16:37:23
"Sneaking in" soundtrack sounds srsly like Geostorm... and I kinda like it :D

Farestdkr reply Replies: 0 || 2018-03-04 16:02:12
@hybrid do you have any news about Daniel suett(2014 winner of Hans Zimmer want you..,Savage Kingdom Composer, Oak Island Composer). Why Hans didn't hire him in some of his movie he's a big talent. I love Savage Kingdom soundtrack it's absolutely Zimmer style.

FaresTdkr reply Replies: 0 || 2018-03-04 15:46:08
These two track are available on Deezer if you want listen...

Scorefan reply Replies: 2 || 2018-03-03 23:09:04
@Hybrid, is it true that Lorne sometimes have used the name Oswin Mackintosh?


Hybrid Soldier2018-03-03 23:12:28
Yes, nickname he used for Extreme Music mostly...


Scorefan2018-03-04 00:35:35
Thanks Hybrid

FaresTdkr reply Replies: 9 || 2018-03-01 17:59:41
Well I got two tracks from this soundtrack and it sounds as usual like a shit &#128169;.


ThePhantasm 2018-03-01 19:22:14
Haters gonna hate. I think Lorne's gonna give us a good soundtrack


MrZimmerFan2018-03-01 21:33:33
Actually, the first track is quite forgetteable and the second one is the only quite like.



Olive2018-03-01 21:51:27
I will find it!


FaresTdkr2018-03-01 22:06:09
Why just why for god sake Jablonski can give a big addition for this movie just why. Balfe I ask you to give back my money that I spent on theses two tracks...Even Joseph Trapanese can do better on this. Sorry for balfe fans but I'm really disappointed since I love this movie so much.


ThePhantasm 2018-03-01 22:13:01
where are you guys even listening to the samples? lorne hasn't posted anything about it


Olive2018-03-01 23:48:20
Yeah, where?


Andreas2018-03-01 23:52:31
It’s on itunes up for pre order. Digital release is friday 16th


ThePhantasm 2018-03-01 23:53:59
must be in other countries, cause there's nothing here in the iTunes us store


Block-Busted2018-03-03 23:55:34
Where did you listen to the soundtrack?

Andreas reply Replies: 5 || 2018-03-01 08:46:40
Anything on the release of The Hurricane Heist? Movie looks stupid as hell but Lorne is scoring it...


George2018-03-01 12:53:01
I was wondering that too yesterday, the director posted a video of Lorne's music last summer on Instagram and the music sounded pretty good, so hopefully we get a release!


Iamtommie2018-03-01 13:10:00
Click on details!! All the way at the bottom stands a releasedate. That is on every official release on this page


Anonymous2018-03-01 15:55:37
Why don't they just reuse the score for Geostorm lol


Andreas2018-03-01 23:54:31
They will also release of score for Marcella by Lorne balfe next week.


fs2018-03-03 12:28:47
Compared to the first score it is just generic... like every weekend output from lorne. It always sounds like he has no joy in composing... just spitw out some tracks, which only are accepted because he uses hans powerfull sample library, and job done. I am sure is able to do a lot better

Ds reply Replies: 2 || 2018-03-02 06:54:39
The first track just blew me away, very cool and powerful. Between this and Tomb Raider I think March will be a very good month for us!


Fares Tdkr2018-03-02 14:07:18
The First track... Well maybe you mean the first 2 min which sound like jablonski(merlin's Staff from TF5) then start the noise in the second two mins.


Ds2018-03-02 14:29:17
I like the whole track, but what you call "the noise" is actually the part that impressed me the most!

MrZimmerFan reply Replies: 12 || 2018-02-21 16:59:06
Three tracks from Milan Music

https ://www.youtube.com /watch?v=wSz1qRRsnyA

https:/ /www.youtube.com/watch? v=AWdVYV8OQb4

https: / /www.youtube.com/watch?v=IuDqLefLsMk

Weird, really weird


...2018-02-21 17:13:20
that second one, it looks like that some idiot put one tracks two times there so it sounds pretty bad


mpolonest1232018-02-21 17:31:43
Why does Shao Industries sound like CLU from Tron Legacy?


...2018-02-21 17:47:42
This sounds fan made tbh...


MrZimmerFan2018-02-21 17:56:11
Is strange, is fricking strange.

Dosen't sound like a score for a giant monster-robot movie, at all.

Now, i would love hear Paseano or Djawadi


George2018-02-21 18:31:55
Hybrid, do you know if these are legit? Shao Industries sounds okay but the "main title" track sounds... well.. weird, almost like something is wrong with the upload


Georg2018-02-21 18:48:10
If they messed up the upload, then I don't think it would sound quite as strange... the first 20 seconds sound intriguing until the off beat drums come in and it sounds like crap from then on


Iamtommie2018-02-21 19:52:25
I'm sorry to say. But it sounds awful. If the whole score is going to sound like that I won't buy it


Ian2018-02-21 21:36:51
Tracks are gone, so yeah, I'd guess they made a mistake somehow


Max Potcats2018-02-22 10:57:56
Is it real tracks? Because the YT channel deleted the 3 videos... I guess it must be a fake.


MrZimmerFan2018-02-22 11:48:50
I don't think a discography like Milan post fake tracks.

There is must something wrong


Balfe2018-02-22 14:54:09
I would not be surprised if this was done by Balfe finally trying out his real compositional skills outside of him just acting as Hans' copy assistant. Everything that Balfe has done on his own to date is abysmal (okay The Lego Batman movie had some flair but that was probably done by the next generation of assistants).

Please go back to Ironclad and listen to Balfe before he was HBalfe, to hear his skills. Not very good, right? The man is an arranger not a composer.

This score will be utterly crap or it will sound like Tron and Transformers.

Shame as Del Toro and Steven Knight work with real composers like Max Richter who would have excelled here.


rockhound2018-03-01 17:41:11
2 tracks are already available on itunes. on march 9th, there will be also a score release of lornes music for the television series MARCELLA.

Olive reply Replies: 2 || 2018-02-25 21:40:38
Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?


Brian2018-02-25 22:07:55
Olive - wrong.Balfe has said it is used in the film on Twitter.


Olive2018-02-25 22:24:06
Okay, I'll wait for the more detailed credits in the release.

MrZimmerFan reply Replies: 6 || 2018-02-25 17:37:44
Where you get the tracklist?

;)


Tom2018-02-25 18:05:25
Where did you get the tracklist ???????


...2018-02-25 18:19:18
where got you did tracklist have been?


ThePhantasm 2018-02-25 18:30:00
Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)


Edmund Meinerts2018-02-25 18:40:10
"Shatterdome Attacked", at least we'll get one 7-minute action cue...

Also. TRACKLIST YOU GET DID WHERE???


ThePhantasm 2018-02-25 19:36:20
yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon.


Edmund Meinerts2018-02-25 20:48:24
A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.

Lynk reply Replies: 3 || 2018-02-09 11:35:31
I am getting a stronger Power Rangers/Transformers vibe from this cover art than what I recall from the first Pacific Rim movie.


Anonymous2018-02-09 13:10:16
because it's a transformers knockoff


MrZimmerFan2018-02-09 14:12:44
And what makes you think that?


Everan2018-02-09 17:30:43
The Jaegers clearly transform into giant planes and cars. Duh

JBSO99 reply Replies: 2 || 2018-02-09 11:20:41
Wasn't John Paesano going to do this? Why he ended up not doing it? I think Balfe is a good choice for this movie but I would have loved to hear Paesano's work on this.

Anyway, I hope Balfe keeps the main theme from the previous movie because it was amazing. I think is one of Djawadi's best themes (at least in movie scores)


Edmund Meinerts2018-02-09 12:27:10
One positive development of the switch from Paesano to Balfe is that I think it's much likelier we hear more of Djawadi's themes from the first Pacific Rim. A fellow RCP member would be more inclined to keep it in the family, so to speak.


MrZimmerFan2018-02-09 12:48:12
Paseano recorded the score last fall in Vienna, the producers dropped out.

As much like Balfe, i would like hear the Paesano's score.

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Pacific Rim Uprising soundtrack - Lorne Balfe 2018