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Conrad Pope orchestrated and conducted this in New Zealand so i hope this isnít Junkieís regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-p
Best chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".
Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).
Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>Hello Hans.<br><br>May i ask you a question?<br><br>The piano sheet is now on sale, so that your music is now in the market for commercial purposes. It is sold at $ 10, although I do not know whether or not the seller arranged the piano music directly. Please check with us for the availability of other music.<br><br>Please refer to this site: htta://www.yes24.com/24/goods/28085649<br><br>(South Korea book store.)<br><br>Book Introduction :<br>It is the piano music which made the best 22 songs. New Age, movies, games, animations, etc., can be seen in various genres, and each sheet of music is directly attached to the author's QR code video.<br><br>If there is no problem, please respond.<br><br>Have a good day.Heís definitely not a bad reviewer, and his writing style is pretty sharp. The obvious problem is that he has a strong bias against Zimmer. Most of his recent Zimmer reviews are less spent talking about themes and more so the ďissuesĒ with his current style.
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Lorne BalfeMax ArujSteffen ThumQueenie Li
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Hurricane Heist
Label: Filmtrax (Digital Download Only)
Length: 42:05
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (607 votes)
  1. Hurricane Heist (4:13)
  2. Brothers (4:11)
  3. The Compound (4:07)
  4. In On It (2:10)
  5. Back In Utah (1:40)
  6. Tower Down (4:53)
  7. Follow Me (2:29)
  8. Twist Of Fate (2:22)
  9. The Garage (1:39)
  10. Take The Fight To Them (2:35)
  11. The Rutledge Boys Go To Work (3:11)
  12. The Chase (1:50)
  13. Final Showdown (3:45)
  14. The Storm (3:01)
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Jean-Luc reply Replies: 3 || 2018-05-28 17:45:22
Everyone I have a question for y'all! Do you think Lorne Balfe is a good composer for disaster movies or fits with action movies or other genre.


Edmund Meinerts2018-05-28 18:49:25
I actually think Balfe is better at lighter movies, animations and dramas than he is at action. He's also pretty good with futuristic synthy stuff. Wish he would use a real orchestra more often though.


Jean-Luc 2018-05-28 22:49:20
True!


Mike2018-05-28 23:08:58
He recorded the score in Vienna . So itís a real orchestra . Sounds real to me but what do I know !!

FaresTdkr reply Replies: 0 || 2018-03-13 14:31:23
Did you hear something from Divergent Triology by junkie XL and joseph trapense? I mean the Storm Track...

Guzz reply Replies: 0 || 2018-03-12 14:41:23
Lorne Balfe = Benicio del Toro?

superultramegaa reply Replies: 14 || 2018-03-11 01:51:20
Maybe Lorne should choose more projects like Ghost in the Shell. Something that allows him to incorporate more style and electronics, because these generic action movies are giving him nothing to work with. He seems to me like he would have been a great composer in the 80s. With synth mixed with a little bit of orchestral elements to give a more other worldly/ethereal feeling.

He should do more sci-fi video games and movies. That would probably allow him to incorporate that style more, and allow him to become more unique, and get away from Zimmer's shadow. Rather than copy RCP action music.


Peter2018-03-11 02:08:58
Iím totally confused with as a lover of the Media Ventures sound why does Balfe seems to get harsh criticism. It really seems there are a hand full of haters that seem to constantly wish to moan and bitch about him. Get over it idiots !!


Edmund Meinerts2018-03-11 12:03:22
Are we not allowed to be critical? Because if that's the case discussions are going to get very boring, very fast.


superultramegaa2018-03-11 13:35:42
My criticism wasn't harsh! I said I wanted him to get more projects that would allow his unique talents to shine through. I like Ghost in the Shell, and I think Lorne has a lot of potential with that type of score. That is all I'm saying! How in any way is this bitch and moaning? Because I'm not on my hands and knees saying, "Oh Balfe, you bless us with your godly talent! May we please wash your feet Mr. Balfe? You are a god to your people!"


Olive2018-03-11 14:35:54
The same for Holkenborg. Tomb Raider was a shameful score.


rockhound2018-03-11 14:56:49
I would like to hear the orchestral Lorne Balfe more often. IRONCLAD is his best so far. An orchestral/Synth Mix is nothing original anymore.


mpolonest123 2018-03-11 15:02:09
@rockhound
Have you not heard Beyond Two Souls or Blackwood? Lorne is probably one of the best when it comes to orchestral/synth mixes. The issue is when he works with directors with zero musical knowledge. Same with Junkie XL.


rockhound2018-03-11 15:15:52
I have both scores and i like them alot, but i dont want to hear just synth/orchestral scores. Ironclad was something unique for Lorne. I really wish he would compose more often in that style.


Olive2018-03-11 15:38:34
I dare say Holkenborg's mistake was much more glaring than Balfe's. Hurricane is a film derived from the rapturous series of Fast and Furious. There is no way to stand out. XL, on the other hand, had "cool" material, the "convenience" of working with a studio that is investing a lot of work on this Tomb Raider reboot and it delivers one of the worst works of his career. It's at least revolting. XD


Hybrid Soldier2018-03-11 16:16:12
Have you actually seen The Hurricane Heist ?

I have, 2 weeks ago, it's a pretty lame movie.


Lorne's score just does what's asked. I find the Brothers theme cool though... :)


mpolonest123 2018-03-11 16:27:43
@olive
The only reason I disagree is that the film (Tomb Raider) hasnít been released yet. The trailers look atrocious, and it definitely seems like the film isnít going to be any better, much like what happened with Assasins Creed. Hopefully itís good of course, but if it isnít at least we will get an idea of why the score sounds the way it does.

@rockhound
Iíll take a listen to Ironclad, you got me interested. And I do agree, I donít want to see any composer pigeonholed in one style. Itís just that Lorne is so great at working with that particular sound.


Olive2018-03-11 16:40:11
I know. But I'm referring to the material. As bad as the movie was, there was no way to do what he did. He did not even bother to create an exotic movie atmosphere that went beyond ethnic percussion. We have had previous films of the character and nothing has reached a point as low as what XL did. Another thing, not every bad movie has an obligation to have bad music. There are several examples out there. When this happens the composer clings more to the atmosphere of the film than the story itself. Pirate films, medieval wars, stereotyped archeologists and even bad fairy tales offer the composer the opportunity to work with a genre that opens many doors for creativity.


mpolonest123 2018-03-11 20:10:15
@olive
Exactly, some bad films have amazing scores (Chappie, Jupiter Ascending). So why do some bad films have awful score, like Tomb Raider or Hurricane Heist, when the composer has proven they can write excellent material for crap?

Trust me, itís not 100% the composers fault. Moreso what the director/producers demand for their films.


mpolonest123 2018-03-11 20:15:14
And can we please STOP acting like we arenít allowed to criticize! Iím one of the biggest Zimmer fanboys and even I will admit if I donít like something he did. Likewise if someone enjoys something universally hated, why canít they like it?

Example: Most people would disagree with me but I think The Social Network is a genius score. And I wouldnít argue if someone said they fucking hate it. Itís all personal preference.


MrZimmerFan2018-03-11 20:28:08
The only score i care from Reznor/Ross was Patriots Day, if it is that good

Ian reply Replies: 7 || 2018-03-11 02:16:36
I'm honestly not sure why this score is getting criticized so harshly. For context, I'm well aware Lorne recycles content (progressions, certain rhythms, etc) a ton - probably more than any RCP composer right now - but there's well enough original content to this for me to be genuinely impressed. I've listened to three full cues so far (the first, second, and last), and none of them have felt like obvious copies of existing work.


Andrew F2018-03-11 03:33:33
I agree - it seems some just want to bitch.They should shut up


Edmund Meinerts2018-03-11 12:10:18
Actually what we want is to have reasoned discussion and debate about music in which we are allowed to speak our minds and use arguments to back up our opinions. And since that's clearly not what you want, Andrew (or is it Andy? Andreas?), why don't you go start lorne-balfe.com instead where you can make all the no-criticisms-allowed rules you want, and see how well that goes.


Olive2018-03-11 16:52:28
Well, Tomb Raider, Wrinkle in The Time and ... Hurricane Heist are being criticized. The only one of the three that (MAYBE) may grow over time is "Wrinkle".


Olive2018-03-11 16:56:36
However I agree with @Ian that, in this case, we should be aware that the production of the film must have at least 65 percent of the responsability by the end result.


MrZimmerFan2018-03-11 17:58:16
I find Wrinkle a good score, but not too memorable and interesting. However, is true the worst of the three is Hurricane. And Tomb Raider, i liked it.


Olive2018-03-11 19:04:23
I find "Hurricane" less offensive than "Raider". My heart sank into a deep darkness with the first 4 tracks of "TR". But I'm okay with it now. ;)


MrZimmerFan2018-03-11 19:11:46
The problem isn't is offensive or not... ;D

Hurricane have is 'moments' (but I found MORE engaging Geostorm as for this type of score), but less interesting and very choppy and lazy. Tomb Raider (i am big fan of percussion, and maybe is for that) i founded more engaging, by myself. But that is maybe just me ;)

I am a guy who listen JFK by Williams and when i finish it, i put Unstoppable by HGW :p

FaresTdkr reply Replies: 0 || 2018-03-11 18:32:15
Come on people it just a movie and music it's not something that will make your life better (in the long term's) if you like it buy it if not keep it neither balfe nor production company need your love if the soundtrack did the job in movie balfe will tell you just "go F*** your S***, I get paid what you get?"...finally"who's am I to talk in the name of lorne":)

FaresTdkr reply Replies: 0 || 2018-03-11 11:55:00
Well am I hearing something from suicide squad by Steven price (track 1)..so far so good...

Mephariel reply Replies: 3 || 2018-03-10 07:41:57
Awful score. Balfe basically stitched together a bunch of RCP and Zimmer scores together and called it a day. I can even hear The Joker theme and Batman's two note theme...


MrZimmerFan2018-03-10 12:50:15
I put Geostorm instead


Anonymous2018-03-11 00:53:11
Of cause you do .Always a negative Lorne comment!


Olive2018-03-11 00:57:36
Add your own opinion here and care less about the criticism of others.

Olive reply Replies: 0 || 2018-03-11 00:54:09
This score is a middle ground between "Tomb Raider" and "Wrinkle in the Time". It is not bad or annoying as the first, but it is even less original than the second. It's not bad or good. It is uninspiring wallpaper. I hope better things with Uprising!

Hybrid Soldier reply Replies: 0 || 2018-03-09 23:27:29
... which is now solved...

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The Hurricane Heist soundtrack - Lorne Balfe 2018