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I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.<br><br>I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.
Damn I was hoping Zimmer, Giacchino or Kraemer would do this.Ha ha! Yes again and again ! This is excellent newsNOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(Hey, everybody!<br>Did you hear the news?<br>Check this out:<br>https://m.facebook.com/story.php?story_fbid=962210980613161& id=138474459653488Yes and no.<br><br>If we take into account that King Arthur is reminiscent of Crimson Tide, The Rock, The Peacemaker and Backdraft his contributions also pale because it is fair to say that King Arthur were based with the music of these films.
There's a video on YouTube. The video shows Howard Shore writing and conducting the music for the orchestra. The video also shows Howard Shore and Peter Jackson talking about the score. After that, Peter Jackson rejected the score writing one statement about that saying Howard and he discuss about the music many times, Howard recorded many cues but in the process Peter he wasnīt satisfied about the music. That thing created many discussions, they could not agree in terms of music so Peter fired Howard after that saying he prefered keep Howard as a friend. And then the hobbit came and the rest, well, the relation was not the same. <br><br>So there's like 50 to 70% percent of the music recorded by Howard Shore. He didn't finish the recordings, so, yes, there's a rejected score recorded. And then, James came aboard.Of course he's involved !Finally some news about this movie! I really hope Powell is involved because his scores for the first two moves are fantastic. I love them so much.Well "Prime" for TF2 is part of the main theme "Knights March" from King Arthur which Jablonsky co-composed so I really don't have a problem with a lot of the temps from King Arthur in Transformers. Specifically because Jablonsky did a lot of the main tracks for that score.Yeah, specially the "Prime" track from Transformers 2
Some of Transformers was temped from King Arthur.Thank you :D<br>indeed, Bumblebee has the same vibe with the orchestral and guitar sound, and I guess GoT was temp tooI was at a test screening for RUSH (sitting directly behind Ron Howard and Hans himself!) - and the entire film was heavily temped with Transformers. Specifically "Bumblebee", which opened and closed the film in a very powerful way. There was a lot more transformers throughout. <br><br>Powell's not mentioned in that article at all...but I think we can assume he will indeed be back.Powell is Back!!!<br>-https://www.empireonline.com/movies/train-dragon-hidden-wor ld/train-dragon-3-hidden-world/-
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Lorne BalfeMax ArujSteffen ThumQueenie Li
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Hurricane Heist
Label: Filmtrax (Digital Download Only)
Length: 42:05
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (281 votes)
  1. Hurricane Heist (4:13)
  2. Brothers (4:11)
  3. The Compound (4:07)
  4. In On It (2:10)
  5. Back In Utah (1:40)
  6. Tower Down (4:53)
  7. Follow Me (2:29)
  8. Twist Of Fate (2:22)
  9. The Garage (1:39)
  10. Take The Fight To Them (2:35)
  11. The Rutledge Boys Go To Work (3:11)
  12. The Chase (1:50)
  13. Final Showdown (3:45)
  14. The Storm (3:01)
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FaresTdkr reply Replies: 0 || 2018-03-13 14:31:23
Did you hear something from Divergent Triology by junkie XL and joseph trapense? I mean the Storm Track...

Guzz reply Replies: 0 || 2018-03-12 14:41:23
Lorne Balfe = Benicio del Toro?

superultramegaa reply Replies: 14 || 2018-03-11 01:51:20
Maybe Lorne should choose more projects like Ghost in the Shell. Something that allows him to incorporate more style and electronics, because these generic action movies are giving him nothing to work with. He seems to me like he would have been a great composer in the 80s. With synth mixed with a little bit of orchestral elements to give a more other worldly/ethereal feeling.

He should do more sci-fi video games and movies. That would probably allow him to incorporate that style more, and allow him to become more unique, and get away from Zimmer's shadow. Rather than copy RCP action music.


Peter2018-03-11 02:08:58
Iím totally confused with as a lover of the Media Ventures sound why does Balfe seems to get harsh criticism. It really seems there are a hand full of haters that seem to constantly wish to moan and bitch about him. Get over it idiots !!


Edmund Meinerts2018-03-11 12:03:22
Are we not allowed to be critical? Because if that's the case discussions are going to get very boring, very fast.


superultramegaa2018-03-11 13:35:42
My criticism wasn't harsh! I said I wanted him to get more projects that would allow his unique talents to shine through. I like Ghost in the Shell, and I think Lorne has a lot of potential with that type of score. That is all I'm saying! How in any way is this bitch and moaning? Because I'm not on my hands and knees saying, "Oh Balfe, you bless us with your godly talent! May we please wash your feet Mr. Balfe? You are a god to your people!"


Olive2018-03-11 14:35:54
The same for Holkenborg. Tomb Raider was a shameful score.


rockhound2018-03-11 14:56:49
I would like to hear the orchestral Lorne Balfe more often. IRONCLAD is his best so far. An orchestral/Synth Mix is nothing original anymore.


mpolonest123 2018-03-11 15:02:09
@rockhound
Have you not heard Beyond Two Souls or Blackwood? Lorne is probably one of the best when it comes to orchestral/synth mixes. The issue is when he works with directors with zero musical knowledge. Same with Junkie XL.


rockhound2018-03-11 15:15:52
I have both scores and i like them alot, but i dont want to hear just synth/orchestral scores. Ironclad was something unique for Lorne. I really wish he would compose more often in that style.


Olive2018-03-11 15:38:34
I dare say Holkenborg's mistake was much more glaring than Balfe's. Hurricane is a film derived from the rapturous series of Fast and Furious. There is no way to stand out. XL, on the other hand, had "cool" material, the "convenience" of working with a studio that is investing a lot of work on this Tomb Raider reboot and it delivers one of the worst works of his career. It's at least revolting. XD


Hybrid Soldier2018-03-11 16:16:12
Have you actually seen The Hurricane Heist ?

I have, 2 weeks ago, it's a pretty lame movie.


Lorne's score just does what's asked. I find the Brothers theme cool though... :)


mpolonest123 2018-03-11 16:27:43
@olive
The only reason I disagree is that the film (Tomb Raider) hasnít been released yet. The trailers look atrocious, and it definitely seems like the film isnít going to be any better, much like what happened with Assasins Creed. Hopefully itís good of course, but if it isnít at least we will get an idea of why the score sounds the way it does.

@rockhound
Iíll take a listen to Ironclad, you got me interested. And I do agree, I donít want to see any composer pigeonholed in one style. Itís just that Lorne is so great at working with that particular sound.


Olive2018-03-11 16:40:11
I know. But I'm referring to the material. As bad as the movie was, there was no way to do what he did. He did not even bother to create an exotic movie atmosphere that went beyond ethnic percussion. We have had previous films of the character and nothing has reached a point as low as what XL did. Another thing, not every bad movie has an obligation to have bad music. There are several examples out there. When this happens the composer clings more to the atmosphere of the film than the story itself. Pirate films, medieval wars, stereotyped archeologists and even bad fairy tales offer the composer the opportunity to work with a genre that opens many doors for creativity.


mpolonest123 2018-03-11 20:10:15
@olive
Exactly, some bad films have amazing scores (Chappie, Jupiter Ascending). So why do some bad films have awful score, like Tomb Raider or Hurricane Heist, when the composer has proven they can write excellent material for crap?

Trust me, itís not 100% the composers fault. Moreso what the director/producers demand for their films.


mpolonest123 2018-03-11 20:15:14
And can we please STOP acting like we arenít allowed to criticize! Iím one of the biggest Zimmer fanboys and even I will admit if I donít like something he did. Likewise if someone enjoys something universally hated, why canít they like it?

Example: Most people would disagree with me but I think The Social Network is a genius score. And I wouldnít argue if someone said they fucking hate it. Itís all personal preference.


MrZimmerFan2018-03-11 20:28:08
The only score i care from Reznor/Ross was Patriots Day, if it is that good

Ian reply Replies: 7 || 2018-03-11 02:16:36
I'm honestly not sure why this score is getting criticized so harshly. For context, I'm well aware Lorne recycles content (progressions, certain rhythms, etc) a ton - probably more than any RCP composer right now - but there's well enough original content to this for me to be genuinely impressed. I've listened to three full cues so far (the first, second, and last), and none of them have felt like obvious copies of existing work.


Andrew F2018-03-11 03:33:33
I agree - it seems some just want to bitch.They should shut up


Edmund Meinerts2018-03-11 12:10:18
Actually what we want is to have reasoned discussion and debate about music in which we are allowed to speak our minds and use arguments to back up our opinions. And since that's clearly not what you want, Andrew (or is it Andy? Andreas?), why don't you go start lorne-balfe.com instead where you can make all the no-criticisms-allowed rules you want, and see how well that goes.


Olive2018-03-11 16:52:28
Well, Tomb Raider, Wrinkle in The Time and ... Hurricane Heist are being criticized. The only one of the three that (MAYBE) may grow over time is "Wrinkle".


Olive2018-03-11 16:56:36
However I agree with @Ian that, in this case, we should be aware that the production of the film must have at least 65 percent of the responsability by the end result.


MrZimmerFan2018-03-11 17:58:16
I find Wrinkle a good score, but not too memorable and interesting. However, is true the worst of the three is Hurricane. And Tomb Raider, i liked it.


Olive2018-03-11 19:04:23
I find "Hurricane" less offensive than "Raider". My heart sank into a deep darkness with the first 4 tracks of "TR". But I'm okay with it now. ;)


MrZimmerFan2018-03-11 19:11:46
The problem isn't is offensive or not... ;D

Hurricane have is 'moments' (but I found MORE engaging Geostorm as for this type of score), but less interesting and very choppy and lazy. Tomb Raider (i am big fan of percussion, and maybe is for that) i founded more engaging, by myself. But that is maybe just me ;)

I am a guy who listen JFK by Williams and when i finish it, i put Unstoppable by HGW :p

FaresTdkr reply Replies: 0 || 2018-03-11 18:32:15
Come on people it just a movie and music it's not something that will make your life better (in the long term's) if you like it buy it if not keep it neither balfe nor production company need your love if the soundtrack did the job in movie balfe will tell you just "go F*** your S***, I get paid what you get?"...finally"who's am I to talk in the name of lorne":)

FaresTdkr reply Replies: 0 || 2018-03-11 11:55:00
Well am I hearing something from suicide squad by Steven price (track 1)..so far so good...

Mephariel reply Replies: 3 || 2018-03-10 07:41:57
Awful score. Balfe basically stitched together a bunch of RCP and Zimmer scores together and called it a day. I can even hear The Joker theme and Batman's two note theme...


MrZimmerFan2018-03-10 12:50:15
I put Geostorm instead


Anonymous2018-03-11 00:53:11
Of cause you do .Always a negative Lorne comment!


Olive2018-03-11 00:57:36
Add your own opinion here and care less about the criticism of others.

Olive reply Replies: 0 || 2018-03-11 00:54:09
This score is a middle ground between "Tomb Raider" and "Wrinkle in the Time". It is not bad or annoying as the first, but it is even less original than the second. It's not bad or good. It is uninspiring wallpaper. I hope better things with Uprising!

Hybrid Soldier reply Replies: 0 || 2018-03-09 23:27:29
... which is now solved...

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The Hurricane Heist soundtrack - Lorne Balfe 2018