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And if he will incorporate any music from the show/games....As someone who grew up with Pokťmon as a kid, I am super pumped to see how Jackman approaches this. Seeing how the marketing is skewing to 80ís music (and the visuals have that neon color scheme to match the noir tone) I wonder if this will be either be fully orchestral or synthesizered.Aviadable 3rd May<br><br>https://itunes.apple.com /es/album/pok%C3%A9mon-detective-pikachu-original- motion-picture-soundtrack/1460177128This CD contains music from 2 icelandic films Atli scored :<br><br>Blůūberg (2015) aka The Homecoming<br>Fyrir Framan Annaū Fůlk (2016) aka In Front Of OthersWaiting patiently for Disney to finally announce National Treasure 3? lol
Does anyone know what happened to Trevor Rabin, he hasn't scored anything for a few years nowYou did it for the complete, which is "illegal" and only available in certain circles, not the OST which is commercially available. I simply did what you could have done yourself easily but chose not to.Says the guy who took his intel from... me...Excuse me for doing the thing you didn't bother to do.Having an opinion is one thing. Not being intellectually able to express it without being rude & stupid is another thing. Once you find a way to combine the two, your comments will stay.<br><br>And Knight, just don't push it.
Hello all. My mother is a French horn player, and we are totally in love with Hans' score for Disney's "The Lone Ranger" (the best part of that film, if you ask me). I have searched for the horn sheet music for this, but can't seem to find anything...does anyone know where I might get it? Thanks much!!huh?1- Open - (Hans Zimmer 1:03) - (1:04 -2:27- Lorne Balfe), and continue Hans Zimmer music. 2:27-2:58Also calling jumanji (the one jackman scored) anything but a good film - is also illegal and gets your comment removedOkay, so doing the same stuff that Hybrid does is illegal here now. Cool
True, Mr. Tweedy. I don't know how involved Hans was with Now We Are Free, but he specifically talked about Up is Down at one point. And while he did give Henry Jackman credit for the penny whistle stuff, his comment was something like, "And Henry and I just jammed with the theme a bit after he came up with that idea" (unfortunately the link to the interview, on the POTC3 page here, is dead). So Up is Down sounds like a co-composition from the two. I wouldn't be surprised if it were the same way with Lorne Balfe and the Action Ice Theme. <br><br>But we'll never know. lol.I get what you're saying Mike, but much of the action material in the section you mentioned is just stylized versions of the Batman ostinato, and 2 giant chunks of the action music were used in the film. The section with the new "Rise" theme was used in the Batman & Catwoman tunnel fight, and "Backup" was used several times in the film, just not in that exact style. <br><br>The section after the stylized "Backup" sounds more like rejected Bane material to me, so I'm not entirely sure if that counts. I do agree however that Hans' new climactic version of the 2 note motif should have been included throughout the finale though. Would have resolved the film better than the recycled "LSI Extraction" bit.The "Up is Down" track from POTC3 is used in the "Live" concert as well and it was arranged by Henry Jackman.<br>"Now We Are Free" is in the concert as well and was mainly arranged by Klaus Badelt...@superultramegaa, <br><br>Most of the awesome action material in Moody Bruce, from 4:46-15:03, is unused. Also, the last 5 minutes, with Hans' epic new take on the 2-note Batman theme (which he adds a third note two and concludes in big style) is totally unused. <br><br>@anonymous,<br><br>I actually agree with the observations you're making. Lorne didn't write like that in 2008, really, and the suite does sound like Hans' music, even if I just argued that it's unlikely he'd go that musical direction for this movie. And Hybrid has said... it's his (Hybrid's) opinion. The suite may just be Hans, and Hybrid's not saying differently. Hybrid has even admitted he's been wrong on credits before, so it's not like he's saying these are "the facts." Now that I think about it, the suite was used in HZ Live, so that tells me Hans must have been involved in composing it. Because the concerts really gravitate toward Hans' personal work.If you watch it rightfull, this here is the second one
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Lorne BalfeMax ArujSteffen ThumQueenie Li
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Hurricane Heist
Label: Filmtrax (Digital Download Only)
Length: 42:05
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1021 votes)
  1. Hurricane Heist (4:13)
  2. Brothers (4:11)
  3. The Compound (4:07)
  4. In On It (2:10)
  5. Back In Utah (1:40)
  6. Tower Down (4:53)
  7. Follow Me (2:29)
  8. Twist Of Fate (2:22)
  9. The Garage (1:39)
  10. Take The Fight To Them (2:35)
  11. The Rutledge Boys Go To Work (3:11)
  12. The Chase (1:50)
  13. Final Showdown (3:45)
  14. The Storm (3:01)
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Jean-Luc reply Replies: 3 || 2018-05-28 17:45:22
Everyone I have a question for y'all! Do you think Lorne Balfe is a good composer for disaster movies or fits with action movies or other genre.


Edmund Meinerts2018-05-28 18:49:25
I actually think Balfe is better at lighter movies, animations and dramas than he is at action. He's also pretty good with futuristic synthy stuff. Wish he would use a real orchestra more often though.


Jean-Luc 2018-05-28 22:49:20
True!


Mike2018-05-28 23:08:58
He recorded the score in Vienna . So itís a real orchestra . Sounds real to me but what do I know !!

FaresTdkr reply Replies: 0 || 2018-03-13 14:31:23
Did you hear something from Divergent Triology by junkie XL and joseph trapense? I mean the Storm Track...

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Guzz reply Replies: 0 || 2018-03-12 14:41:23
Lorne Balfe = Benicio del Toro?

superultramegaa reply Replies: 14 || 2018-03-11 01:51:20
Maybe Lorne should choose more projects like Ghost in the Shell. Something that allows him to incorporate more style and electronics, because these generic action movies are giving him nothing to work with. He seems to me like he would have been a great composer in the 80s. With synth mixed with a little bit of orchestral elements to give a more other worldly/ethereal feeling.

He should do more sci-fi video games and movies. That would probably allow him to incorporate that style more, and allow him to become more unique, and get away from Zimmer's shadow. Rather than copy RCP action music.


Peter2018-03-11 02:08:58
Iím totally confused with as a lover of the Media Ventures sound why does Balfe seems to get harsh criticism. It really seems there are a hand full of haters that seem to constantly wish to moan and bitch about him. Get over it idiots !!


Edmund Meinerts2018-03-11 12:03:22
Are we not allowed to be critical? Because if that's the case discussions are going to get very boring, very fast.


superultramegaa2018-03-11 13:35:42
My criticism wasn't harsh! I said I wanted him to get more projects that would allow his unique talents to shine through. I like Ghost in the Shell, and I think Lorne has a lot of potential with that type of score. That is all I'm saying! How in any way is this bitch and moaning? Because I'm not on my hands and knees saying, "Oh Balfe, you bless us with your godly talent! May we please wash your feet Mr. Balfe? You are a god to your people!"


Olive2018-03-11 14:35:54
The same for Holkenborg. Tomb Raider was a shameful score.


rockhound2018-03-11 14:56:49
I would like to hear the orchestral Lorne Balfe more often. IRONCLAD is his best so far. An orchestral/Synth Mix is nothing original anymore.


mpolonest123 2018-03-11 15:02:09
@rockhound
Have you not heard Beyond Two Souls or Blackwood? Lorne is probably one of the best when it comes to orchestral/synth mixes. The issue is when he works with directors with zero musical knowledge. Same with Junkie XL.


rockhound2018-03-11 15:15:52
I have both scores and i like them alot, but i dont want to hear just synth/orchestral scores. Ironclad was something unique for Lorne. I really wish he would compose more often in that style.


Olive2018-03-11 15:38:34
I dare say Holkenborg's mistake was much more glaring than Balfe's. Hurricane is a film derived from the rapturous series of Fast and Furious. There is no way to stand out. XL, on the other hand, had "cool" material, the "convenience" of working with a studio that is investing a lot of work on this Tomb Raider reboot and it delivers one of the worst works of his career. It's at least revolting. XD


Hybrid Soldier2018-03-11 16:16:12
Have you actually seen The Hurricane Heist ?

I have, 2 weeks ago, it's a pretty lame movie.


Lorne's score just does what's asked. I find the Brothers theme cool though... :)


mpolonest123 2018-03-11 16:27:43
@olive
The only reason I disagree is that the film (Tomb Raider) hasnít been released yet. The trailers look atrocious, and it definitely seems like the film isnít going to be any better, much like what happened with Assasins Creed. Hopefully itís good of course, but if it isnít at least we will get an idea of why the score sounds the way it does.

@rockhound
Iíll take a listen to Ironclad, you got me interested. And I do agree, I donít want to see any composer pigeonholed in one style. Itís just that Lorne is so great at working with that particular sound.


Olive2018-03-11 16:40:11
I know. But I'm referring to the material. As bad as the movie was, there was no way to do what he did. He did not even bother to create an exotic movie atmosphere that went beyond ethnic percussion. We have had previous films of the character and nothing has reached a point as low as what XL did. Another thing, not every bad movie has an obligation to have bad music. There are several examples out there. When this happens the composer clings more to the atmosphere of the film than the story itself. Pirate films, medieval wars, stereotyped archeologists and even bad fairy tales offer the composer the opportunity to work with a genre that opens many doors for creativity.


mpolonest123 2018-03-11 20:10:15
@olive
Exactly, some bad films have amazing scores (Chappie, Jupiter Ascending). So why do some bad films have awful score, like Tomb Raider or Hurricane Heist, when the composer has proven they can write excellent material for crap?

Trust me, itís not 100% the composers fault. Moreso what the director/producers demand for their films.


mpolonest123 2018-03-11 20:15:14
And can we please STOP acting like we arenít allowed to criticize! Iím one of the biggest Zimmer fanboys and even I will admit if I donít like something he did. Likewise if someone enjoys something universally hated, why canít they like it?

Example: Most people would disagree with me but I think The Social Network is a genius score. And I wouldnít argue if someone said they fucking hate it. Itís all personal preference.


MrZimmerFan2018-03-11 20:28:08
The only score i care from Reznor/Ross was Patriots Day, if it is that good

Ian reply Replies: 7 || 2018-03-11 02:16:36
I'm honestly not sure why this score is getting criticized so harshly. For context, I'm well aware Lorne recycles content (progressions, certain rhythms, etc) a ton - probably more than any RCP composer right now - but there's well enough original content to this for me to be genuinely impressed. I've listened to three full cues so far (the first, second, and last), and none of them have felt like obvious copies of existing work.


Andrew F2018-03-11 03:33:33
I agree - it seems some just want to bitch.They should shut up


Edmund Meinerts2018-03-11 12:10:18
Actually what we want is to have reasoned discussion and debate about music in which we are allowed to speak our minds and use arguments to back up our opinions. And since that's clearly not what you want, Andrew (or is it Andy? Andreas?), why don't you go start lorne-balfe.com instead where you can make all the no-criticisms-allowed rules you want, and see how well that goes.


Olive2018-03-11 16:52:28
Well, Tomb Raider, Wrinkle in The Time and ... Hurricane Heist are being criticized. The only one of the three that (MAYBE) may grow over time is "Wrinkle".


Olive2018-03-11 16:56:36
However I agree with @Ian that, in this case, we should be aware that the production of the film must have at least 65 percent of the responsability by the end result.


MrZimmerFan2018-03-11 17:58:16
I find Wrinkle a good score, but not too memorable and interesting. However, is true the worst of the three is Hurricane. And Tomb Raider, i liked it.


Olive2018-03-11 19:04:23
I find "Hurricane" less offensive than "Raider". My heart sank into a deep darkness with the first 4 tracks of "TR". But I'm okay with it now. ;)


MrZimmerFan2018-03-11 19:11:46
The problem isn't is offensive or not... ;D

Hurricane have is 'moments' (but I found MORE engaging Geostorm as for this type of score), but less interesting and very choppy and lazy. Tomb Raider (i am big fan of percussion, and maybe is for that) i founded more engaging, by myself. But that is maybe just me ;)

I am a guy who listen JFK by Williams and when i finish it, i put Unstoppable by HGW :p

FaresTdkr reply Replies: 0 || 2018-03-11 18:32:15
Come on people it just a movie and music it's not something that will make your life better (in the long term's) if you like it buy it if not keep it neither balfe nor production company need your love if the soundtrack did the job in movie balfe will tell you just "go F*** your S***, I get paid what you get?"...finally"who's am I to talk in the name of lorne":)

FaresTdkr reply Replies: 0 || 2018-03-11 11:55:00
Well am I hearing something from suicide squad by Steven price (track 1)..so far so good...

Mephariel reply Replies: 3 || 2018-03-10 07:41:57
Awful score. Balfe basically stitched together a bunch of RCP and Zimmer scores together and called it a day. I can even hear The Joker theme and Batman's two note theme...


MrZimmerFan2018-03-10 12:50:15
I put Geostorm instead


Anonymous2018-03-11 00:53:11
Of cause you do .Always a negative Lorne comment!


Olive2018-03-11 00:57:36
Add your own opinion here and care less about the criticism of others.

Olive reply Replies: 0 || 2018-03-11 00:54:09
This score is a middle ground between "Tomb Raider" and "Wrinkle in the Time". It is not bad or annoying as the first, but it is even less original than the second. It's not bad or good. It is uninspiring wallpaper. I hope better things with Uprising!

Hybrid Soldier reply Replies: 0 || 2018-03-09 23:27:29
... which is now solved...

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The Hurricane Heist soundtrack - Lorne Balfe 2018