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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Matthew Margeson
Composer
Truth Or Dare
Label: Back Lot Music (Digital Download Only)
Length: 39:07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (804 votes)
  1. I Don’t Want To Play (1:06)
  2. Spring Break Packing (0:53)
  3. The Game (1:57)
  4. Follow The Rules (0:52)
  5. Break Olivia’s Hand (3:15)
  6. Markie’s Dad (1:40)
  7. Tyson’s Interview (3:29)
  8. Rooftop Truth Or Dare (5:44)
  9. Intruder (3:13)
  10. Olivia & Lucas (2:14)
  11. Inez (4:04)
  12. Olivia’s Secret (3:34)
  13. Return To Mission (4:37)
  14. The Game Will Never End (2:31)
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Knight reply Replies: 1 || 2019-04-24 14:33:31
Truth or Dare additional credits:

I DON'T WANT TO PLAY

Matthew Margeson, Daniel James

SPRING BREAK PACKING

Matthew Margeson, Jason Soudah

THE GAME

Matthew Margeson

FOLLOW THE RULES

Matthew Margeson

BREAK OLIVIA'S HAND

Matthew Margeson, Daniel James

MARKIE'S DAD

Matthew Margeson

TYSON'S INTERVIEW

Matthew Margeson, Andrew Kawczynski, Daniel James

ROOFTOP TRUTH OR DARE

Matthew Margeson

INTRUDER

Matthew Margeson, Daniel James

OLIVIA AND LUCAS

Matthew Margeson

INEZ

Matthew Margeson

OLIVIA'S SECRET

Matthew Margeson

RETURN TO MISSION

Matthew Margeson

THE GAME WILL NEVER END

Matthew Margeson

Credits taken from GEMA


Edmund Meinerts2019-04-29 08:06:43
GEMA was actually useful for something other than blocking a billion YouTube videos for once? I can't believe it.

Michael Fields reply Replies: 0 || 2018-08-09 13:29:03
MOVIE CREDITS:

Music By
MATTHEW MARGESON

Music Supervisor
SESSING MUSIC SERVICES

Music Editor
CATHERINE WILSON

Additional Music And Arrangements By
DANIEL JAMES
FABIO MARKS
JASON SOUDAH

Orchestra Conducted By
PETER PEJTSIK

Orchestra Recorded By
GABOR BUZCKO

Score Mixed By
ALAN MEYERSON

Score Mix Assistants
EVA REISTAD
DYLAN SHYKA

Score Technical Engineer
FABIO MARKS

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
JORDAN SIEGEL
SARAH LUTZ

Music Preparation
MARK CALLY

Orchestra Contractor
MIKLOS LUKACS

Librarian
ADRIENN LORINCZ

ProTools Engineer
MIKLOS LUKACS SR.

Score Recorded By
BUDAPEST ART ORCHESTRA
(EAST CONNECTION MUSIC RECORDING CO.)

Score Mixed At
REMOTE CONTROL PRODUCTIONS
SANTA MONICA, CA

Jack Afrogarrix 2018 reply Replies: 2 || 2018-04-15 15:15:57
Great Score from Matthew Margeson for his second horror film for blumhouse's Truth Or Dare directed by jeff Wadlow.
This score is very intense and keep you waiting for what Happened next.


MrZimmerFan2018-04-15 15:31:30
Bah, it was ok, nothing more.

I keeping listening Peter Rabbit, Rampage or Lost in Space


Edmund Meinerts2018-04-15 19:50:22
Afrogarrix has learned to not capitalize every single word in a sentence. Does this mean the machines are taking over??? I'm scared...

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Truth Or Dare soundtrack - Matthew Margeson 2018