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I love the score. It is action packed and to the point.<br><br>I saw his orchestra clips as well but I wonder why he actually spends the money and effort for orchestra when the end product sounds (as usually) 100 percent sample library. All the dynamics of real players are gone in the final mix so why bother with orchestra at all...I'm highly disappointed by the score... Lorne went the very easy way and recycled the MW2 score as well as the Mancina theme in almost every track. Like seriously... the only thing u here is MW2, Main Theme and lot of rustle-synth score. 1/10! No effort went in this score and I dont say that often.As for Ad Astra, unfortunately i can't hear anything from Ad Astra aswell :/ It's just MW2 mixed with Mancinas themes for me. And the cues from MW2, they aren't just drums, all the guitars, melodies, vibes, even the choir or the voices are included. The above mentioned cues from MW2 are not complete, there are plenty of them, but these will give you the idea of what we've mentioned. Again, i'm not mad, i'm happy that a wider audience can hear these cues, but then again, on MW2 they sounded better and fresher than on the BB3 score (i mean the quality of the recordings - you can hear the cues and instruments more directly. On the BB3 score it sounds like being in a bathroom hearing to the MW2 score). And as i said earlier, i would like to understand or know what Lorne thought about using all these cues. Time pressure? Unused opportunity for a wider audience? And then again that synth-sound even using a real orchestra :/@ Mr Tweedy:<br><br>MW2 has hundred of cues, which has all the special atmosphere and sound-effects, but try listen to these cues to understand what i and others mean:<br><br>- Guerilla Tactics <br>- Guerilla<br>- Contingency<br>- Breach<br>- Retreat and Reveille<br><br>Funny thing, play the cue "Guerilla Tactics" from MW2 and let Shazam try to find out what track that is. It shows me as "Lorne Balfe - We're Dangerous People" from BB3 :DI really like this score!<br>Sure he used Mancina's Theme, that's allright cool, I don't hear anything similar to Ad Astra....don't know why somebody compare this score with Ad Astra....<br>That MW2 sounds are very great, he don't copy himself, he just used the Drums, what's definitely be OK!!<br><br>I don't know why people always want to compare scores....Everybody use his own Temp Music sometimes, that's normal!
Please could you give me the exact name of the track from MW2 that is used in BB3? Iíd like to compare both!I love Lorneīs music and all, but I am genuinely wondering, why they decided to re-use MW2 so much in the scoreas for the drums, yes, i would understand. but the orchestra? you're recording the strings from a real orchestra, so why the downgrade in sound-quality?Because that parts are sampled drums and there are no real?i don't know what to think about the use of mw2. i mean, i love his work for mw2, it's TOO good to be just a score for a game, a wider audience should hear this, so i'm kind of happy to hear some parts of it here. BUT somehow, it's kind of a lazy move just to copy that 1:1. some cues are untouched and some cues are layered with some themes of mancina. i would be interested to know what was he thinking while doing this? <br><br>i followed his video uploads on his social media channels, where he showed some snippets of the orchestra and i truly loved that. but while hearing at the score, i'm dissappointed to hear the quality as it sounds like synth. i mean that typically Balfe synth sound quality. if he uses truly orchestra, than it's a shame and pitty that it sounds like synths in the end. he needs a better recording or mixing or whatever to get rid of that synth-quality-design and having the true-orchestra feeling
Mancina's theme + Ad Astra + MW:2= Bad boys for Life.Please enlighten me on how Bad Boys 3 sounds the same as Lego Batman or Genius: Picassowhy his music always sound the same...if he doesn't have time why he keep scoring more and more films per year? is it all about money?Modern Warfare 2 is a lot in the album!<br><br>- It's Good Shit Lieatenant<br>- We're Dangerous People<br>- What Else You Got (Bad Boys Remix)<br>- God's Gun (Bad Boys Remix)<br>- We Ride Together, We Die Together (Bad Boys Remix)We're Dangerous People
Call of the Wild coming by Hollywood Records, that means, digital.Bloodshoot coming from Sony ClassicalCan confirm is in the albumavailable in nz itunes store. on the cover its correct now....motion picture score.What was Hansí role in the treatment of Mantovaniís ďCharmaineĒ. It sounds like the original, but cleaner, clearer, & without the limitations of 50/60ís recording technology. Iíve been fascinated by this piece for 25+ years, as it seems almost a precursor to Jarre & even Zimmerís electronic music, while being entirely orchestral. Links to info appreciated.
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Matthew MargesonAndrew Kawczynski
ComposerAmbient Music Design
Truth Or Dare
Label: Back Lot Music (Digital Download Only)
Length: 39:07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (972 votes)
  1. I Donít Want To Play (1:06)
  2. Spring Break Packing (0:53)
  3. The Game (1:57)
  4. Follow The Rules (0:52)
  5. Break Oliviaís Hand (3:15)
  6. Markieís Dad (1:40)
  7. Tysonís Interview (3:29)
  8. Rooftop Truth Or Dare (5:44)
  9. Intruder (3:13)
  10. Olivia & Lucas (2:14)
  11. Inez (4:04)
  12. Oliviaís Secret (3:34)
  13. Return To Mission (4:37)
  14. The Game Will Never End (2:31)
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Knight reply Replies: 1 || 2019-04-24 14:33:31
Truth or Dare additional credits:

I DON'T WANT TO PLAY

Matthew Margeson, Daniel James

SPRING BREAK PACKING

Matthew Margeson, Jason Soudah

THE GAME

Matthew Margeson

FOLLOW THE RULES

Matthew Margeson

BREAK OLIVIA'S HAND

Matthew Margeson, Daniel James

MARKIE'S DAD

Matthew Margeson

TYSON'S INTERVIEW

Matthew Margeson, Andrew Kawczynski, Daniel James

ROOFTOP TRUTH OR DARE

Matthew Margeson

INTRUDER

Matthew Margeson, Daniel James

OLIVIA AND LUCAS

Matthew Margeson

INEZ

Matthew Margeson

OLIVIA'S SECRET

Matthew Margeson

RETURN TO MISSION

Matthew Margeson

THE GAME WILL NEVER END

Matthew Margeson

Credits taken from GEMA


Edmund Meinerts2019-04-29 08:06:43
GEMA was actually useful for something other than blocking a billion YouTube videos for once? I can't believe it.

Michael Fields reply Replies: 0 || 2018-08-09 13:29:03
MOVIE CREDITS:

Music By
MATTHEW MARGESON

Music Supervisor
SESSING MUSIC SERVICES

Music Editor
CATHERINE WILSON

Additional Music And Arrangements By
DANIEL JAMES
FABIO MARKS
JASON SOUDAH

Orchestra Conducted By
PETER PEJTSIK

Orchestra Recorded By
GABOR BUZCKO

Score Mixed By
ALAN MEYERSON

Score Mix Assistants
EVA REISTAD
DYLAN SHYKA

Score Technical Engineer
FABIO MARKS

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
JORDAN SIEGEL
SARAH LUTZ

Music Preparation
MARK CALLY

Orchestra Contractor
MIKLOS LUKACS

Librarian
ADRIENN LORINCZ

ProTools Engineer
MIKLOS LUKACS SR.

Score Recorded By
BUDAPEST ART ORCHESTRA
(EAST CONNECTION MUSIC RECORDING CO.)

Score Mixed At
REMOTE CONTROL PRODUCTIONS
SANTA MONICA, CA

Jack Afrogarrix 2018 reply Replies: 2 || 2018-04-15 15:15:57
Great Score from Matthew Margeson for his second horror film for blumhouse's Truth Or Dare directed by jeff Wadlow.
This score is very intense and keep you waiting for what Happened next.


MrZimmerFan2018-04-15 15:31:30
Bah, it was ok, nothing more.

I keeping listening Peter Rabbit, Rampage or Lost in Space


Edmund Meinerts2018-04-15 19:50:22
Afrogarrix has learned to not capitalize every single word in a sentence. Does this mean the machines are taking over??? I'm scared...

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Truth Or Dare soundtrack - Matthew Margeson 2018