NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I'd love to see Hans do another historical epic, for the record. I'm sure he'd say he's moved on from that sound, but personally, I miss it. That being said, Harry Gregson-Williams did good work here. Even if he then copied and pasted whole sections for Narnia. lol.Music editors loved their Gladiator temp too muchWhat was the reason of their swap? Why did Hans Zimmer quit Kigdom of HeavenHybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.
Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5
Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Canít insult me! I am genuinely curious. Whatís this about The Last Samurai???
I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :OCredits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Dominic LewisAl ClayJohn Ashton Thomas
ComposerMusic ProducerOrchestrator
Peter Rabbit
Label: Madison Gate Records (Digital Download Only)
Length: 30í23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (683 votes)
  1. Rascal Rebel Rabbit (1:53)
  2. The Tale Of Peter Rabbit (1:33)
  3. Mr. McGregorís Garden (1:41)
  4. The Jacket (1:25)
  5. Bunnies On Broomsticks (1:17)
  6. Dressing On The Side (0:57)
  7. Garden Games (1:51)
  8. Benji Recue (1:40)
  9. Wet Hare (0:57)
  10. Scuffling Scuttlebutts (1:31)
  11. Rabicide (1:09)
  12. Arms Up (2:07)
  13. Dies EARae (1:51)
  14. Wistful Windemere (1:25)
  15. Sawrey (1:36)
  16. Mission Impawsible (3:09)
  17. Bea (1:05)
  18. Hawkshead (1:49)
  19. 1902 (1:32)
Create Topic

Michael Fields reply Replies: 0 || 2018-08-09 06:29:00
MOVIE CREDITS:

Music By
DOMINIC LEWIS

Music Supervisor
WENDE CROWLEY

Music Editor
TIM RYAN

Score Mixed By
AL CLAY

Score Recorded By
EVAN McHUGH

Music Consultant
SHERRY WHITFIELD

Orchestra
THE SYDNEY SCORING ORCHESTRA

Pro Tools Operators
CRAIG BECKETT
ROSE MACKENZIE - PETERSON

Synth Programming
DANIEL FUTCHER

Music Copyist
JESSICA WELLS (JIGSAW MUSIC)

Orchestra Conducted By
BRETT KELLY

Choir Conducted By
LIZ SCOTT

Orhcestra Contractor
ALEX HENERY

Music Production Services
ELAINE BECKETT
LUIZ AUGUSTO BUFF

Music Clearances Australia
KIM GREEN

Score Recorded At
THE SIMON LEADLEY SCORING STAGE;
THE STUDIO, TRACKDOWN STUDIOS

"SMALL AS YOUR DREAMS"
Written By
WILL GLUCK
THEODORE SHAPIRO

Produced By
DOMINIC LEWIS

Performed By
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETCHER SHERIDAN

"STEAL MY SUNSHINE" (PETER RABBIT 2018 FILM VERSION)"
Written By
MARC COSTANZO
PETER DIAMOND

Performed By
LEN
Courtesy Of
EMI ENTERTAINMENT WORLD, INC.

Additional Vocals By
SHANE HALLIGAN
KATHERINE HOYE

"REMEMBER THE NAME (PETER RABBIT 2018 FILM VERSION)"
Written By
MIKE SHINODA
RYAN MAGINN
TAKHIR BASHIR

Performed By
FORT MINOR
Courtesy Of
WARNER MUSIC AUSTRALIA PTY LIMITED

Additional Vocals By
JACK DOLMAN
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETHCER SHERIDAN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
DOMINIC LEWIS

Performed By
SHANE HALLIGAN
KATHERINE HOYE
FLETCHER SHERIDAN
CHRIS MANN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN

Performed By
JAMES CORDEN

"I PROMISE YOU (EZRA'S DEMO)"

Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN
EZRA KOENIG

Performed By
EZRA KOENIG

Ezra Koenig Appears Courtesy Of
COLUMBIA RECORDS

MrZimmerFan reply Replies: 0 || 2018-08-08 21:06:44
Sony Classical will released Goosebumps 2 this October

Luke reply Replies: 1 || 2018-04-16 10:57:06
This is such an adventurous, boisterous and charming score by Dom!
IMO he topped Free Birds with this one (and I thought Free Birds was one of the best RCP animated scores ever, apart from the terrible fuzz and distortion that plagued a number of tracks, especially the last third of the album).
So happy to finally have a Dom Lewis score released; it's been a while.
SIDE NOTE: Hybrid, do you know why Dom's previous 3 or 4 scores (I'm talking Fist Fight, Rough Night, DuckTales, etc.) haven't had releases?


Hybrid Soldier2018-04-16 19:33:41
Because they are very short scores (for Fist Fight & Rough Night) with lots of short cues, transitions between songs... Not much interesting as a score release...

 HANS-ZIMMER.com© 2001-2018 OST 
Peter Rabbit soundtrack - Dominic Lewis 2018