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me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.
Cuesheet is blank.oh yes please, including Balfe - dont start yelling, Im just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As youve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is We Strike First.@Edmund<br>I cant agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. Im not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which Im not crazy about, tried something new. <br><br>Another BIG issue Ive noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
Just want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.whats the name of the song being played in this trailer?<br>is it available onlineThis is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.
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Dominic LewisAl ClayJohn Ashton Thomas
ComposerMusic ProducerOrchestrator
Peter Rabbit
Label: Madison Gate Records (Digital Download Only)
Length: 3023
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (857 votes)
  1. Rascal Rebel Rabbit (1:53)
  2. The Tale Of Peter Rabbit (1:33)
  3. Mr. McGregors Garden (1:41)
  4. The Jacket (1:25)
  5. Bunnies On Broomsticks (1:17)
  6. Dressing On The Side (0:57)
  7. Garden Games (1:51)
  8. Benji Recue (1:40)
  9. Wet Hare (0:57)
  10. Scuffling Scuttlebutts (1:31)
  11. Rabicide (1:09)
  12. Arms Up (2:07)
  13. Dies EARae (1:51)
  14. Wistful Windemere (1:25)
  15. Sawrey (1:36)
  16. Mission Impawsible (3:09)
  17. Bea (1:05)
  18. Hawkshead (1:49)
  19. 1902 (1:32)
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Michael Fields reply Replies: 0 || 2018-08-09 06:29:00
MOVIE CREDITS:

Music By
DOMINIC LEWIS

Music Supervisor
WENDE CROWLEY

Music Editor
TIM RYAN

Score Mixed By
AL CLAY

Score Recorded By
EVAN McHUGH

Music Consultant
SHERRY WHITFIELD

Orchestra
THE SYDNEY SCORING ORCHESTRA

Pro Tools Operators
CRAIG BECKETT
ROSE MACKENZIE - PETERSON

Synth Programming
DANIEL FUTCHER

Music Copyist
JESSICA WELLS (JIGSAW MUSIC)

Orchestra Conducted By
BRETT KELLY

Choir Conducted By
LIZ SCOTT

Orhcestra Contractor
ALEX HENERY

Music Production Services
ELAINE BECKETT
LUIZ AUGUSTO BUFF

Music Clearances Australia
KIM GREEN

Score Recorded At
THE SIMON LEADLEY SCORING STAGE;
THE STUDIO, TRACKDOWN STUDIOS

"SMALL AS YOUR DREAMS"
Written By
WILL GLUCK
THEODORE SHAPIRO

Produced By
DOMINIC LEWIS

Performed By
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETCHER SHERIDAN

"STEAL MY SUNSHINE" (PETER RABBIT 2018 FILM VERSION)"
Written By
MARC COSTANZO
PETER DIAMOND

Performed By
LEN
Courtesy Of
EMI ENTERTAINMENT WORLD, INC.

Additional Vocals By
SHANE HALLIGAN
KATHERINE HOYE

"REMEMBER THE NAME (PETER RABBIT 2018 FILM VERSION)"
Written By
MIKE SHINODA
RYAN MAGINN
TAKHIR BASHIR

Performed By
FORT MINOR
Courtesy Of
WARNER MUSIC AUSTRALIA PTY LIMITED

Additional Vocals By
JACK DOLMAN
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETHCER SHERIDAN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
DOMINIC LEWIS

Performed By
SHANE HALLIGAN
KATHERINE HOYE
FLETCHER SHERIDAN
CHRIS MANN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN

Performed By
JAMES CORDEN

"I PROMISE YOU (EZRA'S DEMO)"

Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN
EZRA KOENIG

Performed By
EZRA KOENIG

Ezra Koenig Appears Courtesy Of
COLUMBIA RECORDS

MrZimmerFan reply Replies: 0 || 2018-08-08 21:06:44
Sony Classical will released Goosebumps 2 this October

Luke reply Replies: 1 || 2018-04-16 10:57:06
This is such an adventurous, boisterous and charming score by Dom!
IMO he topped Free Birds with this one (and I thought Free Birds was one of the best RCP animated scores ever, apart from the terrible fuzz and distortion that plagued a number of tracks, especially the last third of the album).
So happy to finally have a Dom Lewis score released; it's been a while.
SIDE NOTE: Hybrid, do you know why Dom's previous 3 or 4 scores (I'm talking Fist Fight, Rough Night, DuckTales, etc.) haven't had releases?


Hybrid Soldier2018-04-16 19:33:41
Because they are very short scores (for Fist Fight & Rough Night) with lots of short cues, transitions between songs... Not much interesting as a score release...

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Peter Rabbit soundtrack - Dominic Lewis 2018