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Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.Is this cd of the complete score available for purchase somewhere?
I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>
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Dominic LewisAl ClayJohn Ashton Thomas
ComposerMusic ProducerOrchestrator
Peter Rabbit
Label: Madison Gate Records (Digital Download Only)
Length: 30’23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (670 votes)
  1. Rascal Rebel Rabbit (1:53)
  2. The Tale Of Peter Rabbit (1:33)
  3. Mr. McGregor’s Garden (1:41)
  4. The Jacket (1:25)
  5. Bunnies On Broomsticks (1:17)
  6. Dressing On The Side (0:57)
  7. Garden Games (1:51)
  8. Benji Recue (1:40)
  9. Wet Hare (0:57)
  10. Scuffling Scuttlebutts (1:31)
  11. Rabicide (1:09)
  12. Arms Up (2:07)
  13. Dies EARae (1:51)
  14. Wistful Windemere (1:25)
  15. Sawrey (1:36)
  16. Mission Impawsible (3:09)
  17. Bea (1:05)
  18. Hawkshead (1:49)
  19. 1902 (1:32)
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Michael Fields reply Replies: 0 || 2018-08-09 06:29:00
MOVIE CREDITS:

Music By
DOMINIC LEWIS

Music Supervisor
WENDE CROWLEY

Music Editor
TIM RYAN

Score Mixed By
AL CLAY

Score Recorded By
EVAN McHUGH

Music Consultant
SHERRY WHITFIELD

Orchestra
THE SYDNEY SCORING ORCHESTRA

Pro Tools Operators
CRAIG BECKETT
ROSE MACKENZIE - PETERSON

Synth Programming
DANIEL FUTCHER

Music Copyist
JESSICA WELLS (JIGSAW MUSIC)

Orchestra Conducted By
BRETT KELLY

Choir Conducted By
LIZ SCOTT

Orhcestra Contractor
ALEX HENERY

Music Production Services
ELAINE BECKETT
LUIZ AUGUSTO BUFF

Music Clearances Australia
KIM GREEN

Score Recorded At
THE SIMON LEADLEY SCORING STAGE;
THE STUDIO, TRACKDOWN STUDIOS

"SMALL AS YOUR DREAMS"
Written By
WILL GLUCK
THEODORE SHAPIRO

Produced By
DOMINIC LEWIS

Performed By
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETCHER SHERIDAN

"STEAL MY SUNSHINE" (PETER RABBIT 2018 FILM VERSION)"
Written By
MARC COSTANZO
PETER DIAMOND

Performed By
LEN
Courtesy Of
EMI ENTERTAINMENT WORLD, INC.

Additional Vocals By
SHANE HALLIGAN
KATHERINE HOYE

"REMEMBER THE NAME (PETER RABBIT 2018 FILM VERSION)"
Written By
MIKE SHINODA
RYAN MAGINN
TAKHIR BASHIR

Performed By
FORT MINOR
Courtesy Of
WARNER MUSIC AUSTRALIA PTY LIMITED

Additional Vocals By
JACK DOLMAN
KATHERINE HOYE
JESSICA FRIEDMAN
CHAD C. REISSER
FLETHCER SHERIDAN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
DOMINIC LEWIS

Performed By
SHANE HALLIGAN
KATHERINE HOYE
FLETCHER SHERIDAN
CHRIS MANN

"I PROMISE YOU"
Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN

Performed By
JAMES CORDEN

"I PROMISE YOU (EZRA'S DEMO)"

Written By
EZRA KOENIG
WILL GLUCK

Produced By
GREG KURSTIN
EZRA KOENIG

Performed By
EZRA KOENIG

Ezra Koenig Appears Courtesy Of
COLUMBIA RECORDS

MrZimmerFan reply Replies: 0 || 2018-08-08 21:06:44
Sony Classical will released Goosebumps 2 this October

Luke reply Replies: 1 || 2018-04-16 10:57:06
This is such an adventurous, boisterous and charming score by Dom!
IMO he topped Free Birds with this one (and I thought Free Birds was one of the best RCP animated scores ever, apart from the terrible fuzz and distortion that plagued a number of tracks, especially the last third of the album).
So happy to finally have a Dom Lewis score released; it's been a while.
SIDE NOTE: Hybrid, do you know why Dom's previous 3 or 4 scores (I'm talking Fist Fight, Rough Night, DuckTales, etc.) haven't had releases?

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Hybrid Soldier2018-04-16 19:33:41
Because they are very short scores (for Fist Fight & Rough Night) with lots of short cues, transitions between songs... Not much interesting as a score release...

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Peter Rabbit soundtrack - Dominic Lewis 2018