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Are you sure Jackmans been removing the electronics from his music, or just from his albums?<br><br>Civil War was noticeably different, if you compare the OST to what you heard in the movie.Hybrid said there was some sort of legal issue that came up which prevented use of the samples or something like that.Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely...Is it me or are none of the soundtracks on the website showing the sample tracks that you could listen to anymore?Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu?  I wonder what the film soundtrack would sound like.  Hmm...
I think that Howard´s style of music doesn´t really fit to the post apocalyptic genreFor a Peter Jackson production I was expecting Howard Shore.I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?
That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>
Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)
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Ramin DjawadiBrandon Campbell
ComposerAdditional Music
Westworld (TV Series - Season 2)
Label: WaterTower Music
Length: 99'16
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (470 votes)
  1. Main Title Theme - Westworld (1:41)
    Ramin Djawadi
  2. Journey Into Night (5:29)
    Ramin Djawadi
  3. Runaway (2:48)
    Ramin Djawadi (Kanye West)
  4. Myself (4:02)
    Ramin Djawadi
  5. The Entertainer (1:06)
    Ramin Djawadi (Scott Joplin)
  6. Is This Now? (4:23)
    Ramin Djawadi
  7. Seven Nation Army (2:12)
    Ramin Djawadi (The White Stripes)
  8. The Raj (2:47)
    Ramin Djawadi
  9. Les Écorchés (4:12)
    Ramin Djawadi
  10. Heart-Shaped Box (Orchestral) (3:24)
    Ramin Djawadi (Nirvana)
  11. Akane No Mai (3:33)
    Ramin Djawadi
  12. Paint It, Black (5:42)
    Ramin Djawadi (The Rolling Stones)
  13. C.R.E.A.M. (1:46)
    Ramin Djawadi (Wu-Tang Clan)
  14. Virtù E Fortuna (2:18)
    Ramin Djawadi
  15. A New Voice (3:30)
    Ramin Djawadi
  16. Kiksuya (3:23)
    Ramin Djawadi
  17. I Remember You (5:22)
    Ramin Djawadi
  18. Heart-Shaped Box (Piano) (1:57)
    Ramin Djawadi (Nirvana)
  19. Take My Heart When You Go (4:10)
    Ramin Djawadi
  20. Virus (2:52)
    Ramin Djawadi
  21. My Favorite (3:35)
    Ramin Djawadi
  22. Vanishing Point (3:01)
    Ramin Djawadi
  23. My Speech (1:17)
    Ramin Djawadi
  24. A Passage To Another World (4:14)
    Ramin Djawadi
  25. I Promise (4:34)
    Ramin Djawadi
  26. Core Drive (3:53)
    Ramin Djawadi
  27. Westworld (5:21)
    Ramin Djawadi
  28. Codex (3:34)
    Ramin Djawadi (Radiohead)
  29. We'll Meet Again (3:10)
    Ramin Djawadi
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Dark Knight reply Replies: 2 || 2018-08-25 00:46:33
Is there any chance of the complete score ever releasing? There's so much beautiful stuff missing. Like that "full of splendor" scene in episode 2 which gives serious blade runner vibes. Also the music in "vanishing point" when William is confessing to his wife


...2018-10-16 11:01:58
Beware spoilers:

Yes! I really want the missing music in Vanishing Point. Also, the end variation of the Dr. Ford theme when William rides away after the confederates battle and first sees his daughter. Another one would be the variation of the Sweetwater theme when we see the village in Shogun world. And the music when the train drives into the Mesa, the Dolores and Teddy love scene music and more variations of the Dolores theme which we hear in the second part of "Myself" on the album.


...2018-10-16 11:11:30
and the missing music when Clementine rides to the Passage in episode 10, where everybody starts fighting each other. I can't understand why this isn't on the album. The theme is slightly hinted in the first part of vanishing point I think but in a much softer and slower version.

Anonymous reply Replies: 0 || 2018-08-18 18:54:43
The development of the music in season 2 is great.
Love the Westworld suite, a lot of Person of Interest in this cue :)
Listening With A Million Ears In the West :)

Frank reply Replies: 0 || 2018-07-12 19:09:47
Congrats to Ramin for 2 well-deserved Emmy nominations! Hope he can finally take it home this year

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David reply Replies: 1 || 2018-07-02 22:40:06
Love it! Thanks for also including the artists who are covered here!


Andreas2018-07-03 08:35:20
Wondering why the version of Codex on the album is not used in the show itself... instead they used the actual song. Was this cue originally going to be used then ?

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Westworld (TV Series - Season 2) soundtrack - Ramin Djawadi 2018