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would love to help out, but the video/track is blocked :/Think about Gemini Man, the score come out the same day as the movie (in that case, 11th October), and the details come the same week.<br><br>We'll likely get final details towards the end of the week or early next week. I guess I'm just a little surprised that it's taken this long. The movie had surprise screenings either yesterday or the day before, so it seems like everything's pretty final.Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0
But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :PThanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the score
Tom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>
Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?
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Harry Gregson-WilliamsStephanie EconomouJustin Burnett
ComposerAdditional MusicAdditional Music
The Equalizer 2
Label: Sony Classical
Length: 42'25
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (825 votes)
  1. McCall's Return (4:39)
    Harry Gregson-Williams, Stephanie Economou
  2. Boston By Day (1:19)
    Harry Gregson-Williams
  3. Boston By Night (1:24)
    Harry Gregson-Williams
  4. Five Stars For Amy (2:31)
    Harry Gregson-Williams, Stephanie Economou
  5. Stories Of Sorrow (2:34)
    Harry Gregson-Williams, Stephanie Economou
  6. McCall Mourns Susan (1:56)
    Harry Gregson-Williams
  7. Destroying The Evidence (3:47)
    Harry Gregson-Williams
  8. Five Pounds Of Pressure (3:38)
    Harry Gregson-Williams
  9. The Confession (5:49)
    Harry Gregson-Williams
  10. Behind The Bookcase (4:25)
    Harry Gregson-Williams, Justin Burnett
  11. The Bridge (2:43)
    Harry Gregson-Williams
  12. Storm Hunt (2:49)
    Harry Gregson-Williams, Stephanie Economou
  13. Top Of The Tower (3:19)
    Harry Gregson-Williams
  14. "Who Are You?" (1:35)
    Harry Gregson-Williams
Create Topic

Kullebra reply Replies: 4 || 2018-07-11 05:44:53
Here’s the album track list:

1. McCall’s Return
2. Boston By Day
3. Boston By Night
4. Five Stars for Amy
5. Stories of Sorrow
6. McCall Mourns Susan
7. Destroying the Evidence
8. Five Pounds of Pressure
9. The Confession
10. Behind the Bookcase
11. The Bridge
12. Storm Hunt
13. Top of the Tower
14. “Who Are You?”


Meta2018-07-16 03:14:48
Totally phoned in...I got nothing from this...


Josiah2018-08-15 06:27:00
Did you just copied and paste the tracklist above? lmao


Edmund Meinerts2018-08-15 09:58:22
He posted it before this site added the tracklist.


Josiah2018-08-16 07:25:13
Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guess

Jack Afrogarrix 2018 reply Replies: 0 || 2018-07-16 03:55:38
Music By Harry Gregson-Williams
Additional Music By Stephanie Economou
Music Supervisor By Jabari Ali

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The Equalizer 2 soundtrack - Harry Gregson-Williams 2018