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He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.
Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronics
So I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.
The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more. <br><br>But hey maybe he just doesn't wanna do that crap anymore...so..eh.Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?Imperial March and Luke's theme are in it!Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.Tracklist:<br><br>01. Imagine Dragons – Zero (3:32)<br>02. Sarah Silverman, Gal Gadot, Cast – Ralph Breaks the Internet – A Place Called Slaughter Race (3:28)<br>03. Julia Michaels – In This Place (3:21)<br>04. Karol Sevilla – El lugar (3:21)<br>05. Best Friends (2:53)<br>06. Circuit Breaker (2:22)<br>07. Pulling the Plug (1:14)<br>08. On the Rooftop (1:04)<br>09. The Big Idea (1:16)<br>10. The Internet (2:47)<br>11. KnowsMore & Spamley (1:18)<br>12. Site Seeing (1:30)<br>13. Checkout Fiasco (1:33)<br>14. Get Rich Quick (1:43)<br>15. Shank (3:03)<br>16. Hangin’ Out (1:03)<br>17. BuzzzTube (1:42)<br>18. Overnight Sensation (2:52)<br>19. Separate Ways (1:04)<br>20. Vanellope’s March (0:46)<br>21. Desperate Measures (1:20)<br>22. Don’t Read the Comments (1:49)<br>23. Growing Pains (1:35)<br>24. Double Dan (3:36)<br>25. Scanning for Insecurities (1:54)<br>26. Breaking Up (2:46)<br>27. Replicate-It-Ralph (1:21)<br>28. Operation Pied Piper (2:38)<br>29. Kling Kong (3:39)<br>30. The Meaning of Friendship (2:16)<br>31. A Big Strong Man in Need of Rescuing (1:55)<br>32. Letting Go (1:49)<br>33. Comfort Zone (1:33)<br>34. Worlds Apart (1:22)<br>35. Alan Menken, Phil Johnston, Tom MacDougall – A Place Called Slaughter Race (Instrumental) (3:28)<br>36. Alan Menken, Phil Johnston, Tom MacDougall – In This Place (Instrumental) (3:20)
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Harry Gregson-WilliamsStephanie EconomouMalcolm LukerJon Monroe
ComposerAdditional MusicMusic Scoring MixerMusician
Breath
Label: Filmtrax Ltd (Digital Download Only)
Length: 48'33
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (511 votes)
  1. In The River (1:41)
  2. Restless (1:16)
  3. First Waves (2:15)
  4. Styrofoam Boards (1:29)
  5. Outside Sawyer Point (3:23)
  6. Dancing On Water (1:33)
  7. Going Home (0:54)
  8. A Different Life (1:58)
  9. Appointment Undisclosed (3:09)
  10. Diving (1:55)
  11. Beneath The Surface (2:02)
  12. Old Smokey (2:43)
  13. ''Go, Pikelet!'' (2:49)
  14. Loonie Did It Harder (1:28)
  15. The Nautilus (3:34)
  16. After The Waves (1:54)
  17. The Social (1:34)
  18. ''You're Different'' (3:35)
  19. Breath (2:23)
  20. ''It's Not For Me'' (6:58)
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MrZimmerFan reply Replies: 0 || 2018-07-29 09:39:21
Harry confirm, through Facebook, the release of The Meg by Watertower.

MrZimmerFan reply Replies: 2 || 2018-06-25 11:10:56
The Equalizer 2 getting release by Sony Classical


Jean-Luc 2018-06-27 00:28:30
That's a great news! It would be same track numbers like 12 songs from equalizer first,one or more songs than the first one?


MrZimmerFan2018-06-27 17:03:36
No details for the moment, only the label

Iamtommie reply Replies: 3 || 2018-05-25 23:14:30
It's a beautiful score. Already curious as to what he brings with The Meg


Phil2018-05-26 14:51:06
woow! love it


Felix2018-05-26 17:04:59
I LOVE IT!!


Kullebra2018-05-30 09:55:47
Beautiful music.

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Breath soundtrack - Harry Gregson-Williams 2018