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MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian: JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian: JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian: JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.
GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CAMOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YEN
MOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)
mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.And as far Zimmer scores that I don’t like for the most part, there is a small handful (Madagascar, MI2, etc.)That’s completely fair, and I honestly couldn’t defend this score and be genuine about it. I think it does help that I love this movie (despite being hard to watch) and have come to associate the music with it so much. Still, I can’t lie that I find portions of it to be incredibly effective, even when the music does become solely ambient. In terms of listenability/originality the best cue is, ironically, the 24-second “Washington” cue.<br><br>I would kill to know what Zimmer personally thinks of this score. I’m sure he had a great working relationship with Steve, hence him working on “Windows”, but I’m sure the temptrack must have been murder on his creativity...This is my least favorite Zimmer score, actually. Or else the one that I feel has the least going for it; I guess it doesn't make me mad like On Stranger Tides, but at the same time it lacks anything even remotely compelling. "Boat Trip to New Orleans" is the only halfway interesting cue and even then I don't really like to listen to it much. The experimental parts aren't interesting experiments (ooh...clapping...wow), and the Journey to the Line stuff is just tired and bland (on top of being super derivative). I get that it works in the movie or whatever but if I had a gun to my head with orders to delete one Hans score from my library and never listen to it again, I'm pretty sure this would be the one I'd go for.
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John PowellBatu SenerJohn Traunwieser
ComposerAdditional OrchestratorMusic Scoring Mixer
Hubris - Choral Works (Album)
Label: 5 Cat Studios
Length: 58'17
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (397 votes)
  1. The Prize Is Still Mine (14:29)
  2. A Prussian Requiem - I. Introduction To Moltke - II. The March (4:50)
  3. A Prussian Requiem - III. Beware The Bear (2:06)
  4. A Prussian Requiem - IV. We, The Glorious Dead - V. Easy (6:27)
  5. A Prussian Requiem - VI. The Papers Of Peace - VII. Let The Rails Roll - VIII. Victory Is Ours (9:32)
  6. A Prussian Requiem - IX. My Reasoning (3:32)
  7. A Prussian Requiem - X. The Gift (9:51)
  8. Requiem Addendum (7:26)
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Holygreg reply Replies: 0 || 2018-06-16 10:00:27
It sounds great ! I think I will listen to the CD after the hamburg concert, to keep the surprise, because they will play some cues there !

Are some french JP fans going to Hamburg next week ? It would be great to have a beer and talk about film music !

Nicolas, Webmaster reply Replies: 2 || 2018-06-15 15:33:13
This would be really nice that as the release is only available for download, we had the choice to download it in a better quality than the CD itself. We have no material piece in the hands, at least we would like to have such a contentment. I do have no action in Qobuz, but that should be a mandatory place for a download only music, for music lovers who like pure instrumental music. ;)
I'll be waiting for it !

Nicolas, Webmaster2018-06-15 19:50:44
Hubris: Choral Works by John Powell is now available to stream worldwide on all digital platforms! &#128526;

Also available to download in 192k/24bit high-resolution from johnpowellmusic .com
CDs on https ://bit.ly/2lcQ5Ig :) and coming soon to Amazon and other retailers!

Thank you, everyone, who was a part of this record!
Enjoy &#127926;&#127930;

Nicolas, Webmaster2018-06-15 19:51:52
John just precised this point, i was just too impatient ;)

Iamtommie reply Replies: 0 || 2018-06-15 12:08:07
This album is absolutley wonderful!. I loved every second of it. I adore choirs in film music and an album like this is a very welcome treat!

Great job, Mr. Powell
10/10

Berkian Warrior reply Replies: 2 || 2018-05-29 22:54:45
Why are the ratings so low from fans? Has this even been released yet?

Joanne2018-06-05 05:54:22
Not yet. Release date in mid June.

Berkian Warrior2018-06-05 22:47:00
Then how can it have bad ratings without even being listened to yet

Powellfan reply Replies: 1 || 2018-05-29 16:38:35
Never got straight what exactly an orchestrator does in such a context; maybe that's why I'm a bit surprised to see one on this album.

It seemed more like Powell's pet project than a produced thing.

ThePhantasm 2018-05-29 17:12:00
I've been wondering that myself.

Hybrid Soldier reply Replies: 2 || 2018-05-27 10:49:05
More Powell !

Iamtommie2018-05-27 11:09:02
Great!! Very big Powell fan!!!

Edmund Meinerts2018-05-27 18:16:19
Jesus! Two Powell albums in less than a month. What a time to be alive. :O

So glad this is finally getting a release!
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Hubris - Choral Works (Album) soundtrack - John Powell 2018