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Rona ma Africa<br>Ratang ka kopano<br>Batho ba Africa<br>Ngothando<br>Sizongoba<br>Ma AfricaAlso, i saw Tomb Raider... it was OKI don't Mad Max as score was great, i enjoyed few tracks, but not much neither. Also that too for Deadpool, the main theme is kinda good, the rest is forgettable.oof...if you "can't wait any longer!" then stop waiting and shut up about it. Convenient indeed :P
@Edmund<br>I think one of the key problems is that he seems to pick the shittiest films to work on. Point Break, Dark Tower, Tomb Raider, etc. <br>But then we get Black Mass, Brimstone, and Mad Max, all excellent scores/films. And I know the quality of the film doesnít need impact the quality of the score but JXL obviously is pigeonholed as an action/electronics composer. I would love to hear him expand his range and work on scores outside of the action genre. Much like how Hans does a number of different scores.<br><br>Imagine a Junkie XL comedy or romantic drama!Nevermind found it on youtube. Well how convenientI wasn't yelling at the site workers. How has this been out. I have  looked all over youtube and the internet and I can't find it. Can you kindly point me to where I can listen/download it??I wasn't a huge fan of Mad Max in the first place, but I'm increasingly convinced that it was the peak of Mr. XL's powers as a film composer.Itís funny you say that, in The Dark Tower there is an amazing string section at the opening of ďDeath Always WinsĒ (which was cut out of the film of course) that lasts maybe 10 seconds and is probably the highlight of the score for me.<br><br>As for Tomb Raider, Iíve tried revisiting it in the past few days to see if I would like it better.<br>No.<br>Almost everything about this score is functional at best, undeveloped at worst. Itís almost as if long sections go by with only sound design, just to have a burst of drums or orchestra, then back to sound design. And yes, I know Mad Max was the same case, but itís frustrating to hear a lesser version of that sound years later from the same composer.
There was this tiny section towards the end of the track The Devils Sea, which I thought was pretty daring, symphonywise. But I just didn't have the care in me to even cut that little 10 second part out to add to my collection.I'm not really sure either. I'm having a hard time making the tracklist from what leaked line up with the tracklist we see here. And I don't think everything is on there, I can't find the Atli track for instance...Okay, so maybe "decade-plus" would have been more accurate...My point stands! ;)Bullet reused on dunkirk, so this what I mean hybrid when 2 month ago I said that Hans reused some cues from BvS on Dunkirk...i'm not criticizing just noting.Officially, the whole BvS score is credited to HZ & JXL, so the theme is kind of "his" even if he didn't write it himself. Note that his formulation is very careful and leaves all interpretations open: "I may have had a hand" didn't mean he wrote it. It can simply mean that he gave Hans his opinion about it, or some piece of advice on the mix or the drum pattern for instance...
JXL (from facebook): "While I may have had a hand in writing themes for powerful heroines like Tris, Furiosa, Wonder Woman and Lara Croft, there's so much room for talented female composers!"<br>This page: Is She With You? (Wonder Woman Theme) (5:46) <br>           Hans Zimmer, Steve Mazzaro<br>WTF?If only there was enough demand for this track to be released like there was for NTFC. <br>I love everything about it, ticking and thumping and some muted synths in the background. <br><br>I hope it gets released or leak someday. I tweeted at Lorne saying Hans should put out some unreleased Dunkirk tracks like Lorne did with GITS and he liked my tweet but that's it.@William<br><br>Do not yell at the workers of this site. They have nothing to do with the official release of the score., first of all, is a fan site.<br><br>@Meinerts<br><br>>Decades<<br><br>I hope you are at least thirty years old.<br>>Decades<br><br>Episode I came out 1999. Just a year shy of being able to say waiting for decadeS@lordy<br>This all depends on how the music leaks. Many, many unofficial releases are incomplete. <br>Mostly because :<br>#1 they weren't properly ripped from the archives<br>#2 all tracks couldn't be located<br>#3 files are damaged<br>#4 someone decided not to share them (but I doubt this as in this case the missing tracks seem quite random and far from being the iconic ones)<br><br>The only way to get them is to wait and hope for someone else to share a version from another source!

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John PowellNick Glennie-SmithGeoff ZanelliJames McKee Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Just Visiting
Label: Varese Sarabande
Length: 36'15 rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4819 votes)


  1. Thibault Goes To England (2:39)
    John Powell
  2. The Hag's Hut (2:28)
    John Powell
  3. Rosaline & Thibault (1:32)
    John Powell
  4. Hallucination & Execution (1:10)
    John Powell, Nick Glennie-Smith
  5. To Chicago (0:48)
    John Powell
  6. Kill The Car (2:00)
    John Powell
  7. Thibault Sees Julia (1:16)
    John Powell, Nick Glennie-Smith
  8. My Cousinā My Descendant (1:29)
    John Powell, Nick Glennie-Smith
  9. Ode De Toilet (0:27)
    John Powell
  10. Tub For Two (1:03)
    John Powell
  11. So Many Descendants (0:21)
    John Powell, Nick Glennie-Smith
  12. Kissing Cousins (0:39)
    John Powell, Nick Glennie-Smith
  13. Searching For A Wizard (0:50)
    John Powell
  14. Another Visitor (0:44)
    John Powell, Nick Glennie-Smith
  15. On The Bridge (1:55)
    John Powell
  16. Feel Like A Lady (1:04)
    John Powell, James McKee Smith
  17. Andre Can't Ask (0:35)
    John Powell, James McKee Smith
  18. The Wizard Pulls Himself Together (1:03)
    John Powell, Nick Glennie-Smith
  19. The Wizard Cooks (0:40)
    John Powell, Geoff Zanelli
  20. Andre Asks To Stay (0:57)
    John Powell, James McKee Smith
  21. Not A Bunny (1:04)
    John Powell
  22. The Big Chase (2:02)
    John Powell
  23. What Will I Do Without You (1:46)
    John Powell
  24. Thibault And The Wizard Return Home (1:56)
    John Powell, Nick Glennie-Smith
  25. In The IceHall (1:09)
    John Powell
  26. Hunter Gets It - Julia Sees The Castle (1:44)
    John Powell
  27. Your Time Will Come (2:57)
    John Powell, Gavin Greenaway, Jeff Pescetto, vocal by Kudson Kai
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Michael Poleschuck reply Replies: 1 || 2017-02-14 08:59:06
Why? Why Gavin Greenaway isn't there? He's write and produced a song "Your Time Will Come" with John Powell (which is awesome). Isn't that enough?

Michael Poleschuck2017-02-14 09:00:02
And also he's conducted a choir in this score!

Edmund Meinerts reply Replies: 2 || 2015-09-29 23:29:09
Huh, the credits on this one seem to have changed! I seem to recall a time when the NGS/McKee Smith/Zanelli cues were credited to those composers alone, now Powell also has a credit. Wonder when that happened...

Anonymous2015-09-30 07:49:55
Just like how those specialty record labels occasionally "unearth" stuff that no one previously thought existed in the first place, Hybrid here finds info that he previously didn't think was true (or existed!).

It must be really hard to know exactly who did what on these, even for composers themselves. JP might have a solo credit on cue, but that could have well been inspired by something, say, McKee-Smith was humming across the floor which JP overheard and went AHA!

Michael Poleschuk2017-02-14 08:57:09
It's very simple! In the cues, that Nick Glennie-Smith, James McKee Smith and Geoff Zanelli were credited, there are John Powell's themes in different arrangements and orchestrations.

Anonymous reply Replies: 0 || 2011-08-25 22:32:48

netcomp reply Replies: 0 || 2008-07-27 00:00:00
very good

matteo from italy reply Replies: 0 || 2007-07-05 00:00:00
Beautiful score!© 2001-2017 OST 
Just Visiting soundtrack - John Powell 2001