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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Hans ZimmerLorne BalfeSteven KofskyAlan Meyerson
ComposerComposerMusic ProducerMusic Scoring Mixer
Living Football (Official FIFA Theme)
Label: Sony Classical (Digital Download Only)
Length: 4'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (824 votes)
  1. Living Football (Official FIFA Theme) (4:11)
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Mephariel reply Replies: 1 || 2018-08-21 02:31:56
Hybrid, is Zimmer's Scoring the Drive going to be available on itunes/Amazon, etc.?



Mike2018-08-22 05:03:23
Interesting track... Though it kinda just sounds like Hans threw Celebrate the Oscars, Living Football, and the Volvo Prologue into a blender. lol. I think the Volvo V90 Prologue is still the most engaging thing he's done like this.

aldan reply Replies: 4 || 2018-06-11 13:32:55
another imitation game from Zimmer:

the first five notes of this theme (that's the most integral part of the theme anyway) is a DIRECT COPY of Andrew Lockington's Atlantis theme in Journey 2. You can find out here:

### EDITED ###

sad:(

  Your name :   

Please enter number: 1642 


Edmund Meinerts2018-06-11 13:52:09
Ha, I noticed that as well, but I doubt it was intentional. Besides, that Lockington theme itself is kind of reminiscent of Trevor Rabin's National Treasure...Originality is overrated anyways :p


aldan2018-06-12 10:48:47
Well, the link is DELETED why is that? Did i violate something? Is freedom of speech is no longer tolerated here in this site?

Sad :(


Damien, Moderator2018-06-12 20:25:18
Because your link was to a page where is written "I do not own the right of the music". So the guy that did that, did something he is not allowed to and clearly knows it but did it despite all.

I think you gave enough information on the piece you want to speak about for those that want to check to listen it.


Hale2018-06-14 17:56:53
Aldan, what you hear depends of what you love.
Personnaly, I hear the Final Fantasy 7 Main Theme Notes... But the style, the arrangement and this build-up construction is totally Zimmer.

Bibi reply Replies: 0 || 2018-06-12 20:16:06
There is some "Celebrate the Oscars" here

Edmund Meinerts reply Replies: 7 || 2018-06-09 13:24:41
Disappointing to see Zimmer write music for such a corrupt organization, but oh well :p


Hybrid Soldier2018-06-09 20:14:41
Oh yeah because film studios are so much better...


lol


Jono662018-06-10 00:43:24
Always love Edmunds comments ! Pointless but yet enjoyable .This theme will be heard and enjoyed by more people than any film score !!!!zimmer is the best


Antonmusix2018-06-10 09:41:58
Been running to this song every morning since it was released .

EPIC EPIC EPIC


superultramegaa2018-06-10 13:24:49
Hey circle jerking bots, this is a discussion forum. Every fucking comment is pointless. This is a place for people to discuss and give opinions. None of this is necessary for society.

By the way Hybrid, do you know how long it's going to take for the new site with accounts to be made? These bots really ruin the discussion and grind every conversation they're in to a halt.

The reason I'm sure they're bots or spam at this point is because they always do nothing but praise Zimmer and Lorne Balfe, no other composer, and half the time their comments are completely unrelated to the discussion. Just a chance to go after only Edmund (for some reason), or praise things with generic comments like "EPIC EPIC EPIC" or "Great to hear big themes".


Backbiter2018-06-10 17:06:48

I never understood the attacks on Edmunds's comments. Is everyone so braindead that they can't conceieve the fact that someone has a different opinion?


Maunsel2018-06-10 18:35:47
Zimmer does FIFA ! WOW now I will watch football
Hope he plays this life on the tour


Medigo2018-06-11 10:12:44
Sometimes a comment is made where I wonder what it even adds.

But Edmund is not really a problem. That 'Lorne bafle' guy on the other hand

ak reply Replies: 1 || 2018-06-10 14:26:45
Hans Zimmer composer of the Battlafield V??


Mike (OTM)2018-06-10 21:20:38
Same question! Is this confirmed?

Mike (OTM) reply Replies: 1 || 2018-06-09 03:11:41
Did Lorne actually co-write this one, or are the credits messed up, like with the Volvo prologue?


Peter2018-06-09 08:26:21
Great to hear big themes again from Zimmer

Ro reply Replies: 1 || 2018-06-08 21:55:37
Awesome tune! Hearing HZ on lively, melodic and memorable music is always a treat. It doesn't really have the sort of "sports vibe" that I thought it might have given the title it carries but I absolutely adore how it has me picture "progress" and "achievement" in my head.


Andreas2018-06-09 01:49:26
I love football and love Zimmer.

An amazing piece of music that reflects my passion for the sport

Bravo

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Living Football (Official FIFA Theme) soundtrack - Hans Zimmer - Lorne Balfe 2018