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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Geoff ZanelliPaul MounseyBryce JacobsZak McNeil
ComposerAdditional MusicAdditional MusicAdditional Music
Christopher Robin
Label: Walt Disney Records
Length: 56'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (677 votes)
  1. Storybook (1:23)
    Geoff Zanelli
  2. Goodbye, Farewell - Cast (1:19)
    Richard M. Sherman
  3. Not Doing Nothing Anymore (2:49)
    Jon Brion
  4. I Would Have Liked It To Go On For A While Longer (2:04)
    Geoff Zanelli
  5. Chapters (2:59)
    Geoff Zanelli
  6. Evelyn Goes It Alone (2:33)
    Geoff Zanelli
  7. Easy To Lose Your Way On A Foggy Day (2:40)
    Geoff Zanelli
  8. Through The Tree (1:25)
    Geoff Zanelli
  9. It's Not Stress, It's Pooh (1:28)
    Geoff Zanelli
  10. Train Station (2:28)
    Jon Brion
  11. Sussex (1:12)
    Geoff Zanelli
  12. Returning To The Hundred Acre Wood (4:27)
    Geoff Zanelli
  13. Did You Let Me Go? (3:37)
    Geoff Zanelli
  14. Swimmer Or Sinker (2:11)
    Jon Brion, Geoff Zanelli
  15. Heffalump Battle (1:30)
    Jon Brion
  16. Is It Christopher Robin? (1:54)
    Geoff Zanelli
  17. But I Found You, Didn't I? (2:35)
    Jon Brion, Geoff Zanelli
  18. Madeline's Red Balloon (0:54)
    Geoff Zanelli
  19. Expotition To London (4:14)
    Jon Brion, Geoff Zanelli
  20. Nothing Ever Bad Came From Bouncing (1:40)
    Jon Brion, Geoff Zanelli
  21. A Father Of Very Little Brain (3:34)
    Geoff Zanelli
  22. My Favorite Day (2:43)
    Jon Brion, Geoff Zanelli
  23. I Do Nothing Every Day (2:57)
    Geoff Zanelli
  24. Busy Doing Nothing (0:45)
    Richard M. Sherman
  25. Christopher Robin (1:18)
    Richard M. Sherman
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Knight reply Replies: 1 || 2019-03-11 16:37:07
Christopher Robin album cuesheet credits (Zanelli/Brion and additional lads):

STORYBOOK
GEOFF ZANELLI

NOT DOING NOTHING ANYMORE
JON BRION

I WOULD HAVE LIKED IT TO GO ON FOR A WHILE LONGER
GEOFF ZANELLI
ZAK MCNEIL

CHAPTERS
GEOFF ZANELLI

EVELYN GOES IT ALONE
GEOFF ZANELLI
ZAK MCNEIL

EASY TO LOSE YOUR WAY ON A FOGGY DAY
GEOFF ZANELLI

THROUGH THE TREE
GEOFF ZANELLI
ZAK MCNEIL

ITS NOT STRESS, ITS POOH
GEOFF ZANELLI

TRAIN STATION
JON BRION

SUSSEX
GEOFF ZANELLI

RETURNING TO THE HUNDRED ACRE WOOD
GEOFF ZANELLI
ZAK MCNEIL

DID YOU LET ME GO?
GEOFF ZANELLI
ZAK MCNEIL

SWIMMER OR SINKER
GEOFF ZANELLI
ZAK MCNEIL

HEFFALUMP BATTLE
JON BRION

IS IT CHRISTOPHER ROBIN?
GEOFF ZANELLI
BRYCE JACOBS
ZAK MCNEIL

BUT I FOUND YOU, DIDN'T I?
GEOFF ZANELLI
JON BRION
BRYCE JACOBS

MADELINE'S RED BALLOON
GEOFF ZANELLI

EXPOTITION TO LONDON
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

NOTHING EVER BAD CAME FROM BOUNCING
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

A FATHER OF VERY LITTLE BRAIN
GEOFF ZANELLI
ZAK MCNEIL

MY FAVORITE DAY
GEOFF ZANELLI
JON BRION
PHILIP KLEIN

I DO NOTHING EVERY DAY
GEOFF ZANELLI


Knight2019-03-11 16:41:21
All credits taken from ASCAP

Gretchen reply Replies: 0 || 2018-08-23 04:18:42
Took my 11 year old niece and my 81 year old Mom to see this movie and was quite happily surprised and thrilled to see the Geoff composed a lot of this!! Was thrilled when my Mom said how much she enjoyed the music and then I got to tell her I knew him! Great job!

p reply Replies: 0 || 2018-08-18 14:58:18
Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.

tilibro reply Replies: 0 || 2018-08-18 11:30:23
General Kenobi!

JohnF reply Replies: 0 || 2018-08-17 05:16:29
Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...

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Peter reply Replies: 3 || 2018-08-07 13:45:27
Another box office failure for Disney company after han solo and wrinkle in time although music is fine but it wont spread to cinemas a lot !!


Anonymous2018-08-07 19:12:54
what are you talking about? people loved this movie. the viewer reviews on all the sites I've seen give it at least an 80%


Peter2018-08-08 11:01:33
It is not about rating of the movie dude ! It is all about money macking for a company like disney !! At the weekend movie reach 25 million $ from box office!! In person i expected a huge opening weekend for this movie. Something like Disney’s Jungle book !! Mission impossible beat this movie although FALLOUT was on its second week.


Mephariel2018-08-08 17:03:24
Definitely not successful as it could have been. But I don't think anyone was expecting Jungle Book numbers.

Iamtommie reply Replies: 4 || 2018-07-18 00:17:59
Why is Zanelli credited as composer. Jon Brion is doing to the music, right?

I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?


Hybrid Soldier2018-07-18 00:20:11
The official credit is now "Music by Geoff Zanelli & Jon Brion"...

Geoff wrote a good chunk of the score.


Ro2018-08-04 21:23:50
What brought the studio to Geoff for this last minute re-score anyway? This is not a genre he is best known for.


Hybrid Soldier2018-08-04 21:37:17
Thimoty Green ?


Ro2018-08-05 06:32:12
With Timothy Green in mind, I suppose one should also wonder why they didn't get Geoff in the first place.

Iamtommie reply Replies: 4 || 2018-08-03 08:31:24
I am absolutley 100% loving this score. It's a beautiful, fun and very Disney-like sort of music. Jon Brion & Geoff Zanelli did an amazing job!!


MrZimmerFan2018-08-04 10:12:51
Agreed.

A beautiful score, indeed


Hybrid Soldier2018-08-04 14:26:26
I detailed a bit who did what (though not with Geoff's team).


Iamtommie2018-08-04 14:37:03
Thanks, Hybrid Soldier


Mephariel2018-08-04 20:53:20
The score felt a bit too slow for me. But I haven't watch the film, so maybe that is just on album.

ThePhantasm reply Replies: 1 || 2018-07-27 23:01:28
Damn, i like Geoff but I really wish Klaus Badelt was indeed picked as the composer. Yes i know it was gonna be the late Johann (RIP) but man, give Klaus his big break again, i miss his music


Mephariel2018-07-28 07:16:12
I think Hybrid said a while back that Klaus stabbed himself in the foot. I am wondering if he always gets into conflicts with people.

Michael Fields reply Replies: 0 || 2018-07-27 10:08:52
MOVIE CREDITS:

Music By
JON BRION
GEOFF ZANELLI

Supervising Music Editor And Score Supervisor
JON MOONEY

Music Editors
RAMIRO BELGARDT
ERIC CAUDIEUX

Additional Music By
PAUL MOUNSEY
ZAC McNEIL
BRYCE JACOBS
PHILIP KLEIN

Score Orchestrated By
BRUCE FOWLER
YVONNE S. MORIARTY
RICK GIOVINAZZO
PHILIP KLEIN
JENNIFER HAMMOND
KEVIN KASKA
STEVE BARTEK
EDGARDO SIMONE
DAVID SLONAKER
ED TRYBEK

Orchestra Conducted By
PETER ROTTER
TIM WILLIAMS

Score Recorded And Mixed By
DENNIS SANDS
GREG KOLLER

Orchestra Contracted By
PETER ROTTER
GINA ZIMMITTI

Assistant Orchestra Contractors
EMMA VIVIAN
WHITNEY MARTIN

Music Preparation
BOOKER WHITE (WALT DISNEY MUSIC LIBRARY)
JOSEF ZIMMERMANN (JoANN KANE MUSIC SERVICE)

Score Recordists
KEITH UKRISNA
KEVIN GLOBERMAN
ADAM OLMSTEAD

MIDI Transcription
DARREN McKENZIE

Technical Music Assistants
NICOLAS SALINARDI
AISYAH ZULKARAIN

Score Recorded At
BARBRA STREISAND SCORING STAGE
SONY PICTURES STUDIOS

Special Instrument
MAGNETIC RESONATOR PIANO
(ANDREW McPHERSON: Consultant And Creator)

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Christopher Robin soundtrack - Geoff Zanelli 2018