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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Geoff ZanelliPaul MounseyBryce JacobsZak McNeil
ComposerAdditional MusicAdditional MusicAdditional Music
Christopher Robin
Label: Walt Disney Records
Length: 56'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (781 votes)
  1. Storybook (1:23)
    Geoff Zanelli
  2. Goodbye, Farewell - Cast (1:19)
    Richard M. Sherman
  3. Not Doing Nothing Anymore (2:49)
    Jon Brion
  4. I Would Have Liked It To Go On For A While Longer (2:04)
    Geoff Zanelli, Zak McNeil
  5. Chapters (2:59)
    Geoff Zanelli
  6. Evelyn Goes It Alone (2:33)
    Geoff Zanelli, Zak McNeil
  7. Easy To Lose Your Way On A Foggy Day (2:40)
    Geoff Zanelli
  8. Through The Tree (1:25)
    Geoff Zanelli, Zak McNeil
  9. It's Not Stress, It's Pooh (1:28)
    Geoff Zanelli
  10. Train Station (2:28)
    Jon Brion
  11. Sussex (1:12)
    Geoff Zanelli
  12. Returning To The Hundred Acre Wood (4:27)
    Geoff Zanelli, Zak McNeil
  13. Did You Let Me Go? (3:37)
    Geoff Zanelli, Zak McNeil
  14. Swimmer Or Sinker (2:11)
    Geoff Zanelli, Zak McNeil
  15. Heffalump Battle (1:30)
    Jon Brion
  16. Is It Christopher Robin? (1:54)
    Geoff Zanelli, Bryce Jacobs, Zak McNeil
  17. But I Found You, Didn't I? (2:35)
    Jon Brion, Geoff Zanelli, Bryce Jacobs
  18. Madeline's Red Balloon (0:54)
    Geoff Zanelli
  19. Expotition To London (4:14)
    Jon Brion, Geoff Zanelli, Paul Mounsey
  20. Nothing Ever Bad Came From Bouncing (1:40)
    Jon Brion, Geoff Zanelli, Paul Mounsey
  21. A Father Of Very Little Brain (3:34)
    Geoff Zanelli, Zak McNeil
  22. My Favorite Day (2:43)
    Jon Brion, Geoff Zanelli, Philip Klein
  23. I Do Nothing Every Day (2:57)
    Geoff Zanelli
  24. Busy Doing Nothing (0:45)
    Richard M. Sherman
  25. Christopher Robin (1:18)
    Richard M. Sherman
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John G reply Replies: 3 || 2019-07-30 15:15:14
Why was James Newton Howard replaced for the second Maleficent film??


Knight2019-07-30 15:32:42
Same director as POTC 5, so Zanelli was brought on


John G2019-07-30 15:56:19
Newton Howard created a great score. I hope Zanelli acknowledges it at least. Most franchises with different composers have different themes for each movie and it’s annoying.


Hybrid Soldier2019-07-30 15:57:25
I think Geoff is quite known to be very respectul of the material he handles... ;)

Knight reply Replies: 1 || 2019-03-11 16:37:07
Christopher Robin album cuesheet credits (Zanelli/Brion and additional lads):

STORYBOOK
GEOFF ZANELLI

NOT DOING NOTHING ANYMORE
JON BRION

I WOULD HAVE LIKED IT TO GO ON FOR A WHILE LONGER
GEOFF ZANELLI
ZAK MCNEIL

CHAPTERS
GEOFF ZANELLI

EVELYN GOES IT ALONE
GEOFF ZANELLI
ZAK MCNEIL

EASY TO LOSE YOUR WAY ON A FOGGY DAY
GEOFF ZANELLI

THROUGH THE TREE
GEOFF ZANELLI
ZAK MCNEIL

ITS NOT STRESS, ITS POOH
GEOFF ZANELLI

TRAIN STATION
JON BRION

SUSSEX
GEOFF ZANELLI

RETURNING TO THE HUNDRED ACRE WOOD
GEOFF ZANELLI
ZAK MCNEIL

DID YOU LET ME GO?
GEOFF ZANELLI
ZAK MCNEIL

SWIMMER OR SINKER
GEOFF ZANELLI
ZAK MCNEIL

HEFFALUMP BATTLE
JON BRION

IS IT CHRISTOPHER ROBIN?
GEOFF ZANELLI
BRYCE JACOBS
ZAK MCNEIL

BUT I FOUND YOU, DIDN'T I?
GEOFF ZANELLI
JON BRION
BRYCE JACOBS

MADELINE'S RED BALLOON
GEOFF ZANELLI

EXPOTITION TO LONDON
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

NOTHING EVER BAD CAME FROM BOUNCING
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

A FATHER OF VERY LITTLE BRAIN
GEOFF ZANELLI
ZAK MCNEIL

MY FAVORITE DAY
GEOFF ZANELLI
JON BRION
PHILIP KLEIN

I DO NOTHING EVERY DAY
GEOFF ZANELLI


Knight2019-03-11 16:41:21
All credits taken from ASCAP

Gretchen reply Replies: 0 || 2018-08-23 04:18:42
Took my 11 year old niece and my 81 year old Mom to see this movie and was quite happily surprised and thrilled to see the Geoff composed a lot of this!! Was thrilled when my Mom said how much she enjoyed the music and then I got to tell her I knew him! Great job!

p reply Replies: 0 || 2018-08-18 14:58:18
Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.

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tilibro reply Replies: 0 || 2018-08-18 11:30:23
General Kenobi!

JohnF reply Replies: 0 || 2018-08-17 05:16:29
Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...

Peter reply Replies: 3 || 2018-08-07 13:45:27
Another box office failure for Disney company after han solo and wrinkle in time although music is fine but it wont spread to cinemas a lot !!


Anonymous2018-08-07 19:12:54
what are you talking about? people loved this movie. the viewer reviews on all the sites I've seen give it at least an 80%


Peter2018-08-08 11:01:33
It is not about rating of the movie dude ! It is all about money macking for a company like disney !! At the weekend movie reach 25 million $ from box office!! In person i expected a huge opening weekend for this movie. Something like Disney’s Jungle book !! Mission impossible beat this movie although FALLOUT was on its second week.


Mephariel2018-08-08 17:03:24
Definitely not successful as it could have been. But I don't think anyone was expecting Jungle Book numbers.

Iamtommie reply Replies: 4 || 2018-07-18 00:17:59
Why is Zanelli credited as composer. Jon Brion is doing to the music, right?

I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?


Hybrid Soldier2018-07-18 00:20:11
The official credit is now "Music by Geoff Zanelli & Jon Brion"...

Geoff wrote a good chunk of the score.


Ro2018-08-04 21:23:50
What brought the studio to Geoff for this last minute re-score anyway? This is not a genre he is best known for.


Hybrid Soldier2018-08-04 21:37:17
Thimoty Green ?


Ro2018-08-05 06:32:12
With Timothy Green in mind, I suppose one should also wonder why they didn't get Geoff in the first place.

Iamtommie reply Replies: 4 || 2018-08-03 08:31:24
I am absolutley 100% loving this score. It's a beautiful, fun and very Disney-like sort of music. Jon Brion & Geoff Zanelli did an amazing job!!


MrZimmerFan2018-08-04 10:12:51
Agreed.

A beautiful score, indeed


Hybrid Soldier2018-08-04 14:26:26
I detailed a bit who did what (though not with Geoff's team).


Iamtommie2018-08-04 14:37:03
Thanks, Hybrid Soldier


Mephariel2018-08-04 20:53:20
The score felt a bit too slow for me. But I haven't watch the film, so maybe that is just on album.

ThePhantasm reply Replies: 1 || 2018-07-27 23:01:28
Damn, i like Geoff but I really wish Klaus Badelt was indeed picked as the composer. Yes i know it was gonna be the late Johann (RIP) but man, give Klaus his big break again, i miss his music


Mephariel2018-07-28 07:16:12
I think Hybrid said a while back that Klaus stabbed himself in the foot. I am wondering if he always gets into conflicts with people.

Michael Fields reply Replies: 0 || 2018-07-27 10:08:52
MOVIE CREDITS:

Music By
JON BRION
GEOFF ZANELLI

Supervising Music Editor And Score Supervisor
JON MOONEY

Music Editors
RAMIRO BELGARDT
ERIC CAUDIEUX

Additional Music By
PAUL MOUNSEY
ZAC McNEIL
BRYCE JACOBS
PHILIP KLEIN

Score Orchestrated By
BRUCE FOWLER
YVONNE S. MORIARTY
RICK GIOVINAZZO
PHILIP KLEIN
JENNIFER HAMMOND
KEVIN KASKA
STEVE BARTEK
EDGARDO SIMONE
DAVID SLONAKER
ED TRYBEK

Orchestra Conducted By
PETER ROTTER
TIM WILLIAMS

Score Recorded And Mixed By
DENNIS SANDS
GREG KOLLER

Orchestra Contracted By
PETER ROTTER
GINA ZIMMITTI

Assistant Orchestra Contractors
EMMA VIVIAN
WHITNEY MARTIN

Music Preparation
BOOKER WHITE (WALT DISNEY MUSIC LIBRARY)
JOSEF ZIMMERMANN (JoANN KANE MUSIC SERVICE)

Score Recordists
KEITH UKRISNA
KEVIN GLOBERMAN
ADAM OLMSTEAD

MIDI Transcription
DARREN McKENZIE

Technical Music Assistants
NICOLAS SALINARDI
AISYAH ZULKARAIN

Score Recorded At
BARBRA STREISAND SCORING STAGE
SONY PICTURES STUDIOS

Special Instrument
MAGNETIC RESONATOR PIANO
(ANDREW McPHERSON: Consultant And Creator)

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Christopher Robin soundtrack - Geoff Zanelli 2018