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and Zimmer was also involved in this movie as if it was in the previous ones?Really waiting for this soundtrack and hope Wallfisch will bring new vision into Hellboy universe.@Hybrid thanks a lot for your answers and your detective work!<br>Funny to see that Lorne does that much uncredited help (I know it’s only the tip of the iceberg, and that he isn’t the only one, as Bayhem said the rcp composers must help each other every time...)Please Hybrid. Make a forum with register members.It and A Cure For Wellness by Benjamin Wallfisch.<br>.....................<br><br>Well, I'll be goddamned! I totally forgot about 'A Cure For Wellness'. I absolutely loved the movie and yes, the score is truly great and memorable, especially the main theme. Wallfisch knocked it out of the park with that one.<br><br>It seems that every time Gore Verbinski makes a horror movie we're treated with a great score. First it was 'The Ring' - which IMO is one of the best horror scores ever - and more recently 'A Cure For Wellness'. Both very immersive, creepy and atmospheric scores. Exactly the type of horror scores that I love.
I think it's safe to say that the power anthems and the tracks that were very much an homage to the 90's MV/RC sound were done by Jablonsky. Balfe was never a "power anthem" type of composer. He's more like John Powell, while Steve is more like Hans. Steve has embraced the MV/RC sound, while Lorne is more "reserved".<br><br>That's why I'm extremely curious to hear Lorne's music for SIX UNDERGROUND. The 13 Hours score is great but it was very, for lack of a better word, contained. Which is understandable, considering the subject matter. But Six Underground is a huge balls-to-the-wall action adventure that takes place all over the world and Lorne really has a shot to go as wild and big as he can. I'm sure Bay would love that :)We'll see...When is the new website gonna be up? and will there be a forum with registered members?I remember seeing discussion several times on this forum about how Lorne would often reply to people on his social media accounts when they asked him for his credits in the scores he did additional music for. So does anyone have any credits that he or other composers have shared about this film?This feature will be gone from the future website, AT LAST...
I just saw the show last night in London and loved the visual integration  of the movies into the show .<br><br>Overall I reckon I preferred his show last time in London as he did not do interstellar which was really disappointing for me :( I also wish he did more tracks from the dark knight series as they were my faves at his last show.<br><br>In all the soundtracks the voters give very low note. You are a gang of unhappy people.Probably.Are there any other tracks in the album which were composed by Balfe? Just wondering...I assumed you meant the forums themselves. I knew composer websites were a way to find their credits, I just didn't think to do it for this score yet for some reason.
See the guys uotop listed next to jablonsky? click their names and go to their websites. You have to do the work. But there they are. Right on this site.^ Have to agree with you there. It’s not a terrible film by any means, but given the concept it is surprisingly bland. There were so many opportunities to do something cool with the dream concept, but it felt to me like they played it “safe”. And yes, the characters are extremely forgettable. I will give credit to Jackie Earl Haley, he does a pretty good job with the material he is given.<br><br>And I just remembered 2 excellent horror scores from the past few years: <br>It and A Cure For Wellness by Benjamin Wallfisch."Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site." <br><br>I've looked through this thread several times and I never saw that information, but I appreciate you filling me in! And yeah, Hybrid, it is kind of difficult for me to distinguish between Lorne and Steve's TF styles. They both kind of blend in since the style was established with their heavy collaboration in the first 2 films.<br>The music is good, definitely better than Amityville (which I never found scary or interesting). The overuse of the cello and ambient/atonal cues gets annoying at times, but unlike a lot of modern horror there is real substance here. A decent amount of themes (but not too many), some decent suspenseful ostinato bits, good use of children's choir, and good thematic development. I don't have any interest in Steve's ambient horror scores because I really dislike that type of music.<br><br>As for the remake it's really mixed for me. There are genuinely creepy visuals and ideas, but with often poor execution. My go-to example is there's a great dream sequence with "not-Johnny Depp" in the library with dream-like visuals such as Freddy turning around inhumanly quickly. But that final visual is accompanied by a jump-scare for no reason and completely kills the impact of it. If his turning was completely silent, it would have been much more terrifying. <br><br>Jackie Earle Haley did a really good job as Freddy, (especially in the alternate ending), and Rooney Mara executed the material she was given very well. But unfortunately the characters are bland, all fitting into the emo/hipster teenager stereotype and little else. It also doesn't help that much of the deleted and alternate scenes ended up being much more interesting than the final ones we were stuck with, (Hospital Opening, Dean's original death scenes, and Alternate Ending).Ummm @Hybrid, what do you think about Holly Amber Church. I listened two scores from her and they are really good scores.
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Geoff ZanelliPaul MounseyBryce JacobsZak McNeil
ComposerAdditional MusicAdditional MusicAdditional Music
Christopher Robin
Label: Walt Disney Records
Length: 56'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (620 votes)
  1. Storybook (1:23)
    Geoff Zanelli
  2. Goodbye, Farewell - Cast (1:19)
    Richard M. Sherman
  3. Not Doing Nothing Anymore (2:49)
    Jon Brion
  4. I Would Have Liked It To Go On For A While Longer (2:04)
    Geoff Zanelli
  5. Chapters (2:59)
    Geoff Zanelli
  6. Evelyn Goes It Alone (2:33)
    Geoff Zanelli
  7. Easy To Lose Your Way On A Foggy Day (2:40)
    Geoff Zanelli
  8. Through The Tree (1:25)
    Geoff Zanelli
  9. It's Not Stress, It's Pooh (1:28)
    Geoff Zanelli
  10. Train Station (2:28)
    Jon Brion
  11. Sussex (1:12)
    Geoff Zanelli
  12. Returning To The Hundred Acre Wood (4:27)
    Geoff Zanelli
  13. Did You Let Me Go? (3:37)
    Geoff Zanelli
  14. Swimmer Or Sinker (2:11)
    Jon Brion, Geoff Zanelli
  15. Heffalump Battle (1:30)
    Jon Brion
  16. Is It Christopher Robin? (1:54)
    Geoff Zanelli
  17. But I Found You, Didn't I? (2:35)
    Jon Brion, Geoff Zanelli
  18. Madeline's Red Balloon (0:54)
    Geoff Zanelli
  19. Expotition To London (4:14)
    Jon Brion, Geoff Zanelli
  20. Nothing Ever Bad Came From Bouncing (1:40)
    Jon Brion, Geoff Zanelli
  21. A Father Of Very Little Brain (3:34)
    Geoff Zanelli
  22. My Favorite Day (2:43)
    Jon Brion, Geoff Zanelli
  23. I Do Nothing Every Day (2:57)
    Geoff Zanelli
  24. Busy Doing Nothing (0:45)
    Richard M. Sherman
  25. Christopher Robin (1:18)
    Richard M. Sherman
Create Topic

Knight reply Replies: 1 || 2019-03-11 16:37:07
Christopher Robin album cuesheet credits (Zanelli/Brion and additional lads):

STORYBOOK
GEOFF ZANELLI

NOT DOING NOTHING ANYMORE
JON BRION

I WOULD HAVE LIKED IT TO GO ON FOR A WHILE LONGER
GEOFF ZANELLI
ZAK MCNEIL

CHAPTERS
GEOFF ZANELLI

EVELYN GOES IT ALONE
GEOFF ZANELLI
ZAK MCNEIL

EASY TO LOSE YOUR WAY ON A FOGGY DAY
GEOFF ZANELLI

THROUGH THE TREE
GEOFF ZANELLI
ZAK MCNEIL

ITS NOT STRESS, ITS POOH
GEOFF ZANELLI

TRAIN STATION
JON BRION

SUSSEX
GEOFF ZANELLI

RETURNING TO THE HUNDRED ACRE WOOD
GEOFF ZANELLI
ZAK MCNEIL

DID YOU LET ME GO?
GEOFF ZANELLI
ZAK MCNEIL

SWIMMER OR SINKER
GEOFF ZANELLI
ZAK MCNEIL

HEFFALUMP BATTLE
JON BRION

IS IT CHRISTOPHER ROBIN?
GEOFF ZANELLI
BRYCE JACOBS
ZAK MCNEIL

BUT I FOUND YOU, DIDN'T I?
GEOFF ZANELLI
JON BRION
BRYCE JACOBS

MADELINE'S RED BALLOON
GEOFF ZANELLI

EXPOTITION TO LONDON
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

NOTHING EVER BAD CAME FROM BOUNCING
GEOFF ZANELLI
JON BRION
PAUL MOUNSEY

A FATHER OF VERY LITTLE BRAIN
GEOFF ZANELLI
ZAK MCNEIL

MY FAVORITE DAY
GEOFF ZANELLI
JON BRION
PHILIP KLEIN

I DO NOTHING EVERY DAY
GEOFF ZANELLI

  Your name :   

Please enter number: 1648 


Knight2019-03-11 16:41:21
All credits taken from ASCAP

Gretchen reply Replies: 0 || 2018-08-23 04:18:42
Took my 11 year old niece and my 81 year old Mom to see this movie and was quite happily surprised and thrilled to see the Geoff composed a lot of this!! Was thrilled when my Mom said how much she enjoyed the music and then I got to tell her I knew him! Great job!

p reply Replies: 0 || 2018-08-18 14:58:18
Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.

tilibro reply Replies: 0 || 2018-08-18 11:30:23
General Kenobi!

JohnF reply Replies: 0 || 2018-08-17 05:16:29
Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...

Peter reply Replies: 3 || 2018-08-07 13:45:27
Another box office failure for Disney company after han solo and wrinkle in time although music is fine but it wont spread to cinemas a lot !!


Anonymous2018-08-07 19:12:54
what are you talking about? people loved this movie. the viewer reviews on all the sites I've seen give it at least an 80%


Peter2018-08-08 11:01:33
It is not about rating of the movie dude ! It is all about money macking for a company like disney !! At the weekend movie reach 25 million $ from box office!! In person i expected a huge opening weekend for this movie. Something like Disney’s Jungle book !! Mission impossible beat this movie although FALLOUT was on its second week.


Mephariel2018-08-08 17:03:24
Definitely not successful as it could have been. But I don't think anyone was expecting Jungle Book numbers.

Iamtommie reply Replies: 4 || 2018-07-18 00:17:59
Why is Zanelli credited as composer. Jon Brion is doing to the music, right?

I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?


Hybrid Soldier2018-07-18 00:20:11
The official credit is now "Music by Geoff Zanelli & Jon Brion"...

Geoff wrote a good chunk of the score.


Ro2018-08-04 21:23:50
What brought the studio to Geoff for this last minute re-score anyway? This is not a genre he is best known for.


Hybrid Soldier2018-08-04 21:37:17
Thimoty Green ?


Ro2018-08-05 06:32:12
With Timothy Green in mind, I suppose one should also wonder why they didn't get Geoff in the first place.

Iamtommie reply Replies: 4 || 2018-08-03 08:31:24
I am absolutley 100% loving this score. It's a beautiful, fun and very Disney-like sort of music. Jon Brion & Geoff Zanelli did an amazing job!!


MrZimmerFan2018-08-04 10:12:51
Agreed.

A beautiful score, indeed


Hybrid Soldier2018-08-04 14:26:26
I detailed a bit who did what (though not with Geoff's team).


Iamtommie2018-08-04 14:37:03
Thanks, Hybrid Soldier


Mephariel2018-08-04 20:53:20
The score felt a bit too slow for me. But I haven't watch the film, so maybe that is just on album.

ThePhantasm reply Replies: 1 || 2018-07-27 23:01:28
Damn, i like Geoff but I really wish Klaus Badelt was indeed picked as the composer. Yes i know it was gonna be the late Johann (RIP) but man, give Klaus his big break again, i miss his music


Mephariel2018-07-28 07:16:12
I think Hybrid said a while back that Klaus stabbed himself in the foot. I am wondering if he always gets into conflicts with people.

Michael Fields reply Replies: 0 || 2018-07-27 10:08:52
MOVIE CREDITS:

Music By
JON BRION
GEOFF ZANELLI

Supervising Music Editor And Score Supervisor
JON MOONEY

Music Editors
RAMIRO BELGARDT
ERIC CAUDIEUX

Additional Music By
PAUL MOUNSEY
ZAC McNEIL
BRYCE JACOBS
PHILIP KLEIN

Score Orchestrated By
BRUCE FOWLER
YVONNE S. MORIARTY
RICK GIOVINAZZO
PHILIP KLEIN
JENNIFER HAMMOND
KEVIN KASKA
STEVE BARTEK
EDGARDO SIMONE
DAVID SLONAKER
ED TRYBEK

Orchestra Conducted By
PETER ROTTER
TIM WILLIAMS

Score Recorded And Mixed By
DENNIS SANDS
GREG KOLLER

Orchestra Contracted By
PETER ROTTER
GINA ZIMMITTI

Assistant Orchestra Contractors
EMMA VIVIAN
WHITNEY MARTIN

Music Preparation
BOOKER WHITE (WALT DISNEY MUSIC LIBRARY)
JOSEF ZIMMERMANN (JoANN KANE MUSIC SERVICE)

Score Recordists
KEITH UKRISNA
KEVIN GLOBERMAN
ADAM OLMSTEAD

MIDI Transcription
DARREN McKENZIE

Technical Music Assistants
NICOLAS SALINARDI
AISYAH ZULKARAIN

Score Recorded At
BARBRA STREISAND SCORING STAGE
SONY PICTURES STUDIOS

Special Instrument
MAGNETIC RESONATOR PIANO
(ANDREW McPHERSON: Consultant And Creator)

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Christopher Robin soundtrack - Geoff Zanelli 2018