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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Henry JackmanMatthew MargesonHalli CautheryAlex Belcher
ComposerAdditional MusicAdditional MusicAdditional Music
The Predator
Label: Lakeshore Records
Length: 54'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2022 votes)
  1. Arrival (2:59)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  2. Discovery (3:05)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  3. Rory (1:32)
    Henry Jackman
  4. Project Stargazer (2:01)
    Henry Jackman, Matthew Margeson, Halli Cauthery (Alan Silvestri)
  5. Beautiful Specimen (1:37)
    Henry Jackman (Alan Silvestri)
  6. Playing With Fire (1:11)
    Henry Jackman (Alan Silvestri)
  7. Out Of The Cage (2:40)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  8. The Loonies (0:53)
    Henry Jackman
  9. On The Loose (2:58)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  10. Another World (2:25)
    Henry Jackman (Alan Silvestri)
  11. Rescue (1:55)
    Henry Jackman, Alex Belcher (Alan Silvestri)
  12. Apex Predator (3:15)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  13. Damage Control (1:01)
    Henry Jackman, Matthew Margeson
  14. The Good Soldier (2:52)
    Henry Jackman
  15. Team McKenna (1:31)
    Henry Jackman, Matthew Margeson (Alan Silvestri)
  16. The Ark Ship (2:18)
    Henry Jackman
  17. Onslaught (1:22)
    Henry Jackman, Matthew Margeson, Evan Goldman (Alan Silvestri)
  18. Contact (2:07)
    Henry Jackman, Alex Belcher
  19. The Hunt (3:36)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  20. The Sacrifice (1:35)
    Henry Jackman
  21. Alien Abduction (1:27)
    Henry Jackman
  22. The Last Stand (3:27)
    Henry Jackman, Evan Goldman
  23. Man Vs. Predator (2:19)
    Henry Jackman, Halli Cauthery
  24. Remembrance (1:36)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
  25. The Predator's Gift (3:02)
    Henry Jackman, Halli Cauthery (Alan Silvestri)
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Knight reply Replies: 3 || 2020-03-16 15:41:41
> Orchestra Leader: Henry Jackman

What?? Is this another weird booklet credit or was Henry actually a part of the orchestra for this score?


Hybrid Soldier2020-03-16 18:34:49
Is that so unbelievable ? Henry's a good player !


Knight2020-03-16 19:01:41
I've just never seen Henry credited playing anything outside of the piano area before now, so it's a bit of a surprise.


Leo2020-03-17 03:32:29
What are his instruments of choice? Now I wanna see him in action!

Hybrid Soldier reply Replies: 7 || 2018-09-29 09:44:27
Henry has this big tendency on every single OST release to remix everything and remove a big deal of electronic layers & percussions (which is a very bad decision in my book, it's like Backdraft OST which has half of HZ's electronics removed)...

Keep the EP of that score, it has the cues "untouched". Have fun comparing them with the final OST tracks, you'll notice all that got removed in the process...


Meta2018-09-29 11:49:09
He took out his electronics? What? That's kinda what made his scores so good....They had a tempo and shit.


Edmund Meinerts2018-09-29 12:11:05
I actually kinda prefer the OST version of the cues for Backdraft...

Has Jackman done that on previous scores? I have to say I never noticed that before.


Hybrid Soldier2018-09-29 12:34:39
Pretty every single OST release since 2014...


John F2018-09-29 16:18:15
Wait Dirty Dozen is only on the EP as well?? Jeez why would they do that?


mpolonest123 2018-09-29 16:54:11
And that’s why you don’t take criticisms to heart. Winter Soldier was a genuinely good score that used its electronics effectively. That would be like Lorne Balfe ditching his writing style because some “purists” got upset at Mission Impossible.


Edmund Meinerts2018-09-29 18:13:16
I highly doubt that has anything to do with it. If anything, the lesson from that should have been "don't leave the best cue off the album" (the Dom Lewis arrangement of the main theme from the end credits)

(also that score is still terrible and the Winter Soldier theme is a disgrace)


mpolonest123 2019-07-12 18:04:51
Finally got around to seeing this film and I was shocked at how campy it really is. There is some genuinely funny writing courtesy of Shane Black, but all of that is undercut by some terrible CGI and that horrible ending. Pretty disappointed as someone who enjoyed the first two Predator films.

Henry Jackman’s score is functional, and I really admire that he kept the Silvestri flavor. That being said, much of the “hero” music actually took me out of the film. It’s one of those cases where the music on album flows really well but doesn’t always work 100% on screen. Another issue for me was the mixing. Whereas Debney’s score is mixed harsher with a more brutal, percussive edge,
this felt flat to me for some reason.

And going off of what Hybrid mentioned, there definitely were some cool electronic layers that were removed from the album. (The alpha predator motif for example)

Tomasz reply Replies: 1 || 2019-02-21 12:58:20
Anyone here listened "The Predator" FYC score?
Any chance to compare tracklist and running time with official release?


Tomasz2019-02-28 20:58:17
Okej. Here some details about FYC:

01. Crash Arrival Pt. 1 (1:38)
02. Crash Arrival Pt. 2 (1:56)
03. Crash Arrival Pt. 3 (2:31)
04. Crash Arrival Pt. 4 (2:22)
05. Threats (1:30)
06. Meet Rory (0:38)
07. Ass Burger (1:02)
08. Grow Up (1:02)
09. Alien Tech (1:40)
10. Project Stargazer (2:16)
11. Beautiful MoFo (1:44)
12. Upgrade Arriving (1:12)
13. He's Awake (3:30)
14. Pred's On The Move (1:32)
15. Dirty 1_2 Dozen (0:55)
16. Chase Escaping Pred (3:58)
17. Trigger Happy (0:13)
18. Rory's New Mask (1:01)
19. Scare Bullies_Alien Bitches (1:01)
20. Upgrade Vs. Pred (3:24)
21. Damage Control (4:40)
22. Spectrum PTSD (1:02)
23. Spectrum DNA (0:57)
24. Traeger Arrives (1:11)
25. Acquisitions (1:12)
26. Follow Rory's Maps (2:14)
27. A Head (2:09)
28. We're Survivors (1:51)
29. Ark Ship (2:21)
30. Upgrade Joins Party (2:35)
31. Communication (0:51)
32. Join Forces (1:31)
33. Upgrade Hunts Pt. 1 (3:46)
34. Upgrade Hunts Pt. 2 (1:55)
35. Upgrade Takes Prize (1:32)
36. Forcefield Coming Online (3:35)
37. Final Fight (2:34)
38. Remembrance (1:22)
39. Reveal (3:34)

Total time: 76:19

Seems it's almost complete score. Anyone to confirm that?

Michael Fields reply Replies: 0 || 2019-02-09 10:07:51
MOVIE CREDITS:

Music By
HENRY JACKMAN

Music Supervisors
DAVE JORDAN
TRYGGE TOVEN

Music Editors
PETER OSO SNELL
WILL KAPLAN

Assistant Music Editor
DeVAUGHN WATTS

Orchestra Conducted By
GAVIN GREENAWAY
STEPHEN COLEMAN
EDWARD TRYBEK

Orchestrated By
STEPHEN COLEMAN
EDWARD TRYBEK
HENRI WILKINSON

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS, INC.)

Orchestra Contracted By
PETER ROTTER

Choir Contracted & Conducted By
JASPER RANDALL

Score Recorded & Mixed By
ALAN MEYERSON

Digital Score Recordist
KEVIN GLOBERMAN

Additional Music By
MATTHEW MARGESON
ALEX BELCHER
EVAN GOLDMAN
HALLI CAUTHERY

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
GAGE BOOZAN
FABIO MARKS

Music Production Services
MATTHEW K. JUSTMANN

Assistant To Henry Jackman
JOHN PAUL LEFEBVRE

Score Recorded At
THE NEWMAN SCORING STAGE, 20th CENTURY FOX POST PRODUCTION SERVICES

Newman Stage Engineer
ERIN MICHAEL RETTIG

Newman Recordist
TIM LAUBER

Newman Stage Managers
DAMON TEDESCO
CHRISTINE SIROIS
PETER NELSON

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Score Mix Assistant
ALFREDO PASQUEL

Iamtommie reply Replies: 12 || 2018-09-13 18:34:26
I just watched the movie!! I heard a lot of Silvestri & I thought the music was awesome. It's, from what I could hear, in the same scoring style as Kong & Jumanji. I personally, really love his new kind of scoring. Awesome music!


ThePhantasm2018-09-14 06:12:04
Lakeshore records released an EP not an actual album. I'm so pissed. Should of been La-Land records releasing this. the EP literally has no more than 6 mins of music. I was so excited for this score


Mephariel2018-09-14 07:33:50
I just listened to "The Arrival." Awesome track. It totally captures the tone of the original score. I can't wait to hear the rest of the score.


Russel2018-09-14 09:47:42
Yeah, not sure why they're doing this, but a full album is supposedly releasing at the end of this month.

September 27th.


Meta2018-09-26 19:56:59
SO far everything I have heard from the EP pales in comparison to John Debneys efforts in "Predators".

Maybe they haven't released Jackman's insane genius queues yet....Here's hoping.


Anonymous2018-09-26 20:07:16
Remember... Debney's score was critized for be only ''copy and paste'' of the Silvestri's material.

Such underrated score, and The Predator is not exception


MrZimmerFan2018-09-26 20:12:46
Ugh, the last comment was me, i forget put the name in it :)


mpolonest123 2018-09-26 21:40:44
Debney’s score was definitely much more than a rehash of the original, although I can understand some of the criticisms that he didn’t necessarily bring much “new” material to the table. Still a kickass score though.

Based on the EP material it sounds like Jackman is putting more of his voice than what Debney did. And the “Dirty Dozen” material sounds fun, I’m hoping the rest holds up.


MrZimmerFan2018-09-27 11:05:11
When saw the movie the last week (was just fun), and there is a lot of Silvestri's mamerisms, and themes from the original Predator


MrZimmerFan2018-09-27 14:41:49
Out in New Zealand, different cover and posted tracklist

https:// itunes.apple.com/nz/album/the-predator- original-motion-picture- soundtrack/1437468436


MrZimmerFan2018-09-27 19:26:12
Well, now you can choose the artwork cover :)


mpolonest123 2018-09-28 15:20:30
Just took a listen and I’m liking the end result. It’s as if Jackman took the “flavor” of Alan Silvestri, but still kept his own writing style. I definitely hear a lot of Kong: Skull Island and the Captain America scores. One big surprise is the minimal use of electronics, especially compared to Debney.


Anonymous2018-09-28 20:29:49
@mpolonest123
I won't be surprised if he cut electronic stuff for the album versions. He's been doing that to his albums for almost everything since after Winter Soldier.

meho reply Replies: 0 || 2018-09-28 14:54:21
John Debney`s Score was the Best!

MrZimmerFan reply Replies: 1 || 2018-09-26 12:45:12
01. Arrival
02. Traegar
03. Meet Rory
04. Project Stargazer
05. Beautiful Creature
06. Awakening
07. Predator on the Move
08. Dirty Dozen
09. Escape
10. Rory’s Mask
11. Where’s Rory?
12. Good Soldier
13. Spook the Bullies
14. Upgrade vs. Predator
15. Damage Control
16. DNA
17. Traegar Arrives
18. Acquisitions
19. Faceoff
20. We’re Survivors
21. Ark Ship
22. The Upgrade
23. Communication
24. Coming Online
25. Final Fight
26. Remembrance


Russel2018-09-27 20:10:58
Interesting, must have been an early version of the OST or something.

MrZimmerFan reply Replies: 1 || 2018-09-18 17:44:23
Now there is rumours, the score can be released in 23th September


ThePhantasm2018-09-18 18:19:56
i thought it was gonna be the 28th

mpolonest123 reply Replies: 8 || 2018-09-08 20:21:22
While Henry Jackman isn’t my favorite composer out there I’m excited to
hear what he does with this. He’s proven that he can write similar to Silvestri with portions of the Captain America scores, and there is a clip on YouTube which features some of the score. It basically sounds like “Predator” with some electronics overlaid.


ThePhantasm2018-09-08 21:59:50
Yo for real, I've been dying for some info but damn nothing so far. I hope the cover album is good too


Anonymous2018-09-09 01:08:45
it’s orobably gonna be the one with the orange background and the bigger predator holding the smaller predators skull


ThePhantasm2018-09-09 06:46:02
I hope you're right cause that one looks good as hell


Anonymous2018-09-11 01:02:46
called it


mpolonest123 2018-09-11 01:04:43
Lol good call! That’s a pretty cool cover.


ThePhantasm2018-09-13 06:20:21
HOLY SHIT!!! I just heard the first track from the soundtrack called The Arrival wow just wow. It's a different type of Jackman. Sounds incredible now I'm really hyped. It's on soundcloud if you guys want to hear it as well


MrZimmerFan2018-09-13 08:39:26
The score won't be released until 28th September, tomorrow is a EP


The Phantom2018-09-13 09:35:43
@the phantasm

calm urself. I mean it’s ok at best.

Jean-Luc reply Replies: 0 || 2018-09-10 15:47:25
I heard the predator will have 16 or 25 tracks in the soundtrack like Logan soundtrack, but that's how Lakeshore Records did like right now. In my opinion, I think the predator 2018 is better fit for La-La Land Records & Var&#232;se Sarabande for limited edition like last time with original predator, predator 2 and predators too.

Mephariel reply Replies: 0 || 2018-09-09 22:00:11
Interesting description of the score:

"A playful score by Henry Jackman (X-Men: First Class) maintains a playful tone while making a few nods to the original."

-Hollywood Reporter

So maybe Silvestri's theme will appear in some capacity. But playful is not how I imagined the score to be. This might be a good thing.


Anonymous reply Replies: 0 || 2018-09-08 19:58:15
What’s the status on his when is it getting released. Movie comes out in 6 days.

Jean-Luc reply Replies: 2 || 2018-08-31 15:58:41
Haven't you found out about the predator final trailer online on YouTube today? It's really good & brutal trailer and did you hear background music by Henry Jackson or different music.


MrZimmerFan2018-08-31 17:26:17
Nop, i don't think the musuc in that is part of the score


Jean-Luc 2018-08-31 21:45:57
Ok, thank you let me know about it! that trailer music sound like battlefield 4 or rock music

Anonymous reply Replies: 2 || 2018-08-10 18:50:12
jackman better include silvestri’s original themes


ThePhantasm2018-08-10 20:21:37
He's a fan of Silvestris score for Predator 2 I'm sure he'll use it. this and MI Fallout are my most anticipated scores this year


da2018-08-27 21:08:00
actually i dont like Jackman music, i am played Uncharted 4 his music is not good. He compose legendary game but he doesnt not hard working. I guess he accept the job '' okey lets do something'' and he crap music.. This is my perspective of Henry.

tilibro reply Replies: 0 || 2018-08-27 06:27:48
Really looking forward to this movie and score.

MrZimmerFan reply Replies: 0 || 2018-07-24 23:24:30
Between The Darkest Minds and The Meg, one of the my most anticipate scores

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The Predator soundtrack - Henry Jackman 2018