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Feels like there are more Balfe credits on this version than on the album (e.g. Status Suite, solo Hans on the album, Hans/LB here). In fact I'd go so far as to label him a near co-composer here, just like Inception and Sherlock Holmes.Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.
It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.
I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.com
That's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>
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Henry JackmanAlex BelcherHalli CautheryMatthew Margeson
ComposerAdditional MusicAdditional MusicAdditional Music
The Predator
Label: Lakeshore Records
Length: 54'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (845 votes)
  1. Arrival (2:59)
  2. Discovery (3:05)
  3. Rory (1:32)
  4. Project Stargazer (2:01)
  5. Beautiful Specimen (1:37)
  6. Playing With Fire (1:11)
  7. Out Of The Cage (2:40)
  8. The Loonies (0:53)
  9. On The Loose (2:58)
  10. Another World (2:25)
  11. Rescue (1:55)
  12. Apex Predator (3:15)
  13. Damage Control (1:01)
  14. The Good Soldier (2:52)
  15. Team McKenna (1:31)
  16. The Ark Ship (2:18)
  17. Onslaught (1:22)
  18. Contact (2:07)
  19. The Hunt (3:36)
  20. The Sacrifice (1:35)
  21. Alien Abduction (1:27)
  22. The Last Stand (3:27)
  23. Man Vs. Predator (2:19)
  24. Remembrance (1:36)
  25. The Predator's Gift (3:02)
Create Topic

Hybrid Soldier reply Replies: 7 || 2018-09-29 09:44:27
Henry has this big tendency on every single OST release to remix everything and remove a big deal of electronic layers & percussions (which is a very bad decision in my book, it's like Backdraft OST which has half of HZ's electronics removed)...

Keep the EP of that score, it has the cues "untouched". Have fun comparing them with the final OST tracks, you'll notice all that got removed in the process...


Meta2018-09-29 11:49:09
He took out his electronics? What? That's kinda what made his scores so good....They had a tempo and shit.


Edmund Meinerts2018-09-29 12:11:05
I actually kinda prefer the OST version of the cues for Backdraft...

Has Jackman done that on previous scores? I have to say I never noticed that before.


Hybrid Soldier2018-09-29 12:34:39
Pretty every single OST release since 2014...


John F2018-09-29 16:18:15
Wait Dirty Dozen is only on the EP as well?? Jeez why would they do that?


mpolonest123 2018-09-29 16:54:11
And that’s why you don’t take criticisms to heart. Winter Soldier was a genuinely good score that used its electronics effectively. That would be like Lorne Balfe ditching his writing style because some “purists” got upset at Mission Impossible.


Edmund Meinerts2018-09-29 18:13:16
I highly doubt that has anything to do with it. If anything, the lesson from that should have been "don't leave the best cue off the album" (the Dom Lewis arrangement of the main theme from the end credits)

(also that score is still terrible and the Winter Soldier theme is a disgrace)


mpolonest123 2019-07-12 18:04:51
Finally got around to seeing this film and I was shocked at how campy it really is. There is some genuinely funny writing courtesy of Shane Black, but all of that is undercut by some terrible CGI and that horrible ending. Pretty disappointed as someone who enjoyed the first two Predator films.

Henry Jackman’s score is functional, and I really admire that he kept the Silvestri flavor. That being said, much of the “hero” music actually took me out of the film. It’s one of those cases where the music on album flows really well but doesn’t always work 100% on screen. Another issue for me was the mixing. Whereas Debney’s score is mixed harsher with a more brutal, percussive edge,
this felt flat to me for some reason.

And going off of what Hybrid mentioned, there definitely were some cool electronic layers that were removed from the album. (The alpha predator motif for example)

Tomasz reply Replies: 1 || 2019-02-21 12:58:20
Anyone here listened "The Predator" FYC score?
Any chance to compare tracklist and running time with official release?


Tomasz2019-02-28 20:58:17
Okej. Here some details about FYC:

01. Crash Arrival Pt. 1 (1:38)
02. Crash Arrival Pt. 2 (1:56)
03. Crash Arrival Pt. 3 (2:31)
04. Crash Arrival Pt. 4 (2:22)
05. Threats (1:30)
06. Meet Rory (0:38)
07. Ass Burger (1:02)
08. Grow Up (1:02)
09. Alien Tech (1:40)
10. Project Stargazer (2:16)
11. Beautiful MoFo (1:44)
12. Upgrade Arriving (1:12)
13. He's Awake (3:30)
14. Pred's On The Move (1:32)
15. Dirty 1_2 Dozen (0:55)
16. Chase Escaping Pred (3:58)
17. Trigger Happy (0:13)
18. Rory's New Mask (1:01)
19. Scare Bullies_Alien Bitches (1:01)
20. Upgrade Vs. Pred (3:24)
21. Damage Control (4:40)
22. Spectrum PTSD (1:02)
23. Spectrum DNA (0:57)
24. Traeger Arrives (1:11)
25. Acquisitions (1:12)
26. Follow Rory's Maps (2:14)
27. A Head (2:09)
28. We're Survivors (1:51)
29. Ark Ship (2:21)
30. Upgrade Joins Party (2:35)
31. Communication (0:51)
32. Join Forces (1:31)
33. Upgrade Hunts Pt. 1 (3:46)
34. Upgrade Hunts Pt. 2 (1:55)
35. Upgrade Takes Prize (1:32)
36. Forcefield Coming Online (3:35)
37. Final Fight (2:34)
38. Remembrance (1:22)
39. Reveal (3:34)

Total time: 76:19

Seems it's almost complete score. Anyone to confirm that?

Michael Fields reply Replies: 0 || 2019-02-09 10:07:51
MOVIE CREDITS:

Music By
HENRY JACKMAN

Music Supervisors
DAVE JORDAN
TRYGGE TOVEN

Music Editors
PETER OSO SNELL
WILL KAPLAN

Assistant Music Editor
DeVAUGHN WATTS

Orchestra Conducted By
GAVIN GREENAWAY
STEPHEN COLEMAN
EDWARD TRYBEK

Orchestrated By
STEPHEN COLEMAN
EDWARD TRYBEK
HENRI WILKINSON

Music Preparation By
BOOKER WHITE (BTW PRODUCTIONS, INC.)

Orchestra Contracted By
PETER ROTTER

Choir Contracted & Conducted By
JASPER RANDALL

Score Recorded & Mixed By
ALAN MEYERSON

Digital Score Recordist
KEVIN GLOBERMAN

Additional Music By
MATTHEW MARGESON
ALEX BELCHER
EVAN GOLDMAN
HALLI CAUTHERY

Score Technical Engineers
MAVERICK DUGGER
FELIPE PACHECO
GAGE BOOZAN
FABIO MARKS

Music Production Services
MATTHEW K. JUSTMANN

Assistant To Henry Jackman
JOHN PAUL LEFEBVRE

Score Recorded At
THE NEWMAN SCORING STAGE, 20th CENTURY FOX POST PRODUCTION SERVICES

Newman Stage Engineer
ERIN MICHAEL RETTIG

Newman Recordist
TIM LAUBER

Newman Stage Managers
DAMON TEDESCO
CHRISTINE SIROIS
PETER NELSON

Score Mixed At
REMOTE CONTROL PRODUCTIONS

Score Mix Assistant
ALFREDO PASQUEL

Iamtommie reply Replies: 12 || 2018-09-13 18:34:26
I just watched the movie!! I heard a lot of Silvestri & I thought the music was awesome. It's, from what I could hear, in the same scoring style as Kong & Jumanji. I personally, really love his new kind of scoring. Awesome music!


ThePhantasm2018-09-14 06:12:04
Lakeshore records released an EP not an actual album. I'm so pissed. Should of been La-Land records releasing this. the EP literally has no more than 6 mins of music. I was so excited for this score


Mephariel2018-09-14 07:33:50
I just listened to "The Arrival." Awesome track. It totally captures the tone of the original score. I can't wait to hear the rest of the score.


Russel2018-09-14 09:47:42
Yeah, not sure why they're doing this, but a full album is supposedly releasing at the end of this month.

September 27th.


Meta2018-09-26 19:56:59
SO far everything I have heard from the EP pales in comparison to John Debneys efforts in "Predators".

Maybe they haven't released Jackman's insane genius queues yet....Here's hoping.


Anonymous2018-09-26 20:07:16
Remember... Debney's score was critized for be only ''copy and paste'' of the Silvestri's material.

Such underrated score, and The Predator is not exception


MrZimmerFan2018-09-26 20:12:46
Ugh, the last comment was me, i forget put the name in it :)


mpolonest123 2018-09-26 21:40:44
Debney’s score was definitely much more than a rehash of the original, although I can understand some of the criticisms that he didn’t necessarily bring much “new” material to the table. Still a kickass score though.

Based on the EP material it sounds like Jackman is putting more of his voice than what Debney did. And the “Dirty Dozen” material sounds fun, I’m hoping the rest holds up.


MrZimmerFan2018-09-27 11:05:11
When saw the movie the last week (was just fun), and there is a lot of Silvestri's mamerisms, and themes from the original Predator


MrZimmerFan2018-09-27 14:41:49
Out in New Zealand, different cover and posted tracklist

https:// itunes.apple.com/nz/album/the-predator- original-motion-picture- soundtrack/1437468436


MrZimmerFan2018-09-27 19:26:12
Well, now you can choose the artwork cover :)


mpolonest123 2018-09-28 15:20:30
Just took a listen and I’m liking the end result. It’s as if Jackman took the “flavor” of Alan Silvestri, but still kept his own writing style. I definitely hear a lot of Kong: Skull Island and the Captain America scores. One big surprise is the minimal use of electronics, especially compared to Debney.


Anonymous2018-09-28 20:29:49
@mpolonest123
I won't be surprised if he cut electronic stuff for the album versions. He's been doing that to his albums for almost everything since after Winter Soldier.

meho reply Replies: 0 || 2018-09-28 14:54:21
John Debney`s Score was the Best!

MrZimmerFan reply Replies: 1 || 2018-09-26 12:45:12
01. Arrival
02. Traegar
03. Meet Rory
04. Project Stargazer
05. Beautiful Creature
06. Awakening
07. Predator on the Move
08. Dirty Dozen
09. Escape
10. Rory’s Mask
11. Where’s Rory?
12. Good Soldier
13. Spook the Bullies
14. Upgrade vs. Predator
15. Damage Control
16. DNA
17. Traegar Arrives
18. Acquisitions
19. Faceoff
20. We’re Survivors
21. Ark Ship
22. The Upgrade
23. Communication
24. Coming Online
25. Final Fight
26. Remembrance


Russel2018-09-27 20:10:58
Interesting, must have been an early version of the OST or something.

MrZimmerFan reply Replies: 1 || 2018-09-18 17:44:23
Now there is rumours, the score can be released in 23th September


ThePhantasm2018-09-18 18:19:56
i thought it was gonna be the 28th

mpolonest123 reply Replies: 8 || 2018-09-08 20:21:22
While Henry Jackman isn’t my favorite composer out there I’m excited to
hear what he does with this. He’s proven that he can write similar to Silvestri with portions of the Captain America scores, and there is a clip on YouTube which features some of the score. It basically sounds like “Predator” with some electronics overlaid.


ThePhantasm2018-09-08 21:59:50
Yo for real, I've been dying for some info but damn nothing so far. I hope the cover album is good too


Anonymous2018-09-09 01:08:45
it’s orobably gonna be the one with the orange background and the bigger predator holding the smaller predators skull


ThePhantasm2018-09-09 06:46:02
I hope you're right cause that one looks good as hell


Anonymous2018-09-11 01:02:46
called it


mpolonest123 2018-09-11 01:04:43
Lol good call! That’s a pretty cool cover.


ThePhantasm2018-09-13 06:20:21
HOLY SHIT!!! I just heard the first track from the soundtrack called The Arrival wow just wow. It's a different type of Jackman. Sounds incredible now I'm really hyped. It's on soundcloud if you guys want to hear it as well


MrZimmerFan2018-09-13 08:39:26
The score won't be released until 28th September, tomorrow is a EP


The Phantom2018-09-13 09:35:43
@the phantasm

calm urself. I mean it’s ok at best.

Jean-Luc reply Replies: 0 || 2018-09-10 15:47:25
I heard the predator will have 16 or 25 tracks in the soundtrack like Logan soundtrack, but that's how Lakeshore Records did like right now. In my opinion, I think the predator 2018 is better fit for La-La Land Records & Var&#232;se Sarabande for limited edition like last time with original predator, predator 2 and predators too.

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Mephariel reply Replies: 0 || 2018-09-09 22:00:11
Interesting description of the score:

"A playful score by Henry Jackman (X-Men: First Class) maintains a playful tone while making a few nods to the original."

-Hollywood Reporter

So maybe Silvestri's theme will appear in some capacity. But playful is not how I imagined the score to be. This might be a good thing.


Anonymous reply Replies: 0 || 2018-09-08 19:58:15
What’s the status on his when is it getting released. Movie comes out in 6 days.

Jean-Luc reply Replies: 2 || 2018-08-31 15:58:41
Haven't you found out about the predator final trailer online on YouTube today? It's really good & brutal trailer and did you hear background music by Henry Jackson or different music.


MrZimmerFan2018-08-31 17:26:17
Nop, i don't think the musuc in that is part of the score


Jean-Luc 2018-08-31 21:45:57
Ok, thank you let me know about it! that trailer music sound like battlefield 4 or rock music

Anonymous reply Replies: 2 || 2018-08-10 18:50:12
jackman better include silvestri’s original themes


ThePhantasm2018-08-10 20:21:37
He's a fan of Silvestris score for Predator 2 I'm sure he'll use it. this and MI Fallout are my most anticipated scores this year


da2018-08-27 21:08:00
actually i dont like Jackman music, i am played Uncharted 4 his music is not good. He compose legendary game but he doesnt not hard working. I guess he accept the job '' okey lets do something'' and he crap music.. This is my perspective of Henry.

tilibro reply Replies: 0 || 2018-08-27 06:27:48
Really looking forward to this movie and score.

MrZimmerFan reply Replies: 0 || 2018-07-24 23:24:30
Between The Darkest Minds and The Meg, one of the my most anticipate scores

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The Predator soundtrack - Henry Jackman 2018