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Well, most of the process for this score was based on a collaborative effort by the BHD Band (Zimmer/Brook/Eastman/Pereira/Tillman).<br>The themes are HZ (Leave No Man Behind Suite aka "Brothers", the string progression from Still, Tribal War).<br><br>HZ wrote most of the thematic cues from the beginning of the process : the opening of Hunger and Of the Earth (with added lyrics by singer Baaba Maal).<br>Tillman improvised the electric cello from Ashes to Ashes.<br>It appears Craig Eastman arranged the Vale of Plenty track. Bakara was written by Jeff Rona.<br>Mel Wesson wrote the Flight to Bakara ambient section from Chant.<br>Mogadishu Blues is an Heitor Pereira cue.<br><br>Jim Dooley and Trevor Morris helped on Tribal War (film version) - the beginning of the final battle.<br>Ilan Eshkeri contributed to After the Crash and segments of Rescue.<br>I remember seeing the BHD Band jamming with the "Hold Your Fire" track in the behind the scene.SD and superultramega are right. It’s the end of “2m17 For Old Times’ Sake / Applied Sciences” which fades into “2m18 Risen from Darkness”https://youtube.com/watch?v=n13_EeBx69g<br>I managed to find the clip on youtube. I was asking about the music playing during this scene. Doesnt sound like the second mentioned track either.I haven't seen much discussion of this, at least not on the BHD pages. so I'll bring it up...<br><br>What credits do we know on this score, if any?A masterpiece!!!!Much better from Live in Prague. Sherlock Holmes fantasy and Mission Impossible 2 is truly Fantastic!!! There is any chance for Blue-ray???
Final trailer is out, looks GREAT.  The shuttle spinning reminds me of Interstellar/docking/NTFC.  Trailer music is by Audiomachine.<br><br>https://youtu.be/azvR__GRQicWell, it is...<br><br>I'm listening to the complete score right now, and that's exactly the track you were talking about. Unless you mean the second time Alfred and Bruce do this, in which case that's "Back to Batcave".Well, it isn't..Truth or Dare additional credits:<br><br>I DON'T WANT TO PLAY<br><br>Matthew Margeson, Daniel James<br><br>SPRING BREAK PACKING<br><br>Matthew Margeson, Jason Soudah<br><br>THE GAME<br><br>Matthew Margeson<br><br>FOLLOW THE RULES<br><br>Matthew Margeson<br><br>BREAK OLIVIA'S HAND<br><br>Matthew Margeson, Daniel James<br><br>MARKIE'S DAD<br><br>Matthew Margeson<br><br>TYSON'S INTERVIEW<br><br>Matthew Margeson, Andrew Kawczynski, Daniel James<br><br>ROOFTOP TRUTH OR DARE<br><br>Matthew Margeson<br><br>INTRUDER<br><br>Matthew Margeson, Daniel James<br><br>OLIVIA AND LUCAS<br><br>Matthew Margeson<br><br>INEZ<br><br>Matthew Margeson<br><br>OLIVIA'S SECRET<br><br>Matthew Margeson<br><br>RETURN TO MISSION<br><br>Matthew Margeson<br><br>THE GAME WILL NEVER END<br><br>Matthew Margeson<br><br>Credits taken from GEMAyears ago
When did this album come out?MOVIE CREDITS:<br><br>Music Composed And Conducted By<br>HARRY GREGSON - WILLIAMS<br><br>Additional Music By<br>STEPHANIE ECONOMOU<br><br>Music Edited By<br>BYFAR MUSIC, INC.<br><br>Orchestrated By<br>ALISTAIR KING<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS<br><br>Score Recorded & Mixed By<br>PETER COBBIN<br><br>Record & Mix Editorial<br>KIRSTY WHALLEY<br><br>Score Mixed At<br>SWEET THUNDER STUDIO<br><br>Assistant Engineers<br>JOHN BARRETT<br>STEFANO CIVETTA<br><br>Assistant Music Editor<br>PAUL THOMASON<br><br>Digital Score Recordist<br>PAUL THOMASON<br><br>Score Production Supervisor<br>MONICA ZIERHUT<br><br>Music Preparation By<br>JILL STREATER<br><br>Orchestra Contractor<br>JENNY NENDICK<br>For<br>ISOBEL GRIFFITHS, LTD.<br><br>Choir & Whistlers<br>APOLLO VOICES<br><br>Acoustic Guitar & Ukulele<br>VIVIAN MILANOVA<br><br>Ethnic Flutes<br>CHARLES ADELPHIA<br><br>Bass<br>FRANCISCO OJEDA<br><br>Drum Programmer<br>SATNAM RAMGOTRA<br>Honestly I am more annoyed that the soundtracks still put in endcredit songs despite them being the easiest to rip.Season 8 OST better have Jennys SongThat track is "Risen From Darkness" off the complete score.
the zimmer info available on this site is always fun to read. thanks to hybrid and the rest for providing a fun place to discuss and review. if any fellow fans are interested in a run through of my entire physical Hans collection, check this out :)<br><br>https://www.youtube.com/watch?v=WsSQ6ohbFc8<br><br>I love it! <br>The Penguin March is perfect for Penguin based music!Hello, does anyone know the name of the song played during scene in which Alfred and Bruce discuss rumors about bane in the batcave? Thanks in advancetread carefully hybrid might ban you for posting credits here lmaoThe only credit that I've found for Stephanie on this one is Shark Cage. It's literally the only cue with her name on it on both BMI and GEMA.
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Harry Gregson-WilliamsStephanie EconomouAlastair KingAl Clay
ComposerAdditional MusicOrchestratorMusic Scoring Mixer
The Meg
Label: WaterTower Music
Length: 51'04
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (614 votes)
  1. Sub Disaster (4:16)
  2. Mana One (1:32)
  3. A New World (4:57)
  4. Jonas Descends (3:12)
  5. Prehistoric Species (2:41)
  6. Toshi's Sacrifice (2:33)
  7. Non-Extinct (1:46)
  8. Meiying Explores (2:24)
  9. Even The Score (2:10)
  10. Tracker (2:42)
  11. Shark Cage (3:52)
  12. You Saved Me (0:56)
  13. Dr. Zhang (2:35)
  14. We Have A Plan (1:20)
  15. Pippin (0:43)
  16. Beach Attack (2:48)
  17. Jonas Vs Meg (5:56)
  18. To Our Friends (4:41)
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Knight reply Replies: 1 || 2019-04-21 17:29:37
The only credit that I've found for Stephanie on this one is Shark Cage. It's literally the only cue with her name on it on both BMI and GEMA.


KnightLite2019-04-21 19:23:54
tread carefully hybrid might ban you for posting credits here lmao

Michael Fields reply Replies: 0 || 2019-01-07 09:44:29
MOVIE CREDITS:

Music By
HARRY GREGSON-WILLIAMS

Supervising Music Editors
ALLEGRA DE SOUZA
ADAM MILO SMALLEY

Music Editor
PETER OSO SNELL

Assistant Music Editor
PAUL THOMASON

Additional Music By
STEPHANIE ECONOMOU

Orchestrated By
ALASTAIR KING

Music Coordinator
CHRISTIAN BUCHMANN

Score Recorded By
BERND MAZAGG

Pro-Tools Operator
MARTIN WEISMAYR

Score Mixed By
AL CLAY

Technical Score Engineers
ALVIN WEE
SLAMM ANDREWS

Score Consultant
MONICA ZIERHUT

Music Preparation By
BOOKER WHITE
VIENNA MUSIC ANGELS

Chinese Percussion Performed By
F3NG SINGAPORE

Chinese Percussion Leader
MIKE CHIANG

Chinese Percussion Recorded By
GAO YANG

Dimitris Krommidas reply Replies: 0 || 2018-09-29 03:21:05
Epic score by Harry Gregson Williams.One of my favorites this year.

Iamtommie reply Replies: 3 || 2018-08-23 00:43:18
Gregson-Williams is scoring the live action Mulan.
Hope we'll get a chinese Narnia with maybe the theme from Goldsmith.


Mephariel2018-08-23 02:00:53
A Chinese version of Narnia + Kingdom of Heaven + Some of his animated scores.

I would be very happy.


LP2018-08-23 02:50:42
I'm HYPE for this!


Brent2018-08-23 05:46:15
This news has me WAY more excited than Zimmer and Wonder Woman. Lol.

aldan reply Replies: 5 || 2018-08-04 17:45:45
What has happened to HGW?? :((

Back then in 1998, along with John Powell, we saw them both as promising talents, destined to be one of the best in term of crafting ABOVE-STANDARD-TO-MASTERPIECE music and melody.

And in early 2000, we saw a separation. Powell for the most part wisely chose the animation realm, while HGW chose live-action instead.

Both of them succeeded in delivering the job. Powell is at his strongest and i'm not forgeting HGW with his Kingdom of Heaven and Narnia!

Entering 2010, we saw a decline for both. A little one for Powell, as he would prepare himself for his first sabbatical. But before that, Powell has delivered a masterpiece in film score history with his HTTYD in 2010. In the same year, i would also like to not disregard HGW's Prince of Persia.

Going past 2010, but before 2014/2015, we saw them quite at the bottom. Powell was really pissed about film scoring, while HGW was not neccessarily at the bottom, but his spark started to fade.

Entering 2015, they both rose again. Powell was getting more and more advanced, but i think the same couldnt be said with HGW, as he just rose a bit ( i like his monkey kingdom score though).

Before we enter 2020, we see Powell's force really shone. He is more creative than ever, trying many things that he suits, getting gig that no one here would even dare to expect ( Star Wars ehem )

Powell, until now, still CONSISTENTLY crafts REALLY-GOOD TO-MASTERPIECE music and melody.

Now HGW,...
He still gets movies to write,small ones though, not so much blockbuster-adventury.

And that what makes him declining in the first place.

Powell's decision to tackle more on animations, gives him many great sandboxes to play, everytime, thus really mastering his skill. Smart!

While HGW's false decision to chose blockbuster live-action movies instead, makes him vulnerable to "decaying". And it looks like he is not that kind of person who would push harder to keep his spark, thus he has became one of the "generics". Sparkless.

But still, Andrew Lockington has managed to take that title faster than HGW

-----------------

Now The MEG:

For every track i played, i always wished for that unique 90s MV power anthem to really pop, but unfortunately i couldnt find one. And dont get me started on the action music.( But yes, i hear some decent themes buried here and there. And a rather generic genre music in "A New World".)

And i skimmed through last tracks, prepared to end this as another disappointment for HGW, i found a nice power anthem being displayed in "To Our Friends" (itself can also be regarded as variation of his Prometheus theme), but only the first half, sadly. :(

Another disappointment for HGW.

----

Even when he was given a good sandbox such as this, he couldnt really turn his spark on again. He couldnt find the word "fun" in his job anymore. (And Early Man could also be another good example for this issue)

Sad for HGW.


MrZimmerFan2018-08-04 17:58:45
I think you mistake The Meg with The Equalizer 2

IMO


Ro2018-08-04 21:47:35
I agree that HGW doesn't seem to pour much enthusiasm into his works lately but quite frankly I don't think the projects themselves were calling for something special either. To me, Martian was proof enough that HGW's still got it cracking. He just needs the right gig. I see the live action adaption of Mulan is being helmed by the director of Zookeeper's Wife which he previously scored. That's about the right sort of stuff to get his engines lit.


Olive2018-08-05 01:10:45
Probably family. HGW has had three children in the last decade.


Meta2018-08-05 04:26:20
Yep. I stopped listening to Powell after Bourne Ultimatum/Hancock years, then picked him up again for Star Wars. Big difference, cuz i found his other works to be lackluster for me.

HGW? Oh Lordy....Man On Fire/Domino for me was his final era to shine. Then he just went downhill...Equalizer seemed to bring back that HGW I loved since Man on Fire, but Equalizer 2 sounds like he phoned it in. Meg? It sounds like he was more interested in doing this score than EQ2, and that's not even sayinfg much because this score is vanilla.


Edmund Meinerts2018-08-05 12:19:15
You're missing a lot of really great music in those intervening 10 years of Powell's career, Meta...HTTYD is anything but lackluster!

Mephariel reply Replies: 0 || 2018-08-04 20:51:09
A enjoyable score actually. Wish it has a main theme rather than just melodic undertones. But definitely has some great action scoring near the end of the score.

psycosid09 reply Replies: 1 || 2018-08-03 01:57:49
I really like this score which Gregson-Williams wrote.


MrZimmerFan2018-08-04 10:06:35
One of the most enjoyable scores of this year.

Harry Gregson-Williams in his top noch form (ok, is not Sinbad, right?), but the two main themes and the fun with the action and more epic (the beautiful A New World, for example) or the more action packed tracks like the terrific Jonas vs Meg (the brass writing is terrific) or Beach Attack (that chinese percussion are epic), also the main theme for the human characters, gave a sense of adventure i thought never listen again.


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The Meg soundtrack - Harry Gregson-Williams 2018