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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Rupert Gregson-WilliamsAndrew KawczynskiPaul MounseyTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Wonder Woman (Complete Score)
Label: Unofficial Release
Length: 148'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (351 votes)
  1. DC Logos - Opening - Amazons Of Themyscira (4:20)
    Rupert Gregson-Williams (Hans Zimmer)
  2. Bedtime Story - Training Diana (5:16)
    Rupert Gregson-Williams
  3. Fighting Antiope (3:14)
    Rupert Gregson-Williams
  4. Cliff View - Plane Crash (3:43)
    Rupert Gregson-Williams (Hans Zimmer)
  5. You're A Man (0:53)
    Rupert Gregson-Williams
  6. Beach Battle (3:18)
    Rupert Gregson-Williams
  7. Death Of Antiope (1:36)
    Rupert Gregson-Williams
  8. Interrogation (5:10)
    Rupert Gregson-Williams
  9. Steve & Diana (1:44)
    Rupert Gregson-Williams, Evan Jolly
  10. Steve Questions Diana (1:36)
    Rupert Gregson-Williams, Evan Jolly
  11. Diana Tests Her Strength (2:38)
    Rupert Gregson-Williams, David Buckley
  12. Leaving The Island (2:34)
    Rupert Gregson-Williams
  13. Sleeping On The Boat (3:33)
    Rupert Gregson-Williams, Evan Jolly
  14. Ludendorff (2:37)
    Rupert Gregson-Williams
  15. London (0:49)
    Rupert Gregson-Williams
  16. A Baby (0:17)
    Rupert Gregson-Williams
  17. Selfridges (3:44)
    Rupert Gregson-Williams, David Buckley
  18. Bad Guys (1:23)
    Rupert Gregson-Williams, Paul Mounsey
  19. Alley Shootout (1:02)
    Rupert Gregson-Williams, Paul Mounsey
  20. Gas Test (0:55)
    Rupert Gregson-Williams
  21. Reading The Notebook (2:12)
    Rupert Gregson-Williams, Paul Mounsey
  22. Diana Tosses Bar Guy (0:24)
    Rupert Gregson-Williams, Tom Howe
  23. Steve Tells Of His Plan (1:33)
    Rupert Gregson-Williams, Tom Howe
  24. Wounded Soldiers (1:05)
    Rupert Gregson-Williams, Tom Howe
  25. Gassing The Officers (1:42)
    Rupert Gregson-Williams
  26. Charlie's Nightmare (1:23)
    Rupert Gregson-Williams, Tom Howe
  27. No Man's Land (5:41)
    Rupert Gregson-Williams
  28. Fighting In Veld (5:44)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  29. He Cannot Shoot (0:37)
    Rupert Gregson-Williams
  30. Diana's Realization (0:31)
    Rupert Gregson-Williams
  31. First Kiss (0:31)
    Rupert Gregson-Williams
  32. Approaching The Castle (2:49)
    Rupert Gregson-Williams, Paul Mounsey
  33. Lady In The Blue Dress (0:30)
    Rupert Gregson-Williams
  34. Diana Enters The Ballroom (3:30)
    Rupert Gregson-Williams
  35. Gassed Village (2:02)
    Rupert Gregson-Williams
  36. Killing Ludendorff (4:34)
    Rupert Gregson-Williams, Andrew Kawczynski (Hans Zimmer)
  37. Steve Leaves (3:17)
    Rupert Gregson-Williams
  38. Ares (5:38)
    Rupert Gregson-Williams
  39. Tower Explosion (2:51)
    Rupert Gregson-Williams, Andrew Kawczynski
  40. Steve Says Goodbye (3:17)
    Rupert Gregson-Williams, Andrew Kawczynski
  41. Showdown (1:44)
    Rupert Gregson-Williams, Evan Jolly
  42. Rage (2:28)
    Rupert Gregson-Williams, Evan Jolly
  43. Hearing (1:21)
    Rupert Gregson-Williams
  44. Diana Wins (2:14)
    Rupert Gregson-Williams, Thomas Farnon
  45. Aftermath (1:33)
    Rupert Gregson-Williams
  46. Victory Celebration (2:38)
    Rupert Gregson-Williams
  47. Only Love (0:35)
    Rupert Gregson-Williams, Halli Cauthery
  48. Wonder Woman (0:37)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
  49. Action Reaction (5:52)
    Rupert Gregson-Williams, Andrew Kawczynski
  50. DC Logos (Alternate) (1:21)
    Rupert Gregson-Williams (Hans Zimmer)
  51. Bedtime Story - Training Diana (Alternate) (5:21)
    Rupert Gregson-Williams
  52. Fighting Antiope (Alternate) (1:06)
    Rupert Gregson-Williams
  53. Cliff View (Alternate) (1:07)
    Rupert Gregson-Williams
  54. Plane Crash (Alternate) (0:50)
    Rupert Gregson-Williams
  55. Beach Battle (Alternate) (0:49)
    Rupert Gregson-Williams
  56. Diana Tests Her Strength (Alternate) (0:21)
    Rupert Gregson-Williams, David Buckley
  57. No Man's Land (Alternate I) (3:26)
    Rupert Gregson-Williams
  58. No Man's Land (Alternate II) (0:51)
    Rupert Gregson-Williams
  59. Fighting In Veld (Alternate) (4:40)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  60. Lady In The Blue Dress (Alternate) (0:30)
    Rupert Gregson-Williams
  61. Gassed Village (Alternate) (1:26)
    Rupert Gregson-Williams
  62. Hearing (Alternate) (1:21)
    Rupert Gregson-Williams
  63. Diana Wins (Alternate) (0:36)
    Rupert Gregson-Williams, Thomas Farnon
  64. Aftermath - Victory Celebration - Only Love - Wonder Woman (Alternate) (4:50)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
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tilibro reply Replies: 0 || 2018-10-12 03:58:10
Shame that "Cliff View - Plane Crash" and "Diana Tests Her Strength" weren't on the OST, they're very good.

Felix reply Replies: 6 || 2018-08-30 19:38:19
Not any Suite on the CS??


T-Mann0362018-08-30 23:13:31
The search for the suites now begin.


Hybrid Soldier2018-08-30 23:16:34
Not every composer works like HZ with theme suites.


The only suite here is Action Reaction and it's Andrew.


em2018-09-03 20:34:09
I know you've probably been asked this before, Hybrid. But does Hans write suites for all of his scores? Even ones that aren't released/recorded?


Hybrid Soldier2018-09-03 21:19:46
Mostly, yes...

But I'll take an example, Rush, he wrote the main theme to picture directly with Ron Howard & Peter Morgan in the room.

Bryce Jacobs did develop a suite "Guitar F1", but that's a score Hans really attacked "to picture". Did he however have a file on his computer somewhere called "Rush Theme Demo v1.1", well probably too !


David2018-09-03 22:21:20
How many films has Hans scored to picture? Do you know which ones?


em2018-09-05 19:21:02
Every film is scored to picture surely.

I was just asking about the themes. Thanks Hybrid.

T-Mann036 reply Replies: 0 || 2018-09-03 04:07:05
After listening to this complete film score, there are two tracks that I personally enjoy the best-- Fighting In Veld and Killing Ludendorff. And I thought adding Wonder Woman and Action Reaction were the ultimate icing on the cake at the conclusion of the entire picture!

T-Mann036 reply Replies: 0 || 2018-08-30 04:21:34
The Wonder Woman complete score is ultimately one of the best film soundtracks ever made. Rupert Gregson-Williams is the truth!

Overall: 5 stars!

mpolonest123 reply Replies: 5 || 2018-08-30 00:11:21
Glad this is finally out!

Hybrid, any idea why Hans is only credited on certain cues for the WW theme? The rhythmic portion is used throughout. (Training Diana, Alley Shootout, etc.)


Hybrid Soldier2018-08-30 00:17:41
It's the cuesheet, I guess they thought Hans (and Junkie, who's credited for being BvS co-compo) didn't deserve money for those... lol


bill2018-08-30 00:19:09
you are right. It’s in those too.


mpolonest1232018-08-30 00:27:28
Lol wow, I guess a good way to save a buck.

A few others where the theme appears: Diana Tests Her Strength, He Cannot Shoot, Diana Wins, Only Love, Diana Enters Ballroom.


Hybrid Soldier2018-08-30 00:29:38
Well crediting a composer for using a... baseline ?


Credit Hans where you want, no one will mind !


mpolonest1232018-08-30 00:36:48
All in all this is a really solid score, with quite a bit unreleased. You have the London material which takes a page from Sherlock Holmes, the “Selfridges” cue (which is so bizarre but fun), the beach battle, and the “Steve Says Goodbye” track which should have been included on the OST.

Russel reply Replies: 1 || 2018-08-29 23:40:58
Wow


Anonymous2018-08-30 00:10:29
The hans zimmer theme is definitely in more than those tracks!

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Wonder Woman (Complete Score) soundtrack - Rupert Gregson-Williams 2017