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OST album additional credits:<br><br><br>Geoff Zanelli (James Newton Howard)<br><br>MISTRESS OF EVIL<br><br><br>Geoff Zanelli, Phill Boucher<br><br>ETIQUETTE LESSONS (James Newton Howard)<br>IT IS LOVE THAT WILL HEAL YOU<br>BACK TO THE MOORS  (James Newton Howard)<br><br><br>Geoff Zanelli, Zak McNeil<br><br>WHAT IS GOING ON HERE? (James Newton Howard)<br>PINTO'S RECON MISSION<br>ORIGIN STORY<br>THE DANCE OF THE FEY<br>YOUR MAJESTY, THEY'RE COMING FROM THE SEA<br>THE PHOENIX (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)<br>I'VE MADE MY CHOICE<br>PROTECTING OUR KIND<br>MALEFICENT RETURNS (James Newton Howard)<br>HELLO, BEASTIE! (James Newton Howard)<br>TIME TO COME HOMEMaybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? I’m currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.
Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThat’s a cool choice, I’m hoping for something more like “It” and less like “Light’s Out”.
Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the jobPowell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isn’t fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, I’m interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.
Bring on the remixes!LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film music
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Rupert Gregson-WilliamsAndrew KawczynskiPaul MounseyTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Wonder Woman (Complete Score)
Label: Unofficial Release
Length: 148'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (767 votes)
  1. DC Logos - Opening - Amazons Of Themyscira (4:20)
    Rupert Gregson-Williams (Hans Zimmer)
  2. Bedtime Story - Training Diana (5:16)
    Rupert Gregson-Williams
  3. Fighting Antiope (3:14)
    Rupert Gregson-Williams
  4. Cliff View - Plane Crash (3:43)
    Rupert Gregson-Williams (Hans Zimmer)
  5. You're A Man (0:53)
    Rupert Gregson-Williams
  6. Beach Battle (3:18)
    Rupert Gregson-Williams
  7. Death Of Antiope (1:36)
    Rupert Gregson-Williams
  8. Interrogation (5:10)
    Rupert Gregson-Williams
  9. Steve & Diana (1:44)
    Rupert Gregson-Williams, Evan Jolly
  10. Steve Questions Diana (1:36)
    Rupert Gregson-Williams, Evan Jolly
  11. Diana Tests Her Strength (2:38)
    Rupert Gregson-Williams, David Buckley
  12. Leaving The Island (2:34)
    Rupert Gregson-Williams
  13. Sleeping On The Boat (3:33)
    Rupert Gregson-Williams, Evan Jolly
  14. Ludendorff (2:37)
    Rupert Gregson-Williams
  15. London (0:49)
    Rupert Gregson-Williams
  16. A Baby (0:17)
    Rupert Gregson-Williams
  17. Selfridges (3:44)
    Rupert Gregson-Williams, David Buckley
  18. Bad Guys (1:23)
    Rupert Gregson-Williams, Paul Mounsey
  19. Alley Shootout (1:02)
    Rupert Gregson-Williams, Paul Mounsey
  20. Gas Test (0:55)
    Rupert Gregson-Williams
  21. Reading The Notebook (2:12)
    Rupert Gregson-Williams, Paul Mounsey
  22. Diana Tosses Bar Guy (0:24)
    Rupert Gregson-Williams, Tom Howe
  23. Steve Tells Of His Plan (1:33)
    Rupert Gregson-Williams, Tom Howe
  24. Wounded Soldiers (1:05)
    Rupert Gregson-Williams, Tom Howe
  25. Gassing The Officers (1:42)
    Rupert Gregson-Williams
  26. Charlie's Nightmare (1:23)
    Rupert Gregson-Williams, Tom Howe
  27. No Man's Land (5:41)
    Rupert Gregson-Williams
  28. Fighting In Veld (5:44)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  29. He Cannot Shoot (0:37)
    Rupert Gregson-Williams
  30. Diana's Realization (0:31)
    Rupert Gregson-Williams
  31. First Kiss (0:31)
    Rupert Gregson-Williams
  32. Approaching The Castle (2:49)
    Rupert Gregson-Williams, Paul Mounsey
  33. Lady In The Blue Dress (0:30)
    Rupert Gregson-Williams
  34. Diana Enters The Ballroom (3:30)
    Rupert Gregson-Williams
  35. Gassed Village (2:02)
    Rupert Gregson-Williams
  36. Killing Ludendorff (4:34)
    Rupert Gregson-Williams, Andrew Kawczynski (Hans Zimmer)
  37. Steve Leaves (3:17)
    Rupert Gregson-Williams
  38. Ares (5:38)
    Rupert Gregson-Williams
  39. Tower Explosion (2:51)
    Rupert Gregson-Williams, Andrew Kawczynski
  40. Steve Says Goodbye (3:17)
    Rupert Gregson-Williams, Andrew Kawczynski
  41. Showdown (1:44)
    Rupert Gregson-Williams, Evan Jolly
  42. Rage (2:28)
    Rupert Gregson-Williams, Evan Jolly
  43. Hearing (1:21)
    Rupert Gregson-Williams
  44. Diana Wins (2:14)
    Rupert Gregson-Williams, Thomas Farnon
  45. Aftermath (1:33)
    Rupert Gregson-Williams
  46. Victory Celebration (2:38)
    Rupert Gregson-Williams
  47. Only Love (0:35)
    Rupert Gregson-Williams, Halli Cauthery
  48. Wonder Woman (0:37)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
  49. Action Reaction (5:52)
    Rupert Gregson-Williams, Andrew Kawczynski
  50. DC Logos (Alternate) (1:21)
    Rupert Gregson-Williams (Hans Zimmer)
  51. Bedtime Story - Training Diana (Alternate) (5:21)
    Rupert Gregson-Williams
  52. Fighting Antiope (Alternate) (1:06)
    Rupert Gregson-Williams
  53. Cliff View (Alternate) (1:07)
    Rupert Gregson-Williams
  54. Plane Crash (Alternate) (0:50)
    Rupert Gregson-Williams
  55. Beach Battle (Alternate) (0:49)
    Rupert Gregson-Williams
  56. Diana Tests Her Strength (Alternate) (0:21)
    Rupert Gregson-Williams, David Buckley
  57. No Man's Land (Alternate I) (3:26)
    Rupert Gregson-Williams
  58. No Man's Land (Alternate II) (0:51)
    Rupert Gregson-Williams
  59. Fighting In Veld (Alternate) (4:40)
    Rupert Gregson-Williams, David Buckley (Hans Zimmer)
  60. Lady In The Blue Dress (Alternate) (0:30)
    Rupert Gregson-Williams
  61. Gassed Village (Alternate) (1:26)
    Rupert Gregson-Williams
  62. Hearing (Alternate) (1:21)
    Rupert Gregson-Williams
  63. Diana Wins (Alternate) (0:36)
    Rupert Gregson-Williams, Thomas Farnon
  64. Aftermath - Victory Celebration - Only Love - Wonder Woman (Alternate) (4:50)
    Rupert Gregson-Williams, Halli Cauthery (Hans Zimmer)
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tilibro reply Replies: 0 || 2018-10-12 03:58:10
Shame that "Cliff View - Plane Crash" and "Diana Tests Her Strength" weren't on the OST, they're very good.

Felix reply Replies: 6 || 2018-08-30 19:38:19
Not any Suite on the CS??


T-Mann0362018-08-30 23:13:31
The search for the suites now begin.


Hybrid Soldier2018-08-30 23:16:34
Not every composer works like HZ with theme suites.


The only suite here is Action Reaction and it's Andrew.


em2018-09-03 20:34:09
I know you've probably been asked this before, Hybrid. But does Hans write suites for all of his scores? Even ones that aren't released/recorded?


Hybrid Soldier2018-09-03 21:19:46
Mostly, yes...

But I'll take an example, Rush, he wrote the main theme to picture directly with Ron Howard & Peter Morgan in the room.

Bryce Jacobs did develop a suite "Guitar F1", but that's a score Hans really attacked "to picture". Did he however have a file on his computer somewhere called "Rush Theme Demo v1.1", well probably too !


David2018-09-03 22:21:20
How many films has Hans scored to picture? Do you know which ones?


em2018-09-05 19:21:02
Every film is scored to picture surely.

I was just asking about the themes. Thanks Hybrid.

T-Mann036 reply Replies: 0 || 2018-09-03 04:07:05
After listening to this complete film score, there are two tracks that I personally enjoy the best-- Fighting In Veld and Killing Ludendorff. And I thought adding Wonder Woman and Action Reaction were the ultimate icing on the cake at the conclusion of the entire picture!

T-Mann036 reply Replies: 0 || 2018-08-30 04:21:34
The Wonder Woman complete score is ultimately one of the best film soundtracks ever made. Rupert Gregson-Williams is the truth!

Overall: 5 stars!

mpolonest123 reply Replies: 5 || 2018-08-30 00:11:21
Glad this is finally out!

Hybrid, any idea why Hans is only credited on certain cues for the WW theme? The rhythmic portion is used throughout. (Training Diana, Alley Shootout, etc.)


Hybrid Soldier2018-08-30 00:17:41
It's the cuesheet, I guess they thought Hans (and Junkie, who's credited for being BvS co-compo) didn't deserve money for those... lol


bill2018-08-30 00:19:09
you are right. It’s in those too.


mpolonest1232018-08-30 00:27:28
Lol wow, I guess a good way to save a buck.

A few others where the theme appears: Diana Tests Her Strength, He Cannot Shoot, Diana Wins, Only Love, Diana Enters Ballroom.


Hybrid Soldier2018-08-30 00:29:38
Well crediting a composer for using a... baseline ?


Credit Hans where you want, no one will mind !


mpolonest1232018-08-30 00:36:48
All in all this is a really solid score, with quite a bit unreleased. You have the London material which takes a page from Sherlock Holmes, the “Selfridges” cue (which is so bizarre but fun), the beach battle, and the “Steve Says Goodbye” track which should have been included on the OST.

Russel reply Replies: 1 || 2018-08-29 23:40:58
Wow


Anonymous2018-08-30 00:10:29
The hans zimmer theme is definitely in more than those tracks!

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Wonder Woman (Complete Score) soundtrack - Rupert Gregson-Williams 2017