NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.Accurate?<br><br>01. 1m01 Opening – Meet Mickey (2:29)<br>02. 1m01s The Hills Of California (2:35)<br>03. 1m02 Save the Blonde (3:13)<br>04. 1m03 Bathtub Oath (0:52)<br>05. 1m04 Fire – You’re Talking To God (1:39)<br>06. 1m05s No Baby, Nobody But You (2:48)<br>07. 1m06s Mr Five By Five (3:13)<br>08. 1m07s Perdido (3:20)<br>09. 1m08s Early Autumn (3:30)<br>10. 2m09 War for the Soul of LA (1:22)<br>11. 2m11 Going After Mickey (0:56)<br>12. 2m12s Mr. Fool (2:57)<br>13. 2m13s Chicken Shack Boogie (Part 2) (2:56)<br>14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)<br>15. 2m13s Kiss Kiss (Part 1) (2:16)<br>16. 2m14 Choosing The Squad (2:47)<br>17. 2m18 Cohen Threatens Reporter (0:22)<br>18. 2m19s Amado Mio (2:38)<br>19. 2m20 Cohen and Dragna (1:35)<br>20. 2m21 When Do We Start (1:01)<br>21. 2m21a When Do We Start (0:29)<br>22. 2m22s Bull Fiddle Boogie (2:37)<br>23. 2m23 Crashing the Casino (1:13)<br>24. 2m25s So Tired (2:58)<br>25. 3m26 Pete Killed (3:53)<br>26. 3m28 Burbank Jail Breakout (2:29)<br>27. 3m29 Dragna Killed (0:54)<br>28. 3m30 Planting the Wire (2:15)<br>29. 3m32 Car Chase (3:20)<br>30. 4m33 You Know the Drill (1:05)<br>31. 4m35s A Little Bird Told Me (2:40)<br>32. 4m37s Route 66 (2:36)<br>33. 4m38s Big Jay’s Hop (2:55)<br>34. 4m39s Blow Blow Blow (2:06)<br>35. 4m41 Don’t Go (1:31)<br>36. 4m41a Boxing Video (0:55)<br>37. 4m42 Identifying the Wire (0:59)<br>38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)<br>39. 4m43a Everybody Out (0:25)<br>40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)<br>41. 4m44 Boogie In the Front (2:33)<br>42. 4m44a Cohen Beats the Cop (0:34)<br>43. 4m46 Coordinating The Response (2:21)<br>44. 4m46a I Need You On the Wire Tonight (0:34)<br>45. 4m47 Cliftons (1:10)<br>46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)<br>47. 4m48s The Evening Primrose (Part 2) (3:20)<br>48. 5m49 Keeler Killed (0:42)<br>49. 5m49a Chinatown (4:23)<br>50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)<br>51. 5m50 Connie Lives (1:56)<br>52. 5m51 Train Station Goodbye (1:34)<br>53. 5m52 Grace Is Alive (1:07)<br>54. 5m53 Let’s Finish It (1:41)<br>55. 6m55 Ole Buttermilk Sky (2:17)<br>56. 6m57 Serving the Warrant (7:36)<br>57. 6m58 Fist Fight – The End (4:13)<br>58. 6m59 Bless You (For the Good That’s In You) (2:55)<br>59. 6m61 End Credit Score Suite (5:22)Where can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.
I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.
Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).
Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)Some of the synth work throughout is definitely like Spirit. The first couple minutes of Coda are one example.It's only suggestions based on about few dozen listened scores of those composers.<br>By the way known that HGW was part of it.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50
Hans ZimmerLorne Balfe
ComposerComposer
FIFA 19 - The Journey - Champions (VG)
Label: EA Music (Digital Download Only)
Length: 49'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (778 votes)
  1. Legacy (1:28)
  2. 29 (2:44)
  3. Rising Star (2:05)
  4. From The Bottom (1:44)
  5. Training Day (1:55)
  6. Benched (2:21)
  7. I Want To Go Pro (1:45)
  8. Intimidation Game (2:47)
  9. Family First (2:27)
  10. Choose Your Path (1:47)
  11. Nothing To Fear (2:22)
  12. What's To Come (2:30)
  13. Your Time (2:17)
  14. Alone (3:40)
  15. I Need This (3:09)
  16. An Historic Day (1:49)
  17. Betrayed (1:52)
  18. You've Arrived (2:38)
  19. Finally (1:49)
  20. A Taste Of Victory (2:02)
  21. Do You Remember? (2:27)
  22. A Bright Future (1:58)
Create Topic

Joshua reply Replies: 5 || 2018-09-27 20:08:08
New Hans and Lorne tomorrow! Always a good day.

zimm442019-03-05 22:38:14
On the official The World Of Hans Zimmer they stated that it is produced by Hans and composed by Lorne

Mike2019-03-07 03:47:45
So is that official? Hans didn't write for this score?

Edmund Meinerts2019-03-07 16:33:55
If true it would be about the least surprising news ever

Mephariel2019-03-07 16:43:35
What Edmund said. The score doesn't even sound like anything from Zimmer.

Mike2019-03-07 17:06:10
I agree.... It would also explain why Hans has said nothing whatsoever about this score.

Markus reply Replies: 2 || 2018-12-08 04:46:17
Did anyone watch the games show last night ? Zimmer , Harry Gregson-Williams and Lorne Balfe all performing !!!!!!

Mike2018-12-08 06:43:02
I did and it was amazing.Lorne also had other composers from games on stage also.They all looked like they were having fun and Lorne did an amazing montage of the best games .

Anton82018-12-09 04:21:39
Harry and Harry on the same stage with Lorne was so cool.Wish they would perform more together.It made gaming cool I thought

Mike reply Replies: 0 || 2018-12-07 05:19:05
Not a bad score, if not particularly striking. Really seems to have slipped under the radar.

696 reply Replies: 0 || 2018-11-14 14:04:43
IMDb says that Lorne is one of the 3 composers of Battlefield V. I am confused.... :D
  Your name :   

Please enter number: 1660 

George reply Replies: 7 || 2018-09-27 23:58:05
This is actually pretty good

Brian2018-09-28 20:45:42
Love it . Balfe and Zimmer should do more together .Great team

Hybrid Soldier2018-09-28 23:08:31
"Balfe and Zimmer should do more together"


:o


It's not like they didn't work on about 50 projects together already... lol

Edmund Meinerts2018-09-28 23:49:50
Yeah what a bizarre statement haha, it's like saying "you know who Steven Spielberg should work more with...John Williams"

Mephariel2018-09-29 00:08:25
I thought the whole thing was very average. But then I didn't expect anything more than average. I never found Zimmer's passion in his video game scores.

MigUles2018-09-29 01:30:06
As a gamer , I Love music when it’s written like a movie.This soundtrack is fantastic

Mike2018-09-29 02:20:55
I take it this one is Zimmer and Balfe throughout, not just Zimmer on the main theme and Balfe doing the actual score? :P

1232018-09-29 11:12:33
wait a second, Lorne collaborated with Hans before?

Mike reply Replies: 0 || 2018-09-12 06:23:34
Didn't know where else to put this, but happy 61st, Hans Zimmer!

Hybrid Soldier reply Replies: 6 || 2018-09-02 17:54:43
This could be interesting.

Jsdamian2018-09-02 22:41:54
Yeeeeesssss

Mike2018-09-02 22:58:28
Does this mean another Volvo Prologue/Premier Boxing Champions style score from Hans, perchance?

Mephariel2018-09-03 05:22:14
Can someone explain to me what this is? Is this music from the game or something else?

Hybrid Soldier2018-09-03 08:33:44
It's FIFA 19.

There's a "storyline" part of the game where you play the career of a footballer.

It's much more cinematic, lots of cutscenes & stuff. That's what Junkie XL wrote last year & HZ/LB wrote this year.

Because other than that, a "traditional" football game doesn't need any "score" ! lol

Knight2018-09-03 14:04:44
Is it available for purchase somewhere?

qnebra2018-09-03 18:57:15
On Spotify you can listen single from this soundtrack.
 HANS-ZIMMER.com© 2001-2018 OST 
FIFA 19 - The Journey - Champions (VG) soundtrack - Hans Zimmer - Lorne Balfe 2018