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It'd be awesome if Hans and co. went the Thor: Ragnarok route and created some kickass psychedelic synth ballads. I'm interested to hear how they interpret their WW theme for this setting.Is there a date for Lisbon, Portugal?<br>Thank youthis is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.
As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans Iím guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).
He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/
Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available."Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf  irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. Itís just a fantastic movie.<br><br>Thereís nobody that can shoot like Michael Bay. Itís exciting and itís pure. Itís the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, thatís me for the next two hours. Iím not leaving. That was what made me fall in love with film. And so itís great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>
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Max ArujSteffen ThumJohannes VogelOscar Senen
ComposerComposerConductorOrchestrator
Warning Shot
Label: 14th Street Music (Digital Download Only)
Length: 48'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1117 votes)
  1. The Estate (3:38)
  2. Warning Shot (3:39)
  3. Take Me (3:28)
  4. Questions (3:49)
  5. Open Up (1:56)
  6. Mistrust (3:47)
  7. Calvin's Philosophy (3:10)
  8. Rights (2:49)
  9. Rifle Vs Gun (3:27)
  10. I Forgive You (2:47)
  11. Healed (2:53)
  12. Trigger (4:08)
  13. Two Shots (4:38)
  14. Safe (4:20)
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MrZimmerFan reply Replies: 3 || 2019-07-05 10:01:17
Apparently, Crawl is going to be release by Paramount Music, same day as the movie.


Knight2019-07-05 10:45:14
Who is scoring it?


MrZimmerFan2019-07-05 11:36:59
The post and the page isn't obvious?


johny5552019-07-05 12:38:51
so Oscar Senen is scoring it ?

Michael Fields reply Replies: 0 || 2019-01-07 09:13:50
MOVIE CREDITS:

Music By
MAX ARUJ
STEPHEN THUM

Orchestrator
OSCAR SENEN

Special Thanks
LORNE BALFE
QUEENIE LI
HANS ZIMMER

Agent reply Replies: 0 || 2019-01-07 00:01:11
Appreciate this score. Thanks.

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Warning Shot soundtrack - Max Aruj - Steffen Thum 2018