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and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>
Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?If you want modern, have Ludwig Göransson score the movie. Him or Don Davis. If you want to stick with RCP, I would love to see Benjamin Wallfisch take a stab at it based on his work on King of Thieves.Hello team, i would just like to add to the thank-you's, throughout the years you've been roxxin the world.<br> anyways i particularly enjoyed "time" but not for the movie instead it was used as an AMV on youtube for the japanese anime Zetsuen No Tempest. the story is epic suffice to say that it + time blew my heart away then and there. <br>So thank you very much :D
...but modernLalo Schifrin certainly didn't need Lorne Balfe to make him sound cool.Now that would be an interesting to hear what he could do with Star WarsModern and cool? Seriously Balfe is the reason why the theme works? Let’s have balfe re write Star Wars to make it modern and cool.I think Balfe has to come back because Fallout was the first since Mission 2 the music worked.He made Lalo’s theme sound modern and cool.
It's out there.Reef 2: High TideSerenity going to be released next week<br><br>https:/ / www.amazon.com/gp/product/B07KZGKX4K/ref=as_li_qf_asin_il_tl ?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativ eASIN=B07KZGKX4K&linkId=b932ee0afd97cf3be04f644cad294734I watched again and the "thickness" in some of the low end was in fact multiple kettle drums being rapidly pounded which in fact accounts for the excess reverberation and explains why it sounded muddy to me.  I will have to get the "World of Hans Zimmer" recording that others are talking about and see if I like that one better.Personally, I do not want Balfe or Kraemer to return. I found Kraemer's score to be too restrained, and while Balfe's score is exciting, when I watched the film, I thought the music worn out quickly by the middle of the film. Too much of the same orchestrations. <br><br>I hope they go with someone new.
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Henry JackmanAnthony WillisJeff MorrowNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Ralph Breaks The Internet
Label: Walt Disney Records
Length: 74'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (371 votes)
  1. Zero - Imagine Dragons (3:32)
  2. A Place Called Slaughter Race - Sarah Silverman & Gal Gadot & Cast (3:28)
  3. In This Place - Julia Michaels (3:21)
  4. Best Friends (2:52)
    Henry Jackman
  5. Circuit Breaker (2:21)
    Henry Jackman, Jeff Morrow
  6. Pulling The Plug (1:14)
    Henry Jackman, Jeff Morrow
  7. On The Rooftop (1:04)
    Henry Jackman
  8. The Big Idea (1:15)
  9. The Internet (2:47)
    Henry Jackman
  10. KnowsMore & Spamley (1:17)
  11. Site Seeing (1:29)
  12. Checkout Fiasco (1:32)
  13. Get Rich Quick (1:43)
  14. Shank (3:03)
  15. Hangin' Out (1:03)
    Henry Jackman, Jeff Morrow
  16. BuzzzTube (1:42)
    Henry Jackman, Jeff Morrow
  17. Overnight Sensation (2:51)
    Henry Jackman, Jeff Morrow
  18. Separate Ways (1:04)
  19. Vanellope's March (0:46)
  20. Desperate Measures (1:20)
    Henry Jackman, Jeff Morrow
  21. Don't Read The Comments (1:48)
  22. Growing Pains (1:35)
    Henry Jackman
  23. Double Dan (3:35)
  24. Scanning For Insecurities (1:54)
    Henry Jackman, Jeff Morrow
  25. Breaking Up (2:45)
  26. Replicate-It-Ralph (1:20)
    Henry Jackman, Jeff Morrow
  27. Operation Pied Piper (2:37)
  28. Kling Kong (3:39)
    Henry Jackman
  29. The Meaning Of Friendship (2:16)
  30. A Big Strong Man In Need Of Rescuing (1:54)
  31. Letting Go (1:48)
    Henry Jackman, Jeff Morrow
  32. Comfort Zone (1:32)
    Henry Jackman
  33. Worlds Apart (1:22)
    Henry Jackman, Jeff Morrow
  34. A Place Called Slaughter Race (Instrumental) - Alan Menken & Phil Johnston & Tom MacDougall (3:28)
  35. In This Place (Instrumental) - Alan Menken & Phil Johnston & Tom MacDougall (3:19)
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Knight reply Replies: 0 || 2018-12-02 20:26:56
Hybrid, did you forget to add the tracklist/booklet info here or are you waiting till you have the composer/additional music info?

Jean-Luc reply Replies: 11 || 2018-11-16 14:24:55
This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.


Hybrid Soldier2018-11-16 20:41:41
Henry has been removing electronics for 4 years now...


Mike2018-11-16 21:29:51
So I guess I'm the only one who likes less-electronic-Henry?


Iamtommie2018-11-16 23:19:02
No you're not. I think Jackman has made some great score over the last through years.
And I think this is one of them. Both tracks with or without electronics


Medigo2018-11-18 19:54:36
Are you sure Jackmans been removing the electronics from his music, or just from his albums?

Civil War was noticeably different, if you compare the OST to what you heard in the movie.


Hybrid Soldier2018-11-18 22:58:23
From albums yes, not from the scores... lol


Anonymous2018-11-19 06:56:09
I don't understand the composer's reasoning. If a piece of music is written with a palette of sounds in mind, it will only work as intended when those stems are all present. One can't aim to do a painting of a pasture and then leave all the green color out because some Gothic Art critic doesn't like the color.


Hybrid Soldier2018-11-19 12:33:28
Exactly...


...2018-11-19 17:31:23
Which scores has he done this with?


Sideshow Bob2018-11-20 03:13:23
civil war is one of quite a few


Meta2018-11-20 04:05:44
Well...Maybe Jackman is bucking for something grander than the standard RCP mold.


jjstarA1132018-11-21 23:24:56
Just got back from this (very fun and sweet) film, and I can confirm that the electronics were not removed on the album; the last third of the album really is meant to be entirely orchestral (except for "Comfort Zone"). A ballsy move on Jackman's part, but man, I really thought it payed off emotionally!

T-Mann036 reply Replies: 2 || 2018-11-18 16:47:08
Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu? I wonder what the film soundtrack would sound like. Hmm...


tilibro2018-11-20 04:16:08
Maybe adapt the game's soundtrack to the score. I remember hearing the "main theme" jingle at one point in the trailer.


Der Profl2018-11-21 22:47:19
It would be a shame, if he won't use some characteristic Pokémon Themes. But maybe it's just my fan opinion. :)

JBSO99 reply Replies: 0 || 2018-11-18 11:24:47
I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.

Really great score!

SPECTER reply Replies: 2 || 2018-11-17 21:17:22
Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?


Hybrid Soldier2018-11-17 22:35:59
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."


Anonymous2018-11-18 06:27:46
About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?

jjstarA113 reply Replies: 6 || 2018-11-17 02:45:47
Copied from Filmtracks:

Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.

*I get the sense that this movie might be too long (1 hour and 52 minutes).


Meta2018-11-17 03:54:26
WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.


jjstarA1132018-11-17 04:57:34
Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.


Meta2018-11-17 12:18:56
Aw Hell...

I guess it never did freeze over.


Anonymous2018-11-17 18:12:20
Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for me


Nick2018-11-18 05:25:58
@Anonymous

Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality.

I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).


HunterTech2018-11-18 06:06:23
That is probably the fairest thing anyone on this website will say about Clemmensen. :P

HunterTech reply Replies: 1 || 2018-11-17 04:04:41
That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.


HunterTech2018-11-17 04:05:59
Referring to the previous comment (how did it not reply to the the previous message?)

The Dude reply Replies: 2 || 2018-11-10 20:15:11
I wonder with all of the Easter eggs if Jackman will incorporate some character themes like possibly the Imperial March for Storm Troopers Or Disney themed for the Disney characters


Frank2018-11-16 10:36:54
Imperial March and Luke's theme are in it!


Iamtommie2018-11-16 16:59:30
Listen to

A Big Strong Man In Need Of Rescuing.

That whole track is a damn easter egg

Anonymous reply Replies: 1 || 2018-11-16 12:51:28
Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?


Meta2018-11-16 13:51:40
The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more.

But hey maybe he just doesn't wanna do that crap anymore...so..eh.

Scorefan reply Replies: 0 || 2018-11-16 02:12:31
Tracklist:

01. Imagine Dragons – Zero (3:32)
02. Sarah Silverman, Gal Gadot, Cast – Ralph Breaks the Internet – A Place Called Slaughter Race (3:28)
03. Julia Michaels – In This Place (3:21)
04. Karol Sevilla – El lugar (3:21)
05. Best Friends (2:53)
06. Circuit Breaker (2:22)
07. Pulling the Plug (1:14)
08. On the Rooftop (1:04)
09. The Big Idea (1:16)
10. The Internet (2:47)
11. KnowsMore & Spamley (1:18)
12. Site Seeing (1:30)
13. Checkout Fiasco (1:33)
14. Get Rich Quick (1:43)
15. Shank (3:03)
16. Hangin’ Out (1:03)
17. BuzzzTube (1:42)
18. Overnight Sensation (2:52)
19. Separate Ways (1:04)
20. Vanellope’s March (0:46)
21. Desperate Measures (1:20)
22. Don’t Read the Comments (1:49)
23. Growing Pains (1:35)
24. Double Dan (3:36)
25. Scanning for Insecurities (1:54)
26. Breaking Up (2:46)
27. Replicate-It-Ralph (1:21)
28. Operation Pied Piper (2:38)
29. Kling Kong (3:39)
30. The Meaning of Friendship (2:16)
31. A Big Strong Man in Need of Rescuing (1:55)
32. Letting Go (1:49)
33. Comfort Zone (1:33)
34. Worlds Apart (1:22)
35. Alan Menken, Phil Johnston, Tom MacDougall – A Place Called Slaughter Race (Instrumental) (3:28)
36. Alan Menken, Phil Johnston, Tom MacDougall – In This Place (Instrumental) (3:20)

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Ralph Breaks The Internet soundtrack - Henry Jackman 2018